Charles McGregor Movies

The final film released under the Andy Warhol moniker (which Warhol executive produced) is a much more polished affair than Flesh, Trash or Heat, but preserves the oddball wit and eccentric flair that made those films so memorable. Directed by Warhol film editor Jed Johnson, Andy Warhol's Bad focuses on Hazel Aiken, a New York housewife who has to support a houseful of relatives on her own. She pays the bills by operating an electrolysis service out of her home and also by running a murder-for-hire service staffed exclusively by women that specializes in unsavory jobs like killing children and house pets. As a result of her latter job, she has to deal with unwanted attention from Detective Hughes, a corrupt cop who wants her to surrender one of her employees so he can make an arrest. Hazel's complex life grows even more difficult with the arrival of her nephew J.T. (Perry King), a sleazy layabout who wants to join her hit squad. As the bodies pile up around her, Hazel discovers that her cold-blooded take on capitalism and family values comes with a price she didn't imagine. Andy Warhol's Bad differs from previous Warhol productions because of its higher production values and Hollywood-friendly casting, but retains its sense of underground credibility thanks to a wild story line that trashes every taboo in arm's reach to create a memorably bizarre satire. Some sources erroneously list the year of release in 1971; it was in fact produced in 1976 and issued to theaters by Roger Corman's New World Pictures in 1977. The MPAA classified that version of the film with an X. It was later reedited to receive an R, which is the version available on video. ~ Donald Guarisco, All Movie Guide

This cult favorite from director/producer Sig Shore featured the music of Earth, Wind and Fire and had a #1 soundtrack album, but went belly-up at the box-office. That's a shame, because what other film offers viewers Harvey Keitel as a record producer who skates at an all-black disco rink, Bert Parks as a child molester, and squeaky-clean singer Jimmy Boyd ("I Saw Mommy Kissing Santa Claus") as a hardcase junkie? Other treats on hand include the manager of a Christian pop band threatening to stick an ice pick in Keitel's ear and appearances by noted disc jockeys Murray the K and Frankie Crocker. Amidst all of this insanity, Cynthia Bostick's female-lead turn as a Joplin-like junkie singer named Velour is lost. The film ends with a number of Earth, Wind and Fire songs, but by that point most viewers will be in bad-movie shellshock. ~ Robert Firsching, All Movie Guide

The "three" alluded to in the title are played by Jim Brown, Fred Williamson and Jim Kelly. Letting their fists do all the talking, the hard-nosed trio takes on a neofascist organization. It is the avowed purpose of this all-white hate group to "cleanse" Los Angeles, Detroit and Washington DC of all blacks. To do this, they plan to poison the drinking water with a secret formula that affects only African Americans. ~ Hal Erickson, All Movie Guide

This sequel to Superfly has former drug dealer Youngblood Priest living in Rome with his lover. His life has become peaceful and he is utterly bored, so when a gun-smuggling African revolutionary shows up, he decides to help him overthrow the tyrant who is running the rebel's country. ~ Sandra Brennan, All Movie Guide

An African-American man finds that leaving behind his life of crime is harder than he imagined in this groundbreaking crime drama. Priest (Ron O'Neal) is a stylish and successful cocaine dealer who drives a fancy car, commands a small army of street salesmen, and lives a life of luxury. However, Priest is just smart enough to know that there's no real future in dealing coke, and one day he makes a proposal to his partner Eddie (Carl Lee) -- they take their 300,000-dollar savings, buy 30 kilos of cocaine, and use their street team to move it out in four months, leaving a million dollar profit for both Priest and Eddie, allowing them to get out of the business for good. Eddie is wary but willing to go along, but Scatter (Julius Harris), a former dealer who set Priest up in the cocaine trade, is both unwilling and unable to sell them that much product. As Priest looks for a new source for his big score, one of his underlings, Fat Freddie (Charles McGregor) is picked up by the police, and under violent interrogation, Freddie tells the cops about Priest's underground empire. When Priest is confronted by the police, however, he learns they're less interested in putting him behind bars than in making him a partner. While Superfly was a box-office smash and (along with Shaft and Sweet Sweetback's Baadasssss Song) one of the key films of the nascent blaxploitation movement of the early '70s, it's best remembered today for the soundtrack composed and performed by Curtis Mayfield, which included the hit songs "Freddie's Dead," "Pusherman," and the title tune. ~ Mark Deming, All Movie Guide