Victor McLaglen Movies

In this screwball comedy, Annabelle Leigh (Jeanette MacDonald) happily spends the $5,000 sent her each month by her husband, whom she hasn't seen since eleven hours after they were married. She explains to friends that while in Montana, she was injured and cared for by a burly, bearded miner, Hefty Jack (Victor McLaglen), who later married her for the sake of appearances. Less than a day later, Annabelle fled back to New York; Hefty Jack struck it rich, and has been sending her money ever since. Now Annabelle finds herself in financial hot water and desperately turns for help to John Rawson, a newcomer to the city; Annabelle is unaware that he is the now-beardless Hefty Jack. ~ Bill Warren, All Movie Guide

In this romance, a none-too-bright sailor (Victor McLaglen) takes a trip to Paris, not realizing he had just won the multi-million dollar prize in a horse lottery. The lotto officials send an agent (Ed Brendel) to find the young sailor and deliver his prize, but he runs away believing he was merely eluding a detective. Despite his constant attempts to escape what he believes to be the law, he does manage to fall in love with a beautiful woman named Polly (Polly Moran). Eventually the agent catches up to him and all is well. Songs include: "Sweet Nothings Of Love," "Look Into My Eyes, Baby," "If You Want To See Paree," and the comedy tune "I'm the Duke of Kakiyak." ~ Tracie Cooper, All Movie Guide

Filmed in "Fox Grandeur," an early widescreen process, Happy Days was the immediate follow-up to Fox Studios' Movietone Follies of 1929. Most of the film takes place on the showboat of Mississippi entrepreneur Colonel Billy Batcher (Charles E. Evans). When the Colonel faces foreclosure after several failing seasons, soubrette Margie (Marjorie White) stages a fund-raising revue on the boat, enlisting the aid of all the big stars who got their start with Batcher. By an amazing coincidence, virtually all of the showboat alumni are under contract to Fox Studios! Janet Gaynor and Charles Farrell perform "We'll Build a Little World of Our Own," Victor McLaglen and Edmund Lowe kid their roughneck screen images in the novelty number "Vic and Eddie," Sharon Lynn and Ann Pennington offer the "hot" dance routine "Snake Hips," and "Whispering" Jack Smith offers a rendition of the title tune. Also on hand are Will Rogers, El Brendel, Walter Catlett (who also staged the musical numbers), Lew Brice (Fanny's brother), Dixie Lee (Mrs. Bing Crosby) and Georgie Jessel -- not to mention an uncredited 14-year-old chorus girl named Betty Grable. ~ Hal Erickson, All Movie Guide

In this early talkie from director John Ford, a Scottish captain and his regiment are sent to India during WW I and assigned to quell a native uprising in the Northern mountains. Unfortunately, soon after arriving, he gets drunk and seemingly kills another officer during a barroom fight. He escapes capture and disappears into the crowd. Now wanted as a renegade, he involves himself with a beautiful but sadistic native princess, a direct descendant of Alexander the Great. He cozies up to her and learns that she is planning to send her troops to attack the British through Khyber pass. Though she correctly suspects that the fugitive soldier is really a spy, she cannot help but fall in love with him, thereby sparing him the usual torture and castration she forces upon other captured British soldiers. Unfortunately her love causes her downfall in the exciting conclusion. ~ Hal Erickson, All Movie Guide

In this comedy drama, an enormous baggage handler earns the reputation of being an all-'round good joe and soon gets promoted. He is in love with Joy, a pretty newsstand girl. Despite his good work, which includes stopping a train robbery, she realizes that her lovable lug will never rise to become the white-collar worker he aspires to become. ~ Sandra Brennan, All Movie Guide

Long believed lost, this fascinating John Ford-directed silent film was rediscovered and restored in the early 1970s. Based on the 1926 novel by Donn Byrne, the film stars Hobart Bosworth as Irish "hanging judge" James O'Brien. Even on his deathbed, O'Brien cannot stop meddling in the affairs of his daughter Connaught (June Collyer), insisting that the girl marry wealthy wastrel John Darcy (Earl Foxe). Alas, Connaught despises Darcy, preferring instead the poor-but-decent Donnaugh McDonnaugh (Larry Kent). Meanwhile, Irish expatriate Hogan (Victor McLaglen) returns to the Auld Sod to avenge his family's honor by killing the caddish Darcy. One of the highlights of Hangman's House is a steeplechase sequence, predating a similar sequence in Ford's The Quiet Man by 25 years. A young, unbilled John Wayne can clearly be spotted in this scene, enthusiastically urging on his favorite horse; reportedly, Wayne also appears as a condemned prisoner in a flashback sequence. ~ Hal Erickson, All Movie Guide

The rampant male chauvinism in A Girl in Every Port might be hard for contemporary audiences to stomach, but fans of director Howard Hawks will be delighted. Victor McLaglen and Robert Armstrong play Spike and Salami, two sailors who become close pals but only after dukeing it out over a dame. Together, Spike and Salami travel all of the world in search of women and adventure and women. Their friendship is sorely tested when Spike decides to settle down to marry French fortune hunter Marie (Louise Brooks), but eventually Salami convinces his pal that this "skirt" just ain't worth it. Famed exotic dancer Sally Rand co-stars as one of the heroes' many sexual conquests. A Girl in Every Port was remade two years later as Goldie, with Spencer Tracy, Warren Hymer and Jean Harlow. ~ Hal Erickson, All Movie Guide

