Roddy McDowall Movies
British actor Roddy McDowall's father was an officer in the English merchant marine, and his mother was a would-be actress. When it came time to choose a life's calling, McDowall bowed to his mother's influence. After winning an acting prize in a school play, he was able to secure film work in Britain, beginning at age ten with 1938's Scruffy. He appeared in 16 roles of varying sizes and importance before he and his family were evacuated to the U.S. during the 1940 Battle of Britain. McDowall arrival in Hollywood coincided with the wishes of 20th Century-Fox executive Darryl F. Zanuck to create a "new Freddie Bartholomew." He tested for the juvenile lead in Fox's How Green Was My Valley (1941), winning both the role and a long contract. McDowall's first adult acting assignment was as Malcolm in Orson Welles