Frank McRae Movies

Peter Falk returns as dishevelled Lieutenant Columbo in this 2-hour TV special. This time, Columbo investigates the murder of football-team owner Steve Forrest. The prime suspect is Forrest's nephew Greg Evigan, meaning of course that he "done it." Naturally, Evigan has an airtight alibi, but when has that ever stopped Columbo? Tyne Daly co-stars. Columbo: A Bird in the Hand originally aired November 22, 1992. ~ Hal Erickson, All Movie Guide

Made for television, Hostage Flight fomented a well-publicized controversy when first aired by NBC on November 17, 1985. On a domestic flight headed for Detroit, 65 passengers are held hostage by four international terrorists. The demands of the hijackers are simple: Release their imprisoned leader or the hostages will be executed one by one. Only after innocent blood is shed do the outraged passengers form a united front to rebel against their captors, and, ultimately, to take justice in their own hands. The film's original ending found the passengers, having staged their own "trial" of the hijackers, doling out punishment in a gruesome manner (and a highly unlikely manner, given the limited head-space on a typical jetliner). This denouement proved too horrifying for the NBC executives, who demanded that a modified ending be filmed (though the original climax was shown when the film was released outside the United States). ~ Hal Erickson, All Movie Guide

A variation on the "buddy-cop" hybridized genre, 48 HRS. greatly bolstered the career of Nick Nolte and made comedian Eddie Murphy a bonafide box-office sensation. When a pair of reckless cop-killers break out of prison, grizzled detective Jack Cates (Nolte) is left no alternative but to spring fast-talking hustler Reggie Hammond (Murphy) from the penitentiary in order to find the criminals. The catch: the pair only have 48 hours to complete their assignment before Hammond must return to prison. Naturally, the two despise each other and even engage in fisticuffs, but eventually the danger facing them proves a strong enough common bond for them to play on the same team, and even achieve a little mutual admiration. ~ Jeremy Beday, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

Jan-Michael Vincent plays a self-destructive beach bum to whom surfing is a Zen experience. We first meet Vincent in the devil-may-care 1960s, in the company of his carefree buddies William Katt and Gary Busey. The boys reunite ten years later, after one has served time in Vietnam. The beach is still there, the waves still break upon the shore, and towards the end of the film, the characters become people that we truly care about. Barbara Hale, the real-life mother of costar William Katt, makes a piquant supporting appearance. Cut from 129 minutes to 104 for its pay-cable release, Big Wednesday is also known as Summer of Innocence. ~ Hal Erickson, All Movie Guide

This crime-caper film from director Gower Champion stars George C. Scott as a visionary thief. He doesn't merely intend to rob a bank; his plan is to steal the whole bank. This is accomplished by lifting the structure with house-moving machinery in the dead of night, then painting it pink and squirreling it away in a trailer park. The Bank Shot was based on a novel by Donald E. Westlake who also wrote the book that became 1972's The Hot Rock. ~ Hal Erickson, All Movie Guide

Sylvester Stallone is a tough but essentially decent convict in a relatively humane prison. He's on such good terms with the authorities that he's occasionally allowed a weekend furlough. This idyllic situation ends abruptly when he's transferred to a nasty prison run by sadistic warden Donald Sutherland (remember way back when Sutherland played good guys and Stallone played secondary hoodlums?) Harboring a grudge against Sly over an unfortunate incident at another prison, Sutherland does everything he can to make Stallone's term a Hell on Earth. But in the end, it is Sutherland who is Stallone's prisoner--and, since Sly's name comes first on the credits, it is Sutherland who blubberingly confesses to a string of crimes perpetrated on the helpless inmates. ~ Hal Erickson, All Movie Guide

This highly anecdotal film centers upon Doc (Nick Nolte), a self-employed marine biologist who lives by the ocean and interacts with the neighborhood denizens, trying to conceal a troubled past. Across from Doc's digs stands the local bordello, the Bear Flag Restaurant. Across the entrance ambles Suzy (Debra Winger), a drifter who tries to become one of the girls and fails miserably. However, she does set her sights on Doc and acts accordingly. ~ Paul Brenner, All Movie Guide

