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Tim McIntire Movies

The son of actors John McIntire and Jeanette Nolan, Tim McIntire began his career in his teens, occasionally showing up on his dad's TV series Wagon Train. His first regular weekly TV work was in the role of Bob Younger on the 1966 prime-timer The Legend of Jesse James. Matheson kept busy into the 1980s with a steady stream of small but distinct character roles; he enjoyed a rare starring assignment as rock 'n' roll maven Alan Freed in 1978's American Hot Wax. He wrote the musical score for the 1975 cult favorite A Boy and His Dog, and provided the voice of Blood the dog (one of his many voiceover assignments during this period); he also wrote and performed the music for 1971's Jeremiah Johnson. Tim McIntire died of heart failure at age 43. ~ Hal Erickson, Rovi
1984  
 
Mickey Spillane's Mike Hammer: More Than Murder was first telecast January 26, 1984, two days before the premiere of the Mike Hammer series proper. Stacy Keach stars as Spillane's bare-knuckled, chain-smoking private eye, with Lindsay Bloom costarring as his curvaceous secretary Velda. In More Than Murder, Mike's longtime friendly enemy, police captain Chambers (Don Stroud), is wounded during a drug-bust at a poker game. Circumstantial evidence suggests that Chambers himself was in cahoots with the dope dealers. It's up to Mike Hammer to get his longtime antagonist off the hook. ~ Hal Erickson, Rovi

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Starring:
Stacy KeachDon Stroud, (more)
 
1983  
PG  
One of the precious few westerns produced in the 1980s, Sacred Ground aspires to be a social statement. Tim McIntire plays a white settler who weds Indian woman Serene Hedlin. The couple is ostracized by the white and Indian community alike, and are forced to pull up stakes. En route to their new home, the pregnant Serene suddenly gives birth. Unfortunately, the couple's child is born on sacred burial ground, making their already precarious place in society all the more shaky. Sacred Ground represents the last film appearance of onetime Wagon Train regular Tim McIntire, the son of actors John McIntire and Jeanette Nolan. ~ Hal Erickson, Rovi

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1982  
R  
James Woods plays "Fast-Walking" Miniver, a strikingly amoral prison guard, in this dark, hard-hitting comedy/drama. When not smoking dope or scaring up customers for Evie (Susan Tyrrell), the proprietor of the local house of prostitution, Fast-Walking tries to keep order in an Oregon prison. Fast-Walking is looking for a big payday so he can quit his job and get into something less stressful, and he thinks he may have found it when William Galliot (Robert Hooks), a black political activist who has just landed behind bars, offers him $50,000 to help him escape. Fast-Walking thinks this sounds fine with him, until he finds out that his cousin Wasco (Tim McIntire) is part of a plot to kill Galliot and wants his help. Fast-Walking's dilemma is intensified by his affair with Wasco's girlfriend, Moke (Kay Lenz). Fast-Walking was written, produced, and directed by James B. Harris, who as a producer helped bring several early Stanley Kubrick films to the screen. ~ Mark Deming, Rovi

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Starring:
James WoodsTim McIntire, (more)
 
1981  
 
The life of country singer Tammy Wynette is chronicled in this television biopic. The story begins during her poverty-stricken childhood and ends with her on-again-off-again relationship with singer George Jones. ~ Sandra Brennan, Rovi

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Starring:
Annette O'TooleCooper Huckabee, (more)
 
