Elizabeth McGovern Movies

A precocious Edwardian girl suffocating from the social norms is forced to choose between following her heart and obliging her family's wishes after falling for a handsome but unsuitable stranger during a trip to Italy. Based on author E.M. Forster's tale of forbidden love and scripted by Pride and Prejudice scribe Andrew Davies, director Nicholas Renton's playful period drama follows young Lucy Honeychurch as she takes a trip to Italy and exchanges a brief albeit life-altering kiss with the unsuitable George Emerson. Later, as Lucy's snooping chaperone attempts to keep her on the path laid out by her family, her engagement to the dull Cecil draws near, and her repressed feelings boil to the surface, she is taken aback to encounter the dashing object of her affections back in her homeland of England. What's a girl to do when her wedding date has been set in stone but the love of her life won't be standing at the alter? ~ Jason Buchanan, All Movie Guide

When first telecast in Britain in 1991, Ashenden consisted of four hour-long episodes. When the production was shown over America's A&E cable service on June 7 and 8, 1993, the four episodes were combined into two, with a brace of stories offered in each 2-hour dollop. In A&E's second installment of Ashenden (see entry 123760 for details on the first), our hero, a British playwright-cum-WWI secret agent, travels to Russia with an American businessman (Rene Auberjonois) on the eve of the Bolshevik revolution. He then becomes fed up with the whole espionage business upon meeting an American war widow in Italy. Alex Jennings is starred as Ashenden, a thinly disguised version of Somerset Maugham himself. ~ Hal Erickson, All Movie Guide

Tom Selleck stars in this made-for-television movie about a judicial sting operation. Selleck stars as Judge Timothy Nash, a respected judge who's approached by special agents to take part in an undercover sting to expose a fellow judge's corrupt activities. At first Judge Nash is willing, but as the investigation grows, he gets cold feet and wants out -- only to find that it's too late to back out. ~ Bernadette McCallion, All Movie Guide

Eleven-year-old Clover is angry, confused, frightened, and sad. She didn't ask her father to fall in love with that Yankee white woman, and she certainly didn't expect her father to die in a car crash on his wedding day. Now she feels all alone, caught between her family, who strongly disapprove of her father's bride, and the well-meaning but culturally clueless stepmother who tries to win Clover's love and deal with her own grief. In an unexpected turn of events, it is the late father/husband himself who provides the catalyst for healing. An unusually well-wrought made-for-cable drama, Clover explores a family's grief and attempts to come together in a realistic, moving manner. ~ Sandra Brennan, All Movie Guide

Dear America: Letters Home From Vietnam was first telecast April 3, 1988, over the HBO cable service. Based on the book of the same name, the program is devoted to poignant recitations of letters to and from American participants of the Vietnam war. The letters are heard over images culled from news footage, home movies and still photography, with contemporary music added to put things in the proper historical context. The 2-hour film, featuring readings from various well-known actors (see cast list), was a co-production involving Bill Couturie, a previous Emmy winner for Vietnam Requiem, and the Vietnam Veterans Ensemble Theatre Company. ~ Hal Erickson, All Movie Guide

A physician who helps his clients bring new life into the world is accused of an ethical breach that's also criminal in this independent drama. Dr. Freeman (Colm Feore) is a doctor who runs an upscale fertility clinic in Las Vegas, Nevada. Freeman specializes in helping women who have had trouble getting pregnant conceive, usually through artificial insemination techniques or transplanting donated eggs into his patients. Over the course of several weeks, Freeman inseminates nine women from different walks of life, ranging from middle-aged but newly married Lottie (Andie MacDowell) and a lesbian whose reproductive clock is ticking, Elsa (Donna D'Errico) to Frances (Geraldine Chaplin), an aging socialite who needs a son to inherit her husband's fortune and sassy, outspoken Salome (Jennifer Tilly). Of these nine women, eight become pregnant and give birth to healthy children, but when the new mothers compare notes, they discover their children bear a striking resemblance to one another. When journalist Tallulah (Elizabeth McGovern) looks into their story, they begin to suspect that Freeman used his own sperm to fertilize his patients rather than the donor samples they selected, a breach of conduct that lands the doctor in court. Inconceivable also stars Kerry Fox, Amanda Plummer and Colin Mochrie; Geraldine Chaplin's daughter Oona Chaplin co-stars as Frances's grown daughter. ~ Mark Deming, All Movie Guide

