Margaret McWade Movies
- 1921
This is one of a number of silent pictures in which a young American is raised as a Chinese girl, and even though she has no Asian features to speak of, she never guesses she's white until the film's end. While they are visiting China on business a curio collector, Carmichael (Dwight Crittenden) and his wife (Irene Rich), are killed during a Boxer uprising. A servant, Ah Wing (E. A. Warren), saves their baby, which he takes to America and raises as his own. Sui Sen (Leatrice Joy) grows up in Chinatown really believing that Ah Wing is her father. A wealthy American, Newcombe (J. Frank Glendon), sees Sui Sen and falls in love with her on the spot. But Ling Jo (Wallace Beery) -- the same man responsible for the Carmichaels' deaths -- is living in the very same Chinatown and is determined to make the girl his wife. Ah Wing tells Ling Jo that if he can get him the scepter of the Mings -- a supposedly impossible task -- then he can have Sui Sen. But Ling Jo comes through and Ah Wing has to honor the promise. Newcombe finds out about it, however, and goes to save Sui Sen. But he is captured and taken to the steel room to be crushed to death. With the help of a Chinese boy, Newcombe is able to escape, and Ling Jo winds up being crushed in the steel room instead. Finally Sui Sen learns that she is American as apple pie and weds Newcombe. This picture was the first time author Gouverneur Morris wrote a story directly for the screen, and it was part of producer Samuel Goldwyn's "Eminent Authors" series. ~ Janiss Garza, All Movie Guide
- Starring:
- Leatrice Joy, Wallace Beery, (more)
- 1923
Almost an instant classic, Booth Tarkington's 1921 small-town morality tale reached the screen two years later courtesy of King Vidor and Encore Pictures. Vidor's wife, the beautiful Florence Vidor, played the title-role, a girl of modest means who pretends to be wealthy to her friends in general and socialite Arthur Russell (Vernon Steele) in particular. The highlight of the film -- and the book -- is the disastrous dinner party given in Arthur's honor. RKO remade the story in 1935 as a vehicle for Katharine Hepburn, with Fred MacMurray as Arthur and Evelyn Venable as the debutante Mildred Palmer, a role played in the 1924 original by Gertrude Astor. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Florence Vidor, Vernon Steele, (more)
- 1917
For years, it was a "given" that no director of merit ever emerged from the old Edison studios. This assertion was disproved when several of the films directed by Edison alumnus John H. Collins were rediscovered in the late 1970s. One of the best of Collins' efforts (and, sadly, one of his last) was the six-reel Metro drama Blue Jeans. Based on an old stage play, the film was set in Hill Country, where a long-standing family feud causes trouble for feisty heroine June (played by Collins' talented wife Viola Dana. The climax is that old "meller-drammer" standy, the Hero Strapped to a Log in the Sawmill. Despite the silliness of the situation, Collins plays it dead straight, and the scene is almost unbearably suspenseful (incidentally, the heroine comes to the rescue, thereby reversing the usual cliché). Blue Jeans was exceptionally well cast, with several familiar faces (including John Ford stock-company perennial Russell Simpson) performing above and beyond the call of duty. Alas, John H. Collins would soon fall victim to the influenza epidemic of 1918, robbing the screen of one of its most potent pioneering talents. ~ Hal Erickson, All Movie Guide
- 1924
A very young Norma Shearer and a fine supporting cast that includes Adolphe Menjou and Mae Busch all suffered from a hackneyed screenplay in this silent society melodrama from Metro-Goldwyn, the forerunner of MGM. Shearer plays Grace Durland, a debutante forced to leave college when her father (George Fawcett) goes bankrupt. Reduced to working for a living, Grace falls in love with married Ward Trenton (James Kirkwood), whose disagreeable wife (Winifred Bryson) refuses to grant him a divorce. But when Ward sustains severe injuries in a car accident and may not be able to work again, Mrs. Trenton promptly begins divorce proceedings. Happily, Ward makes a full recovery and proposes to Grace. ~ Hans J. Wollstein, All Movie Guide
- 1937
An airy screwball comedy, Danger--Love at Work explores the lives of a wealthy but wacky family. Ann Sothern plays the daughter, the only remotely "normal" member of the clan. Poor Jack Haley enters the scene as a feckless attorney who tries to get the family to finalize an important land deal. Sothern falls for Haley, and through the machinations of her looney parents the timorous lawyer winds up the object of a "shotgun wedding." The amusing but inconsequential Danger--Love at Work was the second American film of director Otto Preminger. ~ Hal Erickson, All Movie Guide
