Howard McNear Movies

Character actor Howard McNear made a name for himself on network radio in a vast array of characterizations, from snivelling murderers to dapper French detectives. McNear's best-known radio role was as Doc on Gunsmoke, which ran from 1955 to 1962; his spin on the character was slightly more ghoulish than the interpretation offered by Milburn Stone on television. In films from 1954, the bespectacled, mustachioed McNear was usually cast as a querulous fussbudget. He was spotlighted as Dr. Dompierre in Otto Preminger's Anatomy of a Murder (1959), and was prominently featured in three Billy Wilder comedies, Irma La Douce (1963), Kiss Me Stupid (1964) and The Fortune Cookie (1966). He appeared with frequency on TV in the 1950s and 1960s, often as a foil to such comedians as Jack Benny and Burns and Allen. Howard McNear's most beloved TV characterization was as Mayberry barber Floyd Lawson on The Andy Griffith Show; when McNear suffered a debilitating stroke in 1967, Griffith kept him on the payroll, re-writing the scripts to allow "Floyd" to be seated and non-ambulatory without drawing undue attention to McNear's affliction. ~ Hal Erickson, All Movie Guide
1959  
NR  
Add Anatomy of a Murder to QueueAdd Anatomy of a Murder to top of Queue
Based on the best-selling novel by Robert Traver (the pseudonym for Michigan Supreme Court justice John D. Voelker), Anatomy of a Murder stars James Stewart as seat-of-the-pants Michigan lawyer Paul Biegler. Through the intervention of his alcoholic mentor, Parnell McCarthy (Arthur O'Connell), Biegler accepts the case of one Lt. Manion (Ben Gazzara), an unlovable lout who has murdered a local bar owner. Manion admits that he committed the crime, citing as his motive the victim's rape of the alluring Mrs. Manion (Lee Remick). Faced with the formidable opposition of big-city prosecutor Claude Dancer (George C. Scott), Biegler hopes to win freedom for his client by using as his defense the argument of "irresistible impulse." Also featured in the cast is Eve Arden as Biegler's sardonic secretary, Katherine Grant as the woman who inherits the dead man's business, and Joseph N. Welch -- who in real life was the defense attorney in the Army-McCarthy hearings -- as the ever-patient judge. The progressive-jazz musical score is provided by Duke Ellington, who also appears in a brief scene. Producer/director Otto Preminger once more pushed the envelope in Anatomy of a Murder by utilizing technical terminology referring to sexual penetration, which up until 1959 was a cinematic no-no. Contrary to popular belief, Preminger was not merely being faithful to the novel; most of the banter about "panties" and "semen," not to mention the 11-hour courtroom revelation, was invented for the film. Anatomy of a Murder was filmed on location in Michigan's Upper Peninsula. ~ Hal Erickson, All Movie Guide

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Starring:
James StewartLee Remick, (more)
1958  
NR  
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John Van Druten's stage comedy Bell Book and Candle starred Rex Harrison and Lilli Palmer on Broadway. The 1958 filmed version stars James Stewart and Kim Novak, fresh from their successful teaming in Hitchcock's Vertigo. Novak plays Gillian Holroyd, a genuine, bonafide witch. Falling in love with publisher Sheperd Henderson (Stewart), Gillian casts a spell on him, obliging him to dump his fiancee and rush to her side. All of this goes against the grain of Gillian's mentor Mrs. De Pass (Hermione Gingold), who does her best to counterract the love spell. Meanwhile, Gillian's wacky warlock brother Nicky (Jack Lemmon) courts disaster by coauthoring a book on black magic with pompous, bibulous novelist Sidney Redlitch (Ernie Kovacs). ~ Hal Erickson, All Movie Guide

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Starring:
James StewartKim Novak, (more)
1958  
 
Envious of Wally's touchdown at the school football game, Eddie (Ken Osmond) needles Wally (Tony Dow) because he hasn't started shaving yet. Determined to reaffirm his manhood, Wally attempts to trim what few whiskers he has with his dad Ward's safety razor -- and gives himself a bad nicking in the process. Hoping to discourage Wally, Ward (Hugh Beaumont) applies a bit of psychology, which in typical Leave It to Beaver fashion, bids fair to make the situation worse. And yes, that's Howard McNear, the future Floyd the Barber on The Andy Griffith Show, playing (what else?) a barber. ~ Hal Erickson, All Movie Guide

