Bruce McGill Movies

Filled with enough cameos to keep film buffs entertained, this otherwise routine action-comedy by John Landis boasts Michelle Pfeiffer as one of its major attractions. She plays Diana, a woman prone to having affairs with some very dangerous men, and Jeff Goldblum is Ed Okin, an aerospace engineer whose lot is thrown in with Diana's when the woman is caught in a bind at the airport. The beautiful Diana is an airhead on the scale of the Hindenberg, her only concerns are clothes and men -- which she either most attractively wears or wears out, depending. While Ed is at the airport one day trying to sort out his life, Diana arrives with six smuggled emeralds in tow and is immediately welcomed by several hired assassins. Fear and expediency propel her into Ed's car, and the two are off on a series of narrow escapes that has them pursued by everyone from Iranians to baddies played by well-known international directors (Roger Vadim) or singers (David Bowie) or comedians (Dan Aykroyd). ~ Eleanor Mannikka, All Movie Guide

Based on a true story, Silkwood begins and ends with Karen Silkwood (Meryl Streep) driving along a lonely road in 1974, heading to a meeting with a New York Times reporter to deliver evidence of negligence at the Kerr-McGee Plant in Cimarron, Oklahoma. The balance of the film flashes back to Karen's ribald private life with her lover (Kurt Russell) and her loose-living friends (Cher and Diana Scarwid). This is in contrast to her humdrum job at Kerr-McGee--or it least it was humdrum until Karen and several other employees become contaminated by radiation. The higher-ups want to sweep this incident under the rug, but Karen thinks that something's fishy, and informs the union of that fact. X-rays of the faulty fuel rods and written proof of the inadequate safety measures that caused Karen's illness are tampered with, forcing Karen to conduct her own private investigation. As she gathers evidence, Karen becomes a pariah to her boyfriend because of her obsession. She finally organizes the evidence into a briefcase, and heads off to her meeting with the Times reporter. She never makes it; the "official" report on her fatal auto accident is that Ms. Silkwood had been drinking and was under the influence of tranquilizers. Kerr-McGee was eventually forced to pay the Silkwood family an enormous settlement because of her contamination, but the full facts behind her convenient accident have never been revealed (though the filmmakers clearly indictate whom they hold responsible). Director Mike Nichols and screenwriters Nora Ephron and Alice Arlen surround this true story with a lively, improvisational atmosphere that gets the best out of Streep, Russell, and Cher, while providing perhaps the fullest on-screen realization of Nichols' theater-based techniques of realistic, character-centered, dialogue-driven filmmaking, as well as one of the first movie screenplays from future director Ephron. ~ Hal Erickson, All Movie Guide

Oliver Stone's first directorial effort for a major studio (and his second horror film after the 1974 Seizure) came shortly after the phenomenal success of Midnight Express, which was based on Stone's Oscar-winning screenplay. The director turned to Mark Brandel's obscure thriller "The Lizard's Tail" as source material for what is essentially a silly psychosexual variant on low-budget horror films like The Crawling Hand. The title appendage belongs (for a while, anyway) to smug, conceited artist Joe Lansdale (Michael Caine), who owes his success to a popular comic strip featuring a macho, Conan-type hero. After Lansdale's drawing hand is sheared off in a grisly car accident, his career, dignity, self-control and even his sanity soon begin to abandon him as well. His tenuous relationship with his wife Anne (Andrea Marcovicci) falls apart as she takes steps to improve her own self-worth -- something she had never had the strength to do before the accident. Bitter and paranoid, Joe begins to lash out in anger at everyone around him ... and becomes convinced that his severed hand has come back, wandering in fields and dark alleys and squeezing the life out of everyone it comes in contact with. The question of whether the hand is real or merely a manifestation of Lansdale's rage is never answered, even in the film's "shock" coda. At any rate, it's impossible to take the film seriously -- the crawling-hand effects are laughably shoddy for a major studio production, reflecting none of the skills of effects wizard Carlo Rambaldi, and Caine's sweaty, pop-eyed histrionics are too goofy to be convincing. On the plus side, James Horner's score is remarkably chilling, contributing a great deal to a few effective suspense scenes -- but it belongs in a better film than this. ~ Cavett Binion, All Movie Guide

Director John Landis put himself on the map with this low-budget, fabulously successful comedy, which made a then-astounding 62 million dollars and started a slew of careers for its cast in the process. National Lampoon's Animal House is set in 1962 on the campus of Faber College in Faber, PA. The first glimpse we get of the campus is the statue of its founder Emil Faber, on the base of which is inscribed the motto, "Knowledge Is Good." Incoming freshmen Larry "Pinto" Kroger (Tom Hulce) and Kent "Flounder" Dorfman (Stephen Furst) find themselves rejected by the pretentious Omega fraternity, and instead pledge to Delta House. The Deltas are a motley fraternity of rejects and maladjusted undergraduates (some approaching their late twenties) whose main goal -- seemingly accomplished in part by their mere presence on campus -- is disrupting the staid, peaceful, rigidly orthodox, and totally hypocritical social order of the school, as represented by the Omegas and the college's dean, Vernon Wormer (John Vernon). Dean Wormer decides that this is the year he's going to get the Deltas expelled and their chapter decertified; he places the fraternity on "double secret probation" and, with help from Omega president Greg Marmalard (James Daughton) and hard-nosed member Doug Neidermeyer (Mark Metcalf), starts looking for any pretext on which to bring the members of the Delta fraternity up on charges.

The Deltas, oblivious to the danger they're in, are having a great time, steeped in irreverence, mild debauchery, and occasional drunkenness, led by seniors Otter (Tim Matheson), Hoover (James Widdoes), D-Day (Bruce McGill), Boon (Peter Riegert), and pledge master John "Bluto" Blutarsky (John Belushi). They're given enough rope to hang themselves, but even then manage to get into comical misadventures on a road trip (where they arrange an assignation with a group of young ladies from Emily Dickinson University). Finally, they are thrown out of school, and, as a result, stripped of their student deferments (and, thus, eligible for the draft). They decide to commit one last, utterly senseless (and screamingly funny) slapstick act of rebellion, making a shambles of the university's annual homecoming parade, and, in the process, getting revenge on the dean, the Omegas, and everyone else who has ever gone against them. ~ Bruce Eder, All Movie Guide