Horace McNally Movies

Director Frank Borzage and star Ginger Rogers both came acropper in the lavish but dull historical biopic Magnificent Doll. The usually ebullient Rogers seems encased in wax as Dolly Madison, first lady of the United States in the early 19th century. The story begins as young Washington socialite Dolly Payne, previously and unhappily wed to one John Todd (Horace McNally), can't make up her mind romantically between idealistic politician James Madison (Burgess Meredith) and firebrand Aaron Burr (David Niven). Burr solves that problem when he flees the country after killing Alexander Hamilton in a duel, leaving the field clear for Madison. What should have been the film's highlight, Dolly's rescue of the Declaration of Independence and the Constitution during the 1812 burning of Washington, is treated as a throwaway. Told in flashback, the film ends just before Madison's ascendancy to the White House, with Dolly chastely charming the current chief executive Thomas Jefferson (Grandon Rhodes). Magnificent Doll is anything but . ~ Hal Erickson, All Movie Guide

This glorified Technicolor commercial for the Fred Harvey restaurants stars Judy Garland as a 19th-century mail-order bride. Upon arriving in New Mexico, Garland discovers that her husband-to-be is the town drunk. She cuts her losses and takes a job at the local Harvey restaurant, an establishment which endeavors to bring a little civilization and class to the wide open spaces. Harvey's operation is challenged by saloon-owner John Hodiak, corrupt-judge Preston S. Foster, and local-madam Angela Lansbury. With the help of tenderfoot Ray Bolger, Garland and her fellow waitresses foil the corrupt elements in town. Prominent in the supporting cast are Cyd Charisse, Marjorie Main, Chill Wills, Kenny Baker and Virginia O'Brien (whose musical numbers aren't quite as rambunctious as the contributions of the others, mainly because O'Brien was pregnant during filming). The songs are for the most part perfunctory, with the spectacular exception of the Harry Warren and Johnny Mercer's Oscar-winning "Atchison, Topeka and the Santa Fe." The Harvey Girls is tenuously based on a more sober-sided historical volume by Samuel Hopkins Adams. ~ Hal Erickson, All Movie Guide

Radio legend and 3-D pioneer Arch Oboler brings his story, Alter Ego, to the screen in a low-budget yarn that benefits from a strong cast and direction. Joan Ellis (Phyllis Thaxter) hears a voice in her head (in flashbacks) shortly before she is to be married. She flees to another city and even takes up with another man to rid herself of the voice, but random words bring it back at unexpected moments. The voice ultimately tells her to kill her husband-to-be, and when a psychiatrist (Edmund Gwenn) determines on the eve of her execution that Joan is possessed by a split personality, a struggle ensues to see which one will survive. Oboler uses radio techniques and tense scripting to bring his thriller to visual life. ~ Don Kaye, All Movie Guide

Director King Vidor intended An American Romance as the third entry in his "War, Wheat and Steel" trilogy (the War had been covered in The Big Parade, while Wheat was dispensed with in Our Daily Bread). Two years in production, the film cost nearly $3 million-little of which actually shows up on screen due to heavy post-production editing and rearranging of scenes. Brian Donlevy stars as immigrant laborer Steve Dangon, who becomes convinced early on that the only way he'll get anywhere in life is to accumulate huge sums of money. He takes a job in a midwestern steel mill, calculatedly working his way up the ladder from foreman to owner of an auto manufacturing firm. Though he regards himself as a "man of the people", Dangon resists the efforts of his workers to form a union.--even when his son Teddy (Horace McNally) is won over to the workers' point of view. A bitter three-month strike forces Dangon's board of directors to give in to the workers' wishes Disillusioned, Dangon retires from his business, but returns to work determined to switch over to the manufacture of airplanes when WW2 creates a demand for defense products. The "documentary" aspects of the story are far more compelling that the dramatic passages, with Donlevy's performance vacillating from strong to so-so. Minus any real star names (the leading lady is MGM contractee Ann Richards, a graduate of short subjects), An American Romance flopped at the box office, and Vidor in later years tended to dismiss the film as a misfire, severly damaged by studio tampering. The currently available 121-minute version stands up reasonably well, leading one to wonder if the film was not actually improved by MGM's insistence (over Vidor's protests) upon removing 30 minutes from the running time. ~ Hal Erickson, All Movie Guide

