Victor McLaglen Movies
A boy soldier during the Boer War, British actor Victor McLaglen later worked as a prizefighter (once losing to Jack Johnson in six rounds) and a vaudeville and circus performer. He served in World War I as a captain with the Irish Fusiliers and as provost marshal of Baghdad. In the early '20s he broke into British films. He soon moved to Hollywood, where he got lead and supporting roles; his basic screen persona was that of a large, brutish, but soft-hearted man of action. He appeared in many John Ford films, often as a military man. McLaglen made the transition to sound successfully, and for his work in Ford's The Informer (1935), he won the Best Actor Oscar. He remained a busy screen actor until the late '50s. Five of his brothers were also film actors: Arthur, Clifford, Cyril, Kenneth, and Leopold. He was the father of director Andrew V. McLaglen. ~ All Movie Guide- 1958
In one of his final performances, Oscar-winning character actor Victor McLaglen is cast as Mike O'Hare, the two-fisted engineer overseeing the construction of a new dam. Insisting that the dam will seriously endanger the local water supply, wealthy landowner Henry Ritchie (Herbert Rudley) hires Paladin (Richard Boone) to put a stop to the project. But after a lively fistfight with the indomitable O'Hare, Boone becomes quite fond of the big lug--and begins to suspect that Ritchie's opposition to the dam is not borne of good intentions. This episode was one of several directed by Andrew V. McLaglen, who happened to be Victor McLaglen's son. ~ Hal Erickson, All Movie Guide
- 1958
Victor McLaglen made his last film appearance in the British Sea Fury. McLaglen plays the brawny captain of a salvage vessel, while Stanley Baker is his second in command. The two men battle over the affections of South American beauty Luciana Paluzzi. Baker has the advantage, but Luciana's father disapproves. During the climactic rescue sequence, Baker proves his mettle, while McLaglen is permanently removed from the scene. Sea Fury was instrumental in the spectacular comeback of director Cyril Endfield, who'd been forced to flee Hollywood and seek out work in England thanks to the Blacklist. ~ Hal Erickson, All Movie Guide
- Starring:
- Stanley Baker, Victor McLaglen, (more)
- 1957
Riding into town with a corpse in the back of his wagon, Sam Rickers (Don Keefer) claims to have killed fugitive outlaw Bob Hulbert, and demands the $1000 reward. When Matt (James Arness) examines the body, he notices two things: the dead man was shot in the back--and he doesn't look anything like Hulbert. Facing a murder charge, Sam insists that he shot in self defense, and his wife Letty (Catherine McLeod) backs him up. The plot thickens when a man named Caitlin (Robert Griffin) confronts Dillon, telling him that the picture on Hulbert's wanted poster is actually someone else. The fact that guest stars Don Keefer and Catherine McLeod were married in real life adds an extra dimension to the startling finale of this episode, which is based on the Gunsmoke radio broadcast of November 13, 1954. ~ Hal Erickson, All Movie Guide
- 1957
After a bloody shootout in which three members of an outlaw gang are killed, Marshall Matt Dillon (James Arness) brings in the sole surviving outlaw, Jack Brand (Lawrence Dobkin), who claims that Matt never gave the others a chance. When he is forced to shoot Brand as well, Matt is confronted by the dead man's friend Stanger (Russell Johnson), who accuses the marshal of being a sadist who enjoys killing. Worried that there is some truth in this, Matt turns in his badge, vowing to spend the rest of his life fishing. No one is happier about Matt's "retirement" than Kitty (Amanda Blake). . .until circumstances tragically alter the situation. This episode is based on a classic Gunsmoke radio broadcast, originally heard April 2, 1955. ~ Hal Erickson, All Movie Guide
- 1957
Andrew V. McLaglen directs his actor father Victor McLaglen in The Abductors. The elder McLaglen plays a 19th century ex-convict, who hopes to spring a master counterfeiter from jail. To this end, McLaglen and his partner George MacReady kidnap the daughter (Fay Spain) of the prison warden, but this schemes comes acropper. Ultimately, the crooks abduct the body of Abraham Lincoln from its tomb in Springfield, holding it for ransom until their confederate is freed. It says here that The Abductors is based on a true story. ~ Hal Erickson, All Movie Guide