From the minute it opened on Broadway in 1924, Laurence Stallings and Maxwell Anderson's gritty WWI comedy-drama What Price Glory? was a center of controversy. Prudes and blue-noses condemned the play for its explicit language, while a group of politicians tried to bring about a federal action to halt its production because of its "disrespectful" treatment of military officers and traditions. Naturally, any play that engendered that sort of reaction had to be a hit. Two years after its stage debut, the play was adapted for the screen, with Victor McLaglen and Edmund Lowe as those eternally boozing and brawling U.S. Marines, Captain Flagg and Sergeant Quirt. After a prologue in the Orient, in which Flagg and Quirt duke it out over the affections of the saucy Shanghai Mabel (Phyllis Haver), the scene shifts to France in 1918, with the two male protagonists continuing their private war as all hell breaks loose around them. When they aren't blowing the brains out of the Germans, Flagg and Quirt are vying for the attentions of coquettish French girl Charmaine (Dolores Del Rio). The film alternates effectively between low comedy and grim melodrama throughout most of its running time, reaching a dramatic high point when mamma's-boy Private Lewisohn (Barry Norton), fatally wounded, screams "Stop the blood! Stop the blood!" When the smoke clears, Flagg and Quirt both decide to go AWOL for the sake of Charmaine, but when duty calls, the two friendly enemies march shoulder to shoulder towards new adventures. The battle scenes in What Price Glory? were terrifyingly realistic -- indeed, one man was actually killed during filming -- but the most memorable aspect of the picture is the ribald byplay between Flagg and Quirt (who would later be launched into a series of so-called sequels). This being a silent picture, actors McLaglen and Lowe were permitted to mouth any obscenity that came into their heads, allowing audiences in 1926 the spectacle of seeing two grown men hurling epithets that would never have been heard in any sort of polite society -- all the while strictly adhering to the rules set down by the Hollywood censors, who objected only to printed profanities. What Price Glory was unsuccessfully remade in 1952 by John Ford, who directed one scene of the original 1926 version; Barry Norton, who played Lewisohn in the original, appeared in the remake as a priest. ~ Hal Erickson, All Movie Guide

Ronald Colman plays the title role in the first of several screen adaptations of Christopher Wren's tale of adventure in the foreign legion. Beau is the youngest of three brothers who fall into an ethical dilemma when their aunt resorts to stealing valuable jewelry from the family's collection to pay off her home. Beau takes the blame for the crime and, before he can be put in jail, flees the country, with his brothers John (Ralph Forbes) and Digby (Neil Hamilton) in tow. The Geste Brothers eventually join the French Foreign Legion, where they suffer under the tyrannical leadership of the cruel Sgt. Lejaune (Noah Beery Sr.). Unknown to Beau, Lejaune is in cahoots with men who want to capture the Geste Brothers and bring them to justice, but when Arab forces attack the Legion compound, the valiant Gestes fight with such bravery that even Lejaune is impressed with their selfless courage. It's said that Ronald Colman considered his performance in Beau Geste the finest work of his career; lip readers might get a chuckle out of some of Noah Beery Sr.'s non-subtitled dialogue, which today would have pushed the film into an R rating if it were audible. ~ Mark Deming, All Movie Guide

Early silent-screen star Charles Ray's career was in a dramatic decline when he starred in this average western melodrama about a sheltered youth who makes his way out West by playing the fiddle. Like so many before and after him, Ray proves his true manliness by foiling the nefarious plans of a gang of land grabbers. Produced by the Thomas Ince Corporation for release by Pathé, this Ray vehicle benefitted from a slightly tongue-in-cheek script and colorful performances from the likes of Victor McLaglen and that outrageous silent screen vamp Betty Blythe. Stunt-man William Harbaugh drowned in the Colorado River near Yuma, Arizona during the making of this film. ~ Hans J. Wollstein, All Movie Guide

Frank Lloyd, who directed The Sea Beast, tried to create another epic with this Rex Beach tale of the 1897 gold rush. The story, however, isn't all that interesting, and there are too many important characters that muddy the plot. Pierce Phillips (a miscast Ben Lyon) loses his stake in a shell game and winds up hiring himself out to carry goods for the McCaskeys to the next camp. He meets and joins up with Tom (Claude Gillingwater) and Jerry (Charles Crockett), two old prospectors, and also meets the beautiful Countess Courteau (Anna Q. Nilsson). Phillips helps her take her belongings through the rapids, but they are estranged when she reveals that she is already married. Phillips gets work as a gold weigher in a dancehall, where Laura (Dorothy Sebastian) tries to vamp him. When he turns her down, she teams up with McCaskey (Fred Kohler). They try to frame Phillips for a robbery. The Count (Philo McCullough) has gone to inform the police, but he is killed en route. Phillips is blamed for this too, but it's finally revealed that one of McCaskey's clan did the job. After all these confusing events, Phillips and the Countess find happiness. ~ Janiss Garza, All Movie Guide

Track star Frank Merrill stars as Jack Melford in this hackneyed melodrama. Jack wins the track meet at the local college before being notified his father is on his deathbed. He arrives to find his father has died and left all his money to Dr. Delhi (Alphonse Martell), the shady physician who was treating him. Jack discovers the doctor uses hypnotism to victimize his patients and steal their money. He exposed the crook and gives the despicable doctor a dose of justice and revenge. Margaret Landis, Milford Morante, and May Sherman co-star with Otto Lederer and Kathleen Calhoun in this feature written specifically to highlight Merrill's athletic talents. ~ Dan Pavlides, All Movie Guide

Victor McLaglen plays Frank Wilson, who early in the film is lost at sea. Declared legally dead, Wilson nonetheless returns to his home port after many years. He discovers that his "widow" Norah (Gertrude McCoy) has married a wealthy merchant in order to provide a father for her physically challenged child. Rather than impede Norah's present and future happiness, Wilson takes drastic action to remove himself from the picture. Heartstrings was based on A Manchester Marriage, a novel by Elizabeth Cleghorn Gaskell. ~ Hal Erickson, All Movie Guide