Derek McGrath Movies

Longtime film editor Jon Poll (Meet the Fockers and Austin Powers in Goldmember) makes his directorial debut with this coming-of-age comedy about a wealthy public school system newcomer (Anton Yelchin) who wins over his skeptical classmates by serving as a surrogate psychiatrist to the troubled student body. Robert Downey Jr., Hope Davis, and Kat Dennings co-star. ~ Jason Buchanan, Rovi

Formerly enemies of the Federation, several reformed Maquis have become members of the Voyager crew. When a couple of these Maquis are found unconscious from attacks by an unknown assailant, Tuvok (Tim Russ) launches an investigation. It turns out that the perpetrator is an insurrectionist named Teero (Keith Szarabajka), whose ultimate scheme threatens to have a fatal effect on Commander Chakotay (Robert Beltran). "Repression" first aired on October 25, 2000. ~ Hal Erickson, Rovi

Neil Grieve directed this sly, comic low-budget contempro conspiracy commentary. Stuart Bliss (Michael Zelniker), who devises ways to promote surplus military materials, is currently concocting a way to market Geiger counters as an ordinary household item. Arriving home early, he catches his wife Janet (Dea Lawrence) leaving on a mysterious trip. Stuart's suspicions verge on paranoia. Is he being watched? What causes the Geiger counters to react? Should he trust co-worker Ted (Derek McGrath)? Why do other people somehow know personal things about Stuart? Why does company assistant Katerina (also Dea Lawrence) resemble his wife? Shown at the 1998 L.A. Independent Film Festival. ~ Bhob Stewart, Rovi

The manic writing-directing comedy team of Tom Stern and Alex Winter (the latter of Bill & Ted's Excellent Adventure and Bill & Ted's Bogus Journey) followed up their deranged short-film collaborations and the short-lived MTV series The Idiot Box with this comic fantasy, which amounts to a virtual car crash of anarchic, mind-blowing weirdness. The brain-damaged plot follows self-centered sitcom actor Ricky Coogin (Winter), official spokesman for the E.E.S. (Everything Except Shoes) corporation, into the jungle-bound South American nation of Santa Flan. Coogin has been sent as an emissary on behalf of E.E.S. to placate the media uproar over a substance called Zygrot-27, a chief ingredient in many E.E.S. products which has been decried as a fatal environmental toxin. Accompanied by his friend Ernie (Michael Stoyanov) and environmental activist Julie (Megan Ward), Ricky takes a detour into the jungle to a bizarre amusement park overseen by bombastic barker/inventor Elijah C. Skuggs (Randy Quaid), who specializes in the display of "Hideous Mutant Freekz" (the film's original title). The trio soon discover that Skuggs manufactures his oddities himself, and they find themselves at the mercy of his hideous freakmaking factory -- which coincidentally uses Zygrot-27 as a catalyst. Once he has the hapless heroes strapped down, Skuggs reveals his intention to transform Coogin into an evil mega-freak who will destroy all the others in a slam-bang, standing-room-only closing event. Miffed at the notion of sustaining an acting career as a spine-covered, pus-gushing monster, Coogin joins a rebellion within Skuggs' captive stable of other man-made freaks -- whose ranks include such monstrosities as effete human worm; a bearded lady (Mr. T in a frilly dress); a man with a sock-puppet for a head (voiced by Bob Goldthwait); and Ortiz the Dog-Boy (an uncredited Keanu Reeves). Their plans to turn Ricky into a zygrot-powered superhero go astray, however, leading to a hilariously apocalyptic finale. Doomed to home-video status by lethargic distribution from Twentieth-Century Fox, this unappreciated gem deserves a second look; packed with hilarious visual gags, ultra-gross setpieces and body-function jokes, Freaked is a hallucinogenic funhouse of a movie. ~ Cavett Binion, Rovi

Director Stan Dragoti, whose forte is plumbing the depths of the male psyche, plumbs those depths once again in She's Out of Control. Tony Danza stars as Doug Simpson, a broadcasting executive who has trouble adjusting to the fact that his fifteen-year-old daughter Katie (Ami Dolenz) is blossoming into a sexual being. This realization kicks in after his fiancee Janet (Catherine Hicks) takes Katie for a makeover; suddenly she appears before Doug looking like a sultry super model. Now Doug is unable to look at his daughter as anything other than as a sexy chick, and he spends his time fending off packs of horny suitors while dictating morality to Katie. It finally gets to the point where Doug consults with television psychiatrist Dr. Fishbinder (Wallace Shawn), who recommends that Doug read a book he has written for single fathers, advising him, "If you're a slow reader, you better put your daughter on the pill." ~ Paul Brenner, Rovi

