Scott McKay Movies

He sees you when you're sleeping, he knows when you're awake, and it's best not to get on his bad side in this quirky thriller that's gained a loyal cult following. Harry Straddling (Brandon Maggart) was traumatized as a child, when late at night on Christmas Eve, he walked into the family living room and saw his father, dressed as Santa Claus, having sex with his mother. Now grown to adulthood, Harry is malignly obsessed with the holiday season, particularly the myths of Santa Claus; he works for a toy company, he sleeps in a Santa suit, his apartment is stuffed with Christmas memorabilia, and he spies on the neighborhood children, keeping track of who has been good and bad. Harry's insistence that the toy company maintain high manufacturing standards does little to endear him to his co-workers, and his brother Phillip (Jeffrey DeMunn) thinks Harry has started to go off the deep end. One day, Harry snaps, and after dressing up as Santa, he steals a truckload of toys and delivers them to a mental hospital as presents for the young patients -- all well and good. But when Harry is then confronted by a group of people who don't believe he's Father Christmas, Harry reacts with violence, setting off a murder spree. Terror in Toyland (which was first released as You Better Watch Out and is now available on video as Christmas Evil) also features Patricia Richardson, who makes her film debut in a small role more than a decade before she gained fame on the TV series Home Improvement. Danny Federici of Bruce Springsteen's E-Street Band also has a cameo, as an accordion player at a community center dance. ~ Mark Deming, All Movie Guide

The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, All Movie Guide

Harold Hoffman directed this Dallas-made oddity about a man named Lew (Robert Frost) who receives a black cat from his wife Diana (Robyn Baker) on their anniversary. Lew hates his father and thinks the cat is a reincarnation of the old man, so he gets drunk and gouges out its eye. Later, obsessed with the idea, he kills the cat and then his house burns down, driving him insane. Lew eventually gets out of the asylum and brings home a black cat, which also has a bad eye, then begins suffering from nightmares, imagining that his cat (or father) is haunting him. He tries to kill it, but the hexed lunatic kills his wife instead, walling her up in the basement as per the Edgar Allan Poe story. Lew's maid Lillith (Sadie French) calls the police, who are led to Diana's body by the meowing cat. Lew tries to make his getaway, which is foiled in a clever twist ending. Quite gory for its time, this black-and-white regional horror from Texas includes eye-gougings and ax murders, as well as a consistently bizarre tone which should please genre fans. ~ Robert Firsching, All Movie Guide

This episode may well have been one of the inspirations for the darkly humorous 1994 theatrical feature The Ref. The constant quarrelling between Jordan and Eve Ross (Scott McKay, Joan Tetzel) is only briefly interrupted when a fugitive criminal named Chester Lacey (Richard Shepard) invades their home. As Lacey holds the couple hostage, their endless bickering begins to wear on his nerves. Ultimately, as a means to keep them quiet, Lacey tries to play marriage counselor for the Rosses -- an ironic turn of events, considering the reason that Lacey became a fugitive in the first place. ~ Hal Erickson, All Movie Guide

In David O. Selznick's Duel in the Sun, Jennifer Jones stars as Pearl Chavez, whom everyone has tagged as a "bad girl" foredoomed to an unhappy end. She is taken into the home of wealthy, greedy rancher McCanles (Lionel Barrymore) and his kindly wife Laura Belle (Lillian Gish), who'd once been the sweetheart of Pearl's recently executed father (Herbert Marshall). Almost immediately, Pearl becomes the object of an emotional tug-of-war between McCanles' virtuous son Jesse (Joseph Cotten) and wicked ne'er-do-well offspring Lewt (Gregory Peck). After killing a man (Charles Bickford) who'd tried proposing to Pearl, Lewt becomes a fugitive, secretly working to undermine the railroad that threatens to cut across McCanles' land. The level-headed Jesse tries to negotiate with the railroad men, and as a result is ordered from the ranch by McCanles. While all this is going on, Pearl, sick to death of being told what a bad job she is, decides to become the Jezebel everyone assumes she is. Duel in the Sun was based on the novel by Niven Busch, who'd written the work hoping that his wife Teresa Wright would play Pearl--but that was before Selznick fell head over heels in love with Jennifer Jones. ~ Hal Erickson, All Movie Guide

If there were any doubts that little Shirley Temple was all grown up by 1945, those doubts were disippated by her appearance in Columbia's Kiss and Tell. Based on the mildly risque stage comedy by F. Hugh Herbert, the film casts Temple as impulsive teenager Corliss Archer, who is the only person in on the secret marriage between her GI brother and local girl Mildred Pringle (Virginia Welles). When Mildred becomes pregnant, Corliss can't reveal the marriage, since the Archers and the Pringles aren't overly fond of one another. Thus it is that Corliss herself pretends to be expecting, intending to claim Mildred's baby as her own. She further identifies her next-door boyfriend Dexter Franklin (Jerome Courtland) as the father, opening yet another can of worms. Somehow this mess straightens itself out, but not before several "chancy" scenes and lines of dialogue that must have given the Hollywood censors headaches aplenty. Kiss and Tell (the original play, that is) not only spawned a 1949 movie sequel, A Kiss for Corliss, but also inspired the popular radio and TV sitcom Meet Corliss Archer. ~ Hal Erickson, All Movie Guide