Geraldine McEwan

Eccentric inventor Wallace (voice of Peter Sallis) and his faithful if often perplexed dog Gromit are back in their first feature-length adventure from animator Nick Park. Wallace and Gromit have launched a new business venture just in time for a major gardening competition in their neighborhood of West Wallaby. "Anti-Pesto" is a humane pest-relocation service in which Wallace and Gromit capture rabbits and other critters who have been eating the produce from local gardens and give them new homes somewhere else. Business has been going well, and when the woman hosting the garden show, Lady Tottington (voice of Helena Bonham Carter), discovers a massive tribe of rabbits has been making a mess of her garden, she calls in Wallace and Gromit to move the bunnies elsewhere. Wallace is quite taken with Lady Tottington, but he's not the only one -- Victor Quartermaine (voice of Ralph Fiennes) is a slick but arrogant upper-class type who wants to win Lady Tottington's hand (and fortune) and is convinced he can do a better job capturing the rabbits than Wallace. However, Wallace's attempts to brainwash the rabbits away from veggies using his latest invention has disastrous results, and soon Wallace has to deal with a beastly bunny as well as a heavily-armed Quartermaine. Wallace and Gromit: The Curse of the Were-Rabbit followed Park's previous film with the duo, A Close Shave, by ten years, and was produced after Park broke through to mainstream success with the feature Chicken Run. ~ Mark Deming, All Movie Guide

Portrayed on previous occasions by such actresses as Margaret Rutherford, Helen Hayes, Angela Lansbury, and Joan Hickson, Agatha Christie's indomitable amateur sleuth Miss Jane Marple reappeared in the form of Geraldine McEwan on this TV series, produced for the United Kingdom's ITV1. Endeavoring to be totally faithful to the original source material, the series offered as its first four episodes lavish adaptations of the Agatha Christie novels The Vicarage (1930), The Body in the Library (1942), A Murder is Announced (1950), and 4:50 From Paddington (1957). These episodes were originally complemented by a behind-the-scenes documentary, which has been included in the American TV syndication package. Agatha Christie's Marple made its first television appearance on December 12, 2004. In the United States, the series was initially broadcast on PBS in the summer of 2005. ~ Hal Erickson, All Movie Guide

The first season of the British mystery series Agatha Christie's Marple offers meticulously faithful feature-length adaptations of four of Agatha Christie's novels centering around spinsterish amateur sleuth Miss Jane Marple, here played by Geraldine McEwan. The opening episode is "The Body in the Library," in which Miss Marple tries to ascertain the identity of a strange blond woman, found dead in the library of a prosperous married couple. This is followed by "The Murder at the Vicarage," wherein Marple is deluged with suspects in the murder of a grumpy military officer -- several of whom all too eagerly confess to the crime. Marple then looks into a murder supposedly committed on the "4:50 From Paddington," even though no body or evidence of any kind can be found. And in the final episode of the season, "A Murder is Announced," Marple wonders who has placed a classified ad declaring that a murder will take place at a certain time -- and who committed that murder precisely at that time. ~ Hal Erickson, All Movie Guide

Adapted from David Leavitt's book The Page Turner, Food of Love tells the story of a cross-generational romance between two men. Paul (Kevin Bishop), a sexually repressed teenager, is an aspiring pianist who gets an opportunity to work as a page turner for Richard Kennington (Paul Rhys), a renowned pianist who also happens to be Paul's idol. A flirtation ensues between the two men after a concert one night, but further possibilities are thwarted by the meddling of Paul's neurotic mother Pamela (Juliet Stevenson). When Paul and Richard meet again six months later in Barcelona, they begin where they left off, tumbling headlong into a passionate affair despite the continued intrusion of Pamela, who believes that Richard is flirting with her. The affair is further complicated by the presence of Mansourian (Allan Corduner), Richard's manager and lover, who is suspicious of the relationship between Richard and Paul. Unable to deal with the situation, Richard flees to New York, and when he and his young lover finally meet again, Paul is a Julliard student engaged in an affair with yet another middle-aged man. Food of Love was screened at the 2002 Philadelphia Gay and Lesbian International Film Festival. ~ Rebecca Flint Marx, All Movie Guide

Actor/director Kenneth Branagh sets his screen version of Shakespeare's play in the 1930s, adding such classic songs as "They Can't Take That Away From Me," "The Way You Look Tonight," and "Let's Face the Music and Dance," and staging it in the manner of a Fred Astaire-Ginger Rogers musical. The King of Navarre (Allesandro Nivola) and three of his noblemen (Branagh, Matthew Lillard, and Adrien Lester) have decided that they're wasting their time chasing women. They swear a solemn oath to spend the next three years avoiding the pitfalls of romance and improving their minds. No sooner have they made this agreement than they meet a French princess (Alicia Silverstone) and her three handmaidens (Natascha McElhone, Carmen Ejogo, and Emily Mortimer). The pledge is forgotten and the chase is on. Love's Labour's Lost also features Nathan Lane, Timothy Spall, and Paul Whitehouse. ~ Mark Deming, All Movie Guide