- Starring:
- Ann Sothern, Jack Haley, (more)
- 1920
Olive Thomas, the star of this innocent and sentimental picture, would tragically die of poisoning in Paris within a couple of weeks of its release. The story line is not unlike Peg O' My Heart: a sweet Irish colleen lightens up the lives of those around her. When her Aunt Agnes (Margaret McWade) writes her a desperate note, Kitty McCarthy (Thomas) decides to leave her home in Ireland for the U.S. When she lands on American soil, she meets playwright Gordon Davis (J. Barney Sherry), who gives her enough money to get to her aunt. It turns out that Agnes has become a dope fiend, but Kitty's sunny influence helps her reform almost immediately. Davis, meanwhile, has written a musical comedy, and he gives Kitty a role. The leading lady, Vera Maxwell (Betty Schade), is having problems with her jealous suitor, the wealthy Savoy (Richard Tucker). Kitty helps bring them back together, which temporarily endangers her own romance with Davis' nephew, Roger (Walter McGrail). Gordon lends his aid in keeping the young couple together. ~ Janiss Garza, All Movie Guide
- 1920
Wanda Hawley debuted as a star in her previous film, Miss Hobbs. So it is suggested that the poor material in this pointless picture, based on the Paul Kester play Beverly's Balance, is one of the reasons that Hawley's name did not endure beyond her era. Sylvia (Hawley) is the last of the once-wealthy Figueroas. The family fortune has dwindled and the ranch where she lives is falling apart. To fend for herself, Sylvia travels to San Francisco and lands a job as a chorus girl. She's also looking for her sweetheart, Watt Dinwiddie (Harrison Ford), who went to 'Frisco to start his law practice. She thinks he is well-to-do, but in fact, he's struggling as much as she is. Sylvia earns some scandalous publicity because of the way she is promoted in the chorus show, so she quits. Then she discovers that Jack Horner (Lester Cuneo) is seeking a divorce from his wife, Nancy (Ethel Grey Terry), who is infatuated with a nobleman. Sylvia offers to be co-respondent if he uses Dinwiddie as his lawyer. At first, Dinwiddie is perplexed by Sylvia's behavior, but when she helps Horner and his wife reconcile, he understands, and they reunite, too. ~ Janiss Garza, All Movie Guide
- 1921
Although Erich von Stroheim's Foolish Wives had been released only a few short months earlier, the title to this drama actually came from the Donn Byrne novel on which it was based. Doris May plays Georgia Wayne, a young woman from the South who is stagestruck and convinces her husband Lafayette (Charles Meredith) to move to New York. She gets wrapped up in the heady theatrical life, and when her husband discovers she has been unfaithful, he throws her out. Mildred Manning plays Sheila Hopkins, who marries poet Anthony Sheridan (Wallace MacDonald) because he will allow her to pursue her literary career. The marriage drives Sheridan to drink and he dies in the arms of his mother (Margaret McWade). The only non-foolish matron is actress Annis Grand (Kathleen Kirkham), who marries Dr. Ian Fraser (Hobart Bosworth) and convinces him to leave the city and move to the country. This wasn't one of Maurice Tourneur's better pictures, but it is worthwhile to note that it was co-directed by his protégé, Clarence Badger), who would have a long and illustrious career at MGM. ~ Janiss Garza, All Movie Guide
- Starring:
- Hobart Bosworth, Doris May, (more)
- 1938
In this youth-oriented western, a young man's father is wrongfully accused of murder. Unfortunately, his pa can't prove it and so flees into the rugged mountains. He brings his boy with him. In those lonely hills lives a sad, but wealthy young woman. Love blossoms between the son and the girl as the son struggles to clear his father's name and bring the real villains to justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- Noah Beery, Jr., Frances Robinson, (more)
- 1938
Based upon Arthur Kober’s play (which was subsequently musicalized onstage as Wish You Were Here, Having Wonderful Time stars Ginger Rogers as Teddy Shaw, a typist who goes to a summer camp for a little rest and relaxation. She’s also getting away from Emil (Jack Carson), whose interest in Teddy is no longer returned. Arriving at Camp Kare-Free, she’s offered a ride by Chick (Douglas Fairbanks, Jr.), who works at the camp as a waiter. Unfortunately, they get off to a bumpy start when Chick spills her suitcase and an argument ensues. Once at camp, she makes friends with Fay (Peggy Conklin), Miriam (Lucille Ball) and Henrietta(Eve Arden). Chick apologizes to Teddy, and over the next six days their relationship blossoms, concurrently with that of Miriam and