Matthew "Stymie" Beard Movies

The 1955 film version of John Steinbeck's East of Eden will always be popular because of the presence in the cast of James Dean. Even so, the film covered only a small portion of the original novel. For those Steinbeck completists who prefer a more thorough treatment, we submit for your approval the TV miniseries adaptation of East of Eden, which first aired February 8, 9 and 11, 1981. This eight-hour dramatization begins in the years following the Civil War. Braggadocio union officer Cyrus Trask (Warren Oates) is the father of gentle, loyal Adam (Timothy Bottoms) and hellraiser Charles (Bruce Boxleitner). Enter the bewitching, mean-spirited Cathy Ames (Jane Seymour), who leads both brothers on and causes an irreparable rift between them. Eventually, Adam marries Cathy, taking her and their twin sons to a 900-acre farm in California's Salinas Valley. Cathy rebels against this cloistered existence and runs off to work in a house of ill repute. In Part Three, we finally meet the "James Dean" character: Cal Trask (played by Timothy Bottoms' brother Sam), who can never hope to come up to the standards of his "good" twin brother Aron (Hart Bochner) in the eyes of his father. Cal's "bad" reputation obscures his good intentions, but by film's end he is compelled to reveal to brother Aron that their mother had not died as father Adam has claimed, but in fact has become a hard-bitten bordello "madam". Adapted for television by Richard Shapiro, East of Eden was part of ABC's informal "Novels for Television" series. ~ Hal Erickson, All Movie Guide

In this animated story based on the adventures of Our Gang, the kids attempt to raise enough money to buy Spanky's mother a new coat for Christmas. ~ Jason Ankeny, All Movie Guide

Injured in a hit-and-run accident, John (Randolph Mantooth) ends up in a Rampart hospital bed, where he proceeds to drive the staff crazy. Meanwhile, Roy is saddled with John's replacement Craig Bice (John R. Richardson in his first series appearance), an unsufferable perfectionist whose strict adherence to rules and regulations does more harm than good. This week's case load includes a possible heart attack victim and a raging fire. Series costar Randolph Mantooth pulled double duty as actor and director in this final episode of Emergency's fifth season. ~ Hal Erickson, All Movie Guide

Isaac Hayes puts his gun where his groove is in his role as hard-case bounty hunter Mack "Truck" Turner, three years after composing the legendary score for Shaft (1971). Ex-football star turned skip-tracer, Turner specializes in bringing in the criminals police are too scared to chase, and when he's hired to capture sociopathic pimp Gator (Paul Harris), he finds himself confronted by the most vicious killers in the underground scene. Little does Turner know that Gator's woman, Dorinda (Nichelle Nichols), has a deep-running cold streak of vengeance, and has hired ruthless hit man Harvard Blue (Yaphet Kotto), as well as a legion of other like-minded and equally determined assassins, to snuff out Truck's supercharged motor once and for all. It's now up to Truck to keep his cool long enough to get to the source of the seemingly endless stream of bullets that come at increasingly unsettling intervals. ~ Jason Buchanan, All Movie Guide

Otto Preminger directed this stylish film noir exercise, intended as a follow-up to his surprise hit Laura. Kicked off a bus traveling cross-country for not being able to come up with the fare, down-and-out press agent Eric Stanton (Dana Andrews) ends up in Walton, a small coastal town in California. Stanton fast-talks Joe Ellis (Olin Howland) into giving him a place to stay for the night in exchange for promoting Professor Madley (John Carradine), a "mentalist" whose show Ellis manages. While in Walton, Stanton makes the acquaintance of June Mills (Alice Faye), a wealthy but reclusive young woman, and has his eye on Stella (Linda Darnell), a good-looking waitress working at the local diner. Thanks to Madley, Stanton learns a few things about June, and when Ellis and the professor pull up stakes after a successful engagement, Stanton opts to stay behind, hoping to win Stella's heart. Gold digger Stella makes it known that she has no interest in Stanton unless he comes into a lot of money, but June has made her interest in Stanton quite clear. Stanton hatches a plan: he'll marry June, take her money, divorce her, and then take up with Stella. Stanton and June do in fact marry, but just as he's about to give her the brush-off, Stella turns up dead. Mark Judd (Charles Bickford), a retired cop-turned-detective, is investigating the murder, and while the initial suspect is Dave Atkins (Bruce Cabot), Stella's ne'er-do-well ex-boyfriend, Judd's focus eventually falls on Stanton. Stanton flees Walton for San Francisco, with ever-loyal June at his side; he quickly abandons her after taking her money, but he returns to her side when word reaches him that June has been charged with Stella's murder. Fallen Angel marked a dramatic change of pace for Alice Faye; however, she was very unhappy with how Preminger edited her performance, convinced that much of her best work ended up on the cutting-room floor. Faye was so angry that she quit the movie business altogether and didn't appear in another film until State Fair in 1962. ~ Mark Deming, All Movie Guide

