Hilton McRae Movies

Freely adapted from a novel by Jane Austen, this period drama is set in the early 1800s, as a girl named Fanny (Hannah Taylor Gordon) is being raised by loving but desperately poor parents. Wanting a better life for Fanny, they send her away to live with her aunts, high-minded Mrs. Norris (Sheila Gish) and drug-addicted Lady Bertram (Lindsay Duncan), who share an estate called Mansfield Park. Fanny joins the family at Mansfield Park, which includes Lady Bertram's husband Sir Thomas (Harold Pinter), who made his money in slaves and West Indian plantations; Sir Thomas's son Tom (James Purefoy), an alcoholic; Tom's intelligent younger brother Edmund (Jonny Lee Miller); and his two sisters, Julia (Justine Waddell) and Maria (Victoria Hamilton). Fanny soon makes friends with Edmund, though she's shown little respect by the rest of the family. In time, Fanny grows to adulthood (now played by Frances O'Connor) and gains skill and poise as a horsewoman while developing her skills as an author. When the stylish but secretive siblings Henry and Mary Crawford (Alassandro Nivola and Embeth Davidtz) arrive at Mansfield Park, romantic sparks begin to fly; the two sisters fight over Henry, while Mary is soon engaged to wed Edmund -- to the disappointment of Fanny, who has fallen in love with him. ~ Mark Deming, Rovi

David Hare adapted his play about the tensions simmering within a British family, which erupt with the death of their patriarch. ~ Nicole Gagne, Rovi

Greystoke: The Legend of Tarzan, Lord of the Apes is a reverent retelling of the Edgar Rice Burroughs original, with a 1980s-sensibilities slant. Shipwrecked on the coast of Africa, Lord Jack Clayton (Paul Geoffrey) and his pregnant wife Lady Alice (Cheryl Campbell) attempt to survive in the hostile environment, but both die shortly after the birth of their son John. Abandoned in the wilderness, the orphaned John is adopted by a family of rather highly evolved apes, and raised as one of their own. Years later, John-now known as Tarzan, and now played by Christopher Lambert-comes across a party of white hunters. Rescuing one of the intruders, Belgian Captain Phillipe D'Arnot (Ian Holm) from a horrible death , Tarzan is taught to speak English by the grateful D'Arnot. Coming across the remains and possessions of Tarzan's parents, D'Arnot discovers that the Lord of the Jungle is actually the Earl of Greystoke. Brought back to England, Tarzan is introduced to society, where his crude, apelike manners offend everyone--except the likeable (and painfully senile) 6th Lord of Greystoke (Ralph Richardson, in his final film role) and Greystoke's American ward, Jane Porter (Andie McDowell, whose Southern-fried voice is dubbed by Glenn Close). Disturbed at the notion of Tarzan's inheriting Greystoke manner, his more greedy relatives begin plotting against him. But it is Tarzan himself who decides that he cannot adapt himself to England-especially after a painful reunion with his ape foster father, imprisoned in a science-lab cage. ~ Hal Erickson, Rovi

John Fowles' original novel The French Lieutenant's Woman was distinguished by a literary technique that involved telling a story of Victorian sexual and social oppression within the bounds of a 1970s viewpoint. How does one convey this time-frame dichotomy on film? The decision made by director Karel Reisz and Harold Pinter was to frame Fowles' basic plot within a "modern" context of their own making. While we watch as Sarah (Meryl Streep), a 19th-century Englishwoman ruined by an affair with a French lieutenant, enters into another disastrous relationship with principled young Charles (Jeremy Irons), we are constantly made aware that what we're seeing is only a film. This is done by surrounding the story with a modern narrative, focusing on a movie production company which is on location--filming The French Lieutenant's Woman. Meryl Streep doubles in the role of Sara and the American actress who plays her, while Jeremy Irons essays the dual role of Charles and the handsome Briton playing Charles. Likewise, everyone else in the cast is seen as "themselves" and as their French Lieutenant's Woman characters. Not surprisingly, the "real" Streep and Irons enter into an affair which closely parallels their characters' relationship. The commercial TV version of French Lieutenant's Woman eliminates 30 minutes' worth of "extraneous" scenes. ~ Hal Erickson, Rovi