another guest, Buzzy. However, when Chick makes an improper advance during her last night at the camp, Teddy gets angry and leaves him. She dances with Buzzy to make Chick jealous and makes sure she is seen entering Buzzy’s cabin. She takes steps to see that nothing happens and leaves unscathed the next morning, but not before causing trouble between Buzzy and Miriam. Emil has arrived and plans to bring her home after breakfast. While they are eating, Emil proposes to Teddy. Both Chick and Miriam overhear this proposal, after which Miriam loudly comments that Teddy stayed overnight with Buzzy. In the ensuing confusion, Chick decks both Buzzy and Emil, and offers his own proposal to Teddy – which she happily accepts. ~ Craig Butler, All Movie Guide
- Starring:
- Ginger Rogers, Peggy Conklin, (more)
- 1920
This light comedy, based on the French farce La Veglione by Alexandre Bisson and Albert Carre, should have been funnier than it actually turned out to be -- especially with players like Wanda Hawley, Harrison Ford, and famed character actor Tully Marshall. Martinot, a French lawyer (Ford) falls for Susanne Bergomat (Hawley), but has to go on a business trip before he can find out much about her. So he asks his friend, Paul Blythe (Ramsey Wallace), to look into her background for him, and to propose on his behalf. Blythe winds up falling in love with her himself, so he tells Martinot that her father's a drunkard, her mother's a cabaret singer, and that she has inherited the worst traits of both. Martinot writes her off and Blythe marries her. A year later, the young lawyer wants to visit his friend, which sends Blythe into a panic. To hide Susanne's presence, he sends her off with his business partner, Dr. Poulard (Marshall), to visit her parents. But first, they make a stop in Nice to see the Carnival, during which Dr. Poulard gets drunk and passes out -- so Susanne goes off on her own. She runs into Martinot and discovers that he wanted to marry her. She's mad at being duped, so she decides to trick her husband into believing she is all the things he claimed she was, and worse. Mrs. Poulard (Lillian Leighton) helps in this regard when she accuses Susanne of having an affair with her husband. When Blythe has finally been utterly destroyed by Susanne's scandalous behavior, she lets him know it was all a hoax. ~ Janiss Garza, All Movie Guide
- 1921
One of the silent era's more popular leading ladies, Anita Stewart, stars in this colorful but not particularly true-to-life picture. Alice Lambert (Stewart) has had a hard life, full of sadness and disillusionment. One day she finally decides to end it all, but she is discovered by David Leighton (Walter McGrail) before she can go through with it. By calling her a coward and a quitter, Leighton convinces her to rethink what she is about to do and strikes a deal with her: He will give her 50 thousand dollars to stay alive for another year, at the end of which she can kill herself. With her sudden wealth, Alice is able to surround herself in luxury -- and she also learns along the way that money isn't everything. At the end of the year, Alice has come to realize that she actually has quite a lot to live for, and one of her reasons is Leighton. He proposes and she is more than happy to accept. ~ Janiss Garza, All Movie Guide
Both film versions of Phillip Barry's stage comedy Holiday have their merits, but the 1938 version has the added advantage of supercharged star power. Katharine Hepburn and Doris Nolan play Linda and Julia Seton, two daughters of a very well-to-do family. Linda feels a bit lost in the shuffle as sister Julia prepares to marry self-made financier Cary Grant. Hepburn has always rebelled against her privileged trappings, and finds a kindred spirit in the unorthodox, iconoclastic Grant. On the verge of compromising his down-to-earth values with his marriage to the wealth-obsessed Nolan, Grant chooses instead to plight his troth with soul-mate Hepburn, celebrating his "liberation" by doing several cartwheels. Donald Ogden Stewart is careful to bring the pre-Depression frivolities of the Barry play up-to-date, first by changing the character of Grant's best friend (played in both films by Edward Everett Horton) from a lazy socialite to a dedicated professor, and by including several lines indicating how out of touch the privileged classes are--and choose to remain--with 1930s realities. The only element in which the remake does not improve on the original is in the casting of Hepburn's alcoholic younger brother; charming though Lew Ayres is in the 1938 film, he is still outclassed by Monroe Owsley in Holiday (1930). Katharine Hepburn managed to temporarily defray her "box office poison" onus when Holiday proved to be a success; alas, her next film, Bringing Up Baby (which reteamed her with Grant), was a financial bust, compelling her to return to Broadway--where she made a spectacular comeback in another Philip Barry play, The Philadelphia Story. ~ Hal Erickson, All Movie Guide