20th Century-Fox mixed together elements of its own Jesse James and Selznick's Gone with the Wind, and the resultant brew was Belle Starr. Looking precisely nothing like the real Belle, Gene Tierney plays the title role, whom the screenplay suggests was the daughter of a Southern aristocrat. When those Damn Yankees march in and appropriate Belle's land, she heads to Missouri and joins forces with a Confederate guerilla fighter (Randolph Scott). Belle marries the man, and together they become outlaws, hoping to avenge the fallen South. For reasons best known to the studio, Belle Starr is overloaded with offensive African American stereotypes, including the faithful old ex-slave (George Reed) who narrates the story. ~ Hal Erickson, All Movie Guide

An all-black musical about a concert violinist who loses the use of his left hand after an auto accident. ~ All Movie Guide

In 1938, Jezebel was widely regarded as Warner Bros.' "compensation" to Bette Davis for her losing the opportunity to play Scarlett O'Hara in Gone With the Wind. Resemblances between the two properties are inescapable: Jezebel heroine Julie Marsden (Davis) is a headstrong Southern belle not unlike Scarlett (Julie lives in New Orleans rather than Georgia); she loves fiancé Preston Dillard (played by Henry Fonda) but loses him when she makes a public spectacle of herself (to provoke envy in him) by wearing an inappropriate red dress at a ball, just as Scarlett O'Hara brazenly danced with Rhett Butler while still garbed in widow's weeds. There are several other similarities between the works, but it is important to note that Jezebel is set in the 1850s, several years before Gone With the Wind's Civil War milieu; and we must observe that, unlike Scarlett O'Hara, Julie Marsden is humbled by her experiences and ends up giving of her time, energy, and health during a deadly yellow jack outbreak. Bette Davis won an Academy Award for her portrayal of Julie; an additional Oscar went to Fay Bainter for her portrayal of the remonstrative Aunt Belle (she's the one who labels Julie a "jezebel" at a crucial plot point). The offscreen intrigues of Jezebel, including Bette Davis' romantic attachment to director William Wyler and co-star George Brent, have been fully documented elsewhere. Jezebel was based on an old and oft-produced play by Owen Davis Sr. ~ Hal Erickson, All Movie Guide

The first of three all-black music Westerns released by white-operated Sack Amusement Enterprises, Two Gun Man from Harlem was filmed at N.B. Murray's African-American dude ranch near Victorville, California, and starred popular black entertainer Herb Jeffries (who billed himself Herbert Jeffrey for the occasion). Slightly more adult in tone than the average B-Western, the film was made by veterans of the genre, including cameraman Marcel LePicard, production manager Al Lane and art director Vin Taylor. Jeffries played Bob Blake, a ranch foreman falsely accused of killing his boss, John Steele (Tom Southern) after spurning the man's flirtatious wife, Ruth (Mae Turner. Returning from a stay in New York's Harlem, Bob returns West in the guise of the Deacon, a former preacher turned killer and Bob's look-alike ("I preach the gospel, brother -- gun gospel!"). He arrives just in time to rescue Ruth, the only witness to her husband's killing and thus the sole person who can clear him, from suffering the same fate as her late spouse. Filmed on the very cheap, Two Gun Man from Harlem was enlivened by the presence of Matthew "Stymie" Beard, of Our Gang fame, as heroine Marguerite Whitten's kid brother, Mantan Moreland as Jeffries' comedic brother and Spencer Williams, the future "Andy" of television's Amos 'n Andy, as the killer's hired hand. Jeffries, whose rather wooden acting style was no worse than most B-Western heroes, sang his own I'm a Happy Cowboy accompanied by The Cats and the Fiddle, an African-American hillbilly group. ~ Hans J. Wollstein, All Movie Guide