Steven Soderbergh, after the success of sex, lies, and videotape and the commercial failure of Kafka, pulls a rabbit out of his hat with this quiet and evocative recollection of a childhood lived in the Depression, based on A. E. Hotchner's memoir. Twelve-year-old Aaron Kurlander (Jesse Bradford) is coming of age in a rotting working class section of St. Louis in 1933. As the film begins, Aaron's family is coming apart at the seams due to the increasingly bleak economy. His father (Jeroen Krabbe) ekes out a living with a series of failed sales jobs as the family lives in the dilapidated Empire Hotel in a seamy section of town. When his younger brother (Cameron Boyd) is sent to live with relatives to save expenses, his consumptive mother (Lisa Eichhorn) goes away to a sanitarium and his father abandons him to sell watches in Iowa. At first Aaron retreats into a concocted fantasy world but he gradually becomes drawn into the shattered lives of the tenants of the hotel. Aaron sees the rotting social fabric laid bare and discovers he must temper his childhood dreams with the hard-hitting realities of adult existence. ~ Paul Brenner, All Movie Guide

After a rat is discovered on board their airplane, a group of travelers is stranded at the Manila airport. They include the mild-mannered Knut (Peter Ruehring) and his icy wife Regine (Margit Carstensen), who are both history teachers from eastern Germany. Knut befriends the jovial Walther (Michael Degen) and his Filipino wife Maribel (Chin-Chin Gutierrez), who are taking the body of Walther's dead son back to Germany. Also along for the wait is Cora (Ana Capri), a businesslike husband hunter; Rudi and Herbert, two skirt-chasing brothers who fall in with a poised American-German journalist (Elizabeth McGovern); and sex tourist Franz (Martin Semmelrogge), who forms an unlikely relationship with Mercy (Ces Quesada), a shy washroom attendant who can't understand a word Franz is saying. ~ Rebecca Flint Marx, All Movie Guide

Previously filmed in Argentina in 1951, black author Richard Wright's powerful race-conscious novel Native Son was remade in this barely released 1986 version. The story involves Bigger Thomas (Victor Thomas), an angry Depression-era Chicago black who hopes to elevate himself through his chauffeur's job with a prosperous white Gold Coast family. The family's daughter (Elizabeth McGovern) takes advantage of Bigger's servile status by ordering him to drive her to a rendezvous with her communist-activist lover (Matt Dillon). Their "parlor liberal" attitude both pleases and confuses Bigger, as do the girl's apparent sexual advance towards him. One evening, Bigger drives the girl home after she's gotten herself drunk. She flirts harmlessly with him in her bedroom; when her blind mother (Carroll Baker) stumbles onto the scene, the terrified Bigger, certain that he'll be accused of rape, tries to muffle the girl so she can't talk. He accidentally kills her, whereupon the panicky Bigger hides the body and tries to pin the girl's "kidnapping" on her lover. Tragedy piles upon tragedy before Bigger's climactic murder trial and execution; throughout, we are given the impression that this sorry state of affairs would never have taken place without the black-white tensions and divisiveness that existed in 1930s, and which still exist to this day. During the trial scene, TV talk host Oprah Winfrey makes a heavily-made-up cameo appearance as Bigger's mother. The whole scene has the earmarks of an "Oscar clip," but Oprah's excessive histrionics pale in comparison to her brilliant, well-modulated performance in the earlier The Color Purple. The 1986 version of Native Son was co-produced by PBS' American Playhouse. ~ Hal Erickson, All Movie Guide