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Starring:
Ken OsmondBuddy Hart, (more)
1958  
 
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The Springdale, NE, bank is held up and robbed by a well organized gang. One of the members is Eddie Campbell (Robert Vaughn), a onetime resident of the town and orphan who was brought up in part by Ben Cutler (Fred MacMurray), an ex-lawman-turned-rancher. While pursuing the robbers, the town marshal, Hiram Cain (Emile G. Meyer), is shot dead by Campbell, who in turn is wounded and captured by Cutler. The town council appoints Cutler as temporary marshal, and the prosecution seems like an open-and-shut case -- he begins to see signs of trouble when his own daughter Laurie (Joan Blackman), who was raised with Campbell and was once his sweetheart, refuses to believe that he's guilty of the crime. Ben's fiancée, Ruth (Maggie Hayes), also feels the boy deserves leniency, but the real trouble starts when Campbell's attorney, William Selby (Edmon Ryan), shows up; he first tries to compromise the jury pool by ingratiating himself with the asking the townspeople what we would now call "push" questions, about Campbell's being an orphan and a hard-luck case all of his life, under the guise of building his case. He's also just clever enough at the trial to shake the testimony of the five other witnesses to the shooting, but Cutler's testimony is enough to put the jury into the guilty column. Then Campbell starts working on the sympathy of Laurie and the townspeople who've been persuaded by his lawyer -- it's also been a long time since there's been a capital case like this in the state, and Cutler discovers that the townspeople and even the law may not be as ready to execute a killer as common sense says they should be. Cutler's and Ruth's romance is jeopardized, and he is pushed to the point of resigning when matters come to an explosive head. ~ Bruce Eder, All Movie Guide

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Starring:
Fred MacMurrayMaggie Hayes, (more)
1958  
 
Every so often, the prestigious 1950s CBS anthology Playhouse 90 would digress from its "live" format and offer a sumptuously produced film presentation. One of these was the suspenseful 1958 offering No Time at All, a fascinating precursor to the Airport films of the 1970s. On a routine night flight from Miami to New York, an airliner loaded with passengers is suddenly plunged into darkness due to an electrical failure. Losing contact with the plane, the ground crew in New York worries that all on board may be lost--especially since the weather has turned ugly. In a brilliant dramatic device, the viewer never sees the plane in flight nor its passengers and crew: Instead, the play stays on solid land, concentrating on the reactions of the friends and families of those on board. This Playhouse 90 entry boasts perhaps the most impressive cast ever assembled for the series, among them dramatic actors Bill Lundigan, Jane Greer, Betsy Palmer, Sylvia Sidney and Keenan Wynn; comedians Buster Keaton, Chico Marx (with a Jewish accent), and Harry Einstein (aka "Parkyakarkus", and the father of contemporary comic actors Bob Einstein and Albert Brooks); and musical-comedy favorites Jack Haley (in a rare unsympathetic role) and Cliff Edwards (the voice of Jiminy Cricket in the 1940 cartoon feature Pinocchio). Also seen in the supporting cast is an up-and-coming young player named Charles Bronson, here cast as a sentimental boxer; and "Floyd the Barber" himself, Howard McNear--who, indirectly, is the hero of the piece. Long considered a "lost" film, No Time at All was made available on the home-video market in the early years of the 21st century, complete with the original commercials and a preview of the next week's Playhouse 90. ~ Hal Erickson, All Movie Guide

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Starring:
William LundiganJane Greer, (more)
1957  
 
Affair in Reno is an uneven Republic adventure from the later phases of the studio's history. Doris Singleton, usually cast as the heroine's next door neighbor or best friend (she's Caroline Appleby in the "Harpo Marx" episode on I Love Lucy), is here seen as a smart-lipped private eye. She comes to Reno on a case, and falls in love with publicity agent John Lund. But nothing dissuades her from her mission to get the goods on suspected crook John Archer. Affair in Reno doesn't have much in the way of production values, but compensates for this with an emphasis on comedy, especially whenever Doris Singleton has to pose as someone she's not. ~ Hal Erickson, All Movie Guide

