John McEnery Movies

British writer-director Maria Giese filmed this independent sports drama, which centers around the wasted opportunities of young footballer Jimmy Muir (Sean Bean). Muir works in a brewery and lives with his parents and younger brother in the hard-scrabble industrial city of Sheffield, England. He loves to play soccer, but he is arrogant, disrespectful, and frequently drunk, and he has never made much of his talents. While playing for a local pub's team, Jimmy is spotted by Ken Jackson (Pete Postlethwaite), who recruits him for a higher league. Meanwhile, Jimmy embarks on an affair with a young Irish woman named Annie Docherty (Emily Lloyd), and he gets her pregnant. Jimmy gets offered a tryout with a professional club, Sheffield United. But the night before his tryout, he beds a stripper and gets roaring drunk. The next day he is useless, and he blows his big chance to make something of himself. Annie, who badly wanted him to succeed to get them both a better life, then leaves him. Jimmy finally realizes that he must change if he is going to have any kind of a future. ~ Michael Betzold, Rovi

In the new tradition of "Tales of the City," this long, complex British satire profiles a decade in the life of a British family. The story opens in a South London suburb where main protagonist Karim Amir lives with his Indian father, Haroon, and his English mother during the 1970's. Haroon is a civil servant who makes extra cash, and gains notoriety for teaching "Eastern Philosophies," of which he knows nothing. Still, as Buddhism is in fashion, people pay him a bundle to hear his vapid, happy ramblings. When not preaching, Haroon is trysting with a rich follower, Eva Kay. Karim's mother learns of the affair and leaves with his younger brother. Karim stays with his father and his new love. He begins a career on the stage. The story also follows Charlie, Eva's boy as he aspires to become a rocker. Other plots and subplots abound in this film. ~ Sandra Brennan, Rovi

Peter Medak directed this fact-based drama, chronicling the lives of the infamous Kray Brothers, notorious celebrities in 60s London. The Krays were twin gangsters who ruled London's stylish East End club scene, staking out their territory by committing the most violent crimes imaginable, preferring to perform the most torturous acts themselves. The film stars Gary Kemp and Martin Kemp, founding members of the pop group Spandau Ballet, as Ronald and Reginald Kray. The film opens as their mother Violet Kray (Billie Whitelaw) recalls a dream in which she is a swan from which two beautiful babies have hatched. She can't tell if the swans are angels or demons, but the film soon answers that question for her. Brought up in London's East End in the 1930s, Ronald and Reginald Kray are raised in the resentful world of Violet, who is hateful of her lot in life and bitter at the control men have in running the world ("Housework is a lethal business," she says). The twins react to each other almost telepathically and they take out their anger by clogging the nose of their sleeping father (Alfred Lynch), pushing around fellow schoolboys, and even beating each other to pulp at a boxing match. When her mother chastises them for their fight in a fairground boxing ring ("You fight them up, but you don't fight each other"), the twins veer into the London underworld. In their self-contained world of Us-Against-Them, the Krays rapidly rise to the height of power, first taking over the territory of a petty mobster by violent means and then putting together an underworld empire of posh clubs, cars, and fancy suits. But at the height of their fame, the twins begin to break from each other. Reginald falls in love with Frances (Kate Hardie), while Ronald gets involved in a homosexual relationship with one of his underlings. Ronald, in a jealous rage over Frances stealing his brother away from him, becomes even more brutal in his crimes and while the brothers' backs are turned, a group of older mobsters challenge the Krays' authority, invoking a horrible bloodbath that effects not only the two brothers but Frances and Violet as well. ~ Paul Brenner, Rovi

Husband and wife producers Richard Goodwin and Christine Edzard return to the same milieu as in their epic version of Little Dorrit in The Fool. This slight story stars Derek Jacobi as Mr. Frederick, a theatrical clerk in the London of 1857, who concocts a monetary scam to bilk the rich. In order to carry off this deception, Mr. Frederick passes himself off as the well-heeled Sir John. But problems arise after he is recognized by some theater people, and he begins to take his false identity a bit too seriously. ~ Paul Brenner, Rovi

Based on John Trenhaile's A Man Called Kyril, this byzantine-plotted spy melodrama stars Ian Charleson in the title role. Kyril is a supposed Soviet defector who relocates in London. In fact, his defection is a smoke-screen: Kyril has been sent by the KGB to seek out a British mole in Moscow Centre. At four hours, Codename: Kyril affords plenty of breathing space for the various plots and counterplots, but its excess of espionage verbiage may prove confusing to the average viewer. Filmed for British television in locales ranging from Norway to Holland, Codename: Kyril was first telecast in the US on the Showtime cable network on April 27, 1988; a videocassette version running 115 minutes was made available in 1991. ~ Hal Erickson, Rovi

