Bud McTaggart Movies

A young buckaroo gallops off after the conniving crooks who framed his bank president daddy for embezzlement. Plenty of western action ensues until justice prevails and the ornery varmints are jailed. ~ Sandra Brennan, Rovi

In this western, a pair of ranchers tire of being oppressed by the excessive taxation an avaricious crook in possession of a bogus Spanish land grant and so set off to help their neighbors by emulating the rakish Robin Hood. ~ Sandra Brennan, Rovi

This patriotic WW II-era bit of anti-Japanese propaganda centers on a white Texas college student who becomes such good friends with Japanese students on campus that he goes to their country after he is wrongfully accused of being a traitor. All this happened before the U.S. declared war on Japan. After the war begins, the fellow willingly makes pro-Japanese radio broadcasts. Fortunately, the fellow turns out to be a red-blooded American boy through and through and thanks to him, the Japanese are rendered helpless by the end of the film. ~ Sandra Brennan, Rovi

Clare Booth Luce's once-timely stage comedy Margin for Error was indifferently transferred to the screen in 1943. Milton Berle stars as Moe Finkelstein, a Jewish Brooklyn policeman assigned to guard Nazi consul Karl Baumer (Otto Preminger) in pre-WW II New York. Baumer is not only an anti-Semitic brute, but he's also a crook, siphoning off German consulate funds for his own use. His perfidy is well known by his wife Sophie (Joan Bennett), who married Baumer only to save her family from a concentration camp, and by Baumer's assistant Baron von Alvenstor (Carl Esmond). Thus, when Baumer is found dead of poison, stabbing and gunshot wounds, Sophie and the Baron are immediately suspected of murder. But Finkelstein comes to the rescue by piecing together the clues and coming up with a bizarre, but credible, solution to the crime. Having previously directed himself as Karl Baumer in the Broadway version of Margin for Error, Otto Preminger felt qualified to do the same in the film version: as a result, Preminger has no one but himself to blame for his shamelessly hammy performance. ~ Hal Erickson, Rovi

Here's another entry in PRC's long-running "Billy the Kid" series, again starring Buster Crabbe as Billy Carson and Al St. John as his comic sidekick Fuzzy Q. Jones. In this outing, a bandit posing as Billy manages to pin several crimes on Our Hero. Cleverly eluding the law (never mind the film's title), Billy endeavors to track down his impostor and put him behind bars. The plot is resolved by a typical PRC fistfight, which as usual is more energetic than expert. Young Anne Jeffreys, a starlet on the threshold of bigger things, is definitely an improvement over the standard western ingenue. ~ Hal Erickson, Rovi

The last of Monogram's eight "Rough Riders" westerns starring oldtimers Buck Jones, Tim McCoy and Raymond Hatton, West of the Law has the three lawmen coming to the aid of a beleaguered newspaper editor, Rufus Todd (Milburn Morante), who has been exposing a rash of stage robberies near Gold Creek. When Todd's son-in-law Ray (Bud McTaggart) is attacked my members of the gang, Marshals McCall and Hopkins (McCoy and Hatton) go undercover as a minister and a funeral parlor proprietor, respectively, with the third member of the trio, Marshal Roberts (Jones) hiding in one of the coffins. The ruse works and the three are soon able to unmask the real mastermind behind the robberies. Monogram went all out for this one, hiring some of the best supporting actors in the business, including Harry Woods, Roy Barcroft, Bud Osborne, Tom London and ace stunt-man George DeNormand. As always, the western concludes with the three marshals going their separate ways, a rousing "So long, Rough Riders" as their parting salute. Sadly, they would not be back, Buck Jones perishing in the tragic Coconut Grove nightclub fire in Boston soon after. ~ Hans J. Wollstein, Rovi

A remake of the 1933 RKO western of the same name, Come on, Danger! stars Tim Holt in the role originally essayed by Tom Keene. Holt goes after a gang of rustlers, commandeered by an attractive young woman (Julie Haydon in the original, Frances Neal in the remake). The girl has been accused of murder, but the actual culprit is the miscreant who drove the girl into a life of crime in the first place. Leading lady Frances Neal displayed an embryonic star quality in this film, but she retired shortly afterward to marry Van Heflin. Come on Danger was a bit longer than the 1933 version, principally because of the three songs warbled by supporting actor Ray Whitley. ~ Hal Erickson, Rovi

