T.P. McKenna Movies

Producer/director Joseph Strick continues his long cinematic love affair with the works of Irish author James Joyce in Portrait of the Artist as a Young Man. Bosco Hogan plays Joyce's alter-ego Stephen Daedelus, an irrepressible boy at eternal odds with the strictures of his Catholic home and family. As in his earlier adaptation of Joyce's Ulysses, Strick manages to successfully convey the liquidity and ideology of Joyce's challenging literary style. Also like Ulysses, however, the director is stronger with monologues than with visuals. Joseph Strick's own son Terence plays the artist as an even younger man. ~ Hal Erickson, All Movie Guide

Anne of the Thousand Days is the belated film adaptation of Maxwell Anderson's 1948 stage play. The story concentrates on the romance between Britain's King Henry VIII (Richard Burton) and his ill-fated second wife Anne Boleyn (Genevieve Bujold). After holding out for marriage rather than an illegitimate union, Anne marries Henry after he sheds himself of Katherine of Aragon -- causing a rift between the Crown and the Church in the process. Anne's inability to produce a male heir leads Henry to look about for other suitable mates. Henry's sinister right-hand man Cromwell (John Colicos) arranges for Anne to be condemned on a charge of adultery. She is beheaded, while Henry disconsolately sits in Windsor Castle, regretting this callous example of political expediency. Richard Burton is ideally cast in Anne of the Thousand Days, but it is Genevieve Bujold who delivers the best, most complex performance in the film. ~ Hal Erickson, All Movie Guide

Recovering from a broken leg at a private convalescent home, Steed soon learns that he is being stalked by a mysterious assailant. The would-be killer turns out to be an old enemy, who intends to kill Steed exactly seven years after he himself was thrown in jail. Physically unable to repel his enemy, Steed must rely upon Tara for salvation. Blatantly inspired by the American movie classic High Noon, "Noon Doomsday" was written by Terry Nation; it was first shown in America on October 28, 1968, and in England on November 27 of that same year. ~ Hal Erickson, All Movie Guide

Hal Holbrook stars in this TV pilot film as Colonel Calvin Turner, a special operative for the OSS during World War II. Working in cooperation with British intelligence, Turner's mission is to uncover atomic weapon secrets at a Nazi plant in occupied Norway. The task permits him time for a bit of dalliance with the lovely Anne Twomey. David McCallum and Ray Sharkey costar in this uneven location-filmed adventure caper, first broadcast December 29, 1985. ~ Hal Erickson, All Movie Guide

This 1985 television production faithfully adapts Charles Dickens' Bleak House, an indictment of Victorian England's corrupt legal and class systems that prey on the weak and the innocent. Esther Summerson (Suzanne Burden), a kind and level-headed young woman introduced as an orphan, is the link who knits several storylines together as a witness to injustice. She and two other young people -- the naïve and vulnerable Richard Carstone (Philip Franks) and Ada Clare (Lucy Hornack) -- are wards in an estate case before the High Court of Chancery. They stay at the home of John Jarndyce (Denholm Elliott), a relative. Like so many other lawsuits, the case drags on indefinitely, depleting the estate while garnishing lawyers' bank accounts. Richard and Ada fall in love and marry in secret, but his health declines as legal fees and delays consume his expected fortune. Eventually, he dies. Meanwhile, in the upper reaches of society, Lady Dedlock (Diana Rigg) harbors a secret that would ruin her and her doting husband if it became known. Years before, while in love with a Captain Rawdon, she gave birth to his child after she received news that Rawdon had been lost at sea. Upon discovering that the report was false, she attempts to track him down with the help of a guttersnipe named Jo, a friendless little boy who later dies, and finds him -- buried in a pauper's field. Lady Dedlock's attorney, the grasping and devious Tulkinghorn (Peter Vaughan), learns of Lady Dedlock's secret and threatens to disclose it, but a mysterious intruder murders him before he can do so. Miss Summerson, who has been a good friend to Richard and Ada, attracts the attentions of her benevolent but much older host John Jarndyce, and he proposes to her. However, she has already fallen in love with Dr. Allan Woodcourt (Brian Deacon), who was with little Jo when he died. As the various storylines merge, Esther Summerson discovers that she is Lady Dedlock's daughter, Lady Dedlock's husband learns his wife's secret, and Lady Dedlock runs off in deep despair. The conclusion reveals the fate of Lady Dedlock, the murderer of Tulkinghorn, and the future of Esther Summerson. ~ Mike Cummings, All Movie Guide

In the second episode of the four-part story "The Greatest Show in the Galaxy," the Doctor (Sylvester McCoy) and Ace (Sophie Aldred) are attacked by a "killer clown" while attending the Psychic Circus on the planet Segonax. As it turns out, the two time travelers are remarkably fortunate: most of the Circus' previous "customers" were summarily executed by a trio of evil demigods from Ragnarok. But why? Written by Stephen Wyatt, "The Greatest Show in the Galaxy, Episode 2" first aired on December 21, 1988. ~ Hal Erickson, All Movie Guide

