Stephen McHattie Movies

Parents worry about their daughter when she freaks out on drugs and is hospitalized. Arthur (Eli Wallach) and Gerri (Julie Harris) face the reality when Maxie (Deborah Winters) must remain at the facility or return home. Della (Rue McClanahan) is Arthur's straight shooting secretary and mistress who offers an objective opinion of the situation. Dr. Salazar (Nehemiah Persoff) is the concerned physician treating Maxie. David (Hal Holbrook) and Tina (Cloris Leachman) are the neighbors whose son Sandy (Don Scardino) turns out to be a juvenile drug dealer. The story was taken from an award winning 1968 television special but fails to live up to the promise of the initial production. ~ Dan Pavlides, All Movie Guide

Lt. Kojak (Telly Savalas) investigates when two out-of-town conventioneers fall to their deaths from separate hotel windows. It's clearly more than a coincidence--and despite what some authorities believe, the two victims did not commit suicide. Kojak determines that a mad killer is on the loose...and there's every possibility that the perpetrator is a woman. Watch for brief appearances by future sitcom regulars Paul Benedict (The Jeffersons) and Gordon Jump (WKRP in Cincinnati). ~ Hal Erickson, All Movie Guide

Three intrepid archeologists head into Pueblo country in New Mexico in search of Mankind's origins. The group hopes to locate an ancient medallion, which may or may not prove that the Earth was once a stopping-off point for extraterrestrial beings. But just finding the medallion turns out to be the easy part; complicating matters is a fierce struggle over possession of the artifact, with several would-be possessors indicating that they're willing to kill to get what they want. Filmed on location in Taos, New Mexico as the pilot for a proposed (but unsold) weekly series, Search for the Gods made its ABC network bow on March 9, 1975--where it was handily trounced in the ratings by a competing Barbra Streisand special. ~ Hal Erickson, All Movie Guide

This made-for-TV biography, based on the memoirs of onetime James Dean roommate William Bast, stars Stephen McHattie in the title role of the Hollywood rebel. ~ Jason Ankeny, All Movie Guide

This sequel to the smash hit chiller Rosemary's Baby (1968) chronicles the childhood of Rosemary's demon spawn. The still distraught mother, whose husband sold his soul, thus allowing Satan himself to father her child, is helped out by her charming neighbors the devil worshippers. The film is also titled Rosemary's Baby II. ~ Sandra Brennan, All Movie Guide

Kojak moved from its traditonal Sunday-night timeslot to a new Saturday evening berth for this concluding episode of a two-part story. Though suspended from the force, Kojak is determined to track down a serial murderer known as The Clothesline Killer. It's a personal crusade for the troubled detective: Back in 1969, he allegedly shot the Clothesline Killer to death--and now there is every possibility that he gunned down the wrong man. Diane Baker appears in flashback as the detective's former love Irene. ~ Hal Erickson, All Movie Guide

This police melodrama is set in a coastal resort where a young man becomes insanely jealous after learning that his girl has been with another. He takes her hostage in the town hotel and threatens to kill her. Now a hot-tempered police chief and his peace-loving lieutenant must somehow team-up to resolve the situation. ~ Sandra Brennan, All Movie Guide

The longest (26-1/2 hours), most expensive ($25 million) and most complicated (four directors, five producers, five cinematographers, almost 100 speaking parts, several hundred extras) project made for television up to that time, Centennial was shown in two- and three-hour installments over a period of four months. An adaptation of James Michener's best-selling novel, it told the story of the settling of the American West by looking at the founding of the fictional town of Centennial, Colorado, from the settling of the area in the late 18th century to the present. Emmy-nominated for film editing and art direction, it boasts of sterling performances from Richard Chamberlain as frontiersman Alexander McKeag, Robert Conrad as the French-Canadian trapper Pasquinel, and a surprisingly powerful performance from former football star Alex Karras as compassionate but iron-willed immigrant farmer Hans Brumbaugh. ~ Brian Gusse, All Movie Guide

