Frank McHugh Movies

Elvis Presley hits the high seas in this musical comedy. Ted Jackson (Presley) is a former Navy frogman who divides his time between twin careers as a deep sea diver and nightclub singer. Ted discovers what he believes could be a fortune in Spanish gold aboard a sunken ship and sets out to rescue it with the help of go-go dancing yoga expert Jo Symington (Dodie Marshall). However, Gil Carey (Skip Ward) is also after the treasure and uses his girlfriend Dina Bishop (Pat Priest) to foil Ted's plans. Elvis sings six tunes in this picture, including the deathless "Yoga Is as Yoga Does" and "The Love Machine." ~ Mark Deming, Rovi

This final episode of F Troop's first season--and the final one filmed in black and white--opens with a takeoff of the TV western Branded, as Sgt. O'Rourke (Forrest Tucker) is unceremoniously stripped of his rank. In flashback, we discover the reason for O'Rourke's disgrace: It seems that he had taken pity on town drunk Charlie (Frank McHugh), who wanted to make a good impression on his daughter Cindy (Linda Foster). This resulted in an elaborate ruse wherby Charlie was passed off as the commander of Fort Courage--with disastrous results. ~ Hal Erickson, Rovi

This short-lived 1964 series ran on ABC, and marked crooner Bing Crosby's second foray into network television after a 1954 variety show. Unlike its predecessor, this one was a conventional sitcom; it starred Crosby as Bing Collins, a onetime singer who had years ago left show business to live a quiet life as an electrical engineer, supporting his wife Ellie (Beverly Garland) and children. Bing could never quite escape from the limelight, however, as Ellie herself nurtured showbiz aspirations and thus brought about continual reminders of the life her husband had left behind. The couple had two very different daughters: 10-year-old Janice (Carol Faylen), a brainiac little girl with an intellect which suggested that she might be better suited for university life; and Joyce (Diane Sherry), a 15-year-old adolescent very much into boys. Willie Walters (Frank McHugh) was the handyman who, oddly enough, lived full time with the Collins family. Bing typically sang at least one number on each episode. ~ Nathan Southern, Rovi

Playwright James Lee adapted his off-Broadway play for the screen in this high-strung adaptation, directed by Joseph Anthony. In this simplistic, backroom show-business-success saga, Anthony Franciosa plays Sam, a struggling young actor who will forsake his family and take any type of menial job in order to become a Broadway star. Dean Martin is on hand as Maury, an aspiring director also trying to claw his way up the ladder of success. When Maury gets his big break, Sam wants a part in his show, but when Maury, who is unwilling to cast Sam in the production, turns down Sam's request, Sam seduces and marries Maury's girlfriend (Shirley MacLaine). In spite of everything, Maury wants his girl back, and Sam agrees to a divorce on the stipulation that Maury cast him as the star in his next show. Once again, Maury reneges and, before Sam can exact his revenge, Uncle Sam comes to the rescue and he is drafted into the army. While Sam is in the army, the era of the communist witch hunts are in full flower, and since Sam and Maury were both members of the Communist Party, upon Sam's return home he discovers that they both are blacklisted. Their passion for success still burning bright, they decide to collaborate and put together an independent production that will either mark their complete success or their complete failure. ~ Paul Brenner, Rovi

Future Tonight Show host Johnny Carson made one of his rare acting appearances in this 1957 Playhouse 90 adaptation of George Abbott and John Cecil Holm's 1935 stage farce Three Men on a Horse. Carson plays Erwin Trowbridge, a henpecked husband who makes his living writing sappy verse for a greeting-card company. Erwin also possesses a unique gift: The ability to pick winning race horses (though he would never, ever dare to bet on one). It is thus inevitable that our hero would find himself genteely abducted by a trio of Runyonesque horse players who hang out in a seedy bar. Only one problem: Since there's money involved, Erwin's picking prowess is stymied--so the gamblers must figure out a way to get him over his mental block. Jack Carson (no relation to Johnny), Carol Channing and Edward Everett Horton are among the outstanding supporting players in this delightful comedy, which also features Frank McHugh, who'd starred as Erwin in the 1936 film version of Three Men on a Horse. ~ Hal Erickson, Rovi

