Roddy McDowall Movies
British actor Roddy McDowall's father was an officer in the English merchant marine, and his mother was a would-be actress. When it came time to choose a life's calling, McDowall bowed to his mother's influence. After winning an acting prize in a school play, he was able to secure film work in Britain, beginning at age ten with 1938's Scruffy. He appeared in 16 roles of varying sizes and importance before he and his family were evacuated to the U.S. during the 1940 Battle of Britain. McDowall arrival in Hollywood coincided with the wishes of 20th Century-Fox executive Darryl F. Zanuck to create a "new Freddie Bartholomew." He tested for the juvenile lead in Fox's How Green Was My Valley (1941), winning both the role and a long contract. McDowall's first adult acting assignment was as Malcolm in Orson Welles' 1948 film version of Macbeth; shortly afterward, he formed a production company with Macbeth co-star Dan O'Herlihy. McDowall left films for the most part in the 1950s, preferring TV and stage work; among his Broadway credits were No Time for Sergeants, Compulsion, (in which he co-starred with fellow former child star Dean Stockwell) and Lerner and Loewe's Camelot (as Mordred). McDowall won a 1960 Tony Award for his appearance in the short-lived production The Fighting Cock. The actor spent the better part of the early 1960s playing Octavius in the mammoth production Cleopatra, co-starring with longtime friend Elizabeth Taylor.An accomplished photographer, McDowall was honored by having his photos of Taylor and other celebrities frequently published in the leading magazines of the era. He was briefly an advising photographic editor of Harper's Bazaar, and in 1966 published the first of several collections of his camerawork, Double Exposure.
McDowall's most frequent assignments between 1968 and 1975 found him in elaborate simian makeup as Cornelius in the Planet of the Apes theatrical films and TV series. Still accepting the occasional guest-star film role and theatrical assignment into the 1990s, McDowall towards the end of his life was most active in the administrative end of show business, serving on the executive boards of the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. A lifelong movie collector (a hobby which once nearly got him arrested by the FBI), McDowall has also worked diligently with the National Film Preservation Board. In August, 1998, he was elected president of the Academy Foundation.
One of Hollywood's last links to its golden age and much-loved by old and new stars alike -- McDowell was famed for his kindness, generosity and loyalty (friends could tell McDowall any secret and be sure of its safety) -- McDowall's announcement that he was suffering from terminal cancer a few weeks before he died rocked the film community, and many visited the ailing actor in his Studio City home. Shortly before he was diagnosed with cancer, McDowall had provided the voiceover for Disney/Pixar's animated feature A Bug's Life. A few days prior to McDowall's passing, the Academy of Motion Picture Arts and Sciences named its photo archive after him. ~ Hal Erickson, All Movie Guide
- 1975
Based on the Rudyard Kipling story, this film follows the story of a young white seal who grows up to become the savior of the local seal population when it is threatened by seal hunters. ~ Iotis Erlewine, All Movie Guide
Funny Lady, the follow-up to the 1968 Funny Girl which made a movie star of Barbra Streisand, picks up the character of Fanny Brice in the 1930s. Although she is a tremendously famous Broadway star, she has suffered from the stock market crash and needs to boost her finances. Even Ziegfeld, who soon will pass away, is having a hard time raising money for a show. Into this scene bursts brash young Billy Rose (James Caan), an egotistical lyricist with unrestrained ambition. He cajoles and charms Fanny into linking up with him, convincing him that he can produce a revue that will showcase her to their mutual advantage. Out of town, the show is an unmitigated disaster, and Fanny uses her professional know-how to whip the show into shape. It arrives in New York a hit -- and Fanny and Billy arrive an item. Both of their careers blossom, but even though they marry, their relationship suffers. Fanny still carries a torch for first husband Nick (Omar Sharif), and Billy, partially because of insecurities caused by Fanny's feelings for Nick, has a roving eye. In California working on a lucrative radio show, Fanny and Nick connect again -- and Fanny realizes that she is finally over him. Thrilled, she flies to Cleveland, where Billy is working on a new show, ready to commit herself totally to him -- only to find him in bed with another woman. The two part, but years later they meet again to discuss a new show, and it's clear that the chemistry between them is still there. ~ Craig Butler, All Movie Guide
- Starring:
- Barbra Streisand, James Caan, (more)