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Starring:
John LundDoris Singleton, (more)
1957  
 
Red Skelton's final film starring vehicle is an expansion of an hour-long TV play, which also starred Skelton when it was originally seen in September of 1955 on the weekly anthology Climax!. Skelton plays doltish lunchroom attendant Rusty Morgan, who is dutifully saving up enough money so that he and sweetheart Edith Enders (Janet Blair) can be married. Rusty foolishly entrusts his bankroll to a gang of stock swindlers, whom he believes to be FBI agents. Before long, our hero finds hmself the crooks' unwitting courier, landing in jail as a result. After a zany prison break orchestrated by genuine FBI agents who've had their eyes on Rusty all along, our hero catches up with the crooks during a nightclub floor show presided over by the vivacious Rita DeLacey (Vivian Blaine). Produced by RKO Radio, Public Pigeon No. 1 was eventually released by Universal-International. ~ Hal Erickson, All Movie Guide

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Starring:
Red SkeltonVivian Blaine, (more)
1956  
 
An epidemic of unkown origin forces Matt (James Arness) to set up an makeshift hospital in the jail, with Kitty (Amanda Blake) and her girls taking care of the stricken patients. Racing against time, Doc (Milburn Stone) must pinpoint the source of the epidemic, but he may not be up to the task. Ultimately, Chester (Dennis Weaver) puts his own life on the line to save his fellow townsmen--and at the same time, the pompous Mr. Matthews (Patrick O'Moore) learns a lesson in tolerance when he is quarantined along with his "inferiors." Featured in the supporting cast is Howard McNear, who played Doc Adams in the original radio broadcast of The Pest Hole, first heard on April 14, 1954. ~ Hal Erickson, All Movie Guide

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1956  
 
On the night he is to play his drums in his kindergarten orchestra, Little Ricky (Richard Keith) is suddenly paralyzed with stage fright -- mainly because his parents and the Mertzes had been so nervous themselves just before the performance. Hoping to help her son overcome his fear of appearing in public, Lucy (Lucille Ball) persuades Ricky to let Little Ricky play a drum solo at Club Babalu. She then attempts to mollify the boy by using "reverse psychology," pretending that she doesn't want him to perform -- a strategy that nearly sabotages the poor kid a second time. ~ Hal Erickson, All Movie Guide

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Starring:
Howard McNearMarjorie Bennett, (more)
1956  
 
You Can't Run Away From It is a musical remake of Frank Capra's Oscar-winning classic It Happened One Night, complete with same-named characters and word-for-word scene reconstructions. It all begins when spoiled heiress Ellie Andrews (June Allyson) is literally kidnapped from the altar by her wealthy father (Charles Bickford). Escaping from her daddy's yacht with only a handful of clothes and minimal finances, Ellie hops a bus, intending to travel cross-country to be reunited with her fortune-hunting husband. Reporter Peter Warne (Jack Lemmon), sensing a swell newspaper story, tags along. Though Peter and Ellie aren't terribly fond of one another (that's putting it mildly!), by the end of their journey they've fallen in love -- but there are still several last-minute complications before a happy ending can be reached. Most of the musical numbers in the remake are awkwardly inserted during the more famous scenes from the Capra original: the "Walls of Jericho," the impromptu singalong on the bus, the hitchhiking bit, etc. Benefiting from the breezy performances of Jack Lemmon and June Allyson, You Can't Run Away From It is easy to take, but hardly within shouting distance of the original film's brilliance. ~ Hal Erickson, All Movie Guide

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Starring:
June AllysonJack Lemmon, (more)
1956  
 
This musicalized remake of the 1939 comedy Bachelor Mother stars Debbie Reynolds and Eddie Fisher (then Mr. and Mrs.) in the roles originated by Ginger Rogers and David Niven. Reynolds plays a department store salesgirl whose life is turned topsy-turvy when she finds an abandoned baby. Despite her protestations, everyone assumes that she's the mother of the child, including Fisher, the son of store owner Adolphe Menjou. Meanwhile, Menjou convinced that his son is the baby's father, is determined that his boy will "do right" by the innocent Reynolds. Much of the comic zest of the original film is diluted by the lackluster performance of Eddie Fisher, though Debbie Reynolds and the rest of the cast are in fine form. ~ Hal Erickson, All Movie Guide

