John McGiver Movies

Lucille Ball stars in this film version of the hit Jerry Herman Broadway musical, which featured an electrifying performance by Angela Lansbury. As Patrick Dennis' plucky and resilient Auntie Mame, Ball's low-pitched, growling moan of a voice (a spine-chilling reminder of the sound of Linda Blair's demon-possession in The Exorcist) and her gaudy and lumbering fashion-horse gait turns Mame into an elderly cross-dresser. In this guise, Mame rehashes the plot from Dennis's novel and the previous non-musical Rosalind Russell film. During the Depression era 1930s, she enrolls her nephew into a liberal private school, tries a turn in show business (with the help of her friend Vera [Beatrice Arthur]), and marries a well-to-do Southern planter (Robert Preston). After her husband's death, Mame concerns herself with her now grown-up nephew, his girlfriend, and the girlfriend's intolerant parents. ~ Paul Brenner, All Movie Guide

The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, All Movie Guide

In Lawman, Burt Lancaster is Jered Maddox, a dedicated marshal with an inflexible adherence to upholding the law at all costs. Riding into a nearby town to pick up a group of local carousers who, during a drunken spree, killed an old man, Maddox meets up with Vincent Bronson (Lee J. Cobb). Bronson is the local town boss, and Maddox discovers that the men he is looking for work for him. Unlike most western heavies, Maddox, although he is powerful and unscrupulous, abhors violence. But violence is something Maddox cultivates. A major confrontation between the reluctant Bronson and the intransigent Maddox builds -- particularly when Maddox enlists the help of weak-willed local sheriff Cotton Ryan (Robert Ryan). ~ Paul Brenner, All Movie Guide

In this comedy-drama, President Lincoln temporarily abandons his inaugural tour to visit a little girl who wrote him a letter asking him to grow a beard. ~ Sandra Brennan, All Movie Guide

Based on a James Leo Herlihy novel, British director John Schlesinger's first American film dramatized the small hopes, dashed dreams, and unlikely friendship of two late '60s lost souls. Dreaming of an easy life as a fantasy cowboy stud, cheerful Texas rube Joe Buck (Jon Voight) heads to New York City to be a gigolo, but he quickly discovers that hustling isn't what he thought it would be after he winds up paying his first trick (Sylvia Miles). He gets swindled by gimpy tubercular grifter Rico "Ratso" Rizzo (Dustin Hoffman) but, when Joe falls in the direst of straits, Ratso takes Joe into his condemned apartment so that they can help each other survive. Things start to look up when Joe finally lands his first legit female customer (Brenda Vaccaro) at a Warhol-esque party; Ratso's health, however, fails. Joe turns a final trick to get the money for one selfless goal: taking Ratso out of New York to his dream life in Miami. One of the first major studio films given the newly minted X rating for its then-frank portrayal of New York decadence, Midnight Cowboy was critically praised for Schlesinger's insight into American lives, with the intercut mosaic of Joe's memories and Ratso's dreams lending their characters and actions greater psychological complexity. While they may have been drawn by the seamy content (tame by current standards), the young late '60s audience responded to Joe's and Ratso's confusion amidst turbulent times and to the connection they make with each other despite their alienation from the surrounding culture. Midnight Cowboy became one of the major financial and artistic hits of 1969, winning Oscars for Best Picture (the first for an X-rated film), Best Director, and former blacklistee Waldo Salt's screenplay. Though the one-two punch of Midnight Cowboy and The Graduate (1967) proved Hoffman's range and Voight's Joe Buck made him a star, both lost Best Actor to classical cowboy John Wayne for True Grit. ~ Lucia Bozzola, All Movie Guide

In this spooky comedy, a couple and their adolescent son move into a quiet New England summer cottage. Soon their arrival, a series of strange and increasingly destructive occurrences begin to happen. Not believing in poltergeists, the puzzled parents immediately suspect their son. The real perpetrators are a trio of angry ghosts who want the cabin all to themselves. When the mortal family refuses to move, the ghostly trio (two women and a man) sink two boats belonging to the couples' wealthy uncle. Once again the poor boy is blamed and this nearly drives him insane for he can see the ghosts. More trouble follows when one of the lady spirits falls in love with the handsome uncle. ~ Sandra Brennan, All Movie Guide

