Victor McLaglen Movies

Silvio Steno (Matheson Lang) is an actor who also manages the theater company that includes his wife Simonetta (Hilda Bayley). While Silvio buries himself in his work, his wife feels neglected. Silvio's best friend Andrea (Ivor Novello) takes a liking to the lonely wife, but Simonetta only wishes to be friends. When her brother Lelio (Clifford Gray) sees his sister and Andrea together on the Grand Canal, he threatens to tell Silvio if she does not give him money. Silvio is called to the deathbed of his mentor when he and Simonetta attend a carnival ball. The husband learns of his wife's alleged indiscretion, and a worried Simonetta flees on the next train. During the staging of Othello Simonetta plays Desdemona and Silvio takes the murder scene too seriously. The curtain goes down and stagehands must wrestle him away from his wife to prevent her strangulation. After the play, Simonetta asks to be alone with her husband and begs Silvio's forgiveness ~ Dan Pavlides, All Movie Guide

Comedy was not the forte of great character actor Lionel Barrymore, and this picture, based on the novel by Arnold Bennett, suffers as a result. When his valet, Henry Leek (Thomas Braidon) dies, famed English artist Priam Farll (Barrymore) takes on his identity to escape the grasping romantic clutches of Lady Sophia Entwistle (Octavia Broske). He attends his own funeral but escapes before the tearful Lady Sophia can see him. Later Farll, as Leek, meets widow Alice Challice (Doris Rankin, Barrymore's real-life wife), who had answered a matrimonial ad of the valet's. They fall in love and marry, but to Farll's dismay, he is forced to return to painting to make money. Even though he is recognized through his work he is loathe to admit his real identity until it develops that Leek already had a wife and two children. Finally he proves that he is Farll, but only if he is allowed to officially remain dead so that Lady Sophia will stay away. ~ Janiss Garza, All Movie Guide

Victor McLaglen plays Frank Wilson, who early in the film is lost at sea. Declared legally dead, Wilson nonetheless returns to his home port after many years. He discovers that his "widow" Norah (Gertrude McCoy) has married a wealthy merchant in order to provide a father for her physically challenged child. Rather than impede Norah's present and future happiness, Wilson takes drastic action to remove himself from the picture. Heartstrings was based on A Manchester Marriage, a novel by Elizabeth Cleghorn Gaskell. ~ Hal Erickson, All Movie Guide

English-born character star Victor McLaglen made his Hollywood debut in this highly successful Western melodrama about brothers, separated in early childhood, who wound up as opponents in a side-show wrestling match. There is a dance-hall girl (Marguerite de la Motte) and the usual Western trappings but the film's true highlight is the climactic wrestling match between McLaglen and co-star William Russell, a battle that reminded several reviewers of the legendary slugfest in the first version of The Spoilers (1914). The Beloved Brute was directed with a great deal of verve by J. Stuart Blackton, one of the founders of the Vitagraph Company. ~ Hans J. Wollstein, All Movie Guide

A daring young pugilist saves a woman from a terrible fate at the hands of gypsies in this silent British adventure. ~ Sandra Brennan, All Movie Guide

Although Lon Chaney and director Tod Browning had made a couple of films together earlier in their careers, this unique melodrama marked the beginning of a string of chilling, macabre silent films, which included West of Zanzibar, The Unknown, and The Black Bird. Chaney is Echo, a sideshow ventriloquist. He cooks up a scam with two other members of the sideshow -- Hercules, the strong man (Victor McLaglen), and Tweedledee, a midget (Harry Earles). The three of them open up a bird store full of parrots that have impressive vocabularies -- but only when Echo, dressed as proprietress Granny O'Grady, is around. When the buyer takes the bird home and it won't talk, Granny comes around with a baby (Tweedledee in swaddling clothes). While "Granny" (using his powers of ventriloquism) coaxes the parrot into speaking, the midget cases the joint to see if there's anything worth robbing later. Trouble comes when they hire Hector, a simple soul (Matt Moore), as a clerk. Echo's pickpocket sweetheart, Rosie (Mae Busch) falls in love with him. Meanwhile, Hercules and Tweedledee murder a man while they're in the midst of one of their robberies. Hector is arrested for the crime while the others flee. To save Hector, Rosie finally agrees to give him up if Echo saves him. By throwing his voice, Echo makes Hector appear to give testimony which frees him. When Rosie goes to Echo, however, he sends her back to Hector, while he returns to the side show. His two cohorts meet their end when they run afoul of Echo's pet gorilla. This hugely successful film was remade as Chaney's first -- and last -- talkie. Harry Earles (who might also be remembered from his starring role in Freaks) reprises his role as Tweedledee. ~ Janiss Garza, All Movie Guide