At the beginning of The End, Wendell Sonny Lawson (Burt Reynolds) is informed by his doctor that he's dying from "the same thing Ali MacGraw had in Love Story." Lawson's first reaction is to cry uncontrollably, much to the discomfort of his fellow elevator passengers. He heads to a nearby church to confess all his sins, only to be distracted by the wide-eyed fecklessness of the novice priest (Robby Benson). Attempting to resolve a few issues with ex-wife Mary Ellen (Sally Field), daughter Julie (Kristy McNichol), and his parents (Myrna Loy and Pat O'Brien), Lawson finds that they're all too absorbed in their own problems to pay him any attention. At the end of his rope, Lawson decides to kill himself -- with the help of a nutty mental patient (Dom DeLuise). ~ Hal Erickson, All Movie Guide

In the third and last in the original Shaft (1971) series of action-packed "blaxploitation" pictures, private eye John Shaft (Richard Roundtree) travels to the "motherland," where he breaks up a modern slavery ring. Shaft is hired by a diplomat, Emir Ramila (Cy Grant), to infiltrate the criminal empire of the evil Vincent Amafi (Frank Finlay), who is kidnapping poor Africans and shipping them to Europe as slave laborers. Amafi murdered Ramila's son when he attempted to expose the illegal operation, and Ramila, now aware that his investigation of Amafi has been compromised, needs an unfamiliar to face to help bring the ring leader down. After undergoing some training at the hands of a comely tutor so that he'll be able to pass muster as an African, Shaft travels to Ethiopia and allows himself to be shanghaied by Amafi's men. However, the high-ranking Wassa (Debebe Eshetu) is the traitor in Ramila's ranks, and he has betrayed Shaft. As the tough private eye attempts to free the slaves being held captive in a former Nazi prison below a French chateau and bed any beautiful women who crosses his path, he must also dodge a series of assassination attempts by Ramila's men. ~ Karl Williams, All Movie Guide

The Lethal Weapon series and the rest of the buddy-cop genre receives the parody treatment in this low-brow comedy. Emilio Estevez stars as Jack Colt, the Mel Gibson-like loose cannon, while Samuel L. Jackson assumes the Danny Glover role as Wes Luger, his exasperated partner. Together, Colt and Luger investigate the murder of Luger's former partner (Whoopi Goldberg) and discover a criminal conspiracy led by the nefarious General Mortars (William Shatner). Hoping to mimic the success of the Naked Gun films, director Gene Quintano (of Police Academy 4 fame) loaded the film with broad visual gags, deadpan slapstick, and gratuitous parodies of The Silence of the Lambs, Basic Instinct, and other movies. The attempt to mimic successful parodies proved ineffective, however, as critics and viewers alike found the parody stale and the juvenile humor dreary. ~ Judd Blaise, All Movie Guide

Though officially based on Pierre Schoendoerffer's novel L'Adieu au Roi, Farewell to the King also bears echoes of Conrad's Heart of Darkness and Lord Jim--with a lot of filmmaker John Milius' own Hemingwayesque slant thrown in. During World War II, American POW Learoyd (Nick Nolte) escapes a Japanese firing squad. Hiding himself in the wilds of Borneo, Learoyd is adopted by a head-hunting tribe of Nyak Indians, who consider him "divine" because of his elaborate tattoos. Before long, Learoyd is the reigning king of the Nyaks. When British soldiers approach him to rejoin the war against the Japanese, Learoyd resists (in language so flowery that it could have been written by Sir Walter Scott). But when his own tribe is threatened by the invaders, the "king" deigns to fight for their rights. Farewell to the King is breathtakingly photographed and quite exciting at times. ~ Hal Erickson, All Movie Guide