Kate McGregor-Stewart Movies

A woman defies convention to find happiness, only to discover the costs are greater than she imagined in this drama based on the novel by Pearl S. Buck. In 1938, with Communist rebels on the rise in China and Imperial Japan intent upon expanding its rule into Manchuria and China, Lord Wu (Shek Sau) is a feudal leader who rules both his community and his family with an iron fist. But his wife, Madame Wu (Luo Yan), has just turned 40 and has grown weary of her husband's dominance. With her son Fengmo (John Cho) now 18 and engaged to be married, Madame Wu sees her responsibilities to her family all but complete, so in violation of traditional custom, she arranges for Chiuming (Yi Ding), a peasant girl just turned 18, to be brought into the household as Lord Wu's concubine, freeing her from sexual servitude to her husband. However, Chiuming's lack of sexual experience proves problematic for herself as well as Lord Wu, whose erotic tastes run to the unconventional. Meanwhile, Madame Wu makes the acquaintance of Andre (Willem Dafoe), an American missionary and doctor who is helping Fengmo with his studies; Andre is kind, compassionate, and intelligent, and he makes a tremendous impression on Madame Wu, who soon finds herself falling for the mysterious American as circumstances cause both her household and China to explode into chaos. Pavilion of Women was the first co-production between an American studio, Universal Pictures, and Beijing Film Studio of China; the film was shot on location in China, but with a primarily English-speaking cast. ~ Mark Deming, All Movie Guide

Life is sweet for high-school English teacher and sports coach Howard Brackett (Kevin Kline); he's still living where he grew up, he has a good relationship with his father (Wilford Brimley) and mother (Debbie Reynolds), he's respected by his community, and he's about to marry Emily (Joan Cusack), his fiancée of three years. Fearing she was about to become an old maid, Emily has shed 75 pounds for the upcoming nuptials. But first, the entire town of Greenleaf, IN, settles in to watch the Academy Award telecast, because young stud star Cameron Drake (Matt Dillon), who attended Greenleaf High, has been nominated for an Oscar. What's more, he wins, and in his acceptance speech, singles out Howard -- and announces his favorite teacher is gay. Everyone in town is thunderstruck, including Howard himself. The media descend on the town, particularly Peter Malloy (Tom Selleck), whose job is hanging by a thread. Even worse, Howard's principal Tom Halliwell (Bob Newhart) is shaken by the news, and is toying with firing Howard. The beleaguered teacher tries to convince everyone (and himself) that he's as straight and macho as the next guy; he even tries to follow the rules on a motivational tape, "Be a Man." But his fondness for Barbra Streisand, his theatrical mannerisms, and the fact that he and Emily have yet to make love make everyone's eyebrows stay permanently raised. Meanwhile, out in Hollywood, Cameron, who's really a decent guy, learns about the problems his impulsive comment has caused, and heads back to Greenleaf to see what he can do to help. Howard's mother is fiercely determined to see at least one of her two sons wed -- Walter (Gregory Jbara), the other, is a doofus -- and as the wedding date draws nearer and nearer, poor Howard's life flies even farther out of control. ~ Bill Warren, All Movie Guide

Todd Haynes presents a revisionist take on the paranoia thriller with this story of a Southern California housewife who suddenly falls victim to an inexplicable, apparently incurable illness. Carol White (Julianne Moore) lives with her husband and son in suburban comfort until she collapses one day, for no apparent reason. Her condition worsens in the weeks that follow, as she suffers from coughing fits, exhaustion, and spontaneous nose bleeds, triggered by sources as disparate as car exhaust, cologne, and the sun. Failing to find any medical explanation for her maladies, her doctor refers her to a psychiatrist, who suggests that her physical ailments are psychosomatic -- a theory echoed by her callous and increasingly frustrated husband. At her wits' end, Carol withdraws to an expensive New Age retreat for sufferers of "20th century disease," where the community's guru (Peter Friedman) champions a dubious regimen of diet, climate control, introspection, and self-love. ~ Michael Hastings, All Movie Guide