Razzle-dazzle showman Michael Todd hocked everything he had to make this spectacular presentation of Jules Verne's 1872 novel Around the World in 80 Days, the second film to be lensed in the wide-screen Todd-AO production. Nearly as fascinating as the finished product are the many in-production anecdotes concerning Todd's efforts to pull the wool over the eyes of local authorities in order to cadge the film's round-the-world location shots--not to mention the wheeling and dealing to convince over forty top celebrities to appear in cameo roles. David Niven heads the huge cast as ultra-precise, supremely punctual Phileas Fogg, who places a 20,000-pound wager with several fellow members of London Reform Club, insisting that he can go around the world in eighty days (this, remember, is 1872). Together with his resourceful valet Passepartout (Cantinflas), Fogg sets out on his world-girdling journey from Paris via balloon. Meanwhile, suspicion grows that Fogg has stolen his 20,000 pounds from Bank of England. Diligent Inspector Fix (Robert Newton) is sent out by the bank's president (Robert Morley) to bring Fogg to justice. Hopscotching around the globe, Fogg pauses in Spain, where Passepartout engages in a comic bullfight (a specialty of Cantinflas). In India, Fogg and Passepartout rescue young widow Princess Aouda (Shirley MacLaine, in her third film) from being forced into committing suicide so that she may join her late husband. The threesome visit Hong Kong, Japan, San Francisco, and the Wild West. Only hours short of winning his wager, Fogg is arrested by the diligent Inspector Fixx. Though exonerated of the bank robbery charges, he has lost everything--except the love of the winsome Aouda. But salvation is at hand when Passepartout discovers that, by crossing the International Date Line, there's still time to reach the Reform Club. Will they make it? See for yourself. Among the film's 46 guest stars, the most memorable include Marlene Dietrich, Charles Boyer, Jose Greco, Frank Sinatra, Peter Lorre, Red Skelton, Buster Keaton, John Mills, and Beatrice Lillie. All were paid in barter--Ronald Colman did his brief bit for a new car. Newscaster Edward R. Murrow provides opening narration, and there's a tantalizing clip from Georges Méliès' A Trip to the Moon (1902). Offering a little something for everyone, Around the World in 80 Days is nothing less than an extravaganza, and it won 5 Oscars, including Best Picture and Best Cinematography. ~ Hal Erickson, All Movie Guide
- Starring:
- David Niven, Cantinflas, (more)
Packaged and sold as an outdoor actioner, Many Rivers to Cross is as much a comedy as anything else. Robert Taylor stars as 18th century trapper Bushrod Gentry, who is himself entrapped into marriage by the spunky Mary Stuart Cherne (Eleanor Parker). Escaping his marital responsibilities (which were impressed upon him on threat of death), Gentry heads into the North Country, with Mary in hot pursuit. Hero and heroine spend the rest of the picture taking turns rescuing each other from hostile Indians. Some of the humor is predicated upon the wholesale slaughter of the "redskins", and as such is a bit hard to take when seen today. Supporting Taylor and Parker are Victor McLaglen as the heroine's burly father, and TV-stars-to be James Arness (Gunsmoke) and Russell Johnson and Alan Hale Jr. (Gilligan's Island). ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Taylor, Eleanor Parker, (more)
- 1955
Richard Conte plays the obligatory Man With a Past in RKO's Bengazi. Joining up with disreputable Irishman Victor McLaglen and army deserter Richard Erdman, Conte heads into the African desert in search of hidden Arab gold. They in turn are pursued by British police inspector Richard Carlson and by McLaglen's daughter Mala Powers. When the raffish trio find the gold, they must defend themselves against hostile Arab tribesmen. The remainder of the film evolves into a reworking of the 1934 RKO film The Lost Patrol, which also costarred Victor McLaglen. Bengazi was filmed almost entirely out-of-doors, on location in Arizona's Yuma Desert. ~ Hal Erickson, All Movie Guide
- Starring:
- Richard Conte, Victor McLaglen, (more)
- 1955
To say that Lady Godiva is historically inaccurate is a moot point, since most historians agree that the whole Lady Godiva story never happened. At any rate, Maureen O'Hara stars in the title role, as the rebellious Saxon wife of a Norman nobleman. To show her fidelity to her people, and to protest Norman taxation, Lady Godiva rides naked through the streets of Coventry. All the elements of the original middle-ages legend are in attendance, including the blinding of "Peeping Tom" (about the only effective moment in the whole film). Whatever audience titillation there might have been in the dreary climactic ride was dissipated by tons of studio publicity which insisted that Maureen O'Hara wasn't really naked under her long red tresses. Lady Godiva is interesting only for its supporting cast, including such veterans as Victor McLaglen and a few newcomers like Clint Eastwood. ~ Hal Erickson, All Movie Guide