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Starring:
Eddie FisherDebbie Reynolds, (more)
1954  
 
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At the height of their TV fame, Lucille Ball and Desi Arnaz were contracted by MGM to make two theatrical films. The first of these, The Long, Long Trailer, stars Lucy and Desi as an upwardly mobile couple who decide to buy a trailer so they can live together while his job takes him around the country. Thanks to their naivete in such matters, they end up with a huge, bulky RV that costs five times what they planned. Their "seeing America" trip turns out to be a slapstick disaster, topped by Lucy's foolish decision to hide a heavy rock collection in the trailer; as Desi tries to maneuver a treacherous mountain road, the weighted-down home-on-wheels nearly loses its balance and almost tumbles off a cliff. The story is told in flashback, as Desi 'splains the breakup of his marriage to a motel court manager. Happily, Lucy shows up, goes "Waaaaah" a little, and all is forgiven. Despite the fact that audiences were getting Ball and Arnaz for free each week on television, The Long, Long Trailer was a big hit at the box-office. The film was adapted by Albert Hackett and Frances Goodrich from a novel by Clinton Twiss, with uncredited assistance from the I Love Lucy writing staff. ~ Hal Erickson, All Movie Guide

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Starring:
Lucille BallDesi Arnaz, (more)
1954  
 
Audie Murphy is at his taciturn best in the Universal western Drums Along the River. Murphy is cast as Gary Brannon, a peaceful homesteader living a quiet existence with his father Sam (Walter Brennan). No-account Frank Walker (Lyle Bettger), hoping to open up the Ute Indian territory for gold-mining purposes, tries to foment a war between the Utes and the local whites. As an added filip, he steals a gold shipment and pins the blame on Brannon. Now a fugitive from justice, Brannon joins Walker's gang, much to his father's dismay. Actually, it's all part of a plan to expose Walker's perfidy and prevent Ute hostilities, but no one knows this until Brannon wants them to. Jay Silverheels, best known as Tonto on TV's Lone Ranger, co-stars as Ute warrior Taos. ~ Hal Erickson, All Movie Guide

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Starring:
Audie MurphyWalter Brennan, (more)
1954  
 
Friday (Joe Friday) and Smith (Ben Alexander) spend the better part of a year trying to crack a case in this episode, which was adapted from the Dragnet radio broadcast of April 12, 1951. The detectives are stymied by the fact that the victims of a series of robberies and beatings refuse to testify against the two suspects. Obviously, the victims have been intimidated into silence--and in at least one case, the son of a crime witness has been beaten as a "warning". Eventually, one of the perpetrators is arrested out of town on another charge...but chief suspect Marvin Carter is still very much at large. An ironic ending caps this labyrinthine tale of justice delayed and justice denied. ~ Hal Erickson, All Movie Guide

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1953  
 
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A nail-biting Indian deadlock remains the climax of this otherwise overly verbose Western filmed in M-G-M's then-new Ansco colors (forerunner of Eastmancolor). After ruthlessly dragging an escaped prisoner through the Arizona desert, Union Army Captain Roper (William Holden) suffers rebuke from both the rebel prisoners and his commanding officer (Carl Benton Reid). Things settles down a bit with the arrival of Carla Forester (Eleanor Parker), with whom Roper falls in love. But Carla proves to be a Confederate spy assigned to engender the escape of Captain Marsh (John Forsythe), the Rebel leader. The plan succeeds to a point but the escapees are hunted down by Roper and Lieutenant Beecher (Richard Anderson). Returning to Fort Bravo with his prisoners, Roper and his captives ride right into a Mescalero Apache hunting party. Filmed on location at California's Death Valley, Escape from Fort Bravo was co-written by Australian-born actor Michael Pate. ~ Hans J. Wollstein, All Movie Guide

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Starring:
William HoldenEleanor Parker, (more)

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