Dangerous Lady is yet another variation on the "Thin Man" formula, courtesy this time from bargain-basement PRC Pictures. Neil Hamilton and June Storey star as private detective Duke Martindel and his lawyer wife Phyllis. Putting their heads together (which they seem to enjoy doing), Duke and Phyllis try to save Hester Engel (Evelyn Brent), the "dangerous lady" of the title who has been falsely accused of murder. Police detective Brent (Douglas Fowley) would prefer that the Martindels mind their own business, but even he has to admit that they're quicker on the clue-gathering and suspect-fingering than he is. Far better written than most PRC productions, Dangerous Lady is enhanced by Clarence Wheeler's sprightly musical score. ~ Hal Erickson, Rovi

The Three Mesquiteers are back in Republic's Gangs of Sonora. The story is set in Wyoming, just before statehood was bestowed upon the territory. Town boss Sam Treadwell (Robert Frazer) doesn't want his little fiefdom to enter the Union, and does everything he can to prevent this eventuality, including the murder of the local newspaper editor. The dead man's cudgel is taken up by his fearless wife Kansas Kate Connor (Helen MacKeller), but her crusading efforts are undercut by her own son (Bud McTaggart), who is in league with Treadwell. This is the dilemma which Mesquiteers Stony Brooke (Robert Livingston), Tucson Smith (Bob Steele) and Lullaby Joslin (Rufe Davis) must solve in 56 minutes flat. ~ Hal Erickson, Rovi

A wedding ceremony is rudely interrupted by a bank robbery next door, the bridegroom is shot and the best man is accused of being the culprit. All this takes place during the first five minutes of Triple Justice, George O'Brien's final western for RKO. Brad Henderson (O'Brien) is innocent, of course, but is forced to clear his good name and reputation by tracking down not only the three real bank robbers but also their secret boss, Deputy Sheriff Harry Woods). Along the way, Brad falls in love with lovely (Virginia Vale), the sister of neophyte outlaw Bud McTaggart), and finds himself the center of attention of three equally charming senoritas, (The Lindemann Sisters, who perform a couple of standard Mexican ballads. Miss Vale) also takes time out for a song, Fred Ross and Ray Whitley's "Lonely Rio. ~ Hans J. Wollstein, Rovi

In this crime drama, a grizzled cabbie is scammed out of his life savings by a fake finance company. He tries to no avail to get police assistance. Finally he becomes a wanted criminal and escapes to California where he meets the girl who will become his wife. She helps him go straight by helping him set up a garage. When she gets pregnant, she talks him into to confessing his crimes to the police. He agrees, but before he goes, he decides to commit one last crime to ensure that his wife and child will not starve while he serves his prison sentence. He then steals a million dollars only to learn that the money is worthless. He is subsequently killed in a police shoot-out. ~ Sandra Brennan, Rovi

Forever keeping apace of current headlines, Republic's "Three Mesquiteers" series came up with the 1939 entry Wyoming Outlaw. The story is based on a true incident, wherein a disgruntled young lawbreaker took refuge in the mountains of Wyoming, successfully eluding a large posse for several days. The press had a field day with the story, labelling the fugitive a "Modern Robin Hood" - at least until he was shot down by a well-armed waiter. The movie version of this incident finds hotheaded Will Parker (Donald Barry), the son of recently fired highway worker Luke Parker (Charles Middleton), thrown into jail for violating the local game laws. Busting out, Parker scurries to the hills, hotly pursued by our heroes Stony Brooke (John Wayne), Tucson Smith (Ray Corrigan) and Rusty Joslin (Raymond Hatton). Not altogether unsympathetic to Parker, the Mesquiteers set about to capture the film's real villain, corrupt politician Balsinger (Leroy Mason), after the fugitive meets his fate at the hands of gun-toting gas-station attendant Newt (David Sharpe). ~ Hal Erickson, Rovi