George McKay Movies

The first "Road" picture in three years (the last was The Road to Morocco), Road to Utopia is set during the Alaskan gold rush. Bob Hope and Bing Crosby play a pair of third-rate San Francisco entertainers, Chester Hooton and Duke Johnson, who are obliged to skip town in a hurry. They book passage on a ship to Alaska, where they run afoul of escaped murderers Sperry (Robert H. Barrat) and McGurk (Nestor Paiva). Through a fluke, Chester and Duke overpower the killers, then get off the ship in Skagway disguised as Sperry and McGurk so that they themselves can evade the authorities. The boys can't understand why everyone is so afraid of them, nor why saloon owner Ace Larson (Douglas Dumbrille) and Larson's moll Kate (Hillary Brooke) are so chummy. It turns out that Sperry and McGurk had stolen a deed to a valuable gold mine before escaping to Alaska. Sal Van Hoyden (Dorothy Lamour) is the rightful owner of that deed, thus she too shows up in Skagway, hoping to extract the document from Chester and Duke. Whenever the plot threatens to become too difficult to follow, narrator Robert Benchley shows up to explain things -- which of course only adds to the confusion. At any rate, the whole affair ends up with Chester, Duke, and Sal running through the snowy wastes, with the villains in hot pursuit. Duke nobly stays behind to fight off the bad guys himself, handing the deed to Chester and Sal and wishing them Godspeed. Flash-forward to 1945: Chester and Sal, both old and wealthy, are reunited with their equally aged pal Duke, who wasn't killed after all. Sal tells Duke that Chester has been a wonderful husband and father. Yes, father...and wait till you see who plays their child ("We adopted him!"). ~ Hal Erickson, Rovi

In this comedy, two young women make their money scamming dance hall patrons. The two conniving gals attempt to victimize two handsome GIs, but change their minds when they fall in love with them. ~ Sandra Brennan, Rovi

Several of Paramount Pictures brightest stars make cameo appearances in this comedy set in "Duffy's Tavern," a favorite watering hole from old time radio shows. The trouble begins when the neighborhood bar is in danger of closing. The trouble begins when the proprietor, Archie, discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke. This means that many veterans will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting famous stars to donate their services and help. They do, the record company is saved and so is the tavern. ~ Sandra Brennan, Rovi

It took some doing to persuade the staunchly Catholic Bing Crosby to play a happy-go-lucky priest in Going My Way; luckily he acquiesced, winning an Academy Award in the process. Crosby is cast as Father Chuck O'Malley, newly arrived at rundown, heavily in debt St. Dominic's Church. Father Fitzgibbon (Barry Fitzgerald), the cranky, set-in-his-ways curate of St. Dominic's, is none too pleased with O'Malley's breezy, "modernistic" methods. Fitzgibbon is content to adhere to the policies he has followed for nearly 45 years. Without overtly challenging Fitzgibbon's authority (he likes the old buzzard, and the feeling is mutual), O'Malley sets about to win the confidence of the local street toughs, organizing the boys into an angelic church choir. He also forestalls the plans of St. Dominic's mortgage holder Ted Haines (Gene Lockhart) to evict Fitzgibbons by arranging a fundraising choir tour, to be headlined by O'Malley's childhood friend, opera star Genevieve Linden (Rise Stevens). When he's not coming to the rescue of St. Dominic's, O'Malley is smoothing the path of romance for Haines' son (James Brown) and orphaned Carol James (Jean Heather), and arranging for a reunion between Fitzgibbons and his nonagenarian Irish mother. There is sentiment by the bucketful in Going My Way, but director Leo McCarey sagaciously tempers the treacle with moments of genuine hilarity and several delightful (and seemingly spontaneous) musical interludes. In addition to Crosby, Oscars went to Barry Fitzgerald, Leo McCarey, screenwriters Frank Butler and Frank Cavett, and Burke and Van Heusen's song hit "Swingin' On a Star." Bing Crosby repeated his father O'Malley characterization in McCarey's 1945 sequel The Bells of St. Mary's. ~ Hal Erickson, Rovi