- Starring:
- Katharine Hepburn, Cary Grant, (more)
- 1939
In this crime drama, a grizzled cabbie is scammed out of his life savings by a fake finance company. He tries to no avail to get police assistance. Finally he becomes a wanted criminal and escapes to California where he meets the girl who will become his wife. She helps him go straight by helping him set up a garage. When she gets pregnant, she talks him into to confessing his crimes to the police. He agrees, but before he goes, he decides to commit one last crime to ensure that his wife and child will not starve while he serves his prison sentence. He then steals a million dollars only to learn that the money is worthless. He is subsequently killed in a police shoot-out. ~ Sandra Brennan, All Movie Guide
- Starring:
- George Raft, Claire Trevor, (more)
Gladys Glover (Judy Holliday) is an unsuccessful model and actress who believes that a jolt of publicity will do her career a world of good. She gets that publicity by renting a billboard in the middle of Manhattan, emblazoned with her name and photograph. As a result, Gladys is showered with endorsement by (Peter Lawford). He becomes enamored with Gladys, which irritates her "unofficial" boyfriend, documentary-director Pete Sheppard (Jack Lemmon) (in his film debut). Pete grows tired of Gladys' publicity stunt, feeling that it is turning her into an object rather than a human being, but Gladys luxuriates in the fame and fortune. A happy ending may be inevitable, but it's a hard-won happiness for both hero and heroine. Scriptwriter Garson Kanin had intended this as a vehicle for Danny Kaye, but Kanin's wife Ruth Gordon suggested the gender-switch to Judy Holliday, noting that what might seem aggressive from Kaye would appear merely whimsical from Holliday. In one of the best scenes, real-life celebrities Melville Cooper, Ilka Chase and Constance Bennett show up as talk-show panelists -- the ideal magnet for the likes of Gladys Glover, who has become famous merely for being famous. ~ Hal Erickson, All Movie Guide
- Starring:
- Judy Holliday, Peter Lawford, (more)
Radio actor Kenny Delmar created the character of bombastic Southern Senator Claghorn for a 1945 installment of The Fred Allen Show. The character immediately caught on with the public, spawning an overabundance of merchandising and thousands of ersatz Claghorn imitators (foremost among these was the Warner Bros. cartoon character Foghorn Leghorn). In 1947, Delmar attempted to parlay Claghorn into film stardom with It's a Joke, Son. From the outset, screenwriters Robert Kent and Paul Gerard Smith were faced with a problem: Senator Claghorn was very funny in small doses on The Fred Allen Show, but could the character sustain a feature-length picture? Their solution to this dilemma was to "humanize" the Senator by removing some of his obnoxious braggadocio and transforming him into a harmless, henpecked small-town windbag. Living in his decaying ancestral Southern mansion with his long-suffering wife Magnolia (Una Merkel), Claghorn has trouble making ends meet financially. Magnolia hopes to resolve their money problems by running for state senator on behalf of the Daughters of Dixie. A band of northern political crooks convince the gullible Claghorn to run against his wife in the senatorial race, thereby splitting the vote so that their own equally crooked candidate can win the election. Complication piles upon complication until Magnolia, realizing that Claghorn is being set up as a patsy, has him kidnapped "for his own good"-a plan which predictably backfires. Future TV star June Lockhart is decorative as Claghorn's daughter, while Kenneth Farrell is adequate as the obligatory romantic lead. It's a Joke Son was the initial Hollywood effort from the Eagle-Lion Productions, a British-based firm which would eventually absorb PRC Pictures, where this film was made on the very cheap. Though moderately successful, the film proved that Senator Claghorn was much funnier heard than seen. ~ Hal Erickson, All Movie Guide
- Starring:
- Kenny Delmar, Una Merkel, (more)
- 1937
In this comedy, a WWI veteran gets married after receiving his bonus money from the government. His meddlesome aunts then attempt to tell him how the tidy sum should be spent. He listens and reluctantly invests in oil. Trouble ensues when con men appear in town and attempt to sell every one phony petroleum futures. Later the nephew begins drilling himself and by the film's end has struck real oil. ~ Sandra Brennan, All Movie Guide
- Starring:
- Edward Everett Horton, Charlotte Wynters, (more)
