Siobhan McKenna Movies

This American Film Theatre production is based on the stage play by Brian Friel. Gar, a young Irish man, prepares to leave his dull Gaelic community--and his seemingly insensitive father--to live with his aunt in Philadelphia, Pennsylvania. The hero has an alter ego, seen only by himself and the audience: the public Gar (Des Cave) holds back his true emotions, while the private Gar (Donal McCann) tells the brutal (and sometimes hilarious) truth. As Gar packs his bags, he and his inner self examine his relationships with his boorish dad, his former sweetheart, his frustrated schoolmaster, his shallow buddies, and his loving housekeeper. Philadelphia Here I Come works beautifully as theatre, though the cinematic possibilities of a dual hero are barely explored. ~ Hal Erickson, Rovi

The late velvet voiced crooner Bing Crosby headlined the 1967 television special, Bing Crosby: A Little Bit of Irish, which originally aired on American networks. Shot live in Dublin circa 1966 as a tribute to the country of St. Patrick and the great potato famine, A Little Bit of Irish features Crosby and a series of guests - among them Milo O'Shea, The Guinness Choir, and John McNally -- performing a plethora of Irish ballads - an area of song for which Crosby became well known via his recordings. Eighteen numbers are sung in this hour-long event; the tracks include the much-beloved "Molly Malone," "Macnamara's Band,""The Boys of Wexford," "Courtin' in the Kitchen," "I'm Off to Philadelphia," and "Isle of Innisfree." ~ Nathan Southern, Rovi

This third screen adaptation of Somerset Maugham's novel about the destructiveness of sexual obsession stars Laurence Harvey as Philip Carey, a club-footed artist who after two unsuccessful years in Paris decides to pursue a career in medicine instead. During his medical studies he falls in love with a waitress, Mildred Rogers (Kim Novak), who takes advantage of his attraction to her. When Mildred leaves him to marry another man, Philip falls in love with a writer (Siobhan McKenna), who encourages him to complete his studies. Under her tutelage, Philip excels in medical school. But when Mildred returns, pregnant and abandoned by her husband, Philip takes her in and cares for her, breaking off with the kind-hearted writer. Staying with Philip at his flat, Mildred has an affair with his best friend. Confronting her with her indiscretions, Mildred tells Philip how repulsed she is by his club foot and walks out on him. Philip once again throws himself into his studies, passing his examinations and taking an internship at a London hospital. There he hears Mildred has become a cheap prostitute. Philip travels to the brothel where she is living in poverty with her child and takes her under his wing once again. As before, Mildred walks out on Philip, trashing his apartment and taking to the streets. When Philip comes upon her again, he finds that her child has died and she is suffering from the advanced stages of syphilis. ~ Paul Brenner, Rovi

One major film star referred to director Nicholas Ray as a "loser," because of Ray's alleged willingness to let his more temperamental actors walk all over him. Evidently, Ray had a very compliant and cooperative cast in King of Kings, inasmuch as the film emerged as one of the most disciplined Biblical epics ever made. Jeffrey Hunter is cast as Jesus Christ, delivering a wholly credible performance in this most taxing of roles (never mind the wags who referred to the film as "I Was a Teenage Jesus"). Siobhan McKenna is a radiant if somewhat overaged Mary; Hurd Hatfield offers a properly preening Pontius Pilate; Rip Torn portrays Judas more for the tragedy than the treachery; Robert Ryan (a personal favorite of Ray's) is one of the best John the Baptists you're ever likely to see; and Harry Guardino convincingly interprets Barabbas as a firebrand political extremist. The only false note in the casting is the MGM-dictated selection of teenaged Brigid Bazlen as Salome. The best aspect of the film is its handling of the days after the Resurrection; the "Jesus sightings" are offered as secondhand information, so as to retain some of the mystery inherent in the Scriptures. King of Kings was previously filmed in 1927 by Cecil B. DeMille, with a middle-aged H.B. Warner as Jesus. ~ Hal Erickson, Rovi

The Lost People is a pedantic British drama set in a large, abandoned German theatre just after the War. A disparate group of homeless refugees huddle together within the structure. As they get to know each other, old wounds are opened, social and religious clashes break out, recriminations melt into reconciliations, and the theatre threatens to become a metaphor for the World At Large. In fact, it's not a threat but a foregone conclusion. The Lost People is based on Cockpit, a play by Bridget Boland. ~ Hal Erickson, Rovi

Daughter of Darkness was based on They Walk Alone, a play by Max Catto. The heroine of the play can be described as a "homicidal nymphomaniac," which understandably posed censorship problems when the Catto original was adapted to the screen. In her second film, Irish stage star Siobhan McKenna plays Emma Baudine, a "black widow" who lures men with her sexual charms and then murders them. Because she is the trusted assistant of village priest Father Corcoran (Liam Redmond), no one suspects what Emma is up to -- no one, that is, except the inquisitive Bess Stanforth (Anne Crawford), who emerges as the heroine of the piece. Also appearing in her first movie role is Honor Blackman, long before her international TV fame vis-a-vis The Avengers. ~ Hal Erickson, Rovi