Dal McKennon Movies
Tony Randall has the showcase of a lifetime in the marvelous George Pal production The Seven Faces of Dr. Lao. We first see Randall as Dr. Lao, an enigmatic Chinese medicine-show impresario. The doctor brings his travelling show into the frontier town of Abalone, which is chafing under the oppression of land-hungry Clint Stark (Arthur O'Connell). Newspaper editor Ed Cunningham (John Ericson) is conducting a campaign of words against Stark, but he is no match for the land baron's money, power, and hulking henchmen. Nonetheless, Cunningham continues his crusade, all the while attempting to romance icy young widow Angela Benedict (Barbara Eden). All of this is observed with bemusement by Dr. Lao, who has already established himself as a man of many talents by alternating between pidgin-English and eloquent articulation, depending on the circumstances. Each of the townspeople--including the three already mentioned--learn a great many truths about themselves when they attend Dr. Lao's unusual circus. In the course of straightening out everyone's problems, Lao metamorphoses into (1) Merlin the Magician, (2) Pan, (3) Medusa, (4) The Abominable Snowman, (5) Apollonius of Tyana and (6) a Talking Serpent. The combined talents of Randall, puppeteer Pal and make-up wizard William J. Tuttle (who won two Special Oscars) resulted in this captivatingly unique entertainment experience. Curiously, Tony Randall is not fond of Seven Faces of Dr.Lao, and refuses to be interviewed on the subject. Perhaps he was unhappy that much of the philosophy dispensed in the original Charles G. Finney novel The Circus of Dr. Lao was weeded out of Charles Beaumont's script....or perhaps he just didn't like having his head shaved for the part. ~ Hal Erickson, All Movie Guide
- Starring:
- Tony Randall, Barbara Eden, (more)
This unappealing suspense film stars Ronald Foster and Erika Peters as a couple who arrive at a decrepit old mansion only to find that the previous occupants -- a group of circus freaks -- have yet to vacate the premises. Worse, it seems that the mischievous tenants are quite adamant about defending their territory against all outsiders while waiting for their keeper to return, and their methods of dissuading unwanted guests apparently include murder. This is a passable spook-house exercise, with lots of severed limbs flung at the hapless protagonists and and a silly cop-out ending, but the use of actual circus freaks as the villains (probably a cost-saving measure for the filmmakers) is more than a little disconcerting. The circus giant is played by a young Richard Kiel. ~ Cavett Binion, All Movie Guide
- 1962
Victor Buono, who skyrocketed to stardom by virtue of his work in the title role of the earlier Untouchables episode "Mr. Moon", returns to the series in a different characterization. This time Buono is cast as Parnise Surigao, whose booming bootlegging operation is cutting into the profits of Frank Nitti's operation. To put it mildly, Nitti (Frank Nitti) is displeased, and orders an all-out war against Surigeo--who proves nearly impossible to bump off. After an innocent bystander is killed in the crossfire, Elliot Ness (Robert Stack) vows to end the war and put both sides out of business, using a "straw man" subterfuge to accomplish his goal. ~ Hal Erickson, All Movie Guide
- 1962
In this mystery, a divorced man begins looking for his ex-wife who married his former business partner. Hal Weston's search leads him to LA where he enlists the aid of Li Sheng and the sneaky Osgood. He is told that his partner died. Investigating further, he discovers that he did not die. Actually he murdered the ex-wife and then had Li Sheng's father, a surgeon, fake his death certificate. He then buries the woman in his coffin and proceeds to use his mistress to collect on his life insurance policy by having her pose as the widow. Osgood then learns that the crook had the doctor change his appearance so he looked just like Osgood. He figures that he is next on the business partner's hit list and so kills him first. In the end, Weston kills Osgood. ~ Sandra Brennan, All Movie Guide
- 1961
Director John A. Bushelman makes a departure from his usual western and action films to guide this respectable, canine-centered, family film about a big dog by the name of Pete with definite separation anxiety. When the impoverished Brancato family takes off from their Nevada home to look for a better life in Los Angeles, they are forced to leave their dog in the care of a dubious-looking neighbor. Their son is heart-broken, and no one is particularly happy, especially Pete. Not willing to stand for this kind of treatment, Pete takes off to cover the hundreds of miles to L.A. and hunt down his family, meeting all kinds of hoboes, truckers, and other characters along the way. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Roger Mobley, David McLean, (more)
- 1961
Unlike some of the "twist" movies that hit the theaters in the early '60s when the dance craze flourished, Twist around the Clock has something resembling a plot. Mitch Mason is an out-of-work promoter who sees people doing the "twist" in a regional backwater -- and immediately understands that the dance could be a real hit. His problem lies in getting anyone to believe him, and making money in the process. It turns out that the daughter of the head of a major agency could be his ticket to fame and fortune but he ignores her interest in him, at least for awhile. In the end, this teen-oriented tale is best remembered for two of Dion's hit songs, Runaround Sue and The Wanderer. Other vocals are supplied by Chubby Checker, The Marcels, and Vicki Spencer. ~ Eleanor Mannikka, All Movie Guide
