T.P. McKenna Movies

A commoner has an unusual run-in with the King of England in this offbeat historical drama. In 1547, Thorn (James Coombes) is employed as a servant and caretaker by a wealthy British landowner who has put Thorn in charge of his mansion while he's away for the winter. One night, Thorn is terrified to hear what he imagines are armed bandits breaking into the mansion, and he hides in fear of his life. However, Thorn soon discovers he has a very different breed of unexpected guests. With political unrest sweeping England, King Henry VIII (T.P. McKenna) is travelling incognito while trying to bring stability back to his domain, but his coach has been attacked by thieves and the wounded king needs a place to rest. Henry isn't so sure that the ambush was a simple robbery, however -- he thinks it could have been a cleverly disguised assassination attempt, and one of the advisors travelling with the king agrees. As Thorn observes the political intrigue that has suddenly appeared on his doorstep, he also has to deal with the randy goings-on of Henry VIII's assistants, who are openly and flamboyantly gay. Monarch was the first dramatic feature from documentary filmmaker John Walsh. ~ Mark Deming, All Movie Guide

Although the story of 19th century Irish statesman and patriot Charles Steward Parnell resulted in a disastrous movie vehicle for Clark Gable in 1937, the results were more satisfying when the same story was adapted as a four-episode British TV miniseries in 1990. Trevor Eve headed the cast as Parnell, prime advocate for Irish home rule at a time when such a position was tantamount to treason. For all his good works, Parnell was doomed to infamy as the result of his clandestine romance with Katharine O'Shea (Francesca Annis), the wife of a British Member of Parliament. Parnell and the Englishwoman was written for television by celebrated Irish playwright Hugh Leonard. ~ Hal Erickson, All Movie Guide

In the second episode of the four-part story "The Greatest Show in the Galaxy," the Doctor (Sylvester McCoy) and Ace (Sophie Aldred) are attacked by a "killer clown" while attending the Psychic Circus on the planet Segonax. As it turns out, the two time travelers are remarkably fortunate: most of the Circus' previous "customers" were summarily executed by a trio of evil demigods from Ragnarok. But why? Written by Stephen Wyatt, "The Greatest Show in the Galaxy, Episode 2" first aired on December 21, 1988. ~ Hal Erickson, All Movie Guide

The 25th season of Doctor Who came to an end with the modestly titled four-parter "The Greatest Show in the Galaxy." Attracted by an advertising satellite, the Doctor (Sylvester McCoy) and Ace (Sophie Aldred) attend the famous "Psychic Circus" on the planet Segonax. Before long, however, the Doctor stumbles upon several ominous warnings -- including a buried robot and an abandoned hippie bus -- that all is not fun and games at the circus. Written by Stephen Wyatt, "The Greatest Show in the Galaxy, Episode 1" first aired on December 14, 1988. ~ Hal Erickson, All Movie Guide

This 1985 television production faithfully adapts Charles Dickens' Bleak House, an indictment of Victorian England's corrupt legal and class systems that prey on the weak and the innocent. Esther Summerson (Suzanne Burden), a kind and level-headed young woman introduced as an orphan, is the link who knits several storylines together as a witness to injustice. She and two other young people -- the naïve and vulnerable Richard Carstone (Philip Franks) and Ada Clare (Lucy Hornack) -- are wards in an estate case before the High Court of Chancery. They stay at the home of John Jarndyce (Denholm Elliott), a relative. Like so many other lawsuits, the case drags on indefinitely, depleting the estate while garnishing lawyers' bank accounts. Richard and Ada fall in love and marry in secret, but his health declines as legal fees and delays consume his expected fortune. Eventually, he dies. Meanwhile, in the upper reaches of society, Lady Dedlock (Diana Rigg) harbors a secret that would ruin her and her doting husband if it became known. Years before, while in love with a Captain Rawdon, she gave birth to his child after she received news that Rawdon had been lost at sea. Upon discovering that the report was false, she attempts to track him down with the help of a guttersnipe named Jo, a friendless little boy who later dies, and finds him -- buried in a pauper's field. Lady Dedlock's attorney, the grasping and devious Tulkinghorn (Peter Vaughan), learns of Lady Dedlock's secret and threatens to disclose it, but a mysterious intruder murders him before he can do so. Miss Summerson, who has been a good friend to Richard and Ada, attracts the attentions of her benevolent but much older host John Jarndyce, and he proposes to her. However, she has already fallen in love with Dr. Allan Woodcourt (Brian Deacon), who was with little Jo when he died. As the various storylines merge, Esther Summerson discovers that she is Lady Dedlock's daughter, Lady Dedlock's husband learns his wife's secret, and Lady Dedlock runs off in deep despair. The conclusion reveals the fate of Lady Dedlock, the murderer of Tulkinghorn, and the future of Esther Summerson. ~ Mike Cummings, All Movie Guide

Gregory Peck had made scattered television appearances before, but the 3-hour Scarlet and the Black was his first starring assignment in a made-for-TV movie. Peck plays Monsignor Hugh O'Flaherty, a real-life cleric who, during World War II, rescued thousands of escaped POWs from the Gestapo. Christopher Plummer co-stars as the Rome-based SS official who tries to catch O'Flaherty in the act. The film won several industry and religious awards, and earned three Emmy nominations. Based on J. P. Gallagher's book The Scarlet Pimpernel in the Vatican, The Scarlet and the Black premiered on February 2, 1983. ~ Hal Erickson, All Movie Guide

