Leila McIntyre Movies

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, All Movie Guide

The bland performance of star George Raft is the only drawback of this splashy 20th Century-Fox musical. Set in turn-of-the-century San Francisco, the film casts Raft as Barbary Coast saloonkeeper Tony Angel, who endears himself to patrons and pedestrians alike by tossing out silver dollars at the slightest provocation. Though Tony is loved by saloon singer Sally Templeton (Vivian Blaine), he only has eyes for Nob Hill socialite Harriet Carruthers (Joan Bennett). Upon marrying Harriet, Tony realizes he is sorely outclassed, and turns to the bottle as the result. It's up to "Little Miss Fixit" Katie Flanagan (Peggy Ann Garner) to bring Tony and Sally back together. Ample comedy relief is provided by Alan Reed and B. S. Pully, while the largely uncredited supporting cast includes such familiar faces as J. Farrell McDonald, Nestor Paiva, Bud Jamieson, and Frank McCown, who rose to fame under the new moniker of Rory Calhoun. ~ Hal Erickson, All Movie Guide

Tyrone Power made his last screen appearance before a three-year stretch in the Marines in this World War II drama. Lt. Ward Stewart (Tyrone Power) has served with distinction as the commander of a PT boat, so his uncle, Adm. Bob Stewart (Minor Watson), gives him a new and more challenging assignment aboard a submarine. Before shipping out, Ward enjoys a night on the town, where he meets and romances a pretty schoolteacher, Jean Hewlett (Anne Baxter). However, when Ward reports for duty, he discovers he'll be serving under Lt. Cmdr. Dewey Connors (Dana Andrews), who happens to be Jean's boyfriend. On leave and on land, Ward and Dewey are soon caught up in a romantic rivalry, while on duty and under the water they must work together to ferret out Nazi U-boats. Crash Dive received an Academy Award nomination for the special effects work in the film's battle sequences. ~ Mark Deming, All Movie Guide

Paramount's "B" pictures of the early 1940s were generally more interesting than their star-studded "A"s, as witness Women without Names. Ellen Drew and Robert Paige star as newlyweds Joyce and Fred MacNeil, whose honeymoon comes to an abrupt and unsatisfying halt when Fred is accused of murder. Railroaded into prison through the efforts of politically ambitious assistant DA Marlin (John Miljan), Fred awaits his doom on Death Row, while Joyce works overtime on the outside to clear her husband's name. Fred fate rests in the hands of Peggy Athens (Judith Barrett), the spiteful girl friend of Joyce's ex-husband, and the only person who knows the identity of the real murderer. Women Without Names was based on a play by Ernest Booth. ~ Hal Erickson, All Movie Guide

Wrongfully accused of stealing, an angry Carl "Alfalfa" Switzer decides to get even with his parents by embarking upon a life of crime. To that end, he enlists the other Our Gang kids as his "mob." Hoping to deflect his pals from this drastic action, Spanky McFarland decides to teach the gang a lesson. He tricks the kids into thinking they're burglarizing a house, when in fact they're merely helping the homeowners clean out their junk. Things take an unexpected turn when a real-life fugitive from justice (Al Hill) chooses the gang's clubhouse as his hideout, with the cops hot on his heels. The one-reel Our Gang comedy Good Bad Boys was originally released on September 7, 1940. ~ Hal Erickson, All Movie Guide

In this comedy, a gangster's moll gets tired of the mob scene and returns to her mother's house. Her mom is a wealthy family's housekeeper. One of the rich children dreams of being a reporter; he is eager to get his first big scoop. He gets his chance when he stumbles upon a series of clues to a murder that may involve the ex-moll's former lover. He is assisted a seasoned reporter and his photographer who have been hanging around to get a chance to meet the moll. The boy's investigation leads him into a dangerous situation where the mobster begins to shoot at him. ~ Sandra Brennan, All Movie Guide

Starving artist Robert Montgomery could care less if his paintings sell, so long as he's happy. Montgomery falls in love with Rosalind Russell, an heiress who's gone "slumming" in Greenwich Village. Russell becomes Montgomery's patroness as well as his wife, urging him to make his paintings more commercial. He becomes a success following her advice, but popularity goes to his head and soon Russell realizes she's created a monster. She walks out, he gets his act together, she comes back, and they return to their blissful hand-to-mouth existence. Live, Love and Learn scores its biggest laughs unintentionally with MGM's prettified concept of what a "run down" Greenwich village apartment looks like. ~ Hal Erickson, All Movie Guide

