Victor McLaglen Movies

In his second film for producer Sam Goldwyn, Bob Hope is felicitously teamed with luscious Goldwyn contractee Virginia Mayo. Hope plays Sylvester the Great, a two-bit entertainer "touring" the West Indies in the 18th century. Mayo is Princess Margaret, who is kidnapped by a rough, tough buccaneer known only as The Hook (Victor McLaglen). Through a series of unbelievable circumstances, Sylvester rescues Margaret, and the two of them pose as travelling troubadors in a treacherous Pirate colony, where people are stabbed and dumped in the ocean for nonpayment of rent and other such offenses. Disguising himself as The Hook, Sylvester is befriended by corrupt colonial governor La Roche (Walter Slesak), but only until the real Hook shows up. Things look bleak for Sylvester and Margaret, but salvation is on the way-as well as a surprising romantic denoument, when a "bit player from Paramount" (guess who?) shows up to steal the Princess away from Sylvester ("Boy, this is the last picture I make for Goldwyn!") No fewer than six writers teamed up for this Technicolor extravaganza, which though not as consistently hilarious as other Hope farces still holds up beautifully. The best performance is offered by Walter Brennan as an addled pirate named Featherhead, a character right out of a Tex Avery cartoon! ~ Hal Erickson, All Movie Guide

The 80-star cast of Forever and a Day would certainly not have been feasible had not most of the actors and production people turned over their salaries to British war relief -- a point driven home during the lengthy opening credits by an unseen narrator. The true star of the film is a stately old manor house in London, built in 1804 by a British admiral (C. Aubrey Smith) and blitzed in 1940 by one Adolf Hitler. Through the portals of this house pass a vast array of Britons, from high-born to low. The earliest scenes involve gay blade Lt. William Trimble (Ray Milland), wronged country-girl Susan (Anna Neagle), and wicked landowner Ambrose Pomfret (Claude Rains). We move on to a comic interlude involving dotty Mr. Simpson (Reginald Owen), eternally drunken butler Bellamy (Charles Laughton), and cockney plumbers Mr. Dabb (Cedric Hardwicke) and Wilkins (Buster Keaton). Maidservant Jenny (Ida Lupino) takes over the plot during the Boer War era, while the World War I sequence finds the house converted into a way-station for soldiers (including Robert Cummings) and anxious families (including Roland Young and Gladys Cooper). Finally we arrive in 1940, with American Gates Pomfret (Kent Smith) and lady-of-the-house Lesley Trimble (Ruth Warrick) surveying the bombed-out manor, and exulting over the fact that the portrait of the home's founder, Adm. Eustace Trimble (Smith), has remained intact -- symbolic proof of England's durability in its darkest hours. The huge cast includes Dame May Whitty, Edward Everett Horton, Wendy Barrie, Merle Oberon, Nigel Bruce, Richard Haydn, Donald Crisp, and a host of others -- some appearing in sizeable roles, others (like Arthur Treacher and Patric Knowles) willingly accepting one-scene bits, simply to participate in the undertaking. Seven directors and 21 writers were also swept up in the project. Forever and a Day was supposed to have been withdrawn from circulation after the war and its prints destroyed so that no one could profit from what was supposed to have been an act of industry charity. Happily for future generations, prints have survived and are now safely preserved. ~ Hal Erickson, All Movie Guide

RKO Radio's Powder Town has the makings of an A picture, but the budget and approach is strictly "B" grade. Adapted by Vicki Baum from a novl by Max Brand, the story is largely set in a wartime munitions plant. Targetted for abduction or murder by Nazi agents, eccentric scientist Pennant (Edmond O'Brien) is assigned a bodyguard, Jeema O'Shea (Victor McLaglen). Despite Jeema's best efforts, Pennant falls into the villain's clutches, all because of a super-explosive which the scientist has developed. Before Jeema can effect a rescue, he is obliged to expose the head of the spies, who turns out to be a member of the plant's executive board. Veteran vaudevillians June Havoc and Eddie Foy Jr. provide a few brief respites from the ongoing intrigue. ~ Hal Erickson, All Movie Guide