In this drama set at the end of WW I, Sgt. Jocko Wilson leaves England to return to Australia. He brings with him, two Belgian orphans whom he will raise as his own. He later sends the girl to boarding school while his son becomes the Australian lightweight boxing champion (the Sgt. himself was a former boxer). He uses his considerable prize money to buy an estate and then turns it into a hotel. Years pass and suddenly a singer whom Jocko loved and left in England reappears. Though she is quite wealthy, she is still angry at being jilted. she ends up winning the hotel in a card game. When WW II erupts, she and Jocko renew their love. Meanwhile the brother and sister discover that they are not related and are free to act on the mutual attraction they had been fighting for so long. ~ Sandra Brennan, All Movie Guide

On the verge of a nervous breakdown, Dr. Leonard Gillespie (Lionel Barrymore) realizes that it's time to appoint a new assistant to replace young Dr. Kildare. Gillespie is obliged to choose from three highly qualified candidates: Dr. Randall "Red" Adams (Van Johnson), Dr. Lee Wong How (Keye Luke), and Dr. Dennis Lindsay (played by future director Richard Quine). To test their mettle, he gives all three interns a chance to diagnose a separate delicate case. Though the results aren't quite to Gillespie's liking, the ending is "open" enough to suggest that at least two of the three candidates will be around for the next series entry, Dr. Gillespie's Criminal Case. Side note: Dr. Gillespie's New Assistant co-stars Richard Quine and Susan Peters were married in 1943. ~ Hal Erickson, All Movie Guide

Grand Central Murder was intended as a followup to the MGM "sleeper" Kid Glove Killer, with the earlier film's star, Van Heflin, appearing in a similar role. When bitchy actress Mida King (Patricia Dane) is bumped off in a private train car at Grand Central Station, police inspector Gunther (Sam Levene) gathers together all likely suspects. One of these is wisecracking private eye Rocky Custer (Heflin), who endeavors to uncover the genuine murderer himself before Gunther slaps the cuffs on him. Custer's seemingly casual, off-the-cuff methods of detection prove infuriating to Gunther, but guess who solves the mystery-and a particularly baffling one at that--by fadeout time? The film received a mixed reviews from the New York critics, who enjoyed the mystery angle but found fault with Hollywood's convoluted concept of Grand Central Station's floor plan and its unbelievably close proximity to a fictional Broadway theatre (even so, these critics also applauded the ongoing illusion of trains arriving and leaving throughout the picture). ~ Hal Erickson, All Movie Guide

Edward Arnold made the first of his two screen appearances as Bayard Kendrick's blind detective Captain Duncan McLain in MGM's Eyes in the Night. The plot is set in motion by Norma Lawry (Ann Harding), whose stepdaughter Barbara (Donna Reed) has been keeping company with washed-up actor Paul Gerente (John Emery). Norma feels that Gerente, an ex-lover of hers, is a bad influence for Barbara, but the girl merely assumes that Norma wants Gerente all to herself. When the ageing actor is murdered, Barbara assumes that Norma committed the crime. Rather than go to the police, Norma heads to her old friend Duncan McLain, but when the detective arrives at the scene of the murder, the body has disappeared. Detecting the odor of violets in the room, McLain uses this tiny clue to build a case against a gang of Nazi spies, headed by the Lawry's butler Hansen (Stanley Ridges), with whom the late Mr. Gerente had been collaborating. Just knowing who did it isn't enough in this case, however: getting the drop on McLain and his associates, the villains hold the detective and Lawry prisoner until they are able to get their hands on a secret formula developed by Barbara's father (Reginald Denny). In true movie-serial fashion, it is McLain's faithful seeing-eye dog Friday (played by "himself") who saves the day. A "B" picture with "A" entertainment value, Eyes in the Night proved successful enough to warrant a sequel, 1945's The Hidden Eye. ~ Hal Erickson, All Movie Guide