- Starring:
- Maureen O'Hara, George Nader, (more)
- 1955
After several years of supporting parts, Victor McLaglen once more landed a leading role in Republic's City of Shadows. McLaglen plays Big Tim Channing, an ageing but powerful gangster who raises young newsboy Dan Mason as his own son. Upon reaching adulthood, Mason (John Baer) becomes a law student, with the covert (and illegal) help of Channing. Despite his checkered past, Mason opts for honesty when he falls in love with Fern Fellows (Kathleen Crowley). This decision ultimately spells the doom for Mason's mentor Big Tim. The all-character actor cast includes such familiar faces as Anthony Caruso, Paul Maxey, Frank Ferguson, Richard Travis, and Kay E. Kuter. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor McLaglen, John Baer, (more)
Hal Foster's Sunday-comics saga of a young Viking prince in the service of King Arthur is brought to the screen in CinemaScope and Technicolor in Prince Valiant. Despite the fact that he sports a dutch bob that makes him look like actress Phyllis Kirk, Robert Wagner is quite virile and convincing as the title character. Trained for the Round Table by Sir Gawain (Sterling Hayden), Valiant takes time out to fall in love with the beautiful Princess Aleta (Janet Leigh). The villain of the piece is The Black Knight, aka Sir Brack (top-billed James Mason), who intends to topple King Arthur (Brian Aherne) from his throne, then conquer Valiant's people in Scandia. But Prince Valiant proves a fearsome opponent to the usurping Sir Brack. Sadly, most currently available prints of Prince Valiant have been panned-and-scanned, denying viewers the opportunity to revel in Henry Hathaway's creative utilization of the CinemaScope format. ~ Hal Erickson, All Movie Guide
- Starring:
- James Mason, Janet Leigh, (more)
- 1954
Trouble in the Glen was one of several felicitous collaborations between Hollywood's Republic Pictures and England's Herbert Wilcox-Anna Neagle productions. Curiously, Ms. Neagle does not appear--just as well, since the film is dominated by Orson Welles. Introducing himself with a typically self-indulgent monologue, the porcine Mr. Welles plays a South American resident who returns to his ancestral home in Scotland to become "Laird of the Glen". He immediately alienates the local populace by closing down the highway that runs through his estate. Hoping to make peace between Welles and the locals is former US air force officer Forrest Tucker, who developed an affection for the community while being stationed there during WWII. Violence threatens to erupt when evicted tinker Victor McLaglen rounds up a gang of toughs to lay siege on Welles' castle. The scenes involving Tucker's polio-crippled daughter (Margaret McCourt) run the risk of sloppy sentiment, but are deftly handled by producer-director Wilcox. Margaret Lockwood costars as Welles' daughter, who adheres to Hollywood formula by falling in love with the handsome Tucker. ~ Hal Erickson, All Movie Guide
- Starring:
- Margaret Lockwood, Orson Welles, (more)
- 1953
Republic Pictures' notion of an "epic", Fair Wind to Java manages to pack in enough entertainment value to send the adventure fans home happy. Tough South Seas skipper Fred MacMurray goes hunting for pearls on a forbidden Javanese island. Native girl Vera Ralston (never mind her Czech accent) falls in love with MacMurray and defies local laws to help him. She is punished by the island rulers, compelling MacMurray to spirit both Vera and the pearls off the island. As they make a last desperate attempt to escape, a lava-spewing volcano threatens to destroy the island. While the shipboard scenes in Fair Wind to Java are as shoddy as a high school production of Pirates of Penzance, the climactic volcanic eruption is masterfully staged by miniature experts Howard Lydecker and Theodore Lydecker. ~ Hal Erickson, All Movie Guide
- Starring:
- Fred MacMurray, Vera Ralston, (more)