Two of Hal Roach's short-subject stalwarts, Patsy Kelly and ZaSu Pitts, are teamed in the Roach-produced feature Broadway Limited. The whole story unfolds on a Chicago-to-Manhattan express train; among the passengers are Hollywood starlet April (Marjorie Woodworth), her producer Ivan (Leonid Kinskey) and her wisecracking secretary Patsy (Kelly). Hoping to stir up publicity for April, Patsy and Ivan conspire to adopt a baby for their client. Trouble is, the authorities are convinced that the child has been kidnapped, causing no end of trouble for such innocent bystanders as engineer Mike (Victor McLaglen), bookish young doctor Harvey North (Dennis O'Keefe) and garrulous clubwoman Myra (Pitts). The film is stolen by infant performer Gay Ellen Dakins, who spends most of her scenes smiling at the camera, oblivious of the adult slapstickery. ~ Hal Erickson, All Movie Guide

Characterized by some critics as a "South African western", Diamond Frontier stars Victor McLaglen as ruthless diamond hunter Regan. The villain's reign of terror as he searches for the precious gems is checked by Charles Clayton (John Loder), freshly escaped from a brutal penal colony. A wild escape through the jungle enables Universal Pictures to exercise its usual prerogative of lifting great chunks of celluloid from its stock-footage library. Anne Nagel is the faithful heroine who anxious awaits the falsely-convicted Clayton's return, while Cecil Kellaway plays the standard comedy-relief mercenary. The primary source for Diamond Frontier is indicated by the title of the story upon which the screenplay was based: A Modern Monte Cristo. ~ Hal Erickson, All Movie Guide

This exciting adventure is set in the rugged Australian outback back when the continent was used as a giant penal colony for criminals of the British empire, and tells the story of a fugitive leader and his band who like Robin of old try to prevent a greedy governor from stealing rancher's land. ~ Sandra Brennan, All Movie Guide

Though Rudyard Kipling's poem Gunga Din makes a swell recital piece, it cannot be said to have much of a plot. It's simply a crude cockney soldier's tribute to a native Indian water boy who remains at his job even after being mortally wounded. Hardly the sort of material upon which to build 118 minutes' worth of screen time-at least, it wasn't until RKO producer Pandro S. Berman decided to convert Gunga Din into an A-budgeted feature film. Now it became the tale of three eternally brawling British sergeants stationed in colonial India: Cutter (Cary Grant), McChesney (Victor McLaglen) and Ballantine (Douglas Fairbanks Jr.). Ballantine intends to break up the threesome by marrying lovely Emmy Stebbins (Joan Fontaine), while Cutter and McChesney begin hatching diabolical schemes to keep Ballantine in the army (if this plot element sounds a lot like something from the Ben Hecht and Charles MacArthur play The Front Page, bear in mind that Hecht and McArthur shared writing credit on Gunga Din with Joel Sayre and Fred Guiol; also contributing to the screenplay, uncredited, was William Faulkner). All three sergeants are kept occupied with a native revolt fomented by the Thuggees, a fanatical religious cult headed by a Napoleonic Guru (Eduardo Ciannelli). Unexpectedly coming to the rescue of our three heroes-not to mention every white man, woman and child in the region-is humble water carrier Gunga Din (Sam Jaffe), who aspires to become the regimental trumpeter. Originally slated to be directed by Howard Hawks, Gunga Din was taken out of Hawks' hands when the director proved to be too slow during the filming of Bringing Up Baby. His replacement was George Stevens, who proved to be slower and more exacting than Hawks had ever been! ~ Hal Erickson, All Movie Guide

Originally filmed in Sepiatone, Let Freedom Ring is a satisfying Nelson Eddy musical with patriotic overtones. Set in the years following the Civil War, the story focuses on the battle of wills between Harvard-educated idealist Steve Logan (Eddy) and bullying railroad magnate Jim Knox (Edward Arnold). Launching a newspaper aimed at combatting Knox's engulf-and-devour tactics (could the villain be intended as a frontier Hitler?) Logan is disowned by his wealthy family and frozen out by his society friends. But with the help of woman-of-the-people Maggie Adams (Virginia Bruce), Logan sticks to his guns and perserveres. Let Freedom Ring goes out of its way to erase Eddy's "Singing Capon" image by having him engage in as much virile physical activity as possible, including a well-staged fistic bout with the gargantuan Victor McLaglen. Fey comedy relief is provided by Charles Butterworth, who does the most with the least material. ~ Hal Erickson, All Movie Guide

