Malcolm McDowell Movies

Blue-eyed British actor Malcolm McDowell has a history of playing angry, cruel characters that still managed to be charming. Born in working-class Leeds, England, he sold coffee around Yorkshire before joining the Royal Shakespeare Company in the late '60s. By 1967, he had made his big-screen debut in Poor Cow, the first feature-length film from director Ken Loach. Moving to New York, McDowell met director Lindsay Anderson and appeared in his off-Broadway production of Look Back in Anger. (He would reprise his role of angry young man Jimmy Porter in the 1980 film version.) He then played Mick Travis, the rebellious boarding school student in If.... (1968), a role he would continue in Anderson's next two films, O Lucky Man! (which he co-wrote) and Britannia Hospital (1982). Director Stanley Kubrick took notice of his work with Anderson and gave McDowell his international breakthrough with A Clockwork Orange, based upon the novel by Anthony Burgess. His portrayal of the sadistic Alex earned him two Best Actor nominations, but also cemented a dark image that would persist throughout his career. He would occasionally get breaks with characters such as Captain Flashman, the hero in the adventure satire Royal Flash or the naïve fighter in the WWI drama Aces High. But his unscrupulous reputation was reinforced in 1979, when he starred in the title role as the Roman emperor in Bob Guccione's notorious production of Caligula. He made his first American film the same year, playing H.G. Wells in Time After Time alongside young actress Mary Steenburgen (they were married from 1980-1990). McDowell went on to star in the horror remake Cat People, the action-adventure Blue Thunder, and the rock musical-comedy Get Crazy. McDowell made several TV movies toward the late '80s, including Gulag, Arthur the King, and Monte Carlo. After a serious bout with a persistent drug problem, his hair turned white and he started playing regular villains in largely forgettable U.S. releases. He had better casting luck abroad, such as the leading role in the Russian film Assassin of the Tsar. After a cameo in The Player in 1992, the actor started lending his voice talent to cartoons, including Captain Planet and the Planeteers, Superman, Spider-Man, Batman: The Animated Series, Biker Mice From Mars, and the features The Fist of the North Star and Happily Ever After. He also provided the voice of Commodore Geoffrey Tolwyn for the Wing Commander video game series and subsequent cartoon. His villainous roles started to gravitate toward science fiction with Tank Girl, Cyborg 3: The Recycler, and, most notably, Dr. Soran in Star Trek: Generations. On television, he played the evil Benny Barrett on the BBC series Our Friends in the North and the sinister Mr. Roarke on the ABC revival series Fantasy Island. In the late '90s, he appeared in a lot of direct-to-video and made-for-cable movies before making a return to U.K. theatrical features with the family drama My Life So Far in 1999 and Gangster No. 1 in 2000. In 2003, he appeared in the horseracing film Hidalgo, Robert Altman's The Company, and the Russian film Evilenko as serial killer Andrei Chikatilo. ~ Andrea LeVasseur, All Movie Guide
1997  
 
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In the distant future, after the Texas Confederacy has gone to war and wiped out Syria with a deadly virus because of oil prices, disgraced Captain Sean Murdoch (Malcolm McDowell) is recruited to take command of a hulking ship headed for a port in Nigeria. The ship is operated by means of forced labor from slave prisoners, and its mysterious cargo happens to be containers of the deadly virus used in the war. The ruthless Proxate Corporation, represented on the ship by icy businessman Tarkis (Michael Pare), wants the ship sunk despite the idea that the cargo would contaminate all the water on the planet. Capt. Murdoch finds an opportunity to redeem himself in saving the ship and its crew of violent convicts, but the wily cyborg (Daniela Nolano) sent to sabotage the ship has abilities that may prove to be too much for Murdoch and his crew to combat. ~ Buzz McClain, All Movie Guide