Returning to the Ireland of his birth, director John Ford fashions a irresistable valentine to the "Auld Sod" in The Quiet Man. Irish-American boxer John Wayne, recovering from the trauma of having accidentally killed a man in the ring, arrives in the Irish village where he was born. Hoping to bury his past and settle down to a life of tranquility, Wayne has purchased the home of his birth from wealthy local widow Mildred Natwick, a transaction that has incurred the wrath of pugnacious squire Victor McLaglen, who coveted the property for himself. By and by, Wayne falls in love with McLaglen's beautiful, high-spirited sister Maureen O'Hara. Her insistence that Wayne conduct his courtship in a proper Irish manner-with puckish matchmaker Barry Fitzgerald along for the ride as "chaperone"--is but one obstacle to their future happiness: the other is McLaglen, who spitefully refuses to give his consent to his sister's marriage, or to honor the tradition of paying a dowry to Wayne. Wayne could care less about dowries, but the tradition-bound Maureen refuses to consummate her marriage until McLaglen pays up. Under any other circumstances, Wayne would have punched out the bullying McLaglen long ago, but ever since his tragedy in the ring he has been reluctant to fight. Local priest Ward Bond conspires with several locals to trick McLaglen into paying his due. They intimate that widow Natwick, for whom McLaglen carries a torch, will marry the old brute if he'll give his consent to the marriage and fork over the dowry. But McLaglen finds he's been tricked and the situation remains at a standoff, with the frustrated Wayne locked out of his wife's bedroom. When Maureen accuses him of being a coward and walks out on him, our hero can stand no more. He marches Maureen to McLaglen's home, indicating that he plans to whale the tar out of both brother and sister. As a huge and appreciative crowd gathers the cornered McLaglen truculently tosses the money in Wayne's direction. Big John hands the bills to Maureen, just as she knew he would, and she ceremoniously destroys the money, just as he knew je would. Having proven their love for each other, there is nothing left for Wayne and Maureen to do but head home and perform their nuptual duties. But first there's the matter of giving McLaglen the thrashing he deserves....and it is this spectacular donnybrook, which covers several acres of land and at least two "pit stops" so that the combatants can quench their thirst, which convinces Natwick that the defeated McLaglen is truly worthy of her love (her logic is on a par with everyone else's in the film!) Though it tends to perpetuate the myth that all true Irishmen live only to fight, drink and make love, The Quiet Man is grand and glorious fun, enacted with gusto by a largely Hibernian cast and directed with loving care by a master of his craft. Written by Frank Nugent and graced with a lilting musical score by Victor Young, the film won Oscars for Archie Stout's Technicolor photography and for John Ford's direction-a real coup for "poverty row" Republic Pictures. If you haven't already luxuriated in this wonderful film, be sure to catch in on the tube next St. Patrick's Day. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Maureen O'Hara, (more)
John Wayne stars as Lt. Col. Kirby Yorke, whose devotion to duty has cost him his marriage to his beloved Kathleen (Maureen O'Hara). Yorke gets word that his son, Jeff (Claude Jarman Jr.) -- whom he hasn't seen in 15 years -- has been dropped as a cadet from West Point, and that he lied about his age to enlist in the cavalry, in an effort to redeem himself. By chance, the boy is then assigned to his father's post. Once more, as a function of his duty as a cavalry officer, Yorke must sacrifice his love of family -- he cannot show any preferential treatment to the boy, or exhibit any sign of love and affection. But Jeff is too strong to be injured by his father's actions, and already enough of a man that he is befriended by two older recruits, troopers Tyree (Ben Johnson) and Boone (Harry Carey Jr.), who watch out for him while taking him in as a virtual equal. Yorke's resolve is further tested when his estranged wife, Kathleen, arrives at the post, the better to look after her son -- and possibly to buy back the boy's enlistment, which Yorke, as commanding officer in a remote post with a critical shortage of men, can't and won't permit. After an attack by the Apaches, Yorke orders the post's women and children to be moved to safety, and Jeff is assigned as part of the troop conducting the caravan, despite his wish to participate in the planned action against the Apaches. The caravan is attacked, and the wagon with the children is taken by the Apaches to their encampment in a deserted village across the Rio Grande in Mexico. Yorke has been given permission by General Sheridan (J. Carrol Naish) to take his men into Mexico in pursuit of the Apaches, but the punitive expedition is now a rescue mission, as the Indians' night-time vengeance dance is the prelude to certain slaughter of the children at daybreak. As part of the mission, it's up to Tyree, the slyest man in the troop, to infiltrate the enemy camp, and he chooses Jeff and Boone as the two men he wants with him on this dangerous mission. ~ Bruce Eder, All Movie Guide
- Starring:
- John Wayne, Maureen O'Hara, (more)
The second of John Ford's "Cavalry Trilogy", She Wore a Yellow Ribbon is the only one of the three to be lensed in Technicolor. In an Oscar-calibre performance, 42-year old John Wayne plays sixtyish Cavalry Captain Nathan Brittles. In his last days before his compulsory retirement, Brittles must face the possibility of a full-scale attack from the Arapahos, fomented by the recent defeat of Custer and by double-dealing Indian agents. After a series of minor victories and major frustrations, Brittles decides to ride into the Arapaho camp, there to smoke a pipe of peace with his old friend, Chief Pony That Walks (Chief John Big Tree). Before he leaves, he is presented with his retirement present by his troops: a pocket watch, with the inscription "Lest We Forget"(Wayne's playing of this scene, barely holding back tears as he adjusts his spectacles to read the inscription, is one of his finest moments on film). Brittles is able to forestall an Indian attack, just in time for his official retirement. The film really ends here, but there are two more potential climaxes before the words THE END dissolve into view. The patchiness of the Frank Nugent/Lawrence Stallings screenplay (attributal to the fact that it is adapted from two different short stories) prevents She Wore a Yellow Ribbon from reaching the same lofty heights as the Ford/Wayne collaborations Fort Apache (1947) and Rio Grande (1949). The gratuitous offscreen narration of Irving Pichel is also rather distracting. Even so, Wayne's flawless performance, coupled with the supporting contributions of Ford's stock company (John Agar, Harry Carey Jr., Victor McLaglen et al) and the Academy Award-winning photography by Winston C. Hoch, automatically elevates She Wore a Yellow Ribbon to classic status. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Joanne Dru, (more)
The first of John Ford's "Cavalry Trilogy", Fort Apache stars John Wayne as captain Kirby York and Henry Fonda as Custer clone Lt. Col. Owen Thursday. Resentful of his loss in rank and transfer to the West after serving gallantly in the Civil War, the vainglorious Thursday insists upon imposing rigid authority on rough-and-tumble Fort Apache. He is particularly anxious to do battle with the local Indians, despite York's admonitions that the trouble around the fort is being fomented not by the so-called savages but by corrupt white Indian agents. Thursday nonetheless ends up in a climactic set-to with Indian chief Cochise. He and his men are needlessly slaughtered, but the Eastern press builds "Thursday's Charge" into an incident of conspicuous valor--and York, ever loyal to the cavalry, is not about to tell the whole truth. The bare bones of Fort Apache's plotline are fleshed out with several subplots, including the romance between Thursday's daughter Philadelphia (Shirley Temple) and Lt. Mickey O'Rourke (John Agar), the son of Fort Apache veteran Sgt. Michael O'Rourke (Ward Bond). There's also plenty of time for the expected drunken-brawl humor of Victor McLaglen. Not in the least politically correct, Fort Apache is a classic of its kind, and together with Rio Grande (1950) the best of the John Ford/John Wayne Cavalry films. ~ Hal Erickson, All Movie Guide
- Starring:
- John Wayne, Henry Fonda, (more)
- 1947
In this Republic musical, all heck breaks loose when the girlfriend of an aspiring composer becomes a model for the starving artist who lives next door. The story takes place at the turn of the 19th century and is set in Miss Rich's boardinghouse, the temporary home of many young artists and performers hoping to make it big in New York. Songs include "Have I Told You Lately?" and "A Bluebird Is Singing to Me." ~ Sandra Brennan, All Movie Guide
- Starring:
- Charles Arnt, Jane Frazee, (more)
- 1947
Jon Hall, Universal's beefcake kid, usually comported himself in South Seas or Arabian nights outfits. In Michigan Kid (based on a novel by Rex Beach), he's decked out in ten-gallon hat, levis and six-guns. Hall and his cohort Andy Devine are among the many characters searching for a treasure stolen during a stagecoach holdup. Our hero also tries to protect lovely ranch owner Rita Johnson from the clutches of crooked politicians. Since most of Hollywood's Technicolor cameras were busy at 20th Century-Fox, Michigan Kid was lensed in the red and blue hues of Cinecolor. ~ Hal Erickson, All Movie Guide
- Starring:
- Jon Hall, Victor McLaglen, (more)
- 1947
Frank Yerby's Foxes of Harrow was one of those long historical novels so popular in the 1940s. 20th Century-Fox boiled the novel down into 118 minutes' worth of essentials for this film version. In antebellum New Orleans, roguish Irish gambler Rex Harrison buys his way into society--something he couldn't do in his homeland because he is illegitimate. Sequestering himself in a mansion won in a card game, Harrison courts Southern belle Maureen O'Hara, but their subsequent marriage is befouled by Rex's incessant womanizing. Though tempted to walk out for good, O'Hara stays by her husband's side after he loses his fortune, hoping that the impoverished Harrison will now behave more responsibly. ~ Hal Erickson, All Movie Guide
- Starring:
- Renee Beard, Rex Harrison, (more)
A change of pace for both director Vincente Minnelli and star Katharine Hepburn, this taut drama features the latter as Ann Hamilton, the daughter of a scientist (Edmund Gwenn), who after a whirlwind romance marries handsome but slightly mysterious inventor turned businessman Alan Garroway (Robert Taylor). But wedded bliss proves short-lived when Garroway refuses to discuss his brother Michael, whose presence is felt constantly despite the mystery surrounding his whereabouts. The missing Michael becomes an obsession for Ann, whose curiosity is piqued even more after a chance encounter with Sylvia Burton (Jayne Meadows), a young woman who figures in the lives of both brothers and who displays a strange resemblance to Ann herself. Despite Alan's dire misgivings, Ann feels compelled to solve the mystery of Michael, until, that is, she discovers that Alan may very well have murdered his own brother. Undercurrent marked the screen debut of Jayne Meadows and a breakthrough of sorts for Robert Mitchum, whom M-G-M borrowed from David O. Selznick for a reputed $25,000. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Katharine Hepburn, Robert Taylor, (more)
- 1946
In this drama, Mary (Ava Gardner) returns to her small town after she becomes a success in the city. Meeting up with her old love, Kenny (George Raft), she discovers that he is still the unambitious, lazy man he was when she left, and she begins an affair with nightclub owner Lew Lentz (Tom Conway). When a jealous rivalry arises between Lew and Kenny, the results could be deadly. ~ Iotis Erlewine, All Movie Guide
- Starring:
- George Raft, Ava Gardner, (more)
- 1945
Rough, Tough, and Ready looks a great deal like all those Victor McLaglen - Edmund Lowe "friendly enemy" actionfests of the 1920s and 1930s. Indeed, McLaglen stars in the film as Owen McCarey, though the "Edmund Lowe" part, Brad Crowder, goes to Chester Morris. The story is the old bromide about two brawling buddies, duking it out over the same girl, in this case pert Jo Matheson (Jean Rogers). Owen and Brad own a salvage company, but split up over Jo. Both separately sign up for the army, and both are reunited in the Pacific. One of the protagonists saves the other's life in combat, signalling a happy reunion-at least, until the next dame comes along. Director Del Lord handles Rough, Tough and Ready in the slaphappy manner of one of his Three Stooges two-reelers: one is surprised that the stars don't poke each other in the eyes and shout "Woo-woo-woo-woo-woo-woo." ~ Hal Erickson, All Movie Guide
- Starring:
- Chester Morris, Victor McLaglen, (more)
- 1945
The trouble begins when glamorous Broadway actress Roberta Baxter (Virginia Bruce) signs for her latest play. She proceeds to spend far too much time at rehearsals, and far too little time with her attorney husband William (Edward Ashley). Even so, it is Roberta who eventually walks out on William, claiming that he's been neglecting her! The nonplussed William gives Roberta's room to an unemployed tatoo artist named Terry (Victor McLaglen) and Terry's preteen ward Sally (Jacqueline Moore). Hoping to get grounds for divorce, Roberta returns to her apartment, posing as a French governness for Sally. The fact that William doesn't seem to recognize Roberta when she starts to flirt with him should be indication enough of the film's credibility level. ~ Hal Erickson, All Movie Guide
- Starring:
- Virginia Bruce, Edward Ashley, (more)
- 1944
Not to be confused with the 1971 film of the same name, this World War II espionage drama was the second to last film from German director Lothar Mendes and stars Edward G. Robinson as oil tanker captain Bart Manson. When Manson rescues the survivors of a torpedoed ship in the Gulf of Mexico, he meets the beautiful Kathy Hall (Lynn Bari) and the two fall in love. But when Manson's ship sinks under suspicious circumstances, Hall becomes the prime suspect due to her mysterious past and identity. Believing his beloved to be innocent of the crime, Manson sets out to uncover who the real culprit is. Tampico also stars Victor McLaglen and Robert Bailey. ~ Matthew Tobey, All Movie Guide
- Starring:
- Edward G. Robinson, Lynn Bari, (more)