Filmed in Tunisia on a budget of 30 million dollars, the five-part, 12-hour miniseries A.D. was the final installment in a historical trilogy which included Moses the Lawgiver and Jesus of Nazareth. Covering the years 30 to 69 A.D., the teleplay, co-written by Anthony Burgess, chronicled the political intrigue which plagued the Roman Empire, with such key players as the emperors Tiberius (James Mason in his final role), Caligula (John McEnery), Claudius (Richard Kiley), and Nero (Anthony Andrews) calling the shots. Meanwhile, the death of Jesus Christ (played by Michael Wilding, son of Elizabeth Taylor) not only sparked a widespread monotheistic religious movement, but also resulted in devastating factionalism amongst the various Jewish sects of the era. Offsetting the true events are a number of fictional subplots, among them the romance between Jewish slave girl Sarah (Amanda Pays) and Roman soldier Valerius (Neil Dickson), and the tempestuous relationship between male and female gladiators, Caleb (Cecil Humphreys) and Corinna (Diana Venora). The huge cast included Ava Gardner, making her TV-movie debut as the scheming Agrippina. The winner of an Emmy award for Best Film Editing, A.D. was broadcast by NBC from March 31 through April 4, 1985. ~ Hal Erickson, Rovi

Filmed in Rome and Austria on a budget of $5 million, the made-for-TV biopic Pope John Paul II stars Albert Finney, making his American TV debut as the Polish-born Pontiff. The film begins in 1938, when teen-aged Karol Wojtyla (Michael Crompton), a would-be actor, decides instead to enter the priesthood. Played from age 26 onward by Finney, Wojtyla spends the war years in the Polish anti-Nazi movement. He continues battling for his beliefs with the Communist-ruled Polish government in the postwar years. In 1978, Wojtyla is elected to succeed Pope John Paul I, thereby becoming the first non-Italian pope in four centuries. Pope John Paul II was written with reverence and intelligence by Christopher Knopf; it was originally telecast April 22, 1984. ~ Hal Erickson, Rovi

Vincentio (Kenneth Colley), Duke of Vienna, is a good and kindly ruler, but his leniency has allowed vice to thrive. So he decides to leave town temporarily, putting in charge his stern chief deputy, Angelo (Tim Piggott-Smith). Immediately, Angelo condemns the young nobleman, Claudio (Christopher Strauli), to death for getting his sweetheart, Juliet (Jacqueline Pearce), pregnant. Isabella (Kate Nelligan), an aspiring nun who is Claudio's sister, is disgusted by Angelo's suggestion that she "lay down the treasures" of her body to save her brother's life. Meanwhile, the Duke returns to town in the guise of a friar to see how his domain is faring in his absence. When he spies around, he learns of Claudio's imprisonment, and he overhears the dilemma that Angelo has created for Isabella. The helpful ''friar'' then suggests to Isabella that Mariana (Jacqueline Pearce), who was once betrothed to Angelo, take her place in the darkness of Angelo's bedroom. Mariana agrees, and the scheme goes according to plan. However, Angelo reneges on his promise because he fears Claudio will seek revenge if he is released, and instead he orders Claudio's immediate execution. However, Duke Vincentio, still disguised as a friar, persuades the prison warden to spare Claudio and to trick Angelo into thinking Claudio is dead. When Duke Vincentio doffs his disguise and reappears as himself, Angelo, realizing the game is up, asks to be executed to avoid a degrading trial. But Mariana, steadfast in her love for Angelo, pleads for his life. Mercy and a happy ending triumph. Claudio returns from the dead to wed Juliet. Angelo is spared and marries Mariana. The Duke then begs the hand of Isabella. He tells her, ''Dear Isabel, I have a motion much imports your good; whereto if you'll a willing ear incline, what's mine is yours and what is yours is mine.'' ~ Mike Cummings, Rovi

Frightmare director Pete Walker follows-up his 1976 shocker The Confessional with this grim tale of a beautiful figure skater who falls victim to a murderous stalker. Samantha Gray was just a young girl when her mother was murdered right before her eyes. Years later, Samantha (Lynne Frederick) has grown into a talented skating star. Samantha is engaged to the man of her dreams, but when their wedding announcement draws the attention of an obsessed fan her joy quickly fades to horror. Now Samantha can't leave the house without feeling like she's being followed. When her friends begin to fall prey to a mysterious killer, Samantha becomes convinced that the stalker is someone she knows and trusts. ~ Jason Buchanan, Rovi

In this low budget fantasy adventure from Britain, based on Edgar Rice Burroughs' 1918 science fiction novel, a German submarine holding American prisoners of war during World War I, veers off course. Lost at sea, the submarine empties its fuel supply and runs aground on an uncharted island in the Antarctic. The survivors find that the island contains an ancient oil refinery that can be used to fuel the submarine. The only problem is that the group of Germans and Americans have to battle gigantic dinosaurs and primitive cavemen as they make their way through the island. The Land That Time Forgot was enough of a success to spawn a 1976 sequel called The People That Time Forgot. ~ Paul Brenner, Rovi

Little Malcolm is playwright David Halliwell's brilliantly vicious attack on the hollowness of the 1960s protest movement. Booted out of art school, misfit John Hurt uses his anger to organize a radical anti-establishment organization with two fellow malcontents. What seems at first attractive and trendy turns out to be a dangerous neo-fascist movement. David Warner costars as Hurt's erudite political foe, who finds it hard to stand up against the raw persuasive energy of demagoguery. Ex-Beatle George Harrison produced this searing sociopolitical tome. The film was originally released as Little Malcolm and His Struggle Against the Eunuch. ~ Hal Erickson, Rovi