Three outlaws hit the road until the road hits back in this supercharged action thriller. Larry (Peter Fonda) is a stock car driver whose reckless nature has caused him a long run of bad luck. Larry and his friend and mechanic Deke (Adam Roarke) need money if they're to get a new car and get back in competition, so they map out a plan to hold up a grocery store after 150,000 dollars has been dropped off for payroll and working cash. The heist goes as planned, except for one little hitch -- Larry spent the night before with his occasional girlfriend Mary (Susan George), and she has planted herself in Larry's car and isn't about to budge. With Mary along for the ride, Larry and Deke try to outrun the cops and make their way to freedom, though lawman Franklin (Vic Morrow) is determined to shut them down. Much loved by both gearheads and action film fans for its hair-raising stunt work and solid performances from the leading cast, Dirty Mary, Crazy Larry was a surprise box-office hit in 1974, grossing nearly 30 million dollars in its initial release. Roddy McDowall appears uncredited as the manager of the supermarket. ~ Mark Deming, All Movie Guide
- Starring:
- Peter Fonda, Susan George, (more)
- 1974
An all-star "disaster" flick set in an elevator: is there no limit? This made-for-TVer top-bills James Farentino as a bank robber suffering from claustrophobia. Fleeing from his latest crime, the criminal is forced to take an elevator, populated with the likes of Roddy McDowall, Craig Stevens, Teresa Wright, Myrna Loy and Carol Lynley. Naturally, the elevator stalls between floors, high above ground level. The Elevator debuted as an ABC Movie of the Week on February 9, 1974. ~ Hal Erickson, All Movie Guide
- 1973
The 1947 film comedy Miracle on 34th Street starred Edmund Gwenn as a bearded gentleman named Kris Kringle, who was convinced that he was the genuine Santa Claus. The earlier Miracle was good enough as it stood, so why remake it? Still, the full-color 1973 Miracle on 34th Street has the considerable advantage of Sebastian Cabot, his trademarked beard dyed snowy white, as Kringle, so it isn't as bad as expected. The story, which involves the commercial and legal ramifications of the "real" Santa taking a job as a department store Santa at Macy's, was barely updated for the 1970s, meaning that several of the plot devices--including a nasty psychiatrist who has Kringle committed--were somewhat anachronistic. The uplifting final scene, wherein a cynical little girl becomes a true believer of Santa Claus (as do the adults in the story), still works well in the remake, even though Suzanne Davidson isn't in the same league as the original Miracle's Natalie Wood. The TV-movie version of Miracle on 34th Street wasn't too successful, but that didn't stop John Hughes from churning out a second remake in 1994. ~ Hal Erickson, All Movie Guide
- 1973
- G
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The fifth and last of the original series of motion pictures based upon author Pierre Boulle's imaginative novel Monkey Planet, this science fiction film was the least-liked by the series' legion of fans. Roddy McDowall returns as Caesar, the rebellious intelligent chimp of the previous film, Conquest of the Planet of the Apes (1972). Caesar led his brethren in a revolution against their human masters earlier, but humanity has since nearly destroyed itself in a nuclear apocalypse, and survivors are second-class citizens within ape society. Now a beneficent ruler of his people, Caesar encourages a fragile, peaceful coexistence with humans, despite the protests of militaristic gorilla leader General Aldo (Claude Akins). When Caesar learns that recordings of his murdered parents may exist in the Forbidden City, he journeys to the irradiated wasteland with the human MacDonald (Austin Stoker) and the wise orangutan Virgil (Paul Williams). Although Caesar finds what he's looking for, he also attracts unwanted attention: mutant humans who still dwell underground in the devastated war zone follow the search party back home, leading to a climactic battle and Aldo's tragic challenge of Caesar's authority. Suffering greatly due to penny-pinching studio 20th Century Fox's low budget, Battle for the Planet of the Apes (1973) is most notable for a cameo by director John Huston as an ape named "The Lawgiver," who appears in a wraparound segment. ~ Karl Williams, All Movie Guide
- Starring:
- Roddy McDowall, Claude Akins, (more)
- 1973
Animator Chuck Jones helmed this tale, adapted from the work of Rudyard Kipling, of a boy raised by wolves. ~ Jason Ankeny, All Movie Guide
- 1973
The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, All Movie Guide
Richard Matheson adapted the screenplay of The Legend of Hell House from his own novel. In the tradition of Shirley Jackson's Haunting of Hill House, four people with alleged extrasensory powers are called upon to spend a weekend in a supposedly haunted house, to either prove or disprove the presence of ghosts. Roddy McDowall has been in the house before, and refuses to treat the possibility of paranormal activity lightly; scientist Clive Revill believes that he can trace the happenings to rational explanations involving electric current; Pamela Franklin is convinced that, if spirits exists, she will be able to communicate with them; and Gayle Hunnicutt plays Revill's young wife, ripe for "possession." ~ Hal Erickson, All Movie Guide