A crime fighter created in the 1930s and popularized in movies, pulp novels, and a radio show starring a young Orson Welles, The Shadow came back to life in 1994 in this slick, well-cast production. Alec Baldwin stars as Lamont Cranston, a murderous opium dealer reformed by a Tibetan mystic, who teaches him how to use his keen mental powers to manipulate others. As penance for his past misdeeds, Cranston masquerades as a degenerate New York City playboy by day and secretly plays the heroic Shadow by night, staving off evildoers with a network of agents and a cab-driving sidekick (Peter Boyle). A greater challenge arrives when Cranston must fight Shiwan Khan (John Lone), the final descendent of Genghis Khan, who has received training from the same Tibetan master who instructed Cranston. Shiwan plans to use atomic weapons to take over New York and then the world. At the same time, Cranston meets socialite Margo Lane (Penelope Ann Miller), and, although he's instantly enamored of her, he discovers that her psychic abilities render his secret identity vulnerable. The Shadow was directed by former music video creator Russell Mulcahy, whose feature film debut Highlander (1986) was a cult classic. ~ Karl Williams, All Movie Guide

This 1993 remake of the 1950 film Born Yesterday (based on the 1946 Garson Kanin stage play) was retooled as a star vehicle for then-marrieds Melanie Griffith and Don Johnson. Roughneck self-made millionaire Harry Brock (John Goodman) wants to become a powerful Washington lobbyist. Brock's efforts to hobnob with DC uppercrust are compromised by his brash, embarrassingly vulgar mistress Billie Dawn (Melanie Griffith). He'd like to unload the ex-chorus girl, but he thinks he's in love: besides, she knows too much about his crooked dealings to be running around loose. Thus, Brock hires bookish Paul Verrall (Don Johnson) to educate Billie. Verrall does his job amazingly well, awakening Billie to her responsibilities as a loyal, honest American: along the way, the two fall in love. Featured in the cast are Washington Post editor Ben Bradlee and his star reporter (and wife) Sally Quinn, cast as DC power brokers. Also appearing in a small role is 1960s starlet Celeste Yarnell. ~ Hal Erickson, All Movie Guide

Inspired more by the 1960s TV series than by the original Charles Addams New Yorker cartoons, The Addams Family proved to be one of the more successful of the TV shows-turned-movies of the 1990s. The film opens on a recreation of the magazine cartoon wherein the ghoulish Addamses prepare to pour hot oil upon a group of merry Christmas carolers. After a series of vignettes which establish the characters of Gomez (Raul Julia), Morticia (Anjelica Huston), Wednesday (Christina Ricci), Pugsley (Jimmy Workman) and family servants Lurch (Carel Struycken) and Thing (Christopher Hart), the plot proper gets under way. A stranger, played by Christopher Lloyd, shows up on the Addams doorstep, claiming to be long-lost Uncle Fester. It appears, however, that Lloyd is a ringer, in cahoots with attorney Tully Alford (Dan Hedaya) to strip the Addamses of their fortune. In their usual against-the-grain fashion, the Addams Family seems to delight in the possibility that they're being hoodwinked-indeed, not even kidnapping or death threats dampen the Addams clan's joy of living (or should we say dying?). The Addams Family served as the directorial debut of cinematographer Barry Sonnenfeld. ~ Hal Erickson, All Movie Guide

Love, Lies and Murder is based on a true story that began its tragic unspooling on March 19, 1985 in Garden Grove, California. 23-year-old wife and mother Linda Brown is murdered. She leaves behind her computer-consultant husband Clancy Brown, her 17-year-old sister (Sheryl Lee), a 14-year-old stepdaughter (Moira Kelly) from her husband's previous marriage, and an 8-month-old infant. When police investigate, the stepdaughter confesses to the killing. This closes the case--until Mr. Brown callously marries his late wife's sister, and doubts begin to stir as to whether or not the stepdaughter was coerced into confessing. ~ Hal Erickson, All Movie Guide

