Peter Bayliss Movies

This four-hour fantasy miniseries, elaborating on the Arthurian legend and filmed in England and Wales, offers a portrait of the wizard Merlin (Sam Neill), following his life as a youth (Daniel Brocklebank) to his later conflicts with the evil Queen Mab (Miranda Richardson) and his love for Nimue (Isabella Rossellini), who is kidnapped by Lord Vortigern (Rutger Hauer). Amid battles and displays of magic and mysticism (courtesy of London's Framestore and the Jim Henson Creature Shop), Merlin strides the English countryside encountering Excalibur, the unbreakable sword, and a Camelot cast of colorful characters including the morphing manservant Frik (Martin Short), Morgan le Fey (Helena Bonham Carter), King Arthur (Paul Curran), Lancelot (Jeremy Sheffield), and Guinevere (Lena Heady). Premiered April 26, 1998 on NBC. ~ Bhob Stewart, All Movie Guide

A movie made by and for children, out of the Children's Film Unit of Great Britain, this story revolves around the efforts to restart an abandoned school in the countryside. Some parents bought the large structure but cannot raise the money to turn it into a viable, working school. Enterprising youngsters and their friends consider this dilemma and come up with a novel solution. When an elderly Grandma wanders into the building to pick up some of her things (left there from her old job), she is captured and held for ransom in a chapel. Since Granny seems to be having a pretty good time -- at last life got interesting -- and since people seem pretty generous regarding that ransom demand, maybe school bells will ring in the autumn after all. ~ Eleanor Mannikka, All Movie Guide

Dr. Jonathan Miller, onetime Beyond the Fringe trouper, who was one of the leading lights of the PBS Shakespeare productions of 1978-83, serves as director of The Beggar's Opera. This adaptation of John Gay's lusty 18th-century "play with song" stars The Who's Roger Daltrey as robber captain MacHearh. Stratford Johns co-stars as Peachum, king of beggars, whose licentious daughter Polly falls in love with MacHeath, while Bob Hoskins is appropriately scrungy as an "on the take" constable. Originally taped for British television, The Beggar's Opera received American air play on public and cable TV. ~ Hal Erickson, All Movie Guide

In this comedy, a London school teacher has full hands trying to cope with rowdy slum kids when they go for their annual camping excursion. The film is based on a popular British television series. ~ Sandra Brennan, All Movie Guide

This zany British comedy finds a homeless hobo (Ringo Starr) being adopted by the world's richest man, Sir Guy Grand (Peter Sellers). Setting sail on the luxury liner The Magic Christian, Sir Grand tests the limit of human avarice. With money to motivate the greedy, Laurence Harvey combines his Hamlet soliloquy with a striptease. A vile cesspool of excrement is seeded with cash and the money-hungry dive right in. Wilfred Hyde White is the drunken captain, Yul Brynner is uncredited in his performance as a chanteuse transvestite, and John Cleese is the director of Sotheby's auction house. Roman Polanski, Richard Attenborough and Raquel Welch also appear in this offbeat comedy. Paul McCartney wrote and produced "Come and Get It," the first international hit from the power-pop group Badfinger. John "Speedy" Keene wrote "Something In The Air" and performed the track with his group Thunderclap Newman. Sellers, Cleese, Graham Chapman and Terry Southern co-authored the screenplay taken from Southern's novel. ~ Dan Pavlides, All Movie Guide

Polly (Hayley Mills) is a shy young girl on a world tour with her impossible aunt (Brenda de Banzie). In Singapore, the ladies are entertained by their Eurasian guide (Shashi Kapoor). Polly begins an affair with the seductive guide, and upon the death of her aunt she finally comes out of her shell to blossom into full womanhood. Noel Coward had received some of the worst reviews in his life when he published the uncharacteristically bitter Pretty Polly and Other Stories; the film version of Pretty Polly substitutes sentiment for cynicism, but isn't much of an improvement over the Coward original. The film is better known under its American title A Matter of Innocence. ~ Hal Erickson, All Movie Guide

In his first starring role minus his longtime partner Peter Cook, Dudley Moore plays a 29-year-old who goes through an identity crisis when approaching the "three-oh" mark. He wants to be a successful Broadway composer before reaching 30 and also wants to be happily married. Unfortunately, he's so busy as a night-club musician that he hasn't any time to realize his goals. Enter sexy Suzy Kendall (Mrs. Moore at the time), who inspires Dudley to reinvigorate his quest for success and connubial bliss. 30 Is a Dangerous Age, Cynthia delivers a satisfactory quota of laughs; its only drawback is its heavy reliance upon "mod" '60s camera trickery. ~ Hal Erickson, All Movie Guide

Julie Christie won an Oscar for her portrayal of a bored, amoral fashion model in this cynical melodrama from director John Schlesinger. Following the break-up of a teenage marriage, Diana Scott (Christie) drifts into the world of modeling and acting, where she meets a television news reporter, Robert Gold (Dirk Bogarde), who leaves his family for her and introduces her to a more powerful and wealthy set. Soon Diana meets somebody more attractive: public relations mogul Miles Brand (Laurence Harvey). After briefly leaving and then drifting back into Robert's life, experiencing an orgy and even getting an abortion, Diana eventually leaves the swinging London scene behind and settles down to an unfulfilling if comfortable life as the wife of millionaire Italian widower Cesare (Jose-Luis deVillalonga). Shocking in its day, Darling (1965) won Oscars for its costumes and script from Frederic Raphael. ~ Karl Williams, All Movie Guide

From Russia With Love, the second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula -- the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; Q is seen for the first time; and Sean Connery as Bond has nailed down his role as 007 -- accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. In From Russia With Love, the bad guys don't want to take over the world. They want something more mundane -- a Russian decoding device. Assigned to the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb (Lotte Lenya), and No. 5, Kronsteen (Vladek Sheybal), an expert chess player who has plotted every move of the mission. Kronsteen's plan requires using Bond's weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova (Daniela Bianchi), SPECTRE muscleman Red Grant (Robert Shaw) is to forcibly take it from Bond and kill him. But Bond suspects a trap. Being Bond, however, he can't resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. ~ Paul Brenner, All Movie Guide

In this airborne disaster movie, a has-been brilliant scientist plants a bomb on a transatlantic jet to exact revenge upon a passenger whom he blames for his daughter's death -- she died during a plane crash. When the booby-trap is discovered and the passengers learn the motive for the scientists' actions, one of the passengers attempts to kill the man the scientist blames. A fight erupts and a window is shattered. The helpful passenger is sucked right out of the plane. Only when the scientist spies a child resembling his own lost daughter does he regain his humanity and disarm the bomb. ~ Sandra Brennan, All Movie Guide