- Starring:
- Pamela Franklin, Roddy McDowall, (more)
- 1972
- PG
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Paul Newman plays the title role in John Huston's surreal, revisionist western as the infamous Texas hanging judge. Upon arriving in the tiny West Texas town of Vinegaroon, Roy Bean draws a moustache on a wanted poster of himself, marches into a saloon, and declares his presence. He is immediately robbed, beaten within an inch of his life, tied to a horse and dragged out into the prairie, then left to die. Rescued by a young Mexican girl, Maria Elena (Victoria Principal), Roy Bean heads back into town and murders everyone in the local saloon, declaring that he'll kill anyone of the same sort who turns up. He also sets himself up as the sole arbiter of law and order and renames the town Langtry, in honor of the legendary actress Lily Langtry (Ava Gardner). The community prospers as Judge Bean dispenses his own brand of frontier justice upon strangers passing by, robbing or killing anyone who tries to make their way through the town. But when Maria dies, Bean's old associates begin to turn on him, one at a time (in response to his constant harping on their wives, many of whom were former prostitutes) and Bean is forced to leave. Years later, Bean rides back into town, called back to the place to save his daughter from trouble - and finds that the community has been taken over by a shady character called Frank Gass (Roddy McDowall) - a circumstance that requires Bean to dispense his own unique brand of justice once again. Stacy Keach lends a neat comic turn to the film as Bad Bob, an albino gunslinger whose dining habits consist of chowing down on raw onion, drinking hot coffee from a pot, and demanding that an entire horse be cooked for his supper. John Milius (Red Dawn) scripted.
~ Paul Brenner, All Movie Guide
~ Paul Brenner, All Movie Guide
- Starring:
- Paul Newman, Victoria Principal, (more)
- 1972
After two and a half seasons in its familiar Saturday-evening network berth, Mission:Impossible moved to Fridays on December 22, 1972, with the episode titled "The Puppet." Roddy McDowall guest stars as Leo Ostro, the acting Syndicate boss during the convalescence of his injured brother Paul. To prove his own mettle, the egotistical Leo plans a $100,000,000 crime--but refuses to divulge any further details. It is up to the IMF to learn the nature and location of the crime and to put both Ostros out of business. Directed by veteran Hollywood hand Lewis Allen, "The Puppet" was written by Leigh Vance. ~ Hal Erickson, All Movie Guide
- Starring:
- Peter Graves, Greg Morris, (more)
- 1972
- PG
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The fourth Planet of the Apes film is set in 1991, 20 years since the assassination of talking, time-traveling apes Cornelius and Zira at the end of Escape From the Planet of the Apes. The couple's infant son, Caesar (Roddy McDowall), has grown to adulthood in the care of kindly circus owner Armando (Ricardo Montalban). Meanwhile, a plague has wiped all dogs and cats from the face of the Earth; speechless primitive apes have therefore been domesticated and turned into first pets, then servants of humankind. Caesar becomes outraged at the treatment of these simian slaves and accidentally reveals his powers of speech in front of the militaristic authorities, who kill Armando when he tries to protect his friend's identity. His cover blown, Caesar kick-starts a revolution that pits chimps against humans, paving the way for eventual ape ascendency. Caesar was the second of McDowall's three Planet of the Apes characters; he also portrayed Cornelius in the first and third films and Galen in the short-lived 1974 television series. After taking over the franchise with this picture, Hollywood veteran J. Lee Thompson would become the only director to helm two Planet of the Apes films when he returned for the fifth and final installment. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Roddy McDowall, Don Murray, (more)
The Poseidon, an ocean liner larger than the Queens Elizabeth and Mary combined, is charting its course on New Year's Eve. Just after midnight, Captain Harrison (Leslie Nielsen) spots the mother of all tidal waves. It is the last thing that Harrison and practically everyone else onboard sees before drowning -- the Poseidon is turned upside down, with only a handful of survivors. The ten lucky ones -- including Mike Rogo (Ernest Borgnine), Linda Rogo (Stella Stevens), Acres (Roddy McDowall), Belle Rosen (Shelley Winters), and Manny Rosen (Jack Albertson) -- led by no-nonsense minister Frank Scott (Gene Hackman), desperately attempt to climb from the top of the ship (now submerged) to the bottom (now "the top"). The film's theme song, "The Morning After," sung by Maureen McGovern, earned an Oscar. In addition, The Poseidon Adventure received the Special Achievement Award for Special Effects; L.B. Abbott and A.D. Flowers were the recipients. A sequel, Beyond the Poseidon Adventure, came out in 1979. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Hackman, Ernest Borgnine, (more)