One is immediately aware that The Plainsman is a Cecil B. DeMille production in the opening scene, wherein President Abraham Lincoln (Frank McGlynn Sr.), on the verge of signing crucial legislation which will determine the future of the American West, is dragged away from his Cabinet by a scolding Mrs. Lincoln (Leila McIntyre), who informs her husband that he'll be late for the theater! The story proper picks up in the years just following the Civil War, as crooked arms dealer John Lattimer (Charles Bickford) schemes to sell a huge shipment of repeating rifles to the Indians. Constantly thwarting Lattimer's schemes is lawman Wild Bill Hickok (Gary Cooper), who soon forms a strong alliance with Indian scout Buffalo Bill Cody (James Ellison). Rambunctious Calamity Jane (Jean Arthur) is crazy about Wild Bill, but he refuses to have anything to do with her, contemptuously wiping his mouth whenever he kisses her. He prefers the company of winsome Louisa (Dorothy Burgess), but gallantly steps aside when Louisa marries Buffalo Bill. Upon learning that a band of Indians armed with Lattimer's rifles have attacked a military garrison, Wild Bill tells General Custer (John Miljan), who in turn sends Buffalo Bill to the garrison with a consignment of weapons. Wild Bill then tries to arrange a peace conference with Indian chief Yellow Hand (Paul Harvey), but is sidetracked when he sees Calamity Jane being captured by two Indian braves. Riding to her rescue, Wild Bill is himself captured and tortured in the hope that he'll reveal the whereabouts of Buffalo Bill and his weapons. He refuses to talk, but Calamity, horrified at the agony endured by Wild Bill, tells all. Her breach of confidence leads indirectly to Custer's death at the Little Big Horn (not seen, but described by a young Indian played by DeMille's then son-in-law Anthony Quinn), whereupon Wild Bill disgustedly breaks off all communication with her. Hoping to make up for her past sins, Calamity warns Wild Bill that Lattimer has come to town a-gunning for him. Wild Bill makes short work of Lattimer, only to be shot in the back by the villain's snivelling confederate Jack McCall (Porter Hall). As he breathes his last, Wild Bill forgives Calamity for revealing the whereabouts of the ammunition; with tears in her eyes, Calamity plants a kiss on Wild Bill's lips that he'll never wipe off. As can be seen, accuracy is not the strong suit of The Plainsman; DeMille, like Buffalo Bill before him, was more interested in putting on a helluva good show than offering a dry history lesson. Unfortunately, the film often promises more than it can deliver, thanks to DeMille's insistence upon filming more of his big scenes indoors and relying far too heavily on grainy process screens. Still, the DeMille version of The Plainsman is infinitely more entertaining than the 1966 remake with Don Murray and Abby Dalton. ~ Hal Erickson, All Movie Guide

Warner Baxter plays Dr. Samuel Mudd, American history's most famous victim of circumstance. In 1865, Dr. Mudd, a known Confederate sympathizer, sets the broken leg of a mud-caked stranger who stumbles into his home. The injured man turns out to be John Wilkes Booth, and Mudd is accused of conspiring to murder President Lincoln. Sentenced to hang with the genuine conspirators, Mudd finds his sentence commuted to life imprisonment at the very last moment. He is shipped to Shark Island, a brutal penal colony. Subject to the cruelties of a guard (John Carradine) who hates Mudd because of his "complicity" in Lincoln's death, the doctor suffers the torments of the damned, while outside Shark Island his wife (Gloria Stuart) campaigns desperately to get her husband pardoned. During a Yellow Fever breakout on Shark Island, Dr. Mudd performs heroically to save the survivors. For his humanitarian efforts, Mudd is finally released and reunited with his wife. While the script glosses over the fact that Dr. Mudd had never been officially pardoned by the US government (the pardon wouldn't be granted until years after this film was made), Prisoner of Shark Island strives long and hard to exonerate the man for whom the phrase "your name is mud!" was coined. Dr. Samuel Mudd's story was retold in the 1952 feature Hellgate, with Sterling Hayden as a (fictional) doctor, and in the 1980 TV movie The Ordeal of Dr. Mudd, starring Dennis Weaver in the title role. ~ Hal Erickson, All Movie Guide

The title tells all in the independently produced romantic drama Marriage on Approval. Set just before the repeal of Prohibition, the story concerns a young man (Donald Dillaway) who, while stewed to the gills, marries the equally besotted heroine (Barbara Kent). Upon sobering up, the hasty bridegroom realizes that, not only has his marriage been consummated, but the girl isn't even aware that she is married. He decides to court her anew to see if she is a worthy missus, but in the end it is she who decides to give the union a chance. This forgotten little item is based on an equally obscure novel by Priscilla Wayne. ~ Hal Erickson, All Movie Guide

Produced in Arizona by theater legend Oliver Morosco's wife Helen Mitchell, Her Secret told the sordid story of Waffles (Sari Maritza, a waitress accused by Tucson bluenoses of "contributing to the delinquency of minors." One "minor" in particular is Johnny Norton (Buster Collier), the exiled son of a Chicago industrialist (Alan Mowbray), in Tucson after having served a jail term for drunk driving. Johnny falls for Waffles, the pretty waitress, but is disturbed when the girl visits a remote cabin with a male friend, Tex (Rex Armond). Unbeknownst to all and sundry, Waffles is actually visiting her dying mother, but rumors fly and the students from a local college are soon prohibited from frequenting her café. Her Secret was banned in many locations but after a few incendiary scenes had been deleted, the film enjoyed a wide release in 1936 under a new title, The Girl from Georgia. According to some reports, the production was financed by a local Tucson businessmen, one of whom was the father of supporting player Tex Armond. Despite her exotic name, leading lady Sari Miritza actually hailed from Great Britain. ~ Hans J. Wollstein, All Movie Guide