Michael Medeiros Movies

Douglas Brinkley's best-selling novel Tour of Duty follows 2004 presidential hopeful John Kerry's years in Vietnam and goes on to illustrate his contribution to peace advocacy groups after being honorably discharged from the Navy. Both of these events, according to George Butler, Tour of Duty director and long-time friend of Senator Kerry, had a profound impact on the politician's personal ideologies, and provided the foundation for Kerry's career. Kerry, who hired Butler as his press secretary during his 1969 congressional campaign, agreed to be interviewed for the film. Tour of Duty, in addition to a series of interviews, features an array of archival footage of Kerry dating from the 1960s to his presidential run. ~ Tracie Cooper, Rovi

Nola (Emmy Rossum) is a Kansas teen who runs away to New York City to escape an abusive stepfather. Once she gets to the big town, she sets about looking for a job and for her father, whom she's never met. She attacks both tasks with fierce determination, but has little success, until she stumbles upon a greasy spoon near Union Square where the eccentric owner, Gus (Sam Coppola), immediately takes a liking to her. Soon, she's waitressing at the diner and crashing in a room upstairs with the handsome fry cook, Ben (James Badge Dale), who also goes to law school when he feels like it. Nola spends her spare time using the phone book in an effort to track down the man she knows only as "Hutch." Things look up for Nola when she meets the sassy owner of the diner, Margaret (Mary McDonnell), who also runs a very classy escort service. Margaret sees something in Nola, and hires the girl as her assistant. As Nola's relationship with Ben gets more intimate, she tells him about her dream of being a successful songwriter. But things take an ugly turn when one of Margaret's escorts, a transsexual named Wendy (Michael Cavadias) offends a rich and powerful client, Niles (Thom Christopher). Niles is determined to have his revenge, and tries to use his media contacts to have an exposé written about Margaret's business. But the reporter assigned to the story, Leo (Steven Bauer), turns out to be an old friend of Margaret's. Nola, the feature debut of writer/director Alan Hruska, a former trial lawyer, had its world premiere at the 2003 Tribeca Film Festival. ~ Josh Ralske, Rovi

Two lonely adults in New York City engage in an unusual mating dance in the atmospheric comedy/drama Sometime in August. Marcia (Sylva Kelegian) has often been disappointed in love and has just gone through yet another painful breakup, while a ghost of her older self (Terry Keane) often visits to remind her of her failings. In hopes of making her life more interesting, she hires a man named Igor (Michael Medeiros) who poses as a private investigator. Marcia assumes another personality, which she wants Igor to follow. Soon Igor, pretending to be a detective, is trailing Marcia, who is pretending to be another woman. An attraction develops between the two, but will they ever be able to share their real selves with each other? Sometime in August had its premier at the 1999 Los Angeles Independent Film Festival. ~ Mark Deming, Rovi

Kevin Conway guest stars as police lieutenant John Flynn who, while on a stakeout with Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt), kills a suspected drug dealer. The subsequent Internal Affairs investigation results in friction at the NYPD when Curtis refuses to testify that the dead man was going for his gun. This leads to an evidence-tampering charge against Briscoe and a battle between the D.A.'s office and a politically ambitious judge (Josef Sommer). ~ Hal Erickson, Rovi

Ten-year-old Wendy Sylvester (Stephi Lineburg) disappears from a foster home. The subsequent investigation reveals that Wendy had been subjected to neglect and abuse by her foster mother. The girl turns up in a specially designed "hiding place" within the home of her compassionate former teacher Arnette Fenady (Lisa Eichhorn), who insists that she is acting in the child's best interest -- but who is obviously an extremely disturbed woman despite her noble intentions. ~ Hal Erickson, Rovi

The serialized story structure and barbed social commentary from comic book creator and co-writer Frank Miller earned critical respect in this satirical science fiction sequel directed by Irvin Kershner. Peter Weller returns as RoboCop, a futuristic cyborg fashioned from cutting-edge technology and the biological remains of slain Detroit police officer, Alex Murphy. Still patrolling the city streets, RoboCop is scheduled by his creator, Omni Consumer Products, to be replaced by a new "superior" model, RoboCop 2, that according to designer Juliette Faxx (Belinda Bauer), will contain the human remains not of a cop but a criminal. In the meantime, an instantly addictive drug called Nuke is sweeping through Detroit thanks to a kingpin named Cain (Tom Noonan). Taking Cain to task, RoboCop is captured and dismantled. When he's put back together, the cyborg is reprogrammed with a series of socially conscious commands (in a sly mocking of the then relatively new concept of "political correctness") that render him impotent as a law enforcer. Taking charge by rewiring himself with an electrical overload, RoboCop arrests Cain, who is injured in the process. Faxx secretly takes Cain's brain and inserts it into RoboCop 2, turning the robot immediately into a law-breaking murder machine and leading to a violent showdown between two generations of robotic crime-fighters. ~ Karl Williams, Rovi

In this complicated crime drama, Roland Dalton (Peter Weller) is an attorney who must defend a drug dealer who claims he killed in self defense. His worthy opponent is his former flame Susan Cantrell (Patricia Charbonneau), now an effective career-minded prosecuting attorney. Richie Marks (Sam Elliott) is the detective who anticipates that legal prosecution will finally close the book on this case. ~ Dan Pavlides, Rovi

New York Nights is a boring, poorly acted adaptation of the much more successful La Ronde by Max Ophül -- ironically barred for four years by the New York State censorship board when it was first released in 1950. The story sequence is the key to the film; nine episodes each have a character from the preceding episode in a new romantic liaison, until the last character ends up with the one at the beginning. These nine scenarios are somewhere below the suds of soap-opera and above the explicit sex of porn movies. Many different directors in different countries have tried their own versions of La Ronde (based on a play by Arthur Schnitzler with much more success than this version by Simon Nuchtern. ~ Eleanor Mannikka, Rovi