Fay McKenzie Movies

In this biting comedy satirizing Hollywood cynicism from writer-director Blake Edwards, Felix Farmer (Richard Mulligan) is a motion picture director whose career is on the skids. Having just completed a family musical that is sure to be a $30 million flop, Felix knows that his days are numbered and tries unsuccessfully to commit suicide. When he recovers, Felix suddenly has a brainstorm and hatches a scheme to buy the film back from his studio and lens new scenes that will turn it into a pornographic movie with big stars, a sure-fire box office winner. In order to pull it off, he'll need to convince his female lead and wife, Sally Miles (Julie Andrews, not coincidentally the director's real-life wife) to defy her wholesome, squeaky-clean public image by baring her breasts on film. S.O.B. (1981) was the final film of legendary actor William Holden. ~ Karl Williams, All Movie Guide

Bank teller Lee Remick is accosted in her garage one dark night by asthmatic psycho Ross Martin. He forces her to go through with an elaborate robbery scheme, threatening to kill Lee's teen-aged sister Stefanie Powers if the police are summoned. FBI agent Glenn Ford suspects that something is amiss and advises Lee to play along with Martin, hoping in this way to capture this dangerous criminal with a minimum of bloodshed. Unfortunately, Martin is as clever as he is deadly, always managing to stay one step ahead of Ford. The now-famous climax of Experiment in Terror finds the feds closing in on Martin during a crowded night baseball game at San Francisco's Candlestick Park. Experiment in Terror is based on the Gordons' novel Operation Terror. ~ Hal Erickson, All Movie Guide

Most of this Republic B-plus mystery yarn is set in a penthouse, next door to a music hall where a strange song-and-dance extravaganza is being staged. This production incorporates several ice-skating sequences--a good excuse as any for the presence of leading lady Vera Hruba Ralston, Republic's answer to Sonja Henie. Ralston and orchestra leader William Marshall come across the body of producer Edward Norris. Almost everyone in the cast is placed under suspicion, since Norris was a cad and blackmailer. The surprise killer is (as usual) not that much of a surprise, though the scenarists keep us going with some last-minute red herrings. Murder in the Music Hall was reissued in a shortened version titled Midnight Melody in 1951. ~ Hal Erickson, All Movie Guide

No sooner had the Japanese bombed Pearl Harbor on December 7, 1941 than Republic Pictures managed to register the title Remember Pearl Harbor for copyright, beating out all the "major" studios in the process. The title was far more dramatic than the film attached to it, which has something to do with pugnacious American GI Lucky Smith (a rare non-western appearance by Don "Red" Barry). Our hero spends the first few reels being tossed in the stockade, often accompanied by his buddies Bruce Gordon (Alan Curtis) and Portly Potter (Maynard Holmes). Shortly after the demolition of Pearl Harbor, Lucky and Bruce uncover a gang of Fifth Columnists, operating in the Philippines. Shaping up in a hurry, Lucky volunteers to lead a suicidal air mission against a Japanese troop ship, thereby redeeming himself for inadvertently causing the death of his pal Portly in an earlier scene. Under closer scrutiny, Remember Pearl Harbor turns out to be a remake of 1940's Girl from Havana, itself a remake of the 1939 Roy Rogers western Rough Riders' Roundup, which was a remake of another 1939 effort, Forged Passport, which was first filmed in 1936 as The Leathernecks Have Landed! ~ Hal Erickson, All Movie Guide