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Starring:
Malcolm McDowellMichael Paré, (more)
1971  
R  
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Stanley Kubrick dissects the nature of violence in this darkly ironic, near-future satire, adapted from Anthony Burgess's novel, complete with "Nadsat" slang. Classical music-loving proto-punk Alex (Malcolm McDowell) and his "Droogs" spend their nights getting high at the Korova Milkbar before embarking on "a little of the old ultraviolence," such as terrorizing a writer, Mr. Alexander (Patrick Magee), and gang raping his wife (who later dies as a result). After Alex is jailed for bludgeoning the Cat Lady (Miriam Karlin) to death with one of her phallic sculptures, Alex submits to the Ludovico behavior modification technique to earn his freedom; he's conditioned to abhor violence through watching gory movies, and even his adored Beethoven is turned against him. Returned to the world defenseless, Alex becomes the victim of his prior victims, with Mr. Alexander using Beethoven's Ninth to inflict the greatest pain of all. When society sees what the state has done to Alex, however, the politically expedient move is made. Casting a coldly pessimistic view on the then-future of the late '70s-early '80s, Kubrick and production designer John Barry created a world of high-tech cultural decay, mixing old details like bowler hats with bizarrely alienating "new" environments like the Milkbar. Alex's violence is horrific, yet it is an aesthetically calculated fact of his existence; his charisma makes the icily clinical Ludovico treatment seem more negatively abusive than positively therapeutic. Alex may be a sadist, but the state's autocratic control is another violent act, rather than a solution. Released in late 1971 (within weeks of Sam Peckinpah's brutally violent Straw Dogs), the film sparked considerable controversy in the U.S. with its X-rated violence; after copycat crimes in England, Kubrick withdrew the film from British distribution until after his death. Opinion was divided on the meaning of Kubrick's detached view of this shocking future, but, whether the discord drew the curious or Kubrick's scathing diagnosis spoke to the chaotic cultural moment, A Clockwork Orange became a hit. On the heels of New York Film Critics Circle awards as Best Film, Best Director, and Best Screenplay, Kubrick received Oscar nominations in all three categories. ~ Lucia Bozzola, All Movie Guide

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Starring:
Malcolm McDowellPatrick Magee, (more)
1976  
 
Malcolm McDowell plays a World War I air ace, in charge of an elite squadron. Outwardly a bastion of courage, McDowell dies a little every time one of his boys is killed. To steel his nerves, he takes to drink, which has an adverse effect on his abilities. Christopher Plummer staunchly portrays McDowell's commanding officer. Aces High is a remake of Journey's End (1930), which in turn was based on a play by R.C. Sheriff. ~ Hal Erickson, All Movie Guide

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Starring:
Malcolm McDowellChristopher Plummer, (more)
1985  
 
Originally filmed in 1982, Arthur the King wasn't able to secure a network-TV berth until April 26, 1985. Malcolm McDowell plays good King Arthur, whose dream of Camelot is endangered by the evil Morgan Le Fay, played by Candice Bergen in her TV-movie debut. That this might have been intended as the pilot for a weekly series is evidenced by the otherwise pointless inclusion of Dyan Cannon, cast as a ditzy 20th- Century tourist who falls through a time warp while roaming around Stonehenge. You'll want to see Arthur the King if only to find out why minor-player Miro Pfeiffer's character name is "Undead Knight". ~ Hal Erickson, All Movie Guide

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1991  
 
Malcolm McDowell, with shock-white hair and a death-mask visage, delivers a powerful and intense performance in this British/Russian co-production, directed by Karen Shakhnazarov -- and also starring popular Russian actor Oleg Yankovsky. McDowell plays a schizophrenic patient in a Russian hospital named Timofeyev who is convinced that he was Yakov Yurovsky, the man who executed Tsar Nicholas II and the royal family during the Russian Revolution in 1918. Timofeyev tries to convince the doctors that he is cured of his delusions, but a new doctor, Smirnov (Oleg Yankovsky), thinks that there is something hidden beneath the surface of Timofeyev's delusions that has yet to be revealed. Smironov becomes as obsessive as Timofeyev in attempting to uncover the truth of the assassination. When Smironov travels to Sverdlovsk, where the Tsar was killed in 1918, he and Timofeyev both proceed to re-live the tragic murders. ~ Paul Brenner, All Movie Guide

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Starring:
Malcolm McDowellOleg Yankovsky, (more)
1997  
R  
Following the suspicious death of a doctor-in-residence at a local mental hospital, a private investigator masquerades as a patient in order to solve the case. That the slain doctor was the detective's friend only complicates matters. ~ Sandra Brennan, All Movie Guide