A nebulously sinister title disguises the fact that this is actually a "Boston Blackie" mystery, the seventh in Columbia's series. Reformed criminal Boston Blackie (Chester Morris) is accused of stealing the Niles diamond from a charity function. The police cut a deal with Blackie: If he'll locate the gem, they'll drop the charges. This time the cops go so far as issuing Blackie a police badge, which he uses with amusing abandon. One Mysterious Night, together with The Chance of a Lifetime (43) and The Phantom Thief (46), was given a non-identifiable title so that Columbia could coerce non-"Boston Blackie" fans into the theatre. ~ Hal Erickson, Rovi

But for the presence of the Columbia "torch lady" in the opening credits, it would be easy to mistake Judy Canova's Louisiana Hayride for one of her concurrently-produced Republic musicals. The rambunctious Canova is cast as backwoods heiress Judy Crocker, who comes to Hollywood in hopes of crashing the movies. Con artists J. Huntington McMasters (Richard Lane) and Canada Brown (George McKay) try to use Judy's presumed gullibility to their advantage, but she proves a little shrewder than she looks. Several of Canova's cornpone tunes were co-written by Saul Chaplin, later a top Hollywood musical director. And that's not all: the star's two handsome leading men are none other than Lloyd Bridges and future producer-director Ross Hunter! ~ Hal Erickson, Rovi

And The Angels Sing is an odd smorgasbord of musical-comedy and romance -- part screwball comedy, part backstage musical, part pop music showcase, and all of it actually a mash-up/remake of two earlier Paramount titles, Every Night At Eight (1935) and Sing You Sinners (1937) (which had also co-starred Fred MacMurray). Dorothy Lamour, Betty Hutton, Diana Lynn, and Mimi Chandler play, respectively, Nancy Angel, Bobby Angel, Josie Angel, and Patti Angel, the four daughters of widowered inventor/farmer "Pop" Angel (Raymond Walburn). All four daughters have ambitions as artists, writers etc. But they're only good at the one thing they've actually been trained to do, i.e. singing -- which they hate doing, especially together. The four desire independence from each other, but lack the means to achieve it, all of which wears on their loving but long-suffering father, who only wants to get enough money together to buy a small soybean farm. When Bobby ropes them into singing for a band led by Happy Marshall Fred MacMurray, the fur really begins to fly -- Happy puts the romantic moves on Nancy before he realizes she's part of the singing act he's booked; but it's Bobby whole managed to fall in love with him. And matters get even more complicated when the Angel sisters, presenting an act worthy of the Andrews Sisters, go over well with the audience. And that's before Happy is forced by circumstances to cheat the girls not only out of the $40 they earned, but the $190 that Bobby won. Misunderstanding and mistakes pile up on top of each other as the Angel sisters follow Happy to Brooklyn, get him tossed out of the club he's booked in, lose him his band, and reduce him and his partner Fuzzy Johnson (Eddie Foy, Jr.) to doing an embarrassing singing waiter act (for coins tossed to them), all in a quest to return the girls' money. In the process, the Angel sisters display loyalty and devotion to each other, and a strength in numbers and unity that's only undone by their own father. The music is entertaining, though the title song is only heard as an instrumental performed by Happy's band -- Betty Hutton's scatting is one highlight, and the Angel sisters' act is fun as well. Some of the better comic bits, apart from Raymond Walburn's blustery expressions of temper, include the backstage antics of Happy and his band; a great extended bit based on Brooklyn dialect featuring Dorothy Lamour and Frank Faylen (as Herman...er...Hoiman); and the slapstick bits involving the girls fending off various men. ~ Bruce Eder, Rovi