- 1971
- G
- Add Escape from the Planet of the Apes to QueueAdd Escape from the Planet of the Apes to top of Queue
Escape From the Planet of the Apes is the third in the series of films based upon the Planet of the Apes characters created by novelist Pierre Boulle. At the end of the second film, the centuries-in-the-future world colonized by simians was destroyed, but apes Cornelius (Roddy McDowall) and Zira (Kim Hunter) were able to escape in the space vessel left behind by 20th century astronaut George Taylor (Charlton Heston). Cornelius and Zira pass through another time warp, finding themselves in the Earth of the 1970s. When they reveal their ability to speak, the apes are first treated as curiosities, then as threats when the government, believing the story that the Earth will eventually be inherited by monkeys, tries to prevent the birth of Zira's baby. They are ultimately given shelter by sympathetic circus owner Armando (Ricardo Montalban). This film was followed by the fourth "Apes" entry, 1972's Conquest of the Planet of the Apes. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Kim Hunter, (more)
- 1971
In this comedy drama, an ingenious young woman from the Bronx impersonates a socialite so she can con a confused old man out of his money. ~ Sandra Brennan, All Movie Guide
- 1971
In this airborne disaster movie, a passenger and a flight attendant are forced to fly a commercial jet when the passengers and crew are incapacitated by food poisoning. Later they are rescued by a courageous ex-combat helicopter pilot who helps them land the giant bird. ~ Sandra Brennan, All Movie Guide
- 1971
- R
Ocean View High is an upscale suburban school in an otherwise unidentified community. It's 1971, the point when the sexual revolution started moving into full swing and even a lot of Middle America, at least on the two coasts, admitted the existence of same revolution. It seems like the guys and girls at Ocean View are all loving pretty freely, and that extends to the school's resident faculty hero, football coach/guidance counselor "Tiger" McDrew (Rock Hudson), who -- despite his being married, with a child -- has been bedding many of the prettiest girls at the school. The only kid seemingly not "getting any" is Ponce de Leon Harper (John David Carson), who is starting to get neurotic and suffer academically, so much so that he seeks advice from McDrew, especially where his new substitute teacher, Miss Smith (Angie Dickinson), is concerned. But then various girls start turning up at the school dead, in various states of undress, with cryptic notes pinned to intimate parts of their anatomy. The lunkhead county sheriff (Keenan Wynn) is forced to defer to a state police investigator (Telly Savalas), who starts nosing around the school and uncovers more than he bargained for in terms of libidinous students, among other problems. Meanwhile, Ponce finds his problem taken care of by Miss Smith, at McDrew's request. But there's still a killer stalking the school.
If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide
If the plot and ambience of this movie seems shocking today, that's because it would be. Made at the outset of the sexual revolution, this was MGM's desperate attempt to run with the times, in terms of depicting a high school where sexual relations between students are considered routine and even those between faculty and students are accepted as long as they're kept quiet. Anyone trying to make such a movie in 2006 would face threats of prosecution, investigation, etc., and probably find it impossible to get the movie booked into theaters; MGM didn't have that easy a time in 1971, though (amazingly) the movie has been shown on television. Precisely what director Roger Vadim brought to Gene Roddenberry's screenplay (based on a novel by Francis Pollini) is difficult to tell, though he at least makes the sleazy and tawdry, smirky sex scenes and leering camera shots flow smoothly -- screenplay, director, and cameraman alike are fixated on the female anatomy throughout, though not in as distinctive a manner as Russ Meyer and his attachment to breasts. The presence of a couple of Star Trek co-stars and supporting villains, James Doohan and William Campbell, also makes this especially weird to watch. ~ Bruce Eder, All Movie Guide
- Starring:
- Rock Hudson, Angie Dickinson, (more)
- 1971
- PG
In this interesting horror movie, a pleasure-seeking noblewoman uses contemporary black magic to toy with the young lovers who surround her. The story is also known as The Devil's Widow and The Ballad of Tam-Lin. ~ Sandra Brennan, All Movie Guide
- 1971