Excluding a brace of 1980s TV-movie appearances, It Happens Every Thursday was the final feature film appearance of Loretta Young. As radiantly beautiful at 40 as she'd been as a teen-aged ingenue, Young plays Jane McAvoy, the pregnant wife of big-city newspaper reporter Bob McAvoy (John Forsythe). Tired of the urban rat race, Bob moves to a small California town and assumes ownership of a just-getting-by weekly paper. It's a hand-to-mouth existence for the first few editions, and the situation isn't remedied by the cloistered, resentful behavior of the local citizenry. The outcome of the plot hinges on a publicity stunt engineered by Bob: an attempt to artificially create rain for the drought-ridden community. The well-chosen supporting cast of It Happens Every Thursday includes Edgar Buchanan, Jimmy Conlin, Willard Waterman, and in her last film, Gladys George. ~ Hal Erickson, Rovi

Filled with the kind of Red Scare propaganda that must have delighted members of McCarthy's House Un-American Activities Committee, this drama chronicles the attempts of two All-American parents to save their son from the temptations of Communism. Unfortunately, they are too late. The arrogant and intellectual young man, a worker in a federal agency, returns home from a long absence spouting pro-Ruskie doctrine and deriding the beliefs of capitalism and US at every opportunity. Enraged at his son's mocking ways, he beans him with the family bible. Things get worse when an FBI agent shows up to tell the horrified parents that their son is an enemy spy. The mother blows a gasket and flies to Washington, DC where her son works to make him swear on the same book that the FBI agent is wrong. The son does so, but its a lie. The mother soon finds this out. She also learns that her treacherous son's girlfriend is a Commie. What's a mother to do? Fortunately, before it is too late, her son realizes the error of his ways and tries to double-cross his Pinko superiors. Unfortunately, it is too late and they shoot him and just before he gaspingly dies upon the steps of the Lincoln Memorial, he tapes his final confession and gives American youth everywhere a potent message about honor. The star of the film, Walker, best remembered for his gripping portrayal of a psychopath in Hitchcock's Strangers on a Train, died before production finished and so scenes from that film were spliced into My Son, John. ~ Sandra Brennan, Rovi

Set in a rugged Northwest logging camp, this drama follows the exploits of the lumberjack who inherits the camp. For a long time, he has been courting a pretty young thing, and now that she believes him wealthy, she decides to finally accept his proposal. When she finds out that the company has many financial woes and that living in the woods takes guts and courage, she turns into a nagging shrew, constantly urging him to sell-out to a major corporation. Meanwhile his treacherous foreman, an agent of the bigger company, uses sabotage to change the stubborn camp owner's mind. A big forest fire flushes out the rest of the traitors and makes the wife realize that she loves her husband after all. ~ Sandra Brennan, Rovi

Hoping to make the magic of King Kong happen again, the production team of Merian C. Cooper and Ernest B. Schoedsack came up with the 1949 special-effects smorgasbord Mighty Joe Young. Robert Armstrong reprises his Kong portrayal of Carl Denham as hot-shot showbiz entrepreneur Max O'Hara. While in Africa looking for authentic decorations for his new night club, O'Hara makes the acquaintance of Mr. Joseph Young, a ten-foot-tall ape. Unlike King Kong, Joe Young has a heart of gold, thanks in great part to his owner, a lovely lass named Jill Young (Terry Moore). Against her better judgment, Jill allows O'Hara to bring Joe back to the States as a nightclub attraction. Joe proves to be a smash as he participates in Jill's musical act (he lifts her grand piano while she plays "Beautiful Dreamer") and performs a tug-of-war routine with an imposing lineup of professional wrestlers (including Tor Johnson, Man Mountain Dean and Primo Carnera). But when the patrons go home each night, Joe is unhappily relegated to his cage. When a group of obnoxious drunks begin teasing Joe, the disgruntled ape breaks loose and goes on a rampage. Slated to be put to death, Joe redeems himself by rescuing a group of screaming children from an orphanage fire. Featured in the cast are Ben Johnson as the nominal romantic lead, Frank McHugh as Robert Armstrong's assistant, and an uncredited Irene Ryan as a cocktail-lounge patron. ~ Hal Erickson, Rovi