Music, gangster melodrama, and snappy newspaper comedy is blended into the usual Western shenanigans in this unusual Gene Autry vehicle filmed on-location at the Russell Ranch near Agoura Hills, CA. Autry, as always, plays himself, a singing star, with Smiley Burnette and Joe Strauch Jr. as sidekicks Frog and Tadpole Millhouse. The trio is visiting Pop Harrison's (Forrest Taylor) Wyoming dude ranch, where Pop's wastrel son, Tex (James Seay), is in trouble with the law. Tex is involved with one Mr. Crowley (George Gordon), who really a gangster named Luigi. Recognized by newspaper reporters Clem (Fay McKenzie) and Hack (Chick Chandler), Crowley and his men indulges in a bit of skullduggery and are the obvious suspects when Pop Harrison is shot. But as Gene discovers, the gangsters are merely red herrings, the real culprit being a person much closer to home. In between detective work and romancing the girl reporter, Autry finds time enough to warble six songs, including Irving Berlin's then very topical "Any Bonds Today?," the official anthem of U.S. Defense Bond campaign. Despite good performances by Fay McKenzie, the daughter of veteran B-Western personality Robert McKenzie, and the always welcome Chick Chandler, Home in Wyomin' was not wholly appreciated by Autry's legion of fans who wanted their star straight up. ~ Hans J. Wollstein, All Movie Guide

Like 1940's Melody Ranch, the 1941 Gene Autry vehicle Down Mexico Way was designed as a "special", to be promoted separately from Autry's regular B-western series as an A-picture attraction. The story gets under way when a pair of con artists, Gibson (Sidney Blackmer) and Allen (Joe Sawyer), breeze into the town of Sage City claiming to be movie producers. The two scoundrels promise to film a movie in the little burg on the condition that the townsfolk pony up the necessary production fees. When Gene Autry and his sidekick Frog (Smiley Burnette) catch up with Gibson and Allen, the two huckster head across the border into Mexico-a big mistake, since reformed bandit Pancho Grande (Harold Huber) and his amigos don't cotton to being swindled. In addition to the expected musical interludes from Gene Autry, Down Mexico Way includes several Latino numbers, courtesy of the Herrera Sisters. ~ Hal Erickson, All Movie Guide

When the Daltons Rode is the much-embellished tale of that celebrated outlaw family, the Daltons. Broderick Crawford, Brian Donlevy, Stu Erwin and Frank Albertson play the gunslinging brothers, with Mary Gordon on hand as Ma Dalton. In the tradition of the 1939 western Jesse James, the film whitewashes the Daltons, showing them being forced into committing their crimes by duplicitous railroad interests. There's plenty of comic banter and byplay until about twenty minutes from the end; then the film becomes a nonstop marathon of action, halted only by the Daltons' fateful (and for the most part fatal) bank robbery in Coffeyville, Kansas. Randolph Scott is the nominal hero, a lawyer who befriends the boys and tries to dissuade them from their life of crime. When the Daltons Rode ends with all four brothers dead as doornails--even though the script was based on the autobiography of the surviving Dalton! ~ Hal Erickson, All Movie Guide

The otherwise standard Ken Maynard western Death Rides the Range is distinguished somewhat by a topical slant. The plot concerns a group of spies from an unnamed foreign country (gee, they sure sound German) who head westward to undermine American morale. Into this malaise wanders Maynard, supposedly a rootless cowpoke but in reality an FBI agent. Things begin to heat up when the villains lay claim to a helium well on the property owned by heroine Fay McKenzie. The film's silliest moment occurs in mid-stream, when chief villain Charlie King begins beating up everyone within arm's length, with nary a scratch on his own person. ~ Hal Erickson, All Movie Guide

In this drama, a despondent fellow contemplates suicide after he is abandoned by his last girlfriend. To ensure that his poor sister will receive maximum benefits from his life insurance policy, he hires a hitman to assassinate him. Unfortunately, he meets a new girl and changes his mind. Unfortunately, the killer, whom the hero has never met, doesn't know this. ~ Sandra Brennan, All Movie Guide

All Women Have Secrets affords a rare film starring role for James Cagney's talented sister Jeanne Cagney. Set on a college campus, the story concerns the trials and tribulations of married student John (Joseph Allen) and his pregnant wife Kay (Cagney). In addition to their existing financial woes, Kay faces dismissal from her nightclub singing job as her waistline expands. The "secret" refers to the fact that Kay has been withholding the fact that John is about to become a father , lest he offer to quit school to support them both. Some much-needed laughs are provided by Peter Lynd Hayes as the typical campus cutup. ~ Hal Erickson, All Movie Guide