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Starring:
Robert PatrickSarah Douglas, (more)
2002  
R  
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Three women living in Toronto find themselves confronting emotional crises regarding the men in their lives in this drama. Olivia (Sophia Loren) is a woman who spends her days looking after her husband, John (Pete Postlethwaite), who is confined to a wheelchair. Olivia has long aspired to a career as an artist, but John, not emotionally generous, refuses to hear of her wasting her time on such things. However, Olivia does find encouragement from an unlikely source -- Max (Gérard Depardieu), an eccentric French gardener. Natalia (Mira Sorvino) is a news photographer who, while on assignment in Angola, took a memorable portrait of a crying child orphaned by war. Her father, Alexander (Klaus-Maria Brandauer), also a well-known photojournalist, is understandably proud of Natalia when her photo is used on the cover of a major news magazine, but she is haunted by the knowledge that while she made the child famous, she couldn't save its life. And Catherine (Deborah Kara Unger) is a woman whose father, Alan (Malcolm McDowell), beat her mother to death when she was young. Catherine has never been able to resolve her hatred of her father, and when Alan is released from prison, she's willing to abandon her husband, her children, and her career as a musician to track him down and kill him, unable to accept the notion that he's a changed man. Between Strangers was directed by Edoardo Ponti, whose mother happens to be Sophia Loren; it marks the first time the two have worked together. ~ Mark Deming, All Movie Guide

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Starring:
Sophia LorenMira Sorvino, (more)
2008  
 
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Water is one of the most common things on earth, but the supply of it on this planet is finite, and as the world's population expands, the demands of industry and commerce increase and pollution fouls more and more of our natural resources, potable water is no longer as easy to find as it once was, and many believe that it will become a valuable strategic commodity with the passing of time. Filmmaker Sam Bozzo examines the growing battle over control of the global water supply in the documentary Blue Gold: World Water Wars. The film examines how major corporations and financial institutions are buying up territories where large water supplies can be found, the fight to protect the Great Lakes, allegations that one of the world's most powerful political families is attempting to corner the market on water in Paraguay, and what ordinary citizens can do to keep the water supply free and shared fairly by all. Based on the book by Maude Barlow and Tony Clarke, Blue Gold: World Water Wars was an official selection at the 2009 Palm Springs International Film Festival. ~ Mark Deming, All Movie Guide

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Starring:
Malcolm McDowell
1983  
R  
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Ex-Vietnam chopper pilot Roy Scheider is now in charge of Blue Thunder, a high-tech copter designed to quell possible terrorism during the 1984 LA Olympics. His onetime comrade-in-arms Malcolm McDowell, now his bitter enemy, will stop at nothing to neutralize Blue Thunder and expedite an armed takeover of the United States. Well, there's the plot: now sit back and enjoy those eye-popping aerial scenes. Blue Thunder was later adapted into a weekly TV series. ~ Hal Erickson, All Movie Guide

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Starring:
Roy ScheiderMalcolm McDowell, (more)
2004  
PG  
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Based on the real-life story of golf legend Bobby Jones, Bobby Jones, Stroke of Genius features Jim Caviezel as the temperamental but highly talented amateur who threw a wrench in the golf world of the mid-'20s. Though Jones would eventually become the founder of the internationally renowned Augusta National Golf Club, which is father to the prestigious annual tournament known as The Masters, the combination of his ambition and tumultuous relationship with the media interfered with his personal life to such an extent that his future in the sport seemed doomed. With the help of his wife, Mary Malone Jones (Claire Forlani), the gifted, oftentimes tortured golfer was forced to balance his family life and the public scrutiny regarding his golf career, lest both of them dissolve entirely. Directed by Rowdy Herrington, the film also stars Jeremy Northam, Aidan Quinn, and Malcolm McDowell. ~ Tracie Cooper, All Movie Guide

