Michael Medwin Movies

Lewis Carroll's classic fantasy about a young girl's adventures in a strange, alternate reality comes to the screen once again in this television adaptation, which stars Kate Beckinsale as Alice, Penelope Wilton as the White Queen, Ian Holm as the White Knight, and Michael Medwin as the Red King. ~ Mark Deming, All Movie Guide

The "endless game" is espionage, which goes on and on despite government upheavals and changing international attitudes. Albert Finney plays a retired secret agent called back to active duty. Finney is entrusted with the task of finding out why his fellow retirees are being killed off. One of the victims is a woman who'd once been Finney's lover. Anthony Quayle makes his final screen appearance in this made-for-cable suspenser. Endless Game was written and directed by Bryan Forbes--surprisingly, his first foray into the spy-film genre. ~ Hal Erickson, All Movie Guide

A diverse group of guests gather in a small hotel in Paris to contemplate the state of their lives in this pretentious drama. Joseph Goldman (Fernando Rey) is a washed-up Hollywood actor making a living in the dinner-theater circuit. Accompanied by his wife Sarah (Carola Regnier), Goldman meets Frederique (Berangere Bonvoisin), who is hiding from her former lover. French financier Arthur (Fabrice Luchini) hopes to get into the film industry and bends the ear of a British director (Michael Medwin). The talkative film has little action, and none of the characters evoke much interest or resolve their dilemma. ~ Dan Pavlides, All Movie Guide

The title of the 1983 James Bond adventure Never Say Never Again is a self-mocking reference to star Sean Connery's insistence back in 1971 that he would never play Bond again. Reportedly, the huge salary offered Connery was but one consideration that brought him back to the 007 fold; the other was the producers' assurance that Connery would have full control over all aspects of production, a promise that was not kept often enough to the star's liking. Essentially, this film is a remake of the 1965 Bond flick Thunderball (the producers were able to get away with this due to a legal tangle involving the original 1961 Ian Fleming novel). Bond emerges from cozy retirement to cross swords with Largo (Klaus Maria Brandauer), a megalomaniacal business exec who steals several nuclear missiles, intending to bring the World Powers to their knees. Kim Basinger plays Domino, Largo's mistress, whose loyalty Bond secures when she learns that Largo was responsible for the death of her brother. In addition to Basinger, the film boasts a toothsome villainess by the name of Fatima Blush (played by Barbara Carrera). After wrapping Never Say Never Again, Sean Connery swore that this was his absolutely final performance as James Bond; thus far, he's kept his word. ~ Hal Erickson, All Movie Guide

Set in India during World War II, this fair action drama relies heavily on the good acting talent gathered to convey its slight, uninvolved story. Gregory Peck is Col. Lewis Pugh, backed up by Roger Moore as Capt. Gavin Stewart, David Niven as Col. Bill Grice, Patrick MacNee as Major Crossley, and several others -- all retired and past the age for active duty. At issue are three German freighters that are parked in the waters off Goa, the Portuguese coastal colony on the subcontinent of India. Since Portugal is neutral, the regular army cannot destroy the freighters, and it is up to the retired army officers and a large corps of over-the-hill volunteers to take on the mission of eliminating the German ships. ~ Eleanor Mannikka, All Movie Guide

One man's dreams of success take him on a Byzantine journey through the various stations of the British class system in this politically charged black comedy from director Lindsay Anderson. Mick Travis (Malcolm McDowell) is an ambitious young man who is looking to get his foot on the first rung of the ladder of success by landing a job as a salesman. After the death of Imperial Coffee's leading drummer in the North, Travis' charm and enthusiasm so impresses manager Mr. Duff (Arthur Lowe) that he's given the job, and after some coaching from Gloria Rowe (Rachel Roberts), Travis sets out to find his fortune in the coffee trade. Travis' desire for success quickly sets him on a curious odyssey in which he happens upon a secret sex club for businessmen, finds himself the subject of random seductions by lonely women, is captured and tortured by military intelligence agents, submits to medical experiments at a bizarre private clinic, hitches a ride with a traveling rock band led by former Animals keyboardist Alan Price, falls in love with a beautiful young bohemian named Patricia (Helen Mirren), goes to work for her father (Ralph Richardson), who happens to be a singularly corrupt political figure, and eventually lands in prison after he's implicated in a deal to sell chemical weapons to the Third World. As Mick's strange tale progresses, we periodically visit Price and his band in the recording studio or rehearsal hall, as they work on songs which serve as both mirror and counterpoint for Travis' progress. O Lucky Man! was the second film in which Malcolm McDowell would portray Mick Travis for director Lindsay Anderson, following If..., and preceding Britannia Hospital; the film's surreal undercurrent was reinforced by the casting, in which nearly all of the principal actors play two or three roles. ~ Mark Deming, All Movie Guide