An outbreak of cholera threatens a luxury liner in this surprisingly low-budget melodrama from RKO. En route from Shanghai to San Francisco, chief engineer Crusher McKay (Victor McLaglen) and shipboard doctor Tony Craig (Chester Morris) become rivals for the attention of nurse Ann Grayson (Wendy Barrie). A Chinese stowaway, meanwhile, infects the stokehold with cholera and it is left to Crusher to keep the engines at full throttle until reaching harbor. But morale sinks to an all-time low when Crusher himself is stricken and the overworked men threaten with mutiny. Tony attempts to keep the stokers in check but the situation is growing more dangerous by the minute when a heroic Crusher rises from his sickbed. Leaving their previous petty squabbles behind, Tony and Crusher manage to guide the ship safely to harbor, where the doc and Ann rekindle their romance. ~ Hans J. Wollstein, All Movie Guide

The titular battle is the one that noisily rages between American legionnaires Big Ben Wheeler (Victor McLaglen) and Chesty Webb (Brian Donlevy). While attending a convention in New York, the two friendly enemies are ordered by their boss Homer C. Bundy (Raymond Walburn) to break up the romance between Bundy's son Jack (Robert Kellard) and showgirl Marjorie Clark (Lynn Bari). In the course of their merry misadventures along the Great White Way, our heroes get mixed up with nightclub entertainer Linda Lee (Louise Hovick, aka Gypsy Rose Lee). When their boss shows up, he is immediately smitten by Linda and forgets all about his son's "scandalous" affair. It ain't art, but it's fun. ~ Hal Erickson, All Movie Guide

In this actioner, a tough Coast Guard officer endeavors to marry his lovely daughter to a handsome sailor. The trouble is, she is already in love with another rambunctious and contentious Coast Guardian. To stop the romance, the officer transfers the young man to his command and hopes that he will squeeze the wildness from him by assigning him to a dangerous dynamiting operation. Unfortunately, things go awry and the handsome sailor is relegated to Davy Jones' locker. Fortunately, that leaves the burly brawler free to marry his love. ~ Sandra Brennan, All Movie Guide

Nancy Steele was the baby daughter of a munitions tycoon who was kidnapped by an antiwar activist who did it to protest the magnate's support of WW I. This drama provides a sympathetic portrait of the kidnapper who leaves the baby with two close friend who assume it's his and raise her. The activist later gets arrested during a fight and sentenced to two years in prison that become a life sentence after he is framed during a failed escape. One night, he sleeps in his cell when his cellmate overhears the sleeping protestor talking about the notorious kidnapping. When the protestor if finally released, he immediately visits the girl, whom he regards as his daughter. She thinks he is her father too. Together, the two go to New York, where he gets a job working as a gardener for her real father. Trouble comes in the form of his blackmailing cellmate and in the end, the protestor must make a difficult decision involving the fate of his daughter and himself. ~ Sandra Brennan, All Movie Guide

Jean Harlow offers her final screen performance in this witty and -- in retrospect -- quite moving racetrack comedy-drama co-starring Clark Gable and Walter Pidgeon. When her father dies shortly after losing his horse farm to Duke Bradley (Gable), Carol Clayton (Harlow) refuses the handsome bookmaker's offer to forget the debt and instead vows to pay him back in full. She even forbids her stockbroker fiancé, Harley Madison (Pidgeon), to make wagers that may benefit Duke, but promises to marry him once her champion horse wins at Saratoga. But against all the odds, Carol falls in love with Duke and when he appears in danger of ruination, she finds herself rooting for the competitor to win the all-important race. Saratoga, which was finished using both onscreen and voice doubles for Jean Harlow, was partially filmed on-location at Lexington and Louisville, KY, and in Saratoga Springs, NY. ~ Hans J. Wollstein, All Movie Guide