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Starring:
James Caviezel
2008  
PG  
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From Walt Disney Animation Studios comes Bolt, the tale of a superstar TV pup (voiced by John Travolta) who gets plopped in the middle of America with seemingly no way back to the glam and glitz of Hollywood. Thanks to his starring role on a hit television show, Bolt the pooch has become a household name. But Bolt has bought into his own heroic image, now believing that he really possesses the super-canine powers of his fictional television series. When he's accidentally shipped from Hollywood to New York City, he must rely on the help from his two newfound friends -- an abandoned house cat named Mittens (voiced by Susie Essman) and a television-addicted hamster named Rhino (voice of Mark Walton) -- as he embarks on a cross-country quest to get back to his owner (and co-star), Penny (voice of Miley Cyrus). ~ Jeremy Wheeler, All Movie Guide

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Starring:
John TravoltaMiley Cyrus, (more)
1993  
PG13  
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This 1993 film adaptation of Percy Mtwa's South African play Bopha was rendered anachronistic by late-breaking events, though it still contains plenty of food for thought. Danny Glover stars as a black police officer in the waning days of apartheid. Though dedicated to his job, Glover has mixed feelings concerning his loyalty to the white status quo. His self-doubt is further intensified by the rabidly racist remarks of his new superior, Malcolm McDowell. Making things even more difficult for Glover is the increasing radicalization of his own son (Maynard Eziachi). Percy Mtwa's "never forgive, never foreget" subtext will be unsettling for some viewers-just as it was intended to be. Alfre Woodard, who previously played Winnie to Danny Glover's Nelson in the 1987 TV biopic Mandela, is again cast as Glover's wife. Bopha was coproduced by talkshow host Arsenio Hall, and directed by Oscar-winning actor Morgan Freeman. ~ Hal Erickson, All Movie Guide

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Starring:
Danny GloverMalcolm McDowell, (more)
1982  
R  
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This dark comedy charts the chaos that results when the panicked staff of a major English hospital attempts to prepare for a visit by the Queen Mother, only to face every problem imaginable. Britannia Hospital clearly attempts to recapture the anarchic bite of director Lindsay Anderson's previous satires If... and O Lucky Man, but fails to achieve the same combination of intelligent political critique, comic lunacy, and skillful filmmaking. (Indeed, the three films are often considered a loosely linked trilogy, largely due to the presence in all three of lead Malcolm McDowell). The film does make a valiant effort, but its commentary on the poor, labor disputes, and the inhumanity of bureaucratic institutions mixes uneasily with the film's broader elements, like the experiments of a cartoonish mad scientist. The result is often quite entertaining on a scene-by-scene basis, but the film never reaches the level of delirious, farcical energy or satirical sharpness to which it clearly aspires. ~ Judd Blaise, All Movie Guide

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Starring:
Leonard RossiterGraham Crowden, (more)
1989  
 
Originally telecast on PBS as a three-part American Masters presentation, Buster Keaton: A Hard Act to Follow uses film clips and interviews to trace the life and career of legendary comedian Buster Keaton (1895-1966). Born into a family of vaudevillians, Keaton entered films as a member of Roscoe "Fatty" Arbuckle's comedy troupe in 1917. Three years later, producer Joseph Schenck promoted Keaton to his own series of two-reelers. There he gained fame as "the Great Stone Face," confronting life's pleasure and perils with nary a smile or a grimace on his countenance. He also earned the respect of the movie industry for his willingness to go the distance for a good gag. Moving into features in 1923, Keaton continued turning out such classics as Sherlock Jr. (1924) and The General (1926). On the advice of Schenck, Keaton gave up his independence to join MGM in 1928. Though his films still made money, he was given very little say in their creation. Frustrated by this, and plagued by marital difficulties, Keaton turned increasingly to drink. Fired by MGM in 1933, Keaton was reduced to appearing in cheap short subjects. After a humiliating period as a 300-dollar-per-week MGM gag writer, Keaton began mounting a fabulous comeback, regaining full stature in the 1950s and '60s via TV appearances and movie guest-star roles. He also found lasting happiness with his third wife, Eleanor Norris. A Hard Act to Follow was assembled by silent film historians Kevin Brownlow and David Gill, and narrated by Malcolm McDowell. ~ Hal Erickson, All Movie Guide

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1989  
 
This first part of the series covers the early portion of Buster Keaton's career. ~ All Movie Guide

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1989  
 
Part two of the series deals with what happens to Buster Keaton once he becomes embroiled in a bad studio contract situation. ~ All Movie Guide