1980  
R  
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Fact-based drama starring Robert Redford as Henry Brubaker, the new inmate at a run-down Southern prison that's become notorious for corruption and violence. After he witnesses several instances of gross misconduct and defuses a tense confrontation with a crazed inmate (Morgan Freeman), Brubaker reveals to the guards and administrators that he's not a criminal at all, but the new warden, assigned by the governor to infiltrate the facility undercover. His identity confirmed, Brubaker takes office and sets about shaping up policies and procedures, despite resistance from, incredibly, even some of the more entitled convicts. With the help of the prison's chief trustee (Yaphet Kotto) and a compassionate ally (Jane Alexander), the warden effects some positive change, but powerful business interests line up against him when his ideas threaten their financial bottom line. A reform-minded, socially conscious, and politically liberal picture of the type usually associated with director Norman Jewison, this fact-based prison drama was the result of a troubled production that saw original director Bob Rafelson replaced with Cool Hand Luke (1967) and The Amityville Horror (1979) helmsman Stuart Rosenberg. Despite the backstage turmoil, Brubaker was an acclaimed release and an Oscar-nominated, career-finale triumph for co-screenwriter Arthur A. Ross, creator of Creature From the Black Lagoon (1954) and father of successful writer/director Gary Ross. ~ Karl Williams, Rovi

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Starring:
Robert RedfordYaphet Kotto, (more)
 
1978  
 
This lively musical comedy pays tribute to the birth of rock & roll in the late 1950s and the instrumental role played by disc jockey Alan Freed who helped bring the new sound into vogue. Much of the story centers on the daring deejay's attempts to put on the very first live rock & roll stage show at the Paramount Theatre in Brooklyn. To do this he must overcome the protests of concerned and angry parents, conservatives, and local police. Several performers of the era appear in the film including Chuck Berry, and Jerry Lee Lewis. ~ Sandra Brennan, Rovi

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Starring:
Tim McIntireFran Drescher, (more)
 
1977  
R  
Loosely based on former policeman Joseph Wambaugh's humorous novel, The Choirboys determinedly explores the stunted interior lives of a large crew of callous, bigoted L.A. policemen. These men get together to lend one another emotional support. However, the means they choose for this do not enhance their sensitivity or their judgement. When one of them has a really bad day, he asks his buddies to come to "choir practice," and they get together for alcoholic benders of fairly epic proportions. When one of them accidentally shoots a homosexual teen cruising a city park, everyone (including higher-ups) gets called on to help with the cover-up. The Choirboys, which was a critical and box-office failure, had an impressive cast list, including such well-known performers as Blair Brown, James Woods, Randy Quaid, Lou Gossett Jr., Perry King and Charles Durning. ~ Clarke Fountain, Rovi

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Starring:
Charles DurningLouis Gossett, Jr., (more)
 
1976  
R  
Stacy Keach plays Lou Ford, a deputy sheriff whose brutal childhood experiences have left him emotionally warped. Ford is prized by his community for his no-mercy treatment of criminals. But the danger that he will snap and begin killing indiscriminately is ever-present. Based on the novel by Jim Thompson, in this adaptation Ford's psychotic breaks are signalled by lightning flashes. Director Burt Kennedy handles his material in the manner of his earlier Welcome to Hard Times: nothing is quite of this earth, and everything is painted in broad, violent morality-play strokes. Despite Kennedy's predilection for "cutting in the camera" (that is, filming each scene with only one or two different camera angles, so that his directorial vision will survive the editing room), Killer Inside Me gives evidence of having been severely tampered with in the post-production process. ~ Hal Erickson, Rovi

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Starring:
Stacy KeachSusan Tyrrell, (more)
 
1976  
 
More ambitious and expensive than ABC's first "novel for television" miniseries QB VII, the eight-episode, 12-hour Rich Man, Poor Man was the one that truly put the genre on the map, its phenomenal success in the ratings making possible the even more spectacular Roots. Adapted from the mammoth novel by Irwin Shaw, the miniseries covers the years from WWII to the 1960s, detailing the vacillating fortunes of the immigrant Jordache brothers. "Rich Man" Rudy Jordache (Peter Strauss) is determined to use his hard-earned education -- and his inherent ruthlessness -- to carve out a business and political empire not unlike that enjoyed by Joseph P. Kennedy and his progeny. "Poor Man" Tom Jordache (Nick Nolte), a quick-fisted hothead, goes an entirely different route, first as a professional boxer, then as a functionary of the evil gangster chieftain Falconetti (William Smith). Naturally, both brothers become entangled in romance along the way, with Julie Prescott (Susan Blakely) ending up as Rudy's benighted spouse. Originally telecast on February 1, 2, 9, 16, 23, and March 1, 8, and 15 in 1976, Rich Man, Poor Man earned 20 Emmy nominations and led to a weekly sequel, Rich Man, Poor Man -- Book 2, in the fall of 1976 (this version necessitated a title change for the original, which was rebroadcast as Rich Man, Poor Man -- Book 1 in the spring of 1977). ~ Hal Erickson, Rovi

