Kenneth McMillan Movies

Malone (Burt Reynolds) has been a "wet" operative for the CIA for many years, serving his country by performing assassinations. He is tired of his job and wants to get out of "the company" (as it is called) and live a normal life. He is looking along the Pacific Northwest for a place to settle down when his much-cherished classic Mustang breaks down outside the town of Comstock. He manages to get to a small gas station and is treated like family by a Vietnam veteran, who is the station's owner, and his daughter. They are suffering from the nefarious activities of a local bigwig (Cliff Robertson) to take over all the land in the city in a hare-brained development scheme. He soon runs afoul of the town sheriff, who is basically an employee of the developer, but eventually wins his respect. Meanwhile, the CIA is none too pleased to hear of Malone's intended retirement and send a succession of hit-men after him to ensure that he divulges none of their dirty secrets. Malone destroys the first two killers at some cost to his own well-being. The next assassin turns out to be a woman who is susceptible to his charms. Meanwhile, he has a thorough-going local scoundrel to put out of business. ~ Clarke Fountain, All Movie Guide

When a visitor to Robin's Nest slips and falls, he sues Robin Masters for damages, whereupon Magnum (Tom Selleck) is dispatched to find out if the man is faking his injuries. At the same time, Magnum is hired to "baby-sit" the wide-eyed young fiancee (Rita Parker) of a boorish businessman. Dubiously assisting Magnum during his investigation, the girl finds herself in great danger after the man suing Masters is killed in a hit-and-run "accident". ~ Hal Erickson, All Movie Guide

In Armed and Dangerous, John Candy plays a cop who has been kicked off the force on a trumped up charge. Eugene Levy costars as a disbarred lawyer. The two outcasts take low-paying jobs as security officers at a company controlled by mob boss Robert Loggia. In their own stumblebum fashion, Candy and Levy uncover a smuggling operation masterminded by Loggia. Meg Ryan also shows up in an early leading role. ~ Hal Erickson, All Movie Guide

Russian director Andrei Konchalovsky's second American film may well be the only existential adventure flick in Hollywood history. Two prisoners, Manny (Jon Voight) and Buck (Eric Roberts), escape from a desolate Alaskan maximum-security facility. They hop aboard a speeding train, making a clean escape. But the engineer has suffered a heart attack, and the train goes out of control. To prevent a disastrous head-on collision, the railroad heads decide to derail the runaway train, killing its occupants to save the lives of hundreds of others. Once Manny catches on to what's happening, he tries to jump off the train, only to be talked out of such a foolhardy act by railroad employee Sara (Rebecca DeMornay). As doom approaches, Manny apparently goes mad, viciously preventing any attempts to stop the train or rescue its passengers: if he's to die, and if the others are to be saved, it will be on his terms, or no terms. Runaway Train was slated as a project for Akira Kurosawa in 1970, but for various creative and scheduling reasons, it remained on the back burner for 15 years. ~ Hal Erickson, All Movie Guide

The 1985 TV series Our Family Honor opened to excellent reviews, but the ratings were tepid and the project lasted a mere three months. The series spotlighted two rival New York families: The McKays, three generations of law enforcement officers, and the Danzigs, who are organized-crime functionaries. Kenneth McMillan and Eli Wallach played rival patriarches Patrick McKay and Vincent Danzig, respectively. In the 2-hour pilot for Our Family Honor, Patrick McKay is a candidate for police commissioner. Vincent Danzig can't accept this contingency, thus he contrives to have Patrick's son's partner killed, with $10,000 of mob money stuffed in the corpse's pockets. ~ Hal Erickson, All Movie Guide

In this routine spoof of government and media foibles, Sunny (Goldie Hawn) is an ordinary cocktail waitress, someone who graduated in the top 75% of her class. When she dramatically prevents the assassination of a visiting dignitary, an Emir (Richard Romanus) from an Arab country. the event puts her dead center at a whirlwind of media attention, and she gets her a job in the protocol department of the government -- nothing that cocktail waitressing can really prepare one to do. Sunny's nemesis is the evil Mrs. St. John (Gail Strickland) who does not appreciate her inane blunders, and with a few cohorts, she schemes to ship Sunny off to join the Emir's harem, in exchange for a military base in his country. The daffy ex-cocktail waitress is not also blind and deaf, and before long, she suspects that something underhanded is in fact, underfoot. Now she has to find out what it is and how to stop it. ~ Eleanor Mannikka, All Movie Guide