It took British author James Hilton six weeks to write his visionary novel Lost Horizon. It took director Frank Capra two years-and half of his home studio Columbia's annual budget-to bring it to the screen. After a lengthy preamble, inviting audiences to imagine their own ideas of Utopia, the film opens on a chaotic scene at a Chinese airfield. As hordes of bandits approach, hundreds of refugees scramble to board the last plane out. Only five people make it: Mildly disenchanted Far Eastern diplomat Robert Conway (Ronald Colman), his hotheaded younger brother George (John Howard), embezzler Barnard (Thomas Mitchell), dithery fossil expert Lovett (Edward Everett Horton) and consumptive prostitute Gloria Stone (Isabel Jewell). As the plane flies off towards the Himalayas, Robert realizes that he and his fellow passengers are heading in the wrong direction. They are, in fact, being kidnapped-but why? And where to? The plane crash-lands in the snowy Tibetan interior. The pilot is killed, but the passengers are safe. By and by, a strange caravan approaches, led by an enigmatic Chinese named Chang (H. B. Warner). Joining the caravan, Conway and his party are led through a treacherous mountain pass and into a land of temperate weather and dazzling beauty. This is Shangri-La, the idyllic lamasery presided over by the aged, wizened High Lama (Sam Jaffe). In this fertile valley, people are not encumbered by such exigencies as crime, dictators and hatred; instead, everyone is devoted to the pursuit of wisdom and self-improvement-and best of all, the aging process has been slowed to a walk, allowing people to live well past the two-century mark. Though he still does not know why he was brought here, Conway is quicker to adapt to Shangri-La than his wary fellow passengers. He even falls in love with Sondra (Jane Wyatt), an attractive, intelligent young woman. Finally granted an audience with the High Lama, Conway discovers that the old man is actually Father Perrault, the Belgian missionary who founded Shangri-La-over two hundred years earlier. Dying, the High Lama has selected Conway, whose idealism and even-handedness is world famous, to succeed him-and hopefully spread the "love thy neighbor" edict of Shangri-La to the rest of the war-torn world. Conway is willing to assume leadership, but younger brother George, his mind poisoned by spiteful Shangri-La resident Maria (Margo), insists upon escaping to the outside world. The older Conway warns that, despite her youthful appearance, Maria is well past sixty and will surely perish once she leaves Shangri-La; but Maria retorts that the high lama is insane, and that everything he has told Conway is a lie. Disillusioned, Conway agrees to leave with Jack and Maria. The trek back to civilization is a grueling one, especially for Maria, who-true to Conway's prediction-shrivels from age and dies. Appalled that he has been misled, George kills himself. Weeks later, and amnesiac Conway stumbles into a Tibetan mission, where he is rescued and brought back to England. When his memory is restored, however, Conway runs back to Shangri-La, and into the arms of Sondra. When Lost Horizon was shown to preview audiences, it ran nearly three hours-and it was a disaster. In his autobiography, Capra claims to have rescued his pet project by merely burning the first two reels and opening the film with the evacuation scene; In fact, while Capra did remove the film's "flashback" framework, he made most of his cuts in the body of the picture. The release length of Lost Horizon was 132 minutes, pared down to 119 when it when into general distribution. When it was reissued in the 1940s and 1950s, it was rather clumsily pared down to anywhere from 95 to 100 minutes. Only in the mid-1980s was Lost Horizon restored to its original length, with stills used to illustrate certain scenes for which only the soundtrack existed. While not the enormous hit Capra and Columbia had hoped it would be, Lost Horizon was popular enough to allow the name "Shangri-La" enter the household-word category. In 1973, producer Ross Hunter felt the urge to inflict a wretched musical remake onto an unsuspecting public. ~ Hal Erickson, All Movie Guide
- Starring:
- Ronald Colman, Edward Everett Horton, (more)
- 1937
Raymond McCarey, the prolific if less-inspired brother of Leo McCarey, called the directorial shots for Universal's Love in a Bungalow. Nan Grey stars as young real estate agent Mary Callahan, whose job it is to guide potential house-buyers through a "model" bungalow. Enter Jeff Langan (Kent Taylor), a handsome young indigent who moves into the bungalow and steadfastly refuses to move out. Falling in love with the stubborn but charming Jeff, Mary conspires with him to enter a radio contest in hopes of winning the bungalow rent-free. But there's a catch: Jeff and Mary have to pretend to be married. Never a studio to throw anything away, Universal recycled the plot of Love in a Bungalow for one of its mini-musicals of the 1940s. ~ Hal Erickson, All Movie Guide