A darkly comic and surreal contemporization of Charles Dickens's A Christmas Carol, this effects-heavy Bill Murray holiday vehicle from 1988 sees the former SNL funnyman assuming the role of television executive Frank Cross, the meanest and most depraved man on earth. Cross will stoop to unheard of levels to increase his network's ratings -- even if it means mounting outrageous programs to retain an audience, such as "Robert Goulet's Cajun Christmas" and Lee Majors in "The Night the Reindeer Died," with an AK-47-toting Santa. Cross plots his foulest move, however, for the Christmas holiday, when he will force his office staff to mount a live production of A Christmas Carol on national television -- and thus work through Christmas Eve. Cross's life is turned upside down with visits from three ghosts: a craggy-faced cabbie known as The Ghost of Christmas Past (David Johansen); the sugar-plum fairy Ghost of Christmas Present (Carol Kane) (who gets her jollies by bonking Frank across the face with a toaster oven); and, eventually, the caped, headless Ghost of Christmas Future, who will send Frank sliding into a crematory oven -- just before he gives the sleazoid one last chance to redeem himself. Along the way, the spirits carry Frank to scenes from his past, present, and future (per Scrooge) and impart a glimpse of how he became so thoroughly rotten. The radiant Karen Allen co-stars as Frank's girlfriend, Claire Phillips, and the film packs in cameos from countless celebrities -- among them, Mary Lou Retton, John Houseman, Jamie Farr, and, in a truly grisly and tasteless bit, John Forsythe. Richard Donner directs, from a script credited to the late Michael O'Donoghue and Mitch Glazer. ~ Nathan Southern, All Movie Guide

Writer Susan Isaacs and director Frank Perry of Compromising Positions re-team for this unsuccessful resurrection fantasy comedy. Shelley Long plays Lucy Chadman, the accident-prone wife of plastic surgeon Jason Chadman (Corbin Bernsen). When she chokes to death after eating a South Korean chicken ball, a funeral is held and she is mourned, but then everyone goes on with their lives and forgets about her. Everyone, that is, except her sister Zelda (Judith Ivey). Zelda runs an occult bookstore and as she peruses one of her books of incantations, she discovers a magical chant that can raise the dead. Obeying the rules of the incantation -- it has to be performed a year after the person dies and the resurrected person must find love within 30 days or the person will die again -- she brings back Lucy to life. Lucy immediately proceeds to her husband's home and finds that he is married to her best friend Kim (Sela Ward). She now has to deal with the changed circumstances of her husband, along with a burgeoning love affair with Kevin Scanlon (Gabriel Byrne), the emergency-room doctor who had tried to save her life. ~ Paul Brenner, All Movie Guide

When a small-time businessman (Richard Pryor) needs a loan, he goes to a loan shark and ends up in jail on false pretenses. After feigning madness to get out, he is tossed into the mental ward of a hospital. ~ John Bush, All Movie Guide

The 1982 film version of the John Irving novel The World According to Garp attempts to captures the quirky spirit while condensing the Irving original. Robin Williams plays the title character, the son of unmarried, unorthodox feminist Jenny Fields (Glenn Close, in her film debut). Every effort made by Jenny to broaden Garp's outlook on life -- she even arranges for him to spend the night with a hooker (Swoosie Kurtz) -- crams more fears and phobias into his psyche. Aspiring to become a novelist, Garp succeeds in this goal at the same time that his mother publishes her first feminist manifesto. Though successful and happily married to college sweetheart Helen Holm (Mary Beth Hurt), Garp remains envious of his fearless mother, who has taken in the radical "Ellen Jamesians," a group named after a young woman who had her tongue cut out by a rapist. Mutilation, in fact, becomes something of a leitmotif in Garp's life, climaxing (in every sense of the word) in an auto accident brought about by Helen's tryst with Michael Milton (Mark Soper). There is, of course, much more to the story than this: standing out amongst the dozens of offbeat supporting characters is John Lithgow as Roberta Muldoon, a transexual ex-football jock. John Irving appears as a referee during a college wrestling match, while director George Roy Hill plays the pilot whose low-flying plane crashes into Garp's new home. The World According to Garp didn't attract as large an audience as other, more conventional Robin Williams vehicles, though Close and Lithgow would both be nominated for Best Supporting Actor statues. ~ Hal Erickson, All Movie Guide