Dick McGarvin Movies

"Another basement, another elevator...how can the same thing happen to the same guy twice?" asks John McClane (Bruce Willis), in what is doubtless the key question of this film. A year after foiling the terrorist takeover of a high-rise office building in the first movie, McClane is waiting to pick up his wife, Holly (Bonnie Bedelia), at Dulles International Airport just outside Washington, D.C., on Christmas Eve. Scheduled to arrive the same evening is Ramon Esperanza (Franco Nero), a South American political figure who is being brought to the United States to stand trial for his role in a drug-smuggling ring. However, a group of terrorists, led by renegade American military officer Col. Stuart (William Sadler), take control of the airport, scuttling radio transmissions and placing their own men in the control tower. Stuart and his men ensure that Esperanza's plane lands safely, and then demand that Stuart and his men be given a fully-fueled 747 and free passage wherever they choose to go. Otherwise, they will guide the many circling jets waiting for landing instructions into definite crash landings, killing the many passengers on board. Not willing to stand aside as terrorists once again threaten his wife's life, the wise-cracking McClane once again leaps into action to foil Stuart's plans and bring the passenger jets safely to the ground. William Atherton, John Amos, Dennis Franz, and John Leguizamo highlight the supporting cast. ~ Mark Deming, Rovi

Though the original Fletch was drubbed by critics, it proved a major success for star Chevy Chase. It was inevitable, then, that a sequel would make an appearance. Surprisingly, Fletch Lives didn't come out until 1989--a full five years after the original. Once more, Chase stars as Irwin Maurice "Fletch" Fletcher, the gonzo investigative reporter created by novelist Gregory McDonald. Indulging his penchant for disguises and bizarre aliases, Fletch investigates a deep dark mystery at a crumbling Southern plantation. Various friends and enemies are portrayed con brio by Hal Holbrook, Cleavon Little, Juliane Phillips, Randall "Tex" Cobb, Richard Libertini and Richard Belzer (Chase's cohort from the old Groove Tube days). ~ Hal Erickson, Rovi

An exciting climax at a gymnastics competition highlights this sports-themed drama. Steve (Olympic champion Mitch Gaylord) finds his hopes for a successful career are in doubt when his family relationships suddenly fall apart. He and his father are continually at odds while his younger brother and mother can do nothing about it. Gymnast Julie Lloyd (Janet Jones) arrives on the scene and a romantic liaison with Steve is in the works. A big championship competition looms ahead on the horizon as both Steve and Julie prepare for a final challenge. ~ Eleanor Mannikka, Rovi

Brian De Palma's homage to Michelangelo Antonioni's classic art movie Blow-Up (1966) blends suspense and political paranoia when a Philadelphia soundman inadvertently records a murder. Former police technician Jack Terri (John Travolta) makes his living doing sound for slasher flicks. While recording new outdoor effects one night, Jack witnesses a couple's car careen off a bridge into a river, but he can save only the female occupant, Sally (Nancy Allen). Jack begins to suspect something when he learns that her dead companion was a Presidential hopeful. Re-playing his tape over and over, Jack thinks that he hears a gun shot before the crash-causing tire blow-out. When sleazy photographer Manny Karp (Dennis Franz) comes forward with photos of the accident, Jack discovers the real reason that the naïve Sally was in the car -- and also a way to prove his auditory suspicions through motion pictures. Even with all his surveillance talent, however, Jack cannot see (or hear) how dangerous the big picture really is until it's too late. Taking a break from horror films, De Palma turned his interests in technology and voyeurism toward more politically loaded subject matter at the dawn of the Reagan era; the film's red, white and blue mise-en-scène, "Liberty Day" celebration climax, and conspiracy surrounding political "dirty tricks" suggest that American politics are still rotten, seven years after Watergate. Although Blow Out earned some favorable notice, particularly for Travolta's first "adult" performance, De Palma's downbeat film did not go over well with 1981 summer audiences. Rather than blockbuster escapism, Blow Out instead harks back to 1970s political thrillers like The Parallax View (1974), using cinematic fireworks to tell an unsettling story about one man's struggle against unstoppable corruption. ~ Lucia Bozzola, Rovi

The fourth Airport film may be the silliest of them all, as George Kennedy returns, this time co-piloting with Alain Delon. The plane is on its way to the Moscow Olympics, has a bomb on board, and gets fired upon with missiles that necessitate flying upside-down. A look at the cast list resembles a bad episode of Fantasy Island, but it's always fun to see shameless touches like casting Mercedes McCambridge (Johnny Guitar) as the coach of the Soviet team. If you don't understand the significance of that choice, you may find this film more tedious than laughable, but fans of bad movies will have a field day, as Jimmie Walker, Charo, and -- oddly enough -- Bibi Andersson rub shoulders with high-altitude disaster. ~ Robert Firsching, Rovi

Rollercoaster was a by-product of the brief "Sensurround" craze of the 1970s. Nutsoid Timothy Bottoms sabotages an amusement-park roller coaster, killing several innocent revelers. After several other acts of terrorism, Bottoms (whose character is credited as Young Man) presents his demands to the authorities via audio tape: one million dollars, or he'll stage five roller-coaster disasters simultaneously in five different parks. Because detective Harry Calder George Segal evinces a grudging respect for the elusive extortionist, Bottoms declares that only Detective Calder will be permitted to deliver the money. Thus the stage is set for an explosive climax, which during the film's original run was accompanied by the Sensurround effect, a gimmick that electronically caused the filmgoer's chairs to begin shaking and vibrating during the "thrill scenes." As with most disaster flicks of the era, Rollercoaster is top-heavy with "guest stars," including Richard Widmark, Henry Fonda, Harry Guardino, and Susan Strasberg. Watch for 13-year-old Helen Hunt as Detective Calder's spunky daughter. ~ Hal Erickson, Rovi

The American beauty-contest ritual is skewered by screenwriter Jerry Belson and director Michael Ritchie in Smile. The film takes place during an annual pageant in Santa Rosa, CA. The event is supervised by local mover and shaker Brenda DiCarlo (Barbara Feldon), to whom the contest is the most important thing on earth. Nothing -- not even the violent backlash of her neglected husband, Andy (Nicholas Pryor) -- is allowed to interfere with her pet project. Choreographer Tommy French (Michael Kidd), outwardly nasty and cynical, takes money out of his own pocket to insure the safety of the contestants as they parade down a rickety stage runway; chief judge "Big Bob" Freelander (Bruce Dern) discovers that his son is a budding voyeur, information which leads to a silly "politically correct" consequence; and the various contestants scheme to upstage one another through a variety of means (one girl puts Vaseline on her teeth to assure a gleaming smile). Among the contestants are such stars-to-be as Colleen Camp, Denise Nickerson, Annette O'Toole, and Melanie Griffith. Though not a hit itself, Smile has developed a fervent cult following, which led to a Broadway musical version of the property in 1986, with songs by Marvin Hamlisch. ~ Hal Erickson, Rovi