Frank McGrath Movies

In this western, a town sheriff contends with his reputation as the "fastest gun in the West." When a young gunslinger calls him out for a showdown, the sheriff is struck by the fellows resemblance to himself when he was young. He therefore, attempts to talk him out of his foolish career choice, but the young man refuses to listen. The saloon hostess attempts to talk the sheriff out of the duel, but the old fellow does not listen. ~ Sandra Brennan, All Movie Guide

In this drama, sweet and honest Tammy is hired as a secretary by a powerful industrialist with a handsome young son. Meanwhile a society dame is angered that the millionaire hired Tammy because she wanted her own girl to have a shot at the son. To ruin the new secretary's chances, the dame and her conniving daughter try to smear Tammy's reputation at every turn. They even try to sic the IRS on her for evasion of back taxes; the government agency retaliates by trying to take away Tammy's house to repay the debt. Fortunately, the hapless girl's grandpa and uncle show an old deed that proves that they do indeed own the house. Not only that, according to the deed, the little family also owns the property of the wealthy socialite and her family. Tammy disagrees with her family's plan and fears that her backwoods relatives will ruin her life. She is saved by her boss who secretly pays the taxes and then holds a riotous party in which her family acts like fools. Fortunately, everyone forgets about it and she and the son live happily. This is the last of four pictures about Tammy. ~ Sandra Brennan, All Movie Guide

Roy Fleming (Don Knotts) is signed on to the space program at NASA by his father Buck (Arthur O'Connell), a gung-ho former World War I vet who is trying to make something out of his son. Roy becomes a janitor who is afraid of heights and mistaken for an astronaut through a series of comedic mishaps. (Jesse White) plays Roy's boss Donelli, with (Leslie Nielsen) as space hero Major Gifford. Knotts uses his patented brand of nervousness to perfection in this lighthearted situation comedy. ~ Dan Pavlides, All Movie Guide

Drugs are the focus of the exploitation film set in the Los Angeles harbor. The plot centers around a villain's evil scheme to raid a ship and abscond with surplus war drugs. To help him get backers for the heist, he begins showing criminals a slide show depicting his scheme. A young woman accompanies one of the leader's gang members as he takes the slide show to various gangsters. The woman falls in love with an ambulance driver and gets him involved in the scheme. During the actual caper, the mastermind is killed, the drugs are safe, and the driver and the woman walk away from the whole thing unscathed. ~ Sandra Brennan, All Movie Guide

Taciturn marshal-turned-bounty hunter Henry Fonda rides into a small town where greenhorn deputy Anthony Perkins is sole representative of the law. Sensing that the boy could use some seasoning, Fonda makes it his mission to teach Perkins how to protect himself against the criminal element. Though diametrically opposed in personality, the older Fonda and the younger Perkins find they are kindred spirits in their dedication to their work. Using the lessons taught him by Fonda, Perkins is able to prove his worth by taking on town hothead Neville Brand. Directed with a minimum of slack and flab by Anthony Mann, The Tin Star was later spun off into the TV series The Deputy, which starred Henry Fonda and Allen Case. ~ Hal Erickson, All Movie Guide

The Milkman is a low-key variation of a theme explored in such slapstick festivals as The Fuller Brush Man and The Yellow Cab Man. Donald O'Connor plays Roger Bradley, who hopes to become a top-flight milkman to please his father (Henry O'Neill), the owner of the milk company. Jimmy Durante co-stars as Breezy Albright, the older milkman who teaches Roger the ropes. After several comic set pieces, the plot rears its ugly head in the form of John Carter (Jess Barker), the nephew of rival milk-company proprietress Mrs. Carter (Elizabeth Risdon). Carter has gotten mixed up with a nasty bunch of gamblers, led by Mike Morrel (William Conrad). This leads to an exciting, albeit chucklesome finale wherein Roger, Breezy and ingenue Chris Abbott (Piper Laurie) combine forces to rout the bad guys. ~ Hal Erickson, All Movie Guide

Hot on the heels of Columbia's The Fuller Brush Man, MGM released another Red Skelton gagfest, A Southern Yankee. Set during the Civil War, the film casts Skelton as bumbling bellboy Aubrey Filmore. Yearning to help the Northern cause by becoming an undercover spy, Aubrey succeeds beyond his wildest dreams when circumstances force him to pose as notorious Southern secret agent Major Drumman (George Coulouris), aka "The Grey Spider". Infiltrating rebel territory, our hero does his best (which is none too good) to intercept the Grey Spider's messages and smuggle them to the North. Along the way, he falls in love with pert Southern belle Sallyann Weatherby (Arlene Dahl). Many of the side-splitting gag routines were devised by Buster Keaton, notably the now-famous scene in which Aubrey gingerly walks across the battlefield between Northern and Southern lines carrying a two-sided flag -- the Northern Stars and Stripes on one side, the Southern Stars and Bars on the other -- a strategy that works until the wind suddenly changes! Though Edward Sedgwick is credited with the direction, Red Skelton later revealed that A Southern Yankee was actually directed by S. Sylvan Simon. ~ Hal Erickson, All Movie Guide

This now-classic indictment of mob rule was a pet project of both star Henry Fonda and director William Wellman, both of whom agreed to work on lesser 20th Century-Fox projects in exchange for this film. After a hard winter on the range, cowboys Gil Carter (Fonda) and Art Croft (Harry Morgan) ride into a fleabitten small town for a drink. Within minutes, they get mixed up in a barroom brawl, which earns them the animosity of the locals. By and by, word reaches town that a local rancher has been killed by rustlers. With the sheriff out of town, a lynch mob is formed under the leadership of Major Tetley (Frank Conroy), a former Confederate officer who hopes to recapture past glories. Worried that they'll be strung up, Carter and Croft reluctantly join the mob and head out of town. In the dark of night, the group comes across three sleeping transients: a farmer named Martin (Dana Andrews), a Mexican (Anthony Quinn), and a senile old man (Francis Ford). The fact that Martin carries no bill of sale written by the so-called murder victim is evidence enough for Tetley to demand that the three men be hanged on the spot. Carter knows that this is a gross miscarriage of justice, but he's helpless to intervene. Resolving himself to his fate, Martin gives Carter a letter to deliver to his wife. The three unfortunates die at the end of the rope, and the mob rides off, only to discover that there never was a murder of any kind. Based on a novel by Walter Van Tilburg Clark, The Ox-Bow Incident is not so much a western as a gothic melodrama, with deep, looming shadows and atmospheric underlighting worthy of The Cabinet of Dr. Caligari. Though the film lost a fortune at the box office (a fact that Fox head Darryl F. Zanuck never tired of pointing out to Fonda and Wellman), it gains in stature with each passing year. ~ Hal Erickson, All Movie Guide

Previously filmed three times, the evergreen Zane Grey yarn Riders of the Purple Sage was given a fourth go-round by 20th Century-Fox in 1941. George Montgomery stars as Jim Lassiter, who learns early on that his niece Fay (Patty Patterson) has been cheated out of her inheritance by crooked Judge Dyer (Robert Barrat). What Lassiter doesn't know-at least at first-is that Dyer is the head of a vigilante group, ostensibly organized to protect the local settlers but actually intent upon driving everyone out of the territory. Several acts of skullduggery and one kidnapping later, Lassiter is finally able to thwart the villains and settle down in a hidden valley with his sweetheart Jane Witherspoon (Mary Howard). Breezing along at 58 minutes, Riders of the Purple Sage by necessity eliminates several of Zane Grey's underlying themes (the villain is no longer a Mormon, for example), but works quite well as straightforward entertainment. ~ Hal Erickson, All Movie Guide