A followup to the musical-revue short Our Gang Follies of 1936, the one-reel Reunion in Rhythm was apparently filmed under the title Our Gang Follies of 1937. Its release title reflected the fact that, in addition to such current Gang members as Spanky McFarland, Carl "Alfalfa" Switzer, Darla Hood, Billy "Buckwheat" Thomas, and Eugene "Porky" Lee, the film also features return appearances by former "Our Gang" stalwarts Mickey Daniels, Mary Kornman, Joe Cobb and Mathew "Stymie" Beard. The occasion is a class reunion at Adams Street Grammar School, where the students stage a show for the entertainment of the alumni. Musical highlights include "Baby Face", performed by Darla and Porky; &"Broadway Rhythm", performed by Spanky and the ensemble; and a medley of &"Going Hollywood" and "I'm Through With Love", sung by Alfalfa and Georgia Jean LaRue. Originally released on January 9, 1937, "Reunion in Rhythm" is the least satisfying of the "Our Gang" musicals, perhaps because the kids seem a tad over-rehearsed this time out. ~ Hal Erickson, All Movie Guide

This period adventure drama was directed by Tay Garnett and adapted from a story by William Faulkner. The skipper of a slave trading vessel operating along the West African coast in 1860, Captain Jim Lovett (Warner Baxter) is troubled by his flesh-peddling trade. He's marrying the beautiful Nancy Marlowe (Elizabeth Allan) and wants to replace his morally-indefensible business with a more respectable foray into standard goods shipping. So he orders his first mate, Jack Thompson (Wallace Beery) to fire most of the crew and replace them with new hands. However, the ship's swabbies are accustomed to their lucrative line of work and, under the sway of the greedy Lefty (George Sanders), they mutiny, resulting in high seas histrionics and swashbuckling sword fights, with comedy relief provided by Mickey Rooney as Swifty the cabin boy. Lon Chaney, Jr. appears unbilled in the film's opening, where his character is crushed during a ship's launching. ~ Karl Williams, All Movie Guide

After several years away from the Our Gang series, the gang's longtime mentor Robert F. McGowan briefly resumed his directorial activities with the sidesplitting Divot Diggers. The action takes place at an expansive California golf course, where the Our Gang kids merrily play their own ragtag version of golf with their own makeshift clubs. When the course's regular caddies quit en masse, the desperate caddy master hires the gang members as replacements. The kids -- and their gibberish-spouting pet chimpanzee -- proceed to drive an adult foursome crazy, then put the finishing touch on an imperfect day by accidentally commandeering a lawn-mowing tractor. To list the film's best verbal and visual gags would require a website in itself; suffice to say that the film packs an inordinate amount of laughs into its brief 14 minutes. Augmented by a terrific LeRoy Shield musical score (including such familiar Hal Roach leitmotifs as "Hot and Dry," "Standing on the Corner," and "Beyond the Rainbow"), Divot Diggers made its theatrical debut on February 8, 1936. ~ Hal Erickson, All Movie Guide

Much against his will, Spanky McFarland had been entered in a kiddie talent contest by his ambitious mother (Kitty Kelly). Hoping to dissuade his Mom from forcing him into a theatrical career, Spanky arranges for the other Our Gang kids to "razz" him during the performance, thereby making certain that he'll lose. While backstage, however, Spanky befriends little Marianne Edwards, who desperately needs the prize money to buy a new dress. Stricken by stage fright, Marianne rushes offstage in tears before she can go into her act. Touched by the girl's plight, Spanky is now determined to win the contest and turn the prize money over to the girl--but the other Gang members don't know that, and they're primed to greet Spanky's recitation with a barrage of boos, catcalls, noisemakers and peashooters. As in the previous comedy Our Gang: Mike Fright, this two-reeler scores its biggest laughs by contrasting the pretensions of "professional kids" with the down-to-earthness of the Gang. As an added bonus, this film marks the debut of future series stalwart Carl "Alfalfa" Switzer. "Beginner's Luck" was originally released on February 23, 1935. ~ Hal Erickson, All Movie Guide