Downfall is yet another hour-long entry in the seemingly endless series of British-filmed Edgar Wallace mysteries. Maurice Denham plays a brilliant attorney who arranges an acquittal for murderer T.P. McKenna. It's all part of Denham's master scheme to divest himself of his wife (Nadja Regan). Denham hires McKenna as his chauffeur, then blackmails the poor bloke into murdering the wife. Downfall was the 22nd entry in Merton Park's Edgar Wallace series. ~ Hal Erickson, All Movie Guide

Freedom to Die has the look of a half-hour TV drama inflated to feature-film length. Paul Maxwell plays Craig Owen, an incarcerated criminal whose cellmate holds the secret to the valuable contents within a safe deposit box. When the cellmate dies, Owen breaks out of jail in search of the stash. Unable to open the box, the fugitive abducts Linda (Felicity Young), the dead man's daughter. Tension mounts as the girl plays for time to prevent her own demise. ~ Hal Erickson, All Movie Guide

A well-wrought tale only hampered by a miniscule budget, this story about George Frederick Handel (1685-1759), the German-born British composer, focuses on his life after he moved to England in the 1710s. Handel (played by Simon Callow) was a unique individual, a contemporary of Bach though the two composers never met. Some of his personality, and that of his close friend Quin (Alan Devlin) is brought forward in this docudrama, along with some fun staging of his operas and their enjoyable music. Sadly, director Anna Ambrose died soon after this film was completed.
~ Eleanor Mannikka, All Movie Guide

Adapted by Judith Rascoe from James Joyce's first novel, Portrait of the Artist as a Young Man is told through the eyes of Joyce's alter ego Stephen Dedalus. Played by Bosco Hogan, Dadelus comes of age in many ways when he attends Dublin University. The film retains Joyce's pointed, inquisitive barbs at Catholicism, a fact that caused as nearly much uneasiness in 1977 as it did when the novel was first published. Also retained are vestiges of Joyce's stream-of-consciousness technique, though producer/director Joseph Strick adopts a more cinematic narrative approach. In 1967, Strick had produced the film version of Joyce's Ulysses; several of the cast members of that earlier film (T. P. McKenna, Rosaleen Linehan, Maureen Potter) are reunited for Portrait of an Artist as a Young Man. ~ Hal Erickson, All Movie Guide

A commoner has an unusual run-in with the King of England in this offbeat historical drama. In 1547, Thorn (James Coombes) is employed as a servant and caretaker by a wealthy British landowner who has put Thorn in charge of his mansion while he's away for the winter. One night, Thorn is terrified to hear what he imagines are armed bandits breaking into the mansion, and he hides in fear of his life. However, Thorn soon discovers he has a very different breed of unexpected guests. With political unrest sweeping England, King Henry VIII (T.P. McKenna) is travelling incognito while trying to bring stability back to his domain, but his coach has been attacked by thieves and the wounded king needs a place to rest. Henry isn't so sure that the ambush was a simple robbery, however -- he thinks it could have been a cleverly disguised assassination attempt, and one of the advisors travelling with the king agrees. As Thorn observes the political intrigue that has suddenly appeared on his doorstep, he also has to deal with the randy goings-on of Henry VIII's assistants, who are openly and flamboyantly gay. Monarch was the first dramatic feature from documentary filmmaker John Walsh. ~ Mark Deming, All Movie Guide

The year is 1908; after centuries of unchecked power, the Ottoman empire is rapidly crumbling. As a result, Turkey's secret agents--those that haven't already been eliminated by downsizing or death--operate in a vacuum, their superiors knowing little and caring less about their activities. One such spy is Ben Kingsley, a minor bureaucrat of no ambition. When ordered to help disreputable English citizens Charles Dance and Helen Mirren in the theft of a precious Greek artifact, Kingsley goes along without question. He is even prepared to follow orders and double-cross Dance the moment the robbery is pulled off. But as the film progresses, Kingsley becomes less and less of a by-the-book government functionary and more and more of an enigma--to Dance, to Mirren, to his country, to himself. More than your usual "caper" film, Pascali's Island has more layers than an artichoke. ~ Hal Erickson, All Movie Guide

A trio of aspiring crooks plan to steal a million dollars in this crime comedy. Lord Nicholas (David Warner) and his Swiss wife Britt (Ursula Andress) are the jet-set couple who have spent all their money and seek a loan from the bank. She asks Graham (Stanley Baker) for a loan, but the mid-level manager has plans of his own to pad his retirement account by means of larceny. Graham approaches both Nicholas and Britt to help him in his plan. Britt sleeps with both men, willing to take off to Rio with the first one who gets his hands on the money. Nicholas and Graham both are under the assumption they are the masterminds of the plot that is highlighted by amusing twists. ~ Dan Pavlides, All Movie Guide