Based upon a story by William Mercer, The Velvet Touch stars Rosalind Russell as Valerie Stanton, a celebrated Broadway actress whose latest smash comedy is coming to the end of its successful run. The play's producer, Gordon Dunning, has produced all of Stanton's hits for the last decade, and takes credit for making her the star she is today. He is therefore upset when she informs him that she wishes to make a break with him by both marrying Michael Morrell, a renowned architect, and by taking a stab at one of the classic roles -- namely Hedda Gabler -- under the auspices of another producer. Dunning has no intention of letting her move forward with her plans, and he tells her that if she refuses to continue working with him in light, profitable comedies, he will reveal unflattering information about her to Morrell. Frightened that this will destroy her relationship, Stanton picks up a statue from Dunning's desk and delivers a fatal blow. Fortunately, because she is wearing her trademark long black gloves, there are no fingerprints, and Stanton creates a plausible alibi. Suspicion therefore shifts to Marian Webster, a rival of Stanton's who finds the body and was once romantically involved with Dunning. Stanton seems to have gotten away with murder -- but can she avoid making any mistakes as police captain Danbury proceeds with the investigation? ~ Craig Butler, Rovi

Auteur theorists who've charted the career of "cult" director Edgar G. Ulmer have seldom mentioned Carnegie Hall, simply because it was more expensive than most of Ulmer's films and thus can't be regarded a "low-budget masterpiece." The wafer-thin plotline concerns a young immigrant woman (Marsha Hunt) who takes a job as a Carnegie Hall cleaning woman. Her love of music leads her to a better job in the Hall, and after several years she rises to the position of concert organizer. The woman uses her clout to promote her own son's career as a pianist. Carnegie Hall showcases a number of celebrated musicians. Selections include: Arthur Rubinstein performing Chopin's Polonaise in A Flat, Jascha Heifetz performing Concerto for Violin and Orchestra in G Major by Tchaikovsky, Ezio Pinza singing both the drinking song from Don Giovanni and one of the arias from Simon di Boccanegra, Lily Pons singing The Bell Song from Lakme by Delibes, and Jan Peerce singing O Sole Mio.The film also includes musical performances by Bruno Walter,Rise Stevens, Gregor Piatagorsky, Harry James, Vaughn Monroe, Leopold Stokowski, and others. ~ Hal Erickson, Rovi

William Powell plays a cynical con man who graduates from penny-ante operations to a big-time charity racket. The scam involves collecting money on behalf of St. Dismas, bringing Powell in close contact with several men of the cloth. As the racket rolls on, Powell is touched by the sincerity of the religious men and the plights of the charity's rightful recipients. He has a change of heart, confessing his original criminal intentions but seeing to it that the money goes to the right people. Hoodlum Saint was typical of the facile religiosity often found in MGM pictures of the period. The film is best remembered as the first non-aquatic performance of MGM swimming star Esther Williams. ~ Hal Erickson, Rovi

Twentieth Century-Fox couldn't make a film version of Richard Rodgers and Oscar Hammerstein's Oklahoma in 1945--that particular Broadway musical would remain a "hot ticket" until the end of the decade--so the studio did the next best thing by hiring Rodgers & Hammerstein to pen the score for the Technicolorful State Fair. Fox had previously made a non-singing movie of Philip Stong's novel in 1933, with Janet Gaynor and Will Rogers in the leads. The musical remake downplayed the older characters in favor of the younger members of the cast. Set during the annual Iowa State Fair, the story concentrates on the Frakes family: father Charles Winninger, mother Fay Bainter, and grown-up children Jeanne Crain and Dick Haymes. Each has his or her own reason for attending the fair: Winninger intends to win the "prize hog" ribbon, Bainter hopes to defeat her longtime snooty rival in the food contest (she wins when the judges get schnockered on the alcohol in her entry), Crain falls in love with fast-talking journalist Dana Andrews, and Haymes woos footloose and fancy-free vocalist Vivian Blaine. Musical highlights include the Oscar-winning "It Might as Well be Spring," "It's a Grand Night for Singing," and the title number. To avoid confusion with the 1962 remake, the 1945 State Fair was for many years retitled It Happened One Summer for TV showings. ~ Hal Erickson, Rovi