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Starring:
Peter StraussNick Nolte, (more)
 
1976  
PG  
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For better or worse, The Gumball Rally was the catalyst for a short-lived cycle of "illegal cross-country race" flicks. As thick-headed cop Roscoe (Norman Burton) does his best to stop the titular rally, a vast and varied contingent of contestants prepare to burn rubber from New York to California. The best-looking of the racers is played by top-billed Michael Sarrazin; Franco, a delightfully narcissistic Italian road jockey played by Raul Julia, also competes. Producer/director Chuck Bail was formerly a stunt coordinator, which helps to explain the incessant car crashes and near-misses in the film. Surprisingly, the doggedly low-budget Gumball Rally was produced by First Artists, a company formed by such major stars as Dustin Hoffman, Barbra Streisand, and Steve McQueen for the purpose of creating "prestige" film fare. ~ Hal Erickson, Rovi

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Starring:
Michael SarrazinNorman Burton, (more)
 
1975  
R  
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Based on the novella by Harlan Ellison, A Boy and His Dog is set in a post-apocalyptic future where canned goods are used as currency and where entertainment often consists of old porn reels. Vic (Don Johnson) is a violent, illiterate scavenger, principally interested in getting laid. He communicates telepathically with his deceptively cute-looking dog Blood (voiced by Tim McIntire); Vic finds food for Blood, while Blood sniffs out girls for Vic. One of these girls is the sexy Quilla June (Susanne Benton), who, unbeknownst to Vic is a spy for an underground society, headed by a Mr. Craddock (Jason Robards Jr.). This subterranean civilization needs a human "sperm bank" to stay alive, and the oversexed Vic fills the bill. Produced by character actor Alvy Moore (Mr. Kimball of TV's Green Acres), A Boy and His Dog was written and directed by another veteran actor, L.Q. Jones. ~ Hal Erickson, Rovi

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Starring:
Don JohnsonSusanne Benton, (more)
 
1974  
PG  
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Aloha, Bobby & Rose was conceived and promoted as a contemporary Bonnie and Clyde. Paul LeMat plays Bobby, an auto mechanic, while Diane Hull is Rose, a car-wash jockey; the two fall in love and dream of heading off to Hawaii, hence the title. Responsible for an accidental homicide, Bobby and Rose are then forced to take it on the lam. ~ Hal Erickson, Rovi

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Starring:
Paul Le MatDiane Hull, (more)
 
1974  
 
This film for the TV series Harry-O was originally telecast under the title Smile, Jenny, You're Dead. David Janssen plays Harry Orwell, a seedy private eye investigating the murder of his friend's son-in-law. The principal suspect is the victim's wife Jenny (Andrea Marcovicci), a photographer's model. Since this is less a mystery than a suspense story, it isn't unfair to reveal that the real killer is a looney photographer (Zalman King, later a prolific producer of film erotica!), who is in love with Jenny and insanely jealous of anyone who gets in his way. The climax takes place on the roof of a high-rise. Guess what happens. The Harry-O series proper debuted in the fall of 1974, lasting two seasons. ~ Hal Erickson, Rovi

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Starring:
David JanssenJohn Anderson, (more)
 
1973  
 
Con artist Rex Benning (Stuart Whitman) is quite a piece of work, ruthlessly swindling not his wealthy victims but also his own accomplices. Currently, Benning is preparing to fleece both a multimillionaire and a small-time crook with big-time ideas. Inspector Erskine (Efrem Zimbalist Jr.) hopes that Benning will outfox himself this time and fall into an FBI trap--but things may not be that simple. ~ Hal Erickson, Rovi