The Glass Bottom Boat is hardly a high point in the careers of star Doris Day and director Frank Tashlin, though it is a better-than-usual example of that pure-'60s genre, the "spy spoof." Day plays Jennifer Nelson, a PR worker at NASA in Florida. She also doubles as a "mermaid" for her father, Axel (Arthur Godfrey), the skipper of a glass-bottom tourist boat. While garbed in her skimpy mermaid costume, she has a run-in with handsome space technician Bruce Templeton (Rod Taylor). Through a series of misunderstandings, Bruce is led to believe that Jennifer is an enemy spy, determined to steal scientific secrets. Several other characters enter into the plot, including bumbling secret agent Julius Pritter (Dom DeLuise) and prissy security chief Homer Cripps (Paul Lynde). Also on hand are TV favorites Dick Martin as Jennifer's erstwhile beau and Eric Fleming as a man of mystery. A few cute celebrity cameos round out this ribtickler, while Doris Day, as always, gets a few opportunities to sing. ~ Hal Erickson, All Movie Guide

John McGiver guest stars in this episode as famed British butterfly collector Lord Beasley Waterford. Thanks to the ingenuity of the scriptwriter, Lord Waterford has arrived on the Castaways' island, in pursuit of the elusive pussycat swallowtail. Of course, the Castaways hope that his Lordship will rescue them and take them back to civilization--but he refuses to leave the island until he has added the aforementioned rare specimen to his collection. ~ Hal Erickson, All Movie Guide

A couple's marriage is nearly destroyed by their attempts to save it in this farcical comedy. Dan and Valerie Edwards (Frank Sinatra and Deborah Kerr) are a couple who have been married for close to 20 years. Dan, a busy but successful advertising executive, believes they have a happy relationship, but Valerie feels stifled and thinks her once fun-loving husband has become a bore. Valerie consults a lawyer, Shad Nathan (John McGiver), about a divorce, but Nathan suggests she give things one more try, and recommends a romantic second honeymoon to put the spark back in their relationship. Following his advice, Valerie books a vacation in Mexico; Dan agrees to join her, but once they arrive south of the border, they encounter Miguel Santos (Cesar Romero), an overzealous shyster lawyer who grants them a divorce before they're entirely aware of what's happening. Dan and Valerie take the matter in stride and decide to use it as an opportunity to renew their vows, but just prior to their ceremony, Dan is called away on business. Dan asks his best friend, Ernie Brewer (Dean Martin), a devil-may-care ladies' man, to keep Valerie company until he gets back; however, as Ernie tries to explain to Valerie and Miguel that the wedding is off, he finds he's just become Valerie's new husband. Valerie, angry at Dan's sudden disappearance, decides not to divorce Ernie right away, while Ernie, who has long been infatuated with Valerie, is torn between his feelings for her and his loyalty to Dan. Marriage on the Rocks also features guest appearances by Nancy Sinatra and Trini Lopez; keep an eye peeled for DeForest Kelley in a bit part. ~ Mark Deming, All Movie Guide

With the help of numerous never-fail omens, not to mention her pet beetle, Granny has predicted that it is going to rain. Conversely, the Weather Bureau has declared that sunny skies are in the forecast. Inevitably, it all boils down to sophisticated science versus mountain instinct. John McGiver guest stars as pompous weather expect Judson Addison, while Helen Kleeb plays Addison's secretary. "Granny Versus the Weather Bureau" originally aired on March 25, 1964. ~ Hal Erickson, All Movie Guide

It's Carmichael vs. Mooney when Lucy (Lucille Ball) issues a complaint about Mr. Mooney's noisy sheepdog, Lord Nelson. When Mooney (Gale Gordon) refuses to do anything to keep the mutt quiet, Lucy takes him to court, waiving the services of an attorney by representing herself. Can it be that Lucy will prove the old legal adage about having a fool for a client? Well, it sure looks that way...until Lucy puts Lord Nelson on the stand for an intense "cross-examination!" ~ Hal Erickson, All Movie Guide

In this generation gap movie of the early 1960s, Sandra Dee is Mollie Michaelson, a teenage rebel enamored with long-haired hippies and radical anti-nuclear political causes. Her involvement in such activities sends her ultra-conservative father Frank (James Stewart) into a tizzy. His reassuring wife is played by Audrey Meadows. Frank's furor deepens when Mollie is sent to Paris on an art scholarship. Back at home, Frank picks up a popular magazine and finds that his daughter has posed on the cover for a radical artist, Henri Bonnet (Philippe Forquet). He pursues her to save her from further degradation, but he ends up in a café in the wrong part of Paris just as it is raided by police. They arrest him on trumped-up and erroneous charges, and he struggles to prove that he's not guilty. This film was based on a play by Phoebe Ephron and Henry Ephron. ~ Michael Betzold, All Movie Guide