Scrooge was designed as a follow-up to 1968's Oliver!, the Oscar-winning musicalization of Charles Dickens' Oliver Twist. The umpteenth musical version of Dickens' 1843 novelette A Christmas Carol, Scrooge features several sprightly Leslie Bricusse songs, including the bona fide hit "Thank You Very Much." Buried under mounds of latex, Albert Finney is Ebenezer Scrooge. The Three Ghosts who turn the miserly Scrooge's life around on Christmas Eve are portrayed by Edith Evans (Past), Kenneth More (Present) and Paddy Stone (Yet to Come). Sir Alec Guinness also appears as a fussy, slightly effeminate Marley's Ghost. Intriguingly, Finney performs his many songs live, without post-production dubbing. ~ Hal Erickson, All Movie Guide

Rebellious students at an English private school plan a violent revolt against their repressive environment in director Lindsay Anderson's highly acclaimed but extremely controversial drama. Centering on a small group of non-conformists led by Mick Travis (Malcolm McDowell), the film paints a distinctly negative picture of the British school system and, by extension, English society. Seeing the powers-that-be as humorless, bureaucratic, and needlessly restrictive, Mick and his cohorts indulge in small acts of rebellion, including sneaking into town to romance a local waitress. Their actions are discovered and punished with harsh beatings, leading the students to plot revenge. This effort culminates in the film's most famous sequence, a surrealistic depiction of a bloody uprising by the students against the adult world. Daring and unpredictable in content and form, If... mixes color and black-and-white cinematography as easily as it mingles satire with dark fantasy. The film's ambiguous attitude toward violence caused controversy at the time, as many commentators saw the film as a potential incitement to violence. It became a great success among younger, counter-culture audiences who appreciated the audacious shock tactics and embraced the satirical, anti-establishment message. Often compared to Jean Vigo's French classic Zéro de conduite, which also featured surrealistic boarding-school rebellion, If... has become a high point in the cinema of youth rebellion. Anderson and McDowell later collaborated on O Lucky Man! (1973), Look Back in Anger (1980), and Britannia Hospital (1982). ~ Judd Blaise, All Movie Guide

Charles Chaplin wrote, directed, and scored this old-fashioned romantic comedy, which proved to be his last film. Wealthy American diplomat Ogden Mears (Marlon Brando) is sailing from Hong Kong to Hawaii, where he hopes to meet and reconcile with his estranged wife Martha (Tippi Hedren). However, while the ship takes on passengers in Hong Kong, a stowaway slips into Mears' suite. Natascha (Sophia Loren) is a White Russian countess who was forced to flee the country following the revolution and ended up in Hong Kong, where she earns a meager living as a dime-a-dance girl in a sleazy ballroom. When Mears discovers that Natascha is an uninvited guest in his quarters, she begs him to help her emigrate to the United States; when he refuses, Natascha tries a new tack, threatening to tell Martha that they've been sharing a stateroom if he doesn't cooperate. Mears grudgingly allows Natascha to stay with him and keep her secret until he can figure out a clever way to get rid of her. Margaret Rutherford has a showy supporting role as an eccentric passenger, and Chaplin gives himself a silent cameo as a bumbling porter (no fewer than four of his children also appear). ~ Mark Deming, All Movie Guide

Horace Quilby (Michael Bentine) is a sandwich-board advertising man who gets a tour of London and sees some of the city's most offbeat and outrageous characters in this situation comedy. British blonde bombshell (Diana Dors) co-stars. Watch for Michael Chaplin (son of Charlie) as a beatnik artist. ~ Dan Pavlides, All Movie Guide

This is a somewhat sensitive story of a virgin 39-year-old British soccer fan who goes to a bar with a bunch of his pals and is goaded into betting that he can sleep with the sassy waitress. What he doesn't know is that she overhears the bet and decides to call better's bluff. They take off to her apartment and carry on an all-night conversation in which finally ends in less talk and more tickle. ~ All Movie Guide

This comedy features a 12-step Program for habitual hoods. The recovering criminal takes a job as a department store Santa, and again finds himself confronted with temptation. ~ Sandra Brennan, All Movie Guide

The Longest Day is a mammoth, all-star re-creation of the D-Day invasion, personally orchestrated by Darryl F. Zanuck. Whenever possible, the original locations were utilized, and an all-star international cast impersonates the people involved, from high-ranking officials to ordinary GIs. Each actor speaks in his or her native language with subtitles translating for the benefit of the audience (alternate "takes" were made of each scene with the foreign actors speaking English, but these were seen only during the first network telecast of the film in 1972). The stars are listed alphabetically, with the exception of John Wayne, who as Lt. Colonel Vandervoort gets separate billing. Others in the huge cast include Eddie Albert, Jean-Louis Barrault, Richard Burton, Red Buttons, Sean Connery, Henry Fonda, Gert Frobe, Curt Jurgens, Peter Lawford, Robert Mitchum, Kenneth More, Edmond O'Brien, Robert Ryan, Jean Servais, Rod Steiger and Robert Wagner. Paul Anka, who wrote the film's title song, shows up as an Army private. Scenes include the Allies parachuting into Ste. Mere Englise, where the paratroopers were mowed down by German bullets; a real-life sequence wherein the German and Allied troops unwittingly march side by side in the dark of night; and a spectacular three-minute overhead shot of the troops fighting and dying in the streets of Quistreham. The last major black-and-white road-show attraction, The Longest Day made millions, enough to recoup some of the cost of 20th Century Fox's concurrently produced Cleopatra. ~ Hal Erickson, All Movie Guide