David Lynch wades through dark waters in his adaptation of Frank Herbert's cult science fiction novel. In condensing Herbert's rambling and complex book by eliminating characters and compacting events, Lynch succeeds in rendering the story incomprehensible to those unfamiliar with the novel and making the film look like a sketchy greatest hits collection of the book for Herbert fans. The story takes place in the year 10,191. The universe is governed through a system of feudal rule, presided over by Padishah Emperor Shaddam IV (José Ferrer), who appears to take his marching orders from something that resembles a talking vagina. In the kingdom are two rival houses -- the House of Atreides and the House of Harkonnen. Each house is trying to gain dominion over the universe, but that dominion can only be gained by the house that controls the Spice, a special substance that permits the folding of time. The Spice is only available on the desert world of Arrakis, or Dune. Shaddam, tired of the feuding between the two houses, permits the Atreides to take over the Spice production on Dune, while secretly working with the Harkonnens to launch a sneak attack on the Atreides and destroy them. The leader of the Atreides is Duke Leto (Jürgen Prochnow), who rules with the help of his concubine Jessica (Francesca Annis) and son Paul (Kyle MacLachlan). The rival Harkonnens are headed by the pus-oozing degenerate Baron Vladimir Harkonnen (Kenneth McMillan, in a thoroughly through-the-roof performance) and his two unsavory nephews, Rabban (Paul L. Smith) and Feyd (Sting). When his father is murdered by the Harkonnens, Paul escapes to Dune, where he is greeted by the Fremen (the desert dwellers on Dune who prepare the Spice) as the messiah foretold in Fremen legend. Paul assumes the mantle of messiah and leads the Fremen in a revolt that topples the balance of power in the universe. ~ Paul Brenner, All Movie Guide

The made-for-TV When She Says No takes a prismatic, Rashomon approach to its story of sexual assault. Kathleen Quinlan plays an anthropology professor who, during a roisterous campus party, has sex with three of her colleagues (Rip Torn, Jeffrey DeMunn, David Huffman). She takes the matter to court, insisting that she's been raped. The three men insist that Quinlan led them on--even when saying "no." Both testimonies are presented in flashbacks which substantiate the words of whomever happens to be testifying. When She Says No refuses to cop out with easy answers: the "lady or the tiger" denouement allows the viewer to draw his or her own conclusion. ~ Hal Erickson, All Movie Guide

This is a baseball comedy with a twist. This time, the young player striving to make it big in the major leagues is a plucky, talented young woman who attends spring training camp. The team's wealthy owner is a male-chauvinist bachelor who finds himself attracted to the young second baseperson's personal manager and finds he must re-evaluate his gender bias. ~ Sandra Brennan, All Movie Guide

Aerodrome is a British black comedy set in the 1930s. A backwater English village is threatened with takeover by a fascist air force. It's the home guard to the rescue--sort of. Peter Firth, Richard Johnson, Jill Bennett, and Richard Briers head the cast. Produced for British TV in 1982, Aerodrome premiered in the US the following year over the Arts Cable Network. ~ Hal Erickson, All Movie Guide

TV director James Burrows made his feature debut with this unusual film that's a situation comedy-style twist on both The Odd Couple (1968) and Cruising (1980). The murder of a male model in a gay, beachfront enclave of L.A. warrants an undercover investigation, so police officer Benson (Ryan O'Neal), a straight, macho, law-and-order type, is assigned to partner with file clerk Kerwin (John Hurt), a mild-mannered homosexual. Benson and Kerwin are to pose as a gay couple who have just moved to the area. At first, Benson's slovenly ways drive the fussy Kerwin to distraction, while Kerwin's sexual orientation and prissy manners are a source of constant frustration for straight-arrow Benson. However, the two eventually become friendly roommates, if not exactly friends, and Benson even begins to see the world through Kerwin's eyes. Although he carries a badge, the fussy Kerwin is essentially a civilian, but as he and Benson close in on the murderer, Kerwin reveals himself to be a far more capable cop than Benson assumes him to be. Partners was written by Francis Veber, author of La Cage aux Folles (1978) and The Man with One Red Shoe (1985). ~ Karl Williams, All Movie Guide

Real-life father and son Martin Sheen and Emilio Estevez star in the made-for-TV In the Custody of Strangers. Blue-collar Sheen and his wife Jane Alexander attempt to instill discipline in their three growing children. But their 16-year-old son Estevez chafes at their authoritative attitudes, and runs seriously afoul of the law. Picked up on a drunk-driving charge, Estevez is charged with assault and battery when he fights off the sexual advances of his cellmate. His release continually delayed by judicial red tape, Estevez holds his parents, who are virtually helpless within the strictures of the Law, responsible for the mess he's in. But the real villain of the piece is not a person but an entity: The juvenile justice system, which is overworked, understaffed and swamped with dead-end bureaucracy. Scripted by Jennifer Miller, In the Custody of Strangers debuted on May 26, 1982. ~ Hal Erickson, All Movie Guide