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1989  
 
The final part of this series deals with Buster Keaton's triumphant return to the movies. ~ All Movie Guide

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1988  
R  
After he is framed by his senior partner and sent to jail, Herbie Altman Robert Carradine sets up a lucrative investment company "Con Inc." with the assistance of the other convicts, sympathetic guards, and a well-intentioned prison reformer Lise Cutter. Lame, predictable story which wastes a talanted cast . ~ All Movie Guide

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Starring:
Robert CarradineMichael Winslow, (more)
1979  
NR  
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This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O'Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn't fare as well, as O'Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym "Anneka di Lorenzo"), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal's script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits. ~ Robert Firsching, All Movie Guide

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Starring:
Malcolm McDowellTeresa Ann Savoy, (more)
1999  
 
In this comedy-drama for the family, a young boy who feels like a misfit uses his computer and a satellite dish to send a message to space aliens, jokingly asking them to take him away. He never expects them to actually arrive, so imagine his surprise when they do show up, ready to take him up on his offer and lend him a hand on Earth before the spaceship departs. ~ Mark Deming, All Movie Guide

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Starring:
Malcolm McDowellMichael Shulman, (more)
1982  
R  
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In this loose adaptation of the 1942 horror classic of the same name, a 2001-style opening montage establishes some sort of sacrificial, mystical union between panthers and an ancient tribe of humans. Flash forward to 1980's New Orleans, where waifish Irina (Natassja Kinski) meets her older brother, Paul (Malcolm McDowell), a minister, for the first time since their animal trainer parents died and she was sent to a series of foster homes. Paul's Creole housekeeper, Female (Ruby Dee), helps Irina settle into her brother's home, but Paul himself disappears. Cut to a fleabag motel where a blasé prostitute finds an angry panther instead of a client; after mauling her, the cat is captured by police and a team of zoologists: Oliver (John Heard), Alice (Annette O'Toole), and Joe (Ed Begley Jr.). The next day Irina finds herself in the zoo where these scientists work; drawn to the newly captured panther, she befriends Oliver and takes a job in the gift shop. Shortly after the panther's violence turns deadly, it escapes, and soon Paul turns up spouting an unbelievable story about his family's were-cat heritage and his inevitable sexual union with little Irina. On the run from her dangerous brother, Irina takes refuge in a sexually frustrated romance with Oliver, afraid of what might happen if she consummates their passion. Astute viewers will notice that the zoologist characters refer to the film's panthers as leopards; "panther" is actually a generic term for any large cat, especially a black one, but Cat People's panthers are in fact leopards whose black color comes from a recessive trait known as melanism. ~ Brian J. Dillard, All Movie Guide

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Starring:
Nastassja KinskiMalcolm McDowell, (more)
1992  
R  
Temistocles Lopez's Chain of Desire, based on Arthur Schnitzler's La Ronde, plays like an AIDS-era version of The Yellow Rolls Royce, in which a series of unrelated amorous lovers are connected by a "chain of desire." The film begins as Alma D'Angeli (Linda Fiorentino) flees from a lover and runs into a church, where she finds solace and a young Latino worker, Jesus (Elias Koteas). They make love. Then Jesus comes home to his wife Isa (Angel Aviles) and gets intimate with her. The next morning, Isa goes off to see Dr. Jerald Buckley (Patrick Bauchau), with whom she is having an affair. After seeing Isa, Jerald heads off to visit Linda (Grace Zabriskie), a sexy dominatrix. Linda returns home to her husband, Hubert (Malcolm MacDowell), a harried television commentator. After an unsatisfactory interview with women who claim to have had affairs with John F. Kennedy, he relieves his tensions by seeking the arms of Keith (Jamie Harrold), a teenage hustler. And the trail continues on as gay social worker Ken (Tim Guinee) offers Ken a place for the night, followed by Ken's lover David Bango (Dewey Martin) and hot dancer Diana (Holly Marie Combs), who wants David to deflower her. Coming on the scene after that is famed artist Mel (Seymour Cassel), who has a tryst with Diana, but he finds that he has to answer to his vindictive wife, Cleo (Assumpta Serna). At the end, all the characters arrive at a hip nightclub, where Alma, the singer at the club, has learned that the lover she had spurned at the beginning of the film has been diagnosed with AIDS. ~ Paul Brenner, All Movie Guide