Helen (Kate Capshaw) runs a bookstore in Loblolly By The Sea, a small fishing community in New England where everyone seems to know everyone else's business. A 42-year-old single mother, she is emotionally distant and fearful of getting too close to anyone. George (Tom Selleck) has known Helen since they were schoolmates, and he's been in love with her for ages, but has always settled for just being her friend. Convinced she wasn't interested in him, he married another woman years ago. Helen also has another secret admirer, Johnny (Tom Everett Scott), who isn't at all put off by the fact that Helen is twice his age. Johnny, however, is currently occupied with Jennifer (Julianne Nicholson), a fellow student who also works at the bookstore and is crazy about him. Into this tangled web of unrequited love comes an amorous letter that Helen finds in the store one day. The letter bears no signature and no address; it's at once passionate and oblique, fervent and cryptic. It's very interesting stuff. So who wrote it? And to whom was the writer planning to send it? Before long, the letter has made its way through this circle, and everyone has an idea (or a hope) of who their secret love is, although no one knows for sure or just how to find out. The Love Letter marked the American debut of director Peter Ho-Sun Chan, who enjoyed success in Hong Kong with Comrades: Almost A Love Story and He's A Woman, She's A Man. The supporting cast includes Ellen DeGeneres, Blythe Danner, and Gloria Stuart. The Love Letter may be best remembered as the only major studio film to open the same week as Star Wars: Episode One -- The Phantom Menace. ~ Mark Deming, All Movie Guide

The life of the reluctant Old Testament prophet is told in this made-for-television biblical drama. When the Pharaoh Ramses calls for the death of all Hebrew children, a mother puts her son Moses in a basket and sends him down the Nile to save his life. The baby is found by a princess and raised as the heir to the family throne. Called upon by God, the hesitant Moses (Ben Kingsley) accepts the challenge to lead his enslaved people out of Egypt for what becomes a 40-year journey into the promised land. This extravagant production was nominated for the "Outstanding Mini-Series" Emmy. ~ Bernadette McCallion, All Movie Guide

Filmed in Britain, Oranges Are Not the Only Fruit stars Charlotte Coleman as a champing-at-the-bit teenager named Jess. The girl's domineering mother (Geraldine McEwan), a religious fanatic, wants Jess to become a missionary; to that end, she refuses to allow the girl any friends her own age. Jess' father has nothing to say in the matter--indeed, he has had nothing to say to anyone for years. The girl's growing awareness of her own sexuality (depicted in steamy detail) flies in the face of her mother's carefully orchestrated plans. Funny in a dark sort of way, Oranges Are Not the Only Fruit was first seen in America over the Arts and Entertainment cable service in late 1990. ~ Hal Erickson, All Movie Guide

Victor Banerjee, the India-born star of David Lean's A Passage to India, is the central figure of director Ronald L. Neame's Foreign Body. Jobless in Calcutta, Banerjee steals money from his own father to afford passage to Britain. There he makes contact with his cousin Warren Mitchell, who arranges for Banerjee to get a job as a bus conductor. But when he begins to ardently pursue a lovely young white woman, Banerjee loses his job at the behest of the girl's influential father. His luck changes radically when Banerjee administers mouth-to-mouth resuscitation on a bus accident victim, whereupon he is mistaken for a doctor by friendly model Amanda Donohoe (probably the nicest she's ever been on film). Donohoe talks up the skills of this "new Indian doctor", and before he knows what has hit him, Banerjee is head physician to the Prime Minister of England--with virtually every woman in the land vying for his services in bed! Never letting on where it is heading next, Foreign Body is adapted from an equally tricky novel by Roderick Mann. ~ Hal Erickson, All Movie Guide

Adapted from a series of novels by Anthony Trollope, the Masterpiece Theatre production of The Barchester Chronicles features Donald Pleasence as Reverend Harding. Scandal taints the town of Barchester after the local church becomes the object of a scathing investigative report about the use of church funds. The husbands of Harding's daughters are feuding with each other and each manipulates Harding for their individual purposes. A change in church leadership brings Harding into contact with Reverend Obadiah Slope (Alan Rickman), an unpleasant man who may be hiding some deep secrets. ~ Perry Seibert, All Movie Guide

This is not the same kind of film as the 1962 production, Tom Jones. In fact, it is a "nudie musical", as evidenced by the presence of singing star Georgia Brown in the dual role of Jenny Jones and Mrs. Waters. The project originated as a Las Vegas stage presentation, with Nicky Henson in the lead. The plot of the Henry Fielding novel about the "boy born to be hanged" is followed in spirit rather than to the letter, with busty Joan Collins thrown in like a lagniappe as a lady highwayman. Wandering through the proceedings are such English stalwarts as Trevor Howard and Terry-Thomas. ~ Hal Erickson, All Movie Guide

This Swedish melodrama is set upon a small fortresslike island. Upon the island lives a bitter artillery captain, his wife and his family. The officer is angry at never receiving the promotion he felt was his due. He constantly argues with his wife. Complicating matters is the captain's illness, which he has kept secret. His wife cousin, a quarantine officer, comes to the isle with his son. The captain immediately begins trying to destroy him socially, professionally, and financially. More trouble ensues when the cousin's son and the captains daughter fall in love. The two perceptive youths observe the twisted relationship between the fathers. As the daughter finally chastises the father for his behavior, the captain has a stroke, writhes about upon the floor with foam dripping from his mouth, and dies. ~ Sandra Brennan, All Movie Guide