Robert Redford's directorial debut ended up the 1980 Oscar winner for Best Picture. It is a simple but painfully emotional story of the disintegration of a "perfect" family. Teenager Conrad (Timothy Hutton) lives under a cloud of guilt after his brother drowns after their boat capsizes in Lake Michigan. Despite intensive therapy sessions with his psychiatrist (Judd Hirsch), Conrad can't shake the belief that he should have died instead of his brother; nor do his preoccupied parents (Donald Sutherland and Mary Tyler Moore) offer much in the way of solace. The boy is brought out of his doldrums through his romance with Jeannine (Elizabeth McGovern). A winner in every respect, Ordinary People (adapted from the novel by Judith Guest) scores highest in the scenes with Mary Tyler Moore, who superbly and perceptively portrays a blinkered, ever-smiling suburban wife and mother for whom outward appearance is all that matters. ~ Hal Erickson, All Movie Guide

E. L. Doctorow's novel Ragtime was a sprawling fictional account of American manners and mores in the years between 1900 and 1913. Among the mosaic of colorful factual and fictional characters in the novel were escape artist Harry Houdini and radical Emma Goldman. Both characters are all but eliminated in the film version, which only concentrates on three of Doctorow's many plot threads: The story of an immigrant artist (Mandy Patinkin) who becomes a movie director; the saga of "Gibson Girl" Evelyn Nesbit Shaw (Elizabeth McGovern), for whose sake playboy Harry K. Thaw (Robert Joy); kills architect Stanford White (Norman Mailer) and a lone black man's (Howard Rollins Jr.) quest for justice when his car is destroyed by a racist fire chief (Kenneth McMillan). This last subplot consumes most of the film's running time, to the overall detriment of the pacing. There are also several scenes involving an unnamed upper-middle-class family (headed by James Olson and Mary Steenburgen) who are evidently meant to be the audience's eyes and ears, but are frankly not terribly interesting. Back in 1981, Ragtime was given plenty of press coverage as the "comeback" picture for James Cagney, after twenty years in retirement. The problem is that Cagney's character (a police commissioner) isn't in the book, and his inclusion not only throws the story off balance, but necessitates the removal of several potentially interesting characters and events. Another detriment is the gratuitous (and illogical) nudity in the Evelyn Nesbit scenes, which earned the film its "R" rating. An ornate misfire, Ragtime is of interest today only for its remarkable cast of veterans and stars-to-be, including Pat O'Brien and Eloise O'Brien, Donald O'Connor, Debbie Allen, Moses Gunn, Jeff Daniels and Fran Drescher. ~ Hal Erickson, All Movie Guide

A man who acts upon his conscience opens a Pandora's box of racism and intolerance in this made-for-TV drama. Temple Rayburn (James Woods) is an attorney who lives and works in a small Southern community in the 1940s. When Rayburn and his wife Celia (Elizabeth McGovern) encounter a young man named Ben Tyler (Charles Mattocks) -- an African-American youth who is retarded and has nowhere to go -- they take pity on him and allow him to stay in their home. However, at a time and place when black and white citizens were not allowed to use the same drinking fountains, Temple's decision raises more than a few eyebrows, and the Rayburn household soon becomes the center of a local political firestorm. The Summer of Ben Tyler was originally aired as part of the award-winning anthology series The Hallmark Hall of Fame. ~ Mark Deming, All Movie Guide

A typically quirky and eccentric offering from prolific TV producer David E. Kelley, the weekly drama series The Brotherhood of Poland, New Hampshire was set in the titular fictional community, wherein virtually everything of any importance was handled by the three Shaw brothers. Oldest sibling Hank Shaw (Randy Quaid) was the town's police chief and hockey coach; middle brother Garrett (John Carroll Lynch) was the mayor of Poland; and younger brother Waylon (Chris Penn) managed to wield a lot of authority despite the fact that he was an unemployed ex-convict. Also seen were Mare Winningham as Hank's wife Dottie, Elizabeth McGovern as Garrett's wife Helen, Ann Cusack as Waylon's wife Julie, Megan Henning as Garrett's daughter Monica, and Angela Goethals as Waylon's daughter Katie. Best described as Northern Exposure with middle-aged angst and populated with the sort of oddball supporting characters so typical of the Kelley oeuvre, The Brotherhood of Poland, New Hampshire premiered September 24, 2003. ~ Hal Erickson, All Movie Guide