Disney produced this lavish animated fairy tale, the most expensive cartoon ever made up to its release with a budget of $6 million. When the young princess Aurora is cursed at birth by the evil fairy Maleficent, the baby is kidnapped by a trio of good fairies who raise the girl themselves, hoping to avoid the spell's fulfillment. Nevertheless, at the age of 16, the beautiful Aurora falls into a deep sleep that can only be awakened by a kiss from her betrothed, Prince Phillip. Knowing that Phillip intends to save Aurora, Maleficent takes him prisoner. When the good fairies launch a rescue attempt, Maleficent transforms herself into a spectacular fire-breathing dragon, forcing Phillip to defeat her in mortal combat. Sleeping Beauty (1959) was Oscar nominated for its musical score, which featured adaptations of Tchaikovsky compositions. ~ Karl Williams, All Movie Guide
- Starring:
- Mary Costa, Bill Shirley, (more)
Producer/animator/special-effect maven George Pal made his feature-film directorial bow with the colorful MGM musical fantasy Tom Thumb (the title of the film was spelled in lower case in the opening credits, and in all studio publicity material). Russ Tamblyn stars as the teeny-tiny titular protagonist, while veteran musicomedy favorite Jessie Mathews and stellar character actor Bernard Miles portray Tom's normal-sized parents. Journeying to the Village, Tom is pounced upon by villains Ivan (Terry-Thomas) and Tony (a corpulent Peter Sellers), who intend to exploit our 5 1/2-inch-tall hero. In-between his misadventures with the villains, Tom helps to expedite the romance between young forester Woody (Alan Young) and the magical Forest Queen (June Thorburn). Throughout, the special effects and oversized sets are first-rate, as are the "puppetoons" sequences featuring such delightful characters as The Yawning Man (voice by Stan Freberg). Written by several hands, the film's songs are hummable, if not particularly memorable. It is said that some children in the audience in 1958 were genuinely frightened by the more horrific aspects of the story (including the threatened execution of Tom's parents); it may be, however, that the adults were more scared than the kids. Incidentally, while most of Tom Thumb was filmed in MGM's London facilities, the special effects were produced in Hollywood, requiring Russ Tamblyn to do a lot of travelling. ~ Hal Erickson, All Movie Guide
- Starring:
- Russ Tamblyn, Alan Young, (more)
Lady and the Tramp represented two "firsts" for Disney: It was the studio's first Cinemascope animated feature, and it was their first full-length cartoon based on an original story rather than an established "classic". Lady is the pampered female dog belonging to Jim Dear and Darling. When her human masters bring a baby into the house, Lady feels she's being eased out; and when Darling's insufferable Aunt Sarah introduces her nasty twin Siamese cats into the fold, Lady is certain that she's no longer welcome. The cats wreak all manner of havoc, for which Lady is blamed. After the poor dog is fitted with a muzzle, Lady escapes from the house, only to run across the path of the Tramp, a raffish male dog from the "wrong" side of town. The Tramp helps Lady remove her muzzle, then takes her out on a night on the town, culminating in a romantic spaghetti dinner, courtesy of a pair of dog-loving Italian waiters. After their idyllic evening together, Lady decides that it's her duty to protect Darling's baby from those duplicitous Siamese felines. On her way home, Lady is captured and thrown in the dog pound. Here she learns from a loose-living mutt named Peg that The Tramp is a canine rake. Disillusioned, Lady is more than happy to be returned to her humans, even though it means that she'll be chained up at the insistence of Aunt Sarah. Tramp comes into Lady's yard to apologize, but she wants no part of him. Suddenly, a huge, vicious rat breaks into the house, threatening the baby. Lady breaks loose, and together with Tramp, runs into the house to protect the infant. When the dust settles, it appears to Aunt Sarah that Tramp has tried to attack the child. That's when Lady's faithful friends Jock the bloodhound and Trusty the scottie swing into action, rescuing Tramp from the dogcatcher. Once Jim Dear and Darling are convinced that Tramp is a hero, he is invited to stay...and come next Christmas, there's a whole flock of little Ladies and Tramps gathered around the family. Beyond the usual excellent animation and visual effects, the principal selling card of Lady and the Tramp is its music. Many of the songs were performed and co-written by Peggy Lee, who years after the film's 1955 theatrical issue, successfully sued Disney for her fair share of residuals from the videocassette release. ~ Hal Erickson, All Movie Guide
- Starring:
- Peggy Lee, Barbara Luddy, (more)
- 1953
Operating out of the Bunco division, Friday (Jack Webb) and Smith (Ben Alexander) set their sights on a "lonely hearts" con artist. The criminal in question places newspaper ads for female companionship, then proposes to his victims, steals all their money, and skips town. Watch for versatile voiceover artist Dal McKennon of "Gumby" fame in a supporting role. This episode was adapted from the Dragnet radio broadcast of March 29, 1951. ~ Hal Erickson, All Movie Guide
