Doug McKeon

Originally titled Mercury Project, this made-for-cable thriller focuses on 17-year-old Todd Baker (Ryan Merriman) and his ex-astronaut grandfather, Gus Baker (Robert Wagner). Hoping to honor the memory of his late father, likewise a space explorer, Todd collaborates with Gus in restoring a Mercury Redstone Rocket (purchased from a junk heap for a mere $80,000) as a high school science project. When Todd grafts the Rocket to a Mercury 10 capsule found in a space museum, he brings down the wrath of the Feds, who inform him that he's committed an infinite number of security breaches. Denied permission to complete his project, our hero is nonetheless redeemed when a space shuttle crew is trapped hundreds of miles above earth...and only Todd's rebuilt rocket and capsule is capable of going to the rescue! About as credible as anything else on the ABC Family Channel ever since, Rocket's Red Glare debuted on August 27, 2000. ~ Hal Erickson, All Movie Guide

Set within a world where Hitler and his closest cadre of followers survived, this speculative psychodrama attempts to explore the dark, twisted mind of the mad ruler as he converses with Eva Braun, Hermann Goering, Josef Goebbels, and Sigmund Freud. It is a decidedly minimalist film set in a secret subterranean bunker where Hitler spends endless hours watching films of his best years flicker over his blueprints for the new Berlin. Though he lost the war, Hitler still believes himself successful in becoming an immortal figure. His conversations add insight to his grand schemes, his obsession with blondes, and his moral justification for genocide. At Freud's prompting, Hitler also looks into his own neurosis and fears. ~ Sandra Brennan, All Movie Guide

This sequel to the 1974 family film Where the Red Fern Grows tells the story of a man named Billy Coleman (Doug McKeon), who returns from duty in WWII to the home of his crotchety grandfather (Wilford Brimley). Hidden deep in the Louisiana woods, the home provides a place for Billy to readjust to a normal life, raise a litter of puppies, and reconnect with the things in life that he fought so hard to save. ~ Cammila Albertson, All Movie Guide

There were two rival TV dramatizations of the sensational murder case involving "monster Mom" Frances Schreuder. Stephanie Powers was the star of the two-part 1987 TV movie At Mother's Request. Part One details the events leading to the murder of Frances' multimillionaire father Franklin Bradshaw (E.G. Marshall). Though Frances' complicity was well known at the time of Part One's first telecast on January 4, 1987 (in fact, she was already serving a life sentence in the Utah State Prison), the case is treated like a whodunit.

Part Two demonstrates how Frances' teen-age son Marc (Doug McKeon) was coerced into committing the deed by his manipulative Mom. Though lacking depth, At Mother's Request is still a powerful re-enactment of what was once considered "The Crime of the Century" (O.J. hadn't happened yet). The second half of this two-part TV-movie debuted on January 6, 1987. For the record, Lee Remick starred in a like-vintage TV adaptation of the same story, Nutcracker. ~ Hal Erickson, All Movie Guide

The career of boxer Ray "Boom Boom" Mancini is the subject of the made-for-TV biopic. Doug McKeon plays Mancini, while Robert Blake co-stars as his father, Lenny Mancini. An excellent pugilist in his own right, Lenny's career is cut short by his wartime service. Son Ray carries on the tradition into the 1980s, battling his way towards the WBA crown. Heart of a Champion's executive producer was Rocky star Sylvester Stallone, who (it says here) staged the boxing sequences. This heartwarming "do it for the old man" effort was first telecast May 1, 1985. ~ Hal Erickson, All Movie Guide

In this made-for-TV film, a high-school counselor (Joyce Brothers) faces ineffectual help from administration in combating drugs, so she recruits several students to help in the battle. ~ John Bush, All Movie Guide

There's little that happens in On Golden Pond that isn't thoroughly predictable from the start, but the film is blessed with so much star power, charm and honest sentiment that everyone in the audience is willing to ignore the cliches and go the distance. In his last film, Henry Fonda plays Norman Thayer, a cranky 80-year-old retired professor, making his annual pilgrimage with his wife Katharine Hepburn (in her only teaming with Henry Fonda) to their New England summer cottage. Their solitude is interrupted when the couple's daughter Chelsea (Jane Fonda) arrives with her fiance Bill (Dabney Coleman) and his son Doug McKeon in tow. It takes a while, but Jane Fonda and Coleman, about to go on a vacation of their own, persuade Henry Fonda and Hepburn to take care of McKeon. Henry Fonda and the kid dislike each other from Square One, and it looks as though this summer (which may very well be Henry Fonda's last) will be a depressing experience. Gradually, Henry Fonda and McKeon grow to love one another; their bond is strengthened during a near-fatal accident while fishing. It is through the warm relationship between Henry Fonda and the boy that the old man and his daughter Jane Fonda are at last able to display affection towards each other--the first time they've done so in years. Gorgeously photographed by Billy Williams, On Golden Pond is a wonderful valedictory for Henry Fonda, who died not long after the film's completion; Katharine Hepburn has less to do, but few can do so much with so little. Academy Awards were bestowed upon Henry Fonda, Hepburn, and screenwriter Ernest Thompson (who adapted the film from his stage play). ~ Hal Erickson, All Movie Guide

Made for television, a former professional baseball player (John Ritter) coaches a team of misfits to the little-league crown. ~ John Bush, All Movie Guide

Famed for their supporting performances in Sylvester Stallone's Rocky, Burt Young and Talia Shire struck while the iron was hot to star in the made-for-TV Daddy, I Don't Like It Like This. Young also wrote the screenplay for this middling domestic drama. He and Shire play an endlessly bickering middle-class couple; the husband, an ex-boxer, is frustrated by his inability to fulfill his dreams, while the wife is hampered by emotional and intellectual immaturity. Both Young and Shire take out their hostilities on their son (Doug McKeon), who reacts to the ongoing strife by retreating into his own imagination. Daddy, I Don't Like It Like This was the first directorial assignment for Adell Aldrich, daughter of "cult" director Robert Aldrich. ~ Hal Erickson, All Movie Guide

Valerie Mahaffey plays a 19-year-old girl who nervously knocks at the door of middle-aged housewife Barbara Barrie. Barrie had given Valerie up for adoption at birth, and the girl wants to know why. By her mere presence, Mahffey threatens to tear apart Barrie's family, most of whom have no knowledge of her earlier indiscretion. Arthur Hill costars as Barrie's husband, while Barnard Hughes appears as her uncle, who is the only one who shares her secret. Tell Me My Name was originally telecast as a 90-minute GE Theater Special on December 20, 1977. ~ Hal Erickson, All Movie Guide