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1973  
PG  
A hapless outlaw discovers he isn't any better off on the right side of the law in this offbeat western comedy set at the turn of the century. While Bickford Waner (Dennis Hopper) is known to lawmen as notorious bandit Kid Blue, his reputation far outstrips his actual success as a crook, and after a train robbery falls apart moments after it began, Bick decides it's time to go straight. Bick settles in Dime Box, Texas, a shabby little town dominated by a ceramics factory that makes novelty ashtrays, and manages to find a lose a series of odd jobs through his innate clumsiness and his short temper. Bick moves into a rooming house where he's befriended by Reese Ford (Warren Oates), a good natured man fascinated with the ancient Greeks and their ideals of male friendship, and his wife Molly (Lee Purcell), who doesn't believe their relationship need be platonic. Bick also finds a friend in pill-popping Preacher Bob (Peter Boyle) and makes an especially fierce enemy in foul-tempered sheriff "Mean John" Simpson (Ben Johnson). After his personal and professional lives take unexpected turns for the worse, Bick decides he needs to go back to a life of crime, though he hasn't gotten much better at armed robbery than he was before. Also starring Janice Rule, Ralph Waite and Clifton James, Kid Blue was shot in 1971, but not released until 1973, after the box-office failure of Dennis Hopper's The Last Movie sent his career into a tailspin; it would be his last role in an American feature until 1979's Apocalypse Now. ~ Mark Deming, Rovi

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1972  
PG  
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Years before Kevin Costner danced with wolves, Robert Redford headed to the mountains to escape civilization in Sydney Pollack's wilderness western. Around 1850, ex-soldier Johnson (Redford) decides that he would rather live alone as a mountain man in Colorado than deal with society's constraints. After a series of setbacks, he meets grizzled mountain veteran Bear Claws (Will Geer), who teaches him how to survive. Jeremiah strives to live as peaceably as possible in the rugged environment, trading with the native Crow tribe, adopting a boy (Josh Albee) after his family is massacred, and even marrying the daughter (Delle Bolton) of a Flathead chief in order to avoid confrontation. He settles into a mountain home with his family, but the U.S. cavalry, complete with a puritanical Reverend, interrupt the idyll to compel Jeremiah to lead them over the mountains and through a Crow burial ground to rescue white settlers. After the Crow kill his family in retaliation, Jeremiah's frenzied moment of payback precipitates a long-running vendetta, turning him into a legendary Indian killer at the expense of his original ideals, on the way to a final moment of grace. Spectacularly shot on location in Utah, the film captures both the appeal and the challenge of the landscape that Jeremiah chooses over civilization. With an unglamorous performance by Redford and a story that questioned white colonialism while mythologizing the man of nature, Jeremiah Johnson appealed to its 1972 audience and became one of the biggest hits of the year. Wavering between heroicizing Jeremiah for surviving and damning him for killing, Jeremiah Johnson took its place among the Vietnam-era cycle of critical westerns, like Arthur Penn's Little Big Man (1970) and Robert Altman's McCabe and Mrs. Miller (1971), that condemned civilization for corrupting the wilderness and preventing individuals from going pacifistically native. ~ Lucia Bozzola, Rovi

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Starring:
Robert RedfordWill Geer, (more)
 
1972  
 
Three rollicking bumblers get into all sorts of slapstick trouble as they attempt their get-rich schemes at the race track in this comedy. The film is alternately titled The Big Payoff. ~ Sandra Brennan, Rovi

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1972  
 
Andy Griffith plays a philandering apartment house manager who picks up a pretty young girl (Suzanne Hildur) in a bar. He takes her home, whereupon the girl's male cronies show up armed with guns. Griffith and his wife Ida Lupino are held hostage by the crooks, led by Michael Brandon, who plan to use the apartment as headquarters while they pull off a big robbery. Griffith and Lupino pull off the daunting task of conveying emotion while spending half the film bound and gagged. Director Paul Wendkos stages the action essentially from the victim's point of view; we see only what they see, and are kept guessing as to the full details of the crime and the ultimate fate of the hostages. Based on a novel by Fielden Farrington, Strangers in 7A was first telecast as an ABC Movie of the Week. ~ Hal Erickson, Rovi