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Starring:
Linda FiorentinoElias Koteas, (more)
1990  
R  
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Mark L. Lester's follow-up film to his Class of 1984 is a rancidly violent peek at a near-future high school world of terror -- The Jetsons meet The Terminator. In Lester's world, total anarchy rules (at least in Seattle). Classrooms are sinkholes of violence, and around the kill-zone high schools "Free Fire Zones" are set up that look like re-creations of Dachau. Rival youth gangs roam these areas with enough artillery for a second Vietnam War. The gangs' insane violence is exacerbated by a drug called Edge. When the Department of Educational Defense needs to supply new teachers, they look to a secret government agency headed by Dr. Bob Forrest (Stacy Keach) who sends new teaching recruits (Pam Grier, John P. Ryan, Joshua Miller) to the beleaguered high school. These novice teachers are not your ordinary teaching-college graduates, however. They are "tactical education units" -- cyborgs reprogrammed to teach readin' and writin' and 'rithmetic. If the students don't learn their daily assignments, they learn an even bigger lesson -- learn or die. The strict disciplinarian robots compel the student gangs to unite and fight the new educational menace. Under the leadership of Cody Culp (Bradley Gregg), who has just gotten out of reform school and has seen that there is more to life than killin' and cuttin' and Edge, the punks take up arms against the cyborgs who are invading their high-school turf. ~ Paul Brenner, All Movie Guide

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Starring:
Bradley GreggTraci Lind, (more)
2008  
 
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Raised in a Catholic orphanage in provincial France, young Coco Chanel never imagined that her life would one day become an epic story worthy of a Lifetime original movie, full of passionate romance, and trailblazing pioneering in the world of fashion. The movie opens on 1950's Paris, as a 70 year old Coco (Shirley MacClaine), now a household name, is embarking on the second wave of her career with her first new collection in over a decade. Soon, a series of flashbacks illustrate how she got to be where she is today, both personally and professionally. Young Coco (played by Barbora Babulova) is seen working tirelessly as a seamstress, showing a unique talent for making garments more flattering and convenient despite her lowly position. Pursued by a rich man named Étienne, she soon leaves the thankless job for the comfort of life as a kept woman, but class differences eventually tear them apart. The relationship gives Coco the chance to perfect her skill as a hatmaker, however, and she leaves Etienne to open her own shop. A new romance with an Englishman named Arthur (known affectionately as "Boy") soon blossoms, and proves to be the greatest happiness and greatest tragedy of her life - but will the effects of this epic tale of love, war, and betrayal eventually prevent the burgeoning fashion maverick from fulfilling her true potential? ~ Cammila Albertson, All Movie Guide

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Starring:
Shirley MacLaineBarbora Bobulova, (more)
1983  
 
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Director Martin Ritt's bucolic rural environments of Norma Rae, Conrack, and Sounder, are re-visited once again in Cross Creek, based on author Marjorie Kinnan Rawlings' memoirs of her times on a remote Florida bayou. Mary Steenburgen plays Rawlings, author of The Yearling, who, in 1928, makes the abrupt decision to leave her husband and move to an isolated orange grove to concentrate on her writing. Rawlings buys a run-down house covered with cobwebs that she restores with quick dispatch. In these desolate surroundings, Rawlings pauses in her housecleaning to listen reflectively to the otherworldly noises of the swamp. But suddenly out of this loneliness, people emerge. There is Geechee (Alfre Woodard), Rawlings' devoted servant; Marsh Turner (Rip Torn), a liquor-guzzling swamp rat; Floyd Turner (Cary Guffey), a cute harmonica-playing boy; and Ellie Turner (Dana Hill), a little girl whose fawn becomes the basis of Rawlings' Yearling book. Rawlings becomes involved with Norton Baskin (Peter Coyote), the owner of the local hotel, and, as she settles into life on the bayou and her friendship with Norton and Geechee, she is inspired to begin writing. ~ Paul Brenner, All Movie Guide

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Starring:
Mary SteenburgenRip Torn, (more)

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