Though Rudyard Kipling's poem Gunga Din makes a swell recital piece, it cannot be said to have much of a plot. It's simply a crude cockney soldier's tribute to a native Indian water boy who remains at his job even after being mortally wounded. Hardly the sort of material upon which to build 118 minutes' worth of screen time-at least, it wasn't until RKO producer Pandro S. Berman decided to convert Gunga Din into an A-budgeted feature film. Now it became the tale of three eternally brawling British sergeants stationed in colonial India: Cutter (Cary Grant), McChesney (Victor McLaglen) and Ballantine (Douglas Fairbanks Jr.). Ballantine intends to break up the threesome by marrying lovely Emmy Stebbins (Joan Fontaine), while Cutter and McChesney begin hatching diabolical schemes to keep Ballantine in the army (if this plot element sounds a lot like something from the Ben Hecht and Charles MacArthur play The Front Page, bear in mind that Hecht and McArthur shared writing credit on Gunga Din with Joel Sayre and Fred Guiol; also contributing to the screenplay, uncredited, was William Faulkner). All three sergeants are kept occupied with a native revolt fomented by the Thuggees, a fanatical religious cult headed by a Napoleonic Guru (Eduardo Ciannelli). Unexpectedly coming to the rescue of our three heroes-not to mention every white man, woman and child in the region-is humble water carrier Gunga Din (Sam Jaffe), who aspires to become the regimental trumpeter. Originally slated to be directed by Howard Hawks, Gunga Din was taken out of Hawks' hands when the director proved to be too slow during the filming of Bringing Up Baby. His replacement was George Stevens, who proved to be slower and more exacting than Hawks had ever been! ~ Hal Erickson, All Movie Guide

Ken Maynard saves Geneva Mitchell from a runaway coach in the opening of this so-so Columbia western. The victim of a stage hold-up, Geneva is mighty grateful but her banker father (John Ince) is only too willing to believe uncouth Charles "Slim" Whitaker when he fingers Ken as the master-mind behind the latest outrage, a bank heist. Geneva, meanwhile, has recognized nasty Harry Woods) as the real culprit of both stage holdup and bank robbery and promptly gets herself kidnapped. With Ken behind bars, help is a bit slow in coming but the bad guys are corralled in due time and peace is finally restored to the town of Santana. Sidekick Guy Wilkerson takes time out to serenade a winsome Indian maiden -- three times! -- and even Maynard is allowed to warble a campfire tune or two, more's the pity. ~ Hans J. Wollstein, All Movie Guide

Student Tour looks like an MGM musical two-reeler that was expanded to feature length as it went along. Charles Butterworth and Jimmy Durante are teamed respectively as fey philosophy professor Lippincott and brash athletic coach Hank. The two comics shepherd a co-ed college rowing team on a world tour, with orders to keep the team's rowdy captain Bobby (Phil Regan) out of trouble. Lackluster leading lady Maxine Doyle co-stars as Ann, a plain-jane who takes off her glasses at a Monte Carlo masquerade ball and wins BMOC Bobby for her very own. Ann also brings the story to a rousing conclusion by substituting for the cockswain in the climatic rowing race, urging the team to victory with a peppy song-and-dance. Nelson Eddy also shows up to sing "The Carlo," a pulsating number obviously inspired by "Bolero." The film's giddy highlight is "Taj Mahal," in which a group of pretty students (including a young Betty Grable) go swimming in the pool of the famous Indian shrine! According to studio publicity, a crop of genuine college coeds were hired to play the students in Student Tour, but to the trained eye they sure look like standard Hollywood extras and bit players. ~ Hal Erickson, All Movie Guide