The biblical story of Mary and Joseph's life before the birth of Christ is dramatized in this film. ~ All Movie Guide

While traveling across Arizona with his divorced mother and her new boyfriend, a precocious young boy stumbles onto a grisly murder scene, placing the three of them in mortal danger at the hands of a pair of good-ol'-boy twin psychopaths. It's hard to tell whether the producers of this film decided to "dress up" a standard slasher script with spooky desert vistas and quality actors (including cuddly little Peter Billingsley, who forever endeared himself to viewers of the perennial favorite A Christmas Story), or rather chose to inject gratuitous T&A and gore scenes into an otherwise more sophisticated Hitchcockian thriller to lure the Friday the 13th crowd. Whatever the motivation, the end result is a muddled mishmash of family drama and sleazy dead-teen mayhem that never found an audience. ~ Cavett Binion, All Movie Guide

This inexpensive but effusively energetic film is set in Louisiana's Cajun country of the 19th century. Belizaire (Armand Assante), unofficial spokesman for his people, butts heads with local bigots who want to rid the area of Cajuns. Belizaire's former girlfriend (Gail Youngs) is now the common-law wife of the film's main antagonist (Will Patton), the son of a wealthy landowner. When Patton is murdered, the locals try to pin the blame on the rabble-rousing Belizaire. He confesses, but only to save his cousin, who'd previously been targeted for lynching. All plot pieces fall into place on the day of Belizaire's scheduled execution. Although an American film, Belizaire the Cajun was unable to get US distribution until it was showered with praise at the Cannes Film Festival. Visually, the film is a banquet, but the multi-dialect soundtrack can be very difficult to follow at times. ~ Hal Erickson, All Movie Guide

This screwball urban comedy is about two dippy roommates, struggling musicians Lolly (Melanie Mayron) and Hattie (Helen Slater), who are asked by an equally spacey, drug-dealing friend-of-a-friend Diane (Loretta Devine) to baby-sit a bag containing nearly a million dollars while she scoots out of town in order to avoid trouble. Once the money is in their possession, however, temptation proves too much for Lolly and Hattie, who use the ill-gotten cash to pay the rent, buy new instruments, and embark on a shopping spree for earrings, clothes, and shoes. While the girls dig themselves deeper into trouble with every dollar spent, they also encounter a variety of eccentric characters, including a fellow musician (Danitra Vance), their ailing landlady (Eileen Brennan), Lolly's boyfriend (Christopher Guest), and a parking lot attendant (Stephen McHattie). The latter, however, is actually a cop who's keeping surveillance on them from across the street. Mayron co-wrote the script for Sticky Fingers (1988) with actress and first-time director Catlin Adams. ~ Karl Williams, All Movie Guide

In Call Me a lonely, frustrated journalist for an alternative newspaper begins receiving intriguing erotic telephone calls, calls which trigger her own fantasies and leads her into danger. Anna (Patricia Charbonneau) is having an affair with Alex (Sam Freed), who travels frequently and has little time for her. She meets an interesting stranger named Jellybean (Stephen McHattie) in a local bar and begins to believe that he might be the source of the erotic calls. As the calls increase in frequency and become more explicitly sexual, Anna finds herself increasingly aroused and interested. Call Me, despite a sometimes contrived plot, is well-directed by Sollace Mitchell who uses her strong cast to explore the outer-limits of sexual desire and obsession. Charbonneau is excellent as Anne, and Patti D'Arbanville as her friend Con gives a refreshing, relaxed and convincing performance. Steve Buscemi, one of the finest contemporary character actors, gives one of his usual satisfying performances as the creepy Switch Blade who menaces Anne. The film's "surprise" ending will surprise only the most unsophisticated viewer, but the film, because of its great cast and excellent direction is a fresh, exciting thriller with an interesting twist. ~ Linda Rasmussen, All Movie Guide