From the minute it opened on Broadway in 1924, Laurence Stallings and Maxwell Anderson's gritty WWI comedy-drama What Price Glory? was a center of controversy. Prudes and blue-noses condemned the play for its explicit language, while a group of politicians tried to bring about a federal action to halt its production because of its "disrespectful" treatment of military officers and traditions. Naturally, any play that engendered that sort of reaction had to be a hit. Two years after its stage debut, the play was adapted for the screen, with Victor McLaglen and Edmund Lowe as those eternally boozing and brawling U.S. Marines, Captain Flagg and Sergeant Quirt. After a prologue in the Orient, in which Flagg and Quirt duke it out over the affections of the saucy Shanghai Mabel (Phyllis Haver), the scene shifts to France in 1918, with the two male protagonists continuing their private war as all hell breaks loose around them. When they aren't blowing the brains out of the Germans, Flagg and Quirt are vying for the attentions of coquettish French girl Charmaine (Dolores Del Rio). The film alternates effectively between low comedy and grim melodrama throughout most of its running time, reaching a dramatic high point when mamma's-boy Private Lewisohn (Barry Norton), fatally wounded, screams "Stop the blood! Stop the blood!" When the smoke clears, Flagg and Quirt both decide to go AWOL for the sake of Charmaine, but when duty calls, the two friendly enemies march shoulder to shoulder towards new adventures. The battle scenes in What Price Glory? were terrifyingly realistic -- indeed, one man was actually killed during filming -- but the most memorable aspect of the picture is the ribald byplay between Flagg and Quirt (who would later be launched into a series of so-called sequels). This being a silent picture, actors McLaglen and Lowe were permitted to mouth any obscenity that came into their heads, allowing audiences in 1926 the spectacle of seeing two grown men hurling epithets that would never have been heard in any sort of polite society -- all the while strictly adhering to the rules set down by the Hollywood censors, who objected only to printed profanities. What Price Glory was unsuccessfully remade in 1952 by John Ford, who directed one scene of the original 1926 version; Barry Norton, who played Lewisohn in the original, appeared in the remake as a priest. ~ Hal Erickson, All Movie Guide

Ronald Colman plays the title role in the first of several screen adaptations of Christopher Wren's tale of adventure in the foreign legion. Beau is the youngest of three brothers who fall into an ethical dilemma when their aunt resorts to stealing valuable jewelry from the family's collection to pay off her home. Beau takes the blame for the crime and, before he can be put in jail, flees the country, with his brothers John (Ralph Forbes) and Digby (Neil Hamilton) in tow. The Geste Brothers eventually join the French Foreign Legion, where they suffer under the tyrannical leadership of the cruel Sgt. Lejaune (Noah Beery Sr.). Unknown to Beau, Lejaune is in cahoots with men who want to capture the Geste Brothers and bring them to justice, but when Arab forces attack the Legion compound, the valiant Gestes fight with such bravery that even Lejaune is impressed with their selfless courage. It's said that Ronald Colman considered his performance in Beau Geste the finest work of his career; lip readers might get a chuckle out of some of Noah Beery Sr.'s non-subtitled dialogue, which today would have pushed the film into an R rating if it were audible. ~ Mark Deming, All Movie Guide

Dolores Del Rio and director Raoul Walsh took on Prosper Mérimée with this sumptuous silent film produced by William Fox and originally tinted lavender. Del Rio was, of course, the gypsy cigar factory worker caught between two men: the bullfighter Escamillo (Victor McLaglen) and the soldier Don José (Don Alvarado). Following in the footsteps of Geraldine Farrar, Theda Bara, and Pola Negri, Del Rio was "apt to make these Carmens of the past appear relatively conservative," according to the New York Times. ~ Hans J. Wollstein, All Movie Guide

Long believed lost, this fascinating John Ford-directed silent film was rediscovered and restored in the early 1970s. Based on the 1926 novel by Donn Byrne, the film stars Hobart Bosworth as Irish "hanging judge" James O'Brien. Even on his deathbed, O'Brien cannot stop meddling in the affairs of his daughter Connaught (June Collyer), insisting that the girl marry wealthy wastrel John Darcy (Earl Foxe). Alas, Connaught despises Darcy, preferring instead the poor-but-decent Donnaugh McDonnaugh (Larry Kent). Meanwhile, Irish expatriate Hogan (Victor McLaglen) returns to the Auld Sod to avenge his family's honor by killing the caddish Darcy. One of the highlights of Hangman's House is a steeplechase sequence, predating a similar sequence in Ford's The Quiet Man by 25 years. A young, unbilled John Wayne can clearly be spotted in this scene, enthusiastically urging on his favorite horse; reportedly, Wayne also appears as a condemned prisoner in a flashback sequence. ~ Hal Erickson, All Movie Guide

The rampant male chauvinism in A Girl in Every Port might be hard for contemporary audiences to stomach, but fans of director Howard Hawks will be delighted. Victor McLaglen and Robert Armstrong play Spike and Salami, two sailors who become close pals but only after dukeing it out over a dame. Together, Spike and Salami travel all of the world in search of women and adventure and women. Their friendship is sorely tested when Spike decides to settle down to marry French fortune hunter Marie (Louise Brooks), but eventually Salami convinces his pal that this "skirt" just ain't worth it. Famed exotic dancer Sally Rand co-stars as one of the heroes' many sexual conquests. A Girl in Every Port was remade two years later as Goldie, with Spencer Tracy, Warren Hymer and Jean Harlow. ~ Hal Erickson, All Movie Guide

In this early talkie from director John Ford, a Scottish captain and his regiment are sent to India during WW I and assigned to quell a native uprising in the Northern mountains. Unfortunately, soon after arriving, he gets drunk and seemingly kills another officer during a barroom fight. He escapes capture and disappears into the crowd. Now wanted as a renegade, he involves himself with a beautiful but sadistic native princess, a direct descendant of Alexander the Great. He cozies up to her and learns that she is planning to send her troops to attack the British through Khyber pass. Though she correctly suspects that the fugitive soldier is really a spy, she cannot help but fall in love with him, thereby sparing him the usual torture and castration she forces upon other captured British soldiers. Unfortunately her love causes her downfall in the exciting conclusion. ~ Hal Erickson, All Movie Guide