Like the Virginia Woolf novel which it interprets, this 1983 BBC production has three parts: "The Window," "Time Passes," and "The Lighthouse." The first focuses on one day in the life of the Ramsay family -- the father and mother, their eight children, and four guests -- while they vacation on the Cornwall peninsula in remote southwestern England. In conversations in the summer house, at the beach, during strolls, and at cricket and wrestling matches, the characters reveal their beliefs, their prejudices, and their longings in an era when old traditions are dying and new traditions are quickening. James, six -- a brat to his father but a dear to his mother -- repeatedly asserts his wish to visit a lighthouse on an island within easy rowing distance. His father Michael Gough refuses to go (and, thus, no one goes) because the weather isn't right. In a moment of dramatic irony, the self-centered father scolds the boy for always thinking only of himself. Self-effacing Mrs. Ramsay (Rosemary Harris) comforts the child. She also sees to the needs of other family members and guests, who have lighthouses of their own -- metaphorical ones -- to preoccupy them. Her daughter, Prue, for example, anticipates her coming marriage while visitor Lily Briscoe looks forward to her career as a painter. In defiance of social convention, Briscoe chooses to remain unmarried. The film depicts the second part of the novel, "Time Passes," with transitional scenes showing changes of season over ten years. During this period, Mrs. Ramsey dies, and Mr. Ramsey laments her death in a weeping spell, saying she never really understood that he loved her. In the final part, "The Lighthouse," James finally gets his wish when he, his father, and other members of the family row out to the towering beacon. On the shore, meanwhile, Lily Briscoe finishes a painting of Mrs. Ramsey. ~ Mike Cummings, All Movie Guide

Adapted by Judith Rascoe from James Joyce's first novel, Portrait of the Artist as a Young Man is told through the eyes of Joyce's alter ego Stephen Dedalus. Played by Bosco Hogan, Dadelus comes of age in many ways when he attends Dublin University. The film retains Joyce's pointed, inquisitive barbs at Catholicism, a fact that caused as nearly much uneasiness in 1977 as it did when the novel was first published. Also retained are vestiges of Joyce's stream-of-consciousness technique, though producer/director Joseph Strick adopts a more cinematic narrative approach. In 1967, Strick had produced the film version of Joyce's Ulysses; several of the cast members of that earlier film (T. P. McKenna, Rosaleen Linehan, Maureen Potter) are reunited for Portrait of an Artist as a Young Man. ~ Hal Erickson, All Movie Guide

This feature-length dramatization of James Herriot's best-seller was issued by EMI as a big-screen theatrical release in England, but debuted on NBC as a telemovie in the United States, February 4, 1975. It stars Simon Ward as Herriot in his early days as a veterinarian. The story picks up in 1937, with Herriot's first assignment as assistant to eccentric Yorkshire vet Siegfried Farnon (Anthony Hopkins). The film's highlight is the strenuous delivery of a newborn colt; its most poignant moment is the mercy killing of a seriously ill dog. In between "cases," Herriot courts pretty farmer's daughter Helen (Lisa Farrow). The film eventually spawned a television series. ~ Hal Erickson, All Movie Guide

Sam Peckinpah examines the instinctual capacity for violence in his controversial 1971 film, loosely based on the novel The Siege of Trencher's Farm. To avoid the Vietnam-era social chaos in the U.S., American mathematician David Sumner (Dustin Hoffman) moves with his British wife, Amy (Susan George), to the isolated Cornish town where she grew up, but their presence provokes antagonism among the village's men. As the hostilities escalate from routine bullying to the gang rape of his wife, David finds his pacifistic self backed into a corner. When the hooligans attack his house, David finally resorts to the gruesome violence that he abhors. ~ Lucia Bozzola, All Movie Guide

During the ill-fated charge of British troops at Balaclava in the Crimean War, loyal soldiers who blindly followed orders were led to certain death. This is the fifth time the story has been told on film, but the actual event is an afterthought to the main plot. Snobbish aristocrats and ineffectual politicos combine with pompous blue-bloods to make decisions affecting 600 men thousands of miles away. A decidedly anti-war and satirical slant is presented, as inept generals stand knee-deep in bodies, each blaming the other for the fiasco. Vividly underscored here is the fanaticism, dedication, and blind loyalty which caused the total annihilation of hundreds of soldiers. This 5-million-dollar epic film recouped only 1 million after the initial release, leaving critics to compare the real-life disaster with the financial one suffered by the producers. Trevor Howard, John Gielgud and Vanessa Redgrave head the excellent cast. ~ Dan Pavlides, All Movie Guide

Young Cassidy is based upon the autobiographical writings of firebrand Irish author Sean O'Casey. Rod Taylor is Cassidy, a boisterous boy who digs ditches to support his mother (Flora Robson) and sister (Sian Phillips). In his spare time, Cassidy is active with the Irish revolutionary movement against the occupying British. He still finds time enough for romance, notably with trashy chorine Julie Christie (in her first major role) and timid librarian Maggie Smith. Cassidy's latent writing talents are encouraged by such Irish literary giants as W.B. Yeats (Michael Redgrave) and Lady Gregory (Edith Evans), and in typically expeditious Hollywood fashion Our Hero almost instantly becomes a Man of Letters. John Ford began the direction of Young Cassidy, but fell ill and had to relinquish his responsibilities to Jack Cardiff; even the most diehard auteurist will have trouble discerning the personal "signature" of either director. ~ Hal Erickson, All Movie Guide

Emma goes undercover as a department store clerk when a sales receipt is found on the body of a murdered agent. She is backed up by Steed, who poses as an efficiency expert. In their own inimitable fashion, the Avengers discover a plot to blow up London -- with the department store itself as the weapon. Written by Brian Clemens, "Death at Bargain Prices" first aired in England on October 23, 1965, then debuted in America on April 11, 1966. ~ Hal Erickson, All Movie Guide