Reformed criminal Boston Blackie (Chester Morris) meets his former lover Betty Barnaby (Ann Savage), who wants his help for her father, Diamond Ed Barnaby (Walter S. Baldwin). Now an ex-con and trying to reform, he wants to return some stolen diamonds to their rightful owner and make amends. But before Blackie can retrieve the jewels, Barnaby is murdered, and Blackie is considered the prime suspect by the police and the mob, all of whom are sure that he has the jewels. Blackie must elude both the police and a pair of strongarm men who would just as soon kill him as look at him, and Joe Herschel (Cy Kendal), the mastermind behind the original robbery -- and also help his sidekick The Runt (George E. Stone) get his wedding, interrupted by Blackie's arrest, back on track. ~ Bruce Eder, Rovi

In this musical, a San Francisco musician encounters the son of an pal. The young man has a real dilemma and asks the advice of the older man. He has been inducted in the Army and is to be shipped off to fight WW II. He is also engaged to be married, but doesn't want to go through with it as he could be killed in battle. The musician the tells him the tale of a WW I veteran who turns out to be the young soldier's father. The soldier gets the point and decides to get married after all. Songs include: "It Had to Be You", "More Than Anyone Else in the World", "This Old Hat of Mine", "Cuddle Up a Little Closer", "I'm Just Wild about Harry", "Way Down Yonder in New Orleans", "On the Sunny Side of the Street", "St. Louis Blues", "Pretty Baby", and "Am I Blue?" ~ Sandra Brennan, Rovi

He looks like Dracula, talks like Dracula and dresses like Dracula; but since the movie rights to Dracula were controlled by Universal, Bela Lugosi's character name is Armand Tesla in Columbia's Return of the Vampire. Bringing the Old Legend up to date, the film contrives to have the blood-sucking Tesla rise from his coffin when his tomb is blasted open during the London Blitz. Making up for lost time (he's been interred since WW1), Tesla enlists the aid of talking werewolf Andreas (Matt Willis), who brings him provisions and seeks out new victims. The next soft white neck on Tesla's list belongs to the lovely Nicki Saunders (Nina Foch), but not if Lady Jane Ainsley (Frieda Inescort), who knows what the mysterious stranger is really up to, has anything to say about it. Incidentally, the girl playing Tesla's victim in the opening credits is an unbilled Jeanne Bates. ~ Hal Erickson, Rovi

A collegiate football player becomes the campus laughing-stock when he scores the winning touchdown--for the wrong team. The bungler's life doesn't get much better when a gangster, the only one who is happy about the player's mistake because it earned him a bundle, hires him and hands him a fortune worth over $100,000 to transport from California to Chicago. While at the airport the player gets distracted by a lovely reporter and misses his flight. He then rents a private plane. The fun really begins after he accidentally fumbles the cash and it plummets into the midst of a prison yard. Now he must somehow retrieve every penny lest he lose more than another game. ~ Sandra Brennan, Rovi

Joan Crawford is the kissable bride of the title--but when the film opens, matrimony is the farthest thing from her mind. Crawford becomes a big-time executive upon inheriting her father's trucking business, which leaves her no time for such trivialities as romance. To enhance her business, Crawford arranges a marriage of convenience for her younger sister (Helen Parrish). At the wedding, Crawford meets reporter Melvyn Douglas, who is out to discredit Crawford....and you know what's coming next. They All Kissed the Bride was one of several 1942 productions originally slated for Carole Lombard, whose sudden death in a plane crash required all the major studios to reshuffle their production schedules to come up with last-minute Lombard replacements. ~ Hal Erickson, Rovi

Another timely entry from the Columbia assembly line, Canal Zone stars Chester Morris as flight instructor "Hardtack" Hamilton (his nickname sums up his personality with sublime perfection). Our hero's students will eventually help ferry bombing planes across the Atlantic-with the possible exception of stuck-up civilian pilot Harley Ames (John Hubbard), who shows no signs of acquiring discipline and responsibility. When the chips are down, however, Ames proves he's got the Right Stuff, rescuing Hardtack after a particularly nasty plane crash. The heroine is Harriet Hilliard, later beloved by millions as one-half of TV's "Ozzie and Harriet", while one of the pilots is portrayed by future Jolson Story star Larry Parks. ~ Hal Erickson, Rovi