- Starring:
- Nan Grey, Kent Taylor, (more)
When a car crash ends the life of a fabulously wealthy patron of the arts, the decedent's $20,000,000 fortune is inherited by one Longfellow Deeds (Gary Cooper) of Mandrake Falls, Vermont. Already a reasonably successful local businessman, Deeds doesn't really feel the need for anything extra in his life: he just wants enough time to practice his tuba and compose greeting-card doggerel. When Deeds is convinced to move to New York, hard-boiled newspaper reporter Babe Bennett (Jean Arthur) is dispatched to get the inside scoop on "The Cinderella Man." Babe's stories of Deeds' eccentricities and no-nonsense dealings with phonies and poseurs provide excellent headline fodder; but she begins to regret her actions, having fallen in love with the big lug. Deeds ultimately sets up a foundation to dispense his fortune to the country's neediest souls, on the proviso that the recipients do their best to get back on their feet, a turn of events that leads his lawyer John Cedar (Douglas Dumbrille) to try to have him declared insane. By the end of the sanity hearing, the judge (H. B. Walker) declares: "Not only are you sane, but you're the sanest man who ever walked in this courtroom!" A joyously unadulterated hunk of Frank Capra-corn, Mr. Deeds Goes to Town was adapted by Robert Riskin from Clarence Buddington Kelland's short story "Opera Hat." In addition to the pleasure of watching the country bumpkin outwit city slickers, the movie is a film buff's dream, boasting one of the best character-actor casts ever assembled for a single film. Nominated for four Academy Awards, the film won Frank Capra his second Oscar (out of three) as Best Director. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Jean Arthur, (more)
- 1931
In this western, a cowboy goes on the lam after killing his cheatin' wife's lover and allowing his friend to take the fall. He then begins hitting the outlaw trail pretty hard while back home, his pal tries to prove his innocence. Eventually, the bad guy gives himself up; justice prevails, and the accused is free to make romance. ~ Sandra Brennan, All Movie Guide
- Starring:
- Tom Tyler, Betty Mack, (more)
A postal inspector finds himself caught in a sticky situation as he tries to pin a rap for mail theft upon the owner of a prominent nightclub owner. The owner is guilty and only stole the mail so he could get the money he needs to pay off a murderous and impatient loan shark. Unfortunately, upon opening the mail sack, he discovers it filled with inane mail-order gadgets and a few letters. Meanwhile as the intrepid inspector closes in, he finds himself falling in love with a singer. ~ Sandra Brennan, All Movie Guide
- Starring:
- Ricardo Cortez, Patricia Ellis, (more)
Remedy for Riches was the fourth in RKO Radio's six-entry "Dr. Christian" series. Jean Hersholt returns as Dr. Christian, the wise and beneficent general practitioner of the town of River's End. The plot is thickened on this occasion by an oil-well scam, perpetrated by city slickers Stewart (Warren Hull) and Vandeveer (Jed Prouty). When the doctor's geologist friend Davis (Dick Baldwin) looks into the duo's get-rich-quick scheme, they contrive to have Davis thrown in jail. Before Christian is able to take matters into his own hands, he is sidetracked by a comic subplot involving a baking contest, presided over by real-life newspaper nutritionist Prudence Penny (as herself). Remedy for Riches is distinguished by more happy endings than a volume of Grimm Fairy Tales. ~ Hal Erickson, All Movie Guide
- Starring:
- Jean Hersholt, Dorothy Lovett, (more)
- 1942
The title neatly gives away the ending in RKO Radio's Scattergood Survives a Murder. Guy Kibbee once again stars as storekeeper Scattergood Baines, the sage of the small town of Coldriver. The story gets under way when two reclusive spinsters die under mysterious circumstances. Inasmuch the as the eccentric old ladies have left their fortune to their pet cats, Scattergood suspects that foul play was involved, with the victims' sinister housekeeper (Eily Malyon) high on the suspect list. Aiding and abetting our hero in his easygoing investigation are local newspaper editor John Archer and hotshot gal reporter Margaret Hayes (Archer, incidentally, was the father of present-day leading lady Anne Archer). Scattergood Survives a Murder was the latest in a series of B-pictures inspired by the long-running radio saga Scattergood Baines. ~ Hal Erickson, All Movie Guide
- Starring:
- Guy Kibbee, John Archer, (more)