This episode reunites Ironside star Raymond Burr with his former Perry Mason costar Barbara Hale. Chief Ironside (Burr) comes to the aid of Marsha Connell (Hale) when she is implicated in the murder of a member of an improvisational comedy group. The killing takes place during a stage performance, so naturally all the actors--and everyone in the theater, for that matter--fall under suspicion. The episode's highlight is the bravura performance of Roddy McDowell as a washed-up child actor attempting a comeback as an improv comic. ~ Hal Erickson, All Movie Guide
- 1971
Screenwriter Jimmy Sangster and John Llewellyn Moxey, longtime collaborators in the field of British psychological-horror efforts, once more combined their skills for the American TV movie Taste of Evil. Barbara Parkins plays a young rape victim, recently released from a mental institution. She begins experiencing "flashbacks" to her rape; are these merely illusions, or is she being systematically tortured by a mystery villain? Barbara Stanwyck, Roddy McDowell, William Windom, Roddy McDowell and Bing Russell (Kurt's father) express varying degrees of concern and menace. Taste of Evil is a bit of a letdown considering its cast and the previous achievements of the Sangster/Moxey team. ~ Hal Erickson, All Movie Guide
Bedknobs and Broomsticks was produced several years after Walt Disney's death and released in the fall of 1971. As it turned out, Bedknobs was frequently compared to Mary Poppins -- probably thanks to several striking similarities between the two productions, notably the presence in the cast of David Tomlinson, the use of Cockney children as central characters, and the inclusion of sequences that combine animation and live-action. Set in wartime England, Bedknobs stars Angela Lansbury as Eglantine Price, a would-be witch who hopes to use her newly acquired conjuring powers to forestall a Nazi invasion. Saddled with three surly kids who've been evacuated from London, Lansbury wins over her charges by performing various and sundry feats of magic. And, yes, she manages to foil a few Germans along the way. The film's most famous episode is an elaborate undersea fantasy, which combines animation with live-action on a gargantuan scale, dwarfing all previous Disney sequences along these lines. ~ Hal Erickson, All Movie Guide
- Starring:
- Angela Lansbury, David Tomlinson, (more)
- 1969
In the two-hour pilot film for the subsequent TV "occult" anthology, series creator Rod Serling hosts three macabre short stories, introducing each with a framed portrait in a nocturnal art gallery. The first story stars Roddy MacDowall as a covetous nephew who murders his uncle, suffering the consequence of being possessed by a family painting. The second story stars Joan Crawford as a blind, thoroughly despicable millionairess who purchases the eyes of down-and-out Tom Bosley in order to enjoy 12 precious hours of sight. The final tale involves a Nazi war criminal (Richard Kiley), who attempts to evade his pursuers by escaping into a painting in a museum. The middle sequence is by far the best, directed with youthful bravado by 21-year-old Steven Spielberg. An uneven package, Night Gallery was nonetheless infinitely superior to the series that followed, which suffered from too much network and studio interference and not enough Rod Serling. The Night Gallery pilot was first telecast November 8, 1969; the series ran from 1970 through 1973. ~ Hal Erickson, All Movie Guide
When irascible boss T.R. Hollister (Jim Backus) threatens to pull the plug on an underwater environmental living project, employee Fred Miller (Tony Randall) and his wife, Vivian (Janet Leigh), take their family down in the deep to live for 30 days. With all the modern conveniences of a home on land, the family even invites a rock & roll band to get down and record. Merv Griffin (himself) arranges an underwater interview for his television show while Mel Cheever (Ken Berry) schemes to get Fred's job back on dry land. Two of the Miller kids, Lorrie (Kay Cole) and Tommy (Gary Tigerman), join three others (Richard Dreyfuss, Roddy McDowall, and Lou Wagner) in the rock band. Friendly dolphins fend of shark attacks as the land sharks try to scuttle the underwater project in this family film. Music is provided by Jeff Barry. ~ Dan Pavlides, All Movie Guide
- Starring:
- Tony Randall, Janet Leigh, (more)
- 1969
- PG
A disgruntled British secret service officer and an aspiring author turn to crime when they are again passed over for prominent career advancements. John Pedley (Fred Astaire) is the agent who has been passed over for knighthood one too many times for his liking. He proposes a plan to university professor Mike Warden (Richard Crenna), who has been fired for taking part in a peace demonstration. With the help of Sylvia Giroux (Anne Heywood), they recruit a retired SS officer and a former Italian fascist as they attempt to hijack a fortune in gold bricks from the British crown. Pedley deals with double-crossing opportunists who covet the gold for themselves. Sir Ralph Richardson, Roddy McDowell and Cesar Romero also star in this engaging crime drama. ~ Dan Pavlides, All Movie Guide
- Starring:
- Richard Crenna, Anne Heywood, (more)