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1971  
PG  
In this comedy a golden-boy tennis player in search of Life's meaning is corrupted by Hollywood, too much praise, and the temptation to sell out. His life therefore, becomes a metaphor for the morals of Hollywood society. ~ Sandra Brennan, Rovi

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1971  
 
Two men kidnap Wendy Rankin (Belinda J. Montgomery), the daughter of a thief (Ray Rankin) who absconded with $400,000 ten years earlier. As the FBI endeavors to locate the kidnappers, Wendy is forced to relive a horrifying experience that occurred at the same time as the robbery. Interestingly, the part of Wendy's mother is played by Leave It to Beaver's Barbara Billingsley--whose character name is "June". ~ Hal Erickson, Rovi

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1971  
 
Jim Hutton and Anjanette Comer have the misfortune to be honeymooning while a forest fire ranges all around them. But that's only the beginning, folks. The lovebirds are also being stalked by crazed hunters Tony Franciosa and Peter Lawford. Deadly Hunt is based on Autumn of a Hunter, a novel by Pat Stadley, but it also owes quite a lot to Richard Connell's The Most Dangerous Game. Made for television, the film debuted October 1, 1971. ~ Hal Erickson, Rovi

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1970  
 
The Season Six opener of The F.B.I finds federal agents Erskine (Efrem Zimbalist Jr.) and Colby (William Reynolds) canvassing an era ranging from Pennsylvania to Oregon in search of two elusive bank robbers. Perry Victor (Martin Sheen) is the suave schemer of the pair, while Shep Buford (Tim McIntire) is the bucolic triggerman. Their ultimate goal is to steal the payroll for an Oregon tunnel project--but neither man had figured on the duplicity of Shep's girlfriend Cindy (Joan Van Ark). ~ Hal Erickson, Rovi

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1969  
PG  
Liza Minnelli is Pookie Adams, a relentlessly kooky coed in The Sterile Cuckoo. The film's focus, however, is on Wendell Burton (likewise making his first screen appearance) as reserved young college student Jerry. He is actively pursued by the unpredictable Pookie, who helps him to survive his first months in school. Gradually, however, it is obvious that Jerry is outgrowing Pookie. Both, however, have benefited from the relationship (he has gained self-confidence, she is now able to come to grips with her unhappy home life) and their parting is a tender one. Not unlike his stars, Alan J. Pakula was making his directorial bow with The Sterile Cuckoo, which earned an Oscar nomination for its theme song "Come Saturday Morning." ~ Hal Erickson, Rovi

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Starring:
Liza MinnelliWendell Burton, (more)
 
1969  
 
Colonel Greg Brandon (Christopher George) is the commander of a B-17 fighter unit. His plan to send 1000 planes to bomb a strategic German airplane factory meets with continual rejection by everyone except General Palmer (J.D. Cannon). The tough-guy Colonel alienates himself to his men and superiors until his plan is approved. Royal Air Force Commander Hardwicke (Michael Evans) is sent to the United States to help train the pilots, and he clashes with the brazen Brandon. His girlfriend Gabrielle (Laraine Stephens) and Lieutenant Archer (Ben Murphy) are also alienated by the Colonel. ~ Dan Pavlides, Rovi

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Starring:
Christopher GeorgeLaraine Stephens, (more)
 
1967  
 
Trouble comes in pairs for the family of a young kidnap victim. Not only has the family received a ransom note from the kidnappers, but they are also being shaken down for money from an extortionist who hopes to cash in on their travails. It is up to Erskine (Efrem Zimbalist Jr.) to round up all the various and sundry villains and return the abductee safely. Featured as one of the kidnappers is a young Karen Black, several years removed from her stardom vis-à-vis such films as The Great Gatsby and Nashville. ~ Hal Erickson, Rovi

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