Ray McKinnon Movies

In this made-for-cable thriller, an unstable woman (Jennifer Beals) is drawn into the web of a scheming co-worker and the estranged husband (James Remar) of her boss. When her boss turns up the victim of a supposed suicide, things just don't quite add up. ~ Jason Ankeny, All Movie Guide

Penelope Ann Miller's delightful performance as the shy, part-time librarian Betty Lou Perkins is the saving grace of this comedy from Touchstone Pictures. Betty Lou is the neglected wife of small-town police detective Alex Perkins (Eric Thal). She soon feels even more neglected when Alex can't make their anniversary dinner because he has to investigate a brutal motel room slaying. Taking her dog for a walk, Betty Lou finds a gun by the river's edge that just happens to be the missing murder weapon in Alex's murder investigation. In order to get some attention, she announces that she was the one who committed the murder. Hauled behind bars, Betty Lou gets some quick assertiveness training from her cell-mate, hard-boiled prostitute Reba Bush (Cathy Moriarty). She also becomes an instant media celebrity, with crowds clamoring around her and television news reporters elevating her to legendary status. But Alex doesn't believe she committed the murder (she tells him the dead man was her lover) and continues investigating the crime. Her husband is not the only one who's suspicious -- the FBI wants to use her to lure crime lord Beaudeen (William Forsythe), who they suspect actually committed the murder, out into the open. It turns out the FBI is right; Beaudeen killed the motel room victim because he planned to blackmail him with an incriminating cassette. Beaudeen is convinced that Betty Lou has the tape and musters his forces to get it from her one way or another. ~ Paul Brenner, All Movie Guide

Bugsy is a character study of mobster Benjamin "Bugsy" Siegel wrapped up in a gangster movie. Siegel (Warren Beatty in a flashy performance) arrives in California in the Forties, assigned to oversee the L.A. rackets. He is quickly seduced by both the glamour of Hollywood and actress Virginia Hill (Annette Bening), whom he romances despite being unable to leave his wife and children. Siegel soon has a vision to transform a barren stretch of Nevada desert into an oasis of gambling and entertainment -- the seeds from which Las Vegas was sown. Funded by his gangster bosses, including Meyer Lansky (Ben Kingsley), the flamboyant Siegel sees his budget soar past its original $6 million, a problem compounded by the fact that Virginia has embezzled $2 million of it. In trouble with his superiors, Siegel flies back to L.A. to face the music, telling Virginia to keep the money. He would not live to see his dream of Las Vegas come true. The film is fast-paced and well-directed by Barry Levinson, with an intelligent script by James Toback and excellent support from Kingsley and Harvey Keitel as gangster Mickey Cohen. ~ Don Kaye, All Movie Guide

"Remake fever" spread in 1991 to the producers of the TV-movie Night of the Hunter. 36 years earlier, writer James Agee, director Charles Laughton and stars Robert Mitchum, Shelley Winters and Lillian Gish combined their considerable talents to create the original Night of the Hunter, a first-rate allegorical suspenser involving stolen funds, a homicidal phony preacher, and two innocent but resilient children. The 1991 remakes stars Richard Chamberlain in the old Mitchum role as Harry Powell, the bogus preacher with the words LOVE and HATE tattooed on his knuckles. In pursuit of stolen money hidden by an old prison cellmate, "Reverend" Powell ingratiates himself with the cellmate's widow (Diana Scarwid), then kills her. The woman's children seem to know where the money is, so Powell pursues them through the woods, nearly catching up with them before they are taken in by a kindly old woman. The 1991 Night of the Hunter couldn't come up with an adequate substitute for Lillian Gish, so the new script altered the ending, thereby diminishing most of the property's inherent value. ~ Hal Erickson, All Movie Guide

Peter Dexter adapted his National Book Award-winning novel for this probing made-for-cable film featuring Dennis Hopper in the title role as an unrepentant racist in 1949 Georgia. Trout is a greedy and paranoid shopkeeper who murders the sister and mother of a black man who refuses to repay Trout's IOU. When Trout is arrested for the crimes, he can't comprehend why he would be aprehended for his actions. Lawyer Harry Seagraves (Ed Harris) arrives to represent Trout in court, but Seagroves dislikes defending a man whom he feels deserves to be punished. ~ Paul Brenner, All Movie Guide

The second In the Line of Duty fact-based TV movie of the 1990-1991 season, In the Line of Duty: Manhunt in the Dakotas stars Michael Gross as an urban FBI agent. His quarry is Gordon Kahl (Rod Steiger), leader of a right-wing extremist movement whose battle against authority has led to murder. Charged with killing two federal marshals, Kahl holes up in the Dakota hills, with his fanatical followers running interference as the feds close in. Though the film takes no sides, it details the sort of financial and social pressures that might bring forth a charismatic madman like Gordon Kahl. ~ Hal Erickson, All Movie Guide

In the made-for-television film Web of Deceit, a West coast lawyer (Linda Purl) returns to her hometown of Atlanta to defend an unfairly accused teenager (Paul de Souza) of rape and murder. As she investigates the case, she re-ignites an old love affair with the prosecuting attorney, who just may be a suspect in the killing himself. ~ Stephen Thomas Erlewine, All Movie Guide

Based on the Pulitzer Prize-winning play by Alfred Uhry, Driving Miss Daisy affectionately covers the twenty-five year relationship between a wealthy, strong-willed Southern matron (Jessica Tandy) and her equally indomitable Black chauffeur Hoke (Morgan Freeman). Both employer and employee are outsiders, Hoke because of the color of his skin, Miss Daisy because she is Jewish in a WASP-dominated society. At the same time, Hoke cannot fathom Miss Daisy's cloistered inability to grasp the social changes which sweep the South in the 1960s. Nor can Miss Daisy understand why Hoke's "people" are so indignant. It is only when Hoke is retired and Miss Daisy is confined to a home for the elderly that the two fully realize that they've been friends and kindred spirits all along. The supporting cast includes Esther Rolle as Miss Daisy's housekeeper and Dan Aykroyd as Miss Daisy's son Boolie (reportedly, playwright Uhry based the character upon himself). Driving Miss Daisy won Academy Awards for best picture, best actress (Jessica Tandy), best screenplay (Uhry) and best makeup (Manlio Rachetti). ~ Hal Erickson, All Movie Guide