In the third sequel to the hit comedy Police Academy, Commandant Lassard (George Gaynes) decides that the police force is overworked and understaffed, and he comes up with the idea of recruiting civilian volunteers to work side-by-side with his officers. Of course, with the hapless Carey Mahoney (Steve Guttenberg) in charge of training the new Neighborhood Watch groups, one might reasonably expect things will not go smoothly; meanwhile, the duplicitous Capt. Harris (G.W. Bailey) sets his sights on Lassard's job, and he schemes to get his aging boss out of the way. Series regulars Bubba Smith, Michael Winslow, Bob Goldthwait, and Tim Kazurinsky are on board, as is Sharon Stone, who moved on to bigger and better things a few years later. ~ Mark Deming, Rovi

In this upbeat though by now routine story, Louis (Timothy Weber) has agreed to stay home and mind the hearth while his glamorous wife Suzanne (Sonja Smits) rapidly heads for fame and fortune as a TV professional. Problems arise when Louis insists they should start a family, but then life is quite different after their little baby eventually comes into the picture. Not exactly making things easier for the new father is his old buddy Bob, who thinks Louis should be back in the job market and not in an apron. ~ Eleanor Mannikka, Rovi

In this made-for-cable TV movie, the death of a lawman at the hands of an old outlaw (James Coburn) causes an old gunslinging enemy (Kirk Douglas) to challenge him to a duel. ~ Iotis Erlewine, Rovi

Ex-convict Andy Schroeder (Derek McGrath), Diane's disastrous blind date in the first-season episode "Diane's Perfect Date," returns to Cheers -- to rob the joint. When it turns out that Andy is merely homesick for prison life, Diane (Shelley Long) tries to turn his life around by introducing him to the art of acting. Alas, Andy's first stage appearance -- with Diane as his co-star -- is merely an excuse to violently come to terms with his achy-breaky heart. ~ Hal Erickson, Rovi

Some potent comic talent lends credibility to the Canadian Funny Farm. Michael Chapin stars as Mark, a would-be stand-up comedian. Mark leaves his Midwestern hometown behind to try his luck at the California comedy club managed by Gail (Eileen Brennan, doing a superb takeoff of real-life Comedy Store maven Mitzi Shore). Jack Carter and Howie Mandell are among the many funsters who parade past the screen in this uneven but amusing low-budgeter. Funny Farm should not be confused with the 1988 Chevy Chase vehicle of the same name. ~ Hal Erickson, Rovi

Two Navy "lifers" and one military innocent briefly attempt to thumb their nose at Authority in Hal Ashby's The Last Detail (1973). "Badass" Buddusky (Jack Nicholson) and "Mule" Mulhall (Otis Young) are assigned to escort young sailor Meadows (Randy Quaid, who beat out John Travolta for the part) from their Virginia base to a New England military prison, where Meadows will serve an eight-year sentence for attempting to swipe the commander's wife's polio donation can. Buddusky thinks that the sentence is a waste of Meadows' formative years, and he convinces a skeptical Mulhall to show the hapless Meadows a good time by partying on their per diem for the rest of the detail's allotted week. As they head north, the comically posturing Buddusky leads Meadows through the masculinizing rituals of getting drunk, getting in a fight, and getting laid; and he teaches Meadows to stand up for himself so well that Meadows tries to escape. Despite his self-proclaimed "badass" rep, however, Buddusky is, as Mulhall tells him, "a lifer like me," and the two ultimately have a job that they were ordered to do. Taking full advantage of the new ratings system, writer Robert Towne adapted the Darryl Ponicsan novel with an ear for how Navy men really talk. Objecting to the wall-to-wall obscenities, Columbia put off releasing the movie, but, after Nicholson won the Best Actor prize at the Cannes Film Festival, finally opened it for Oscar consideration in December 1973 before a full release several months later. Even with nominations for Nicholson, Quaid, and Towne, and rave reviews despite the notorious cussing, The Last Detail failed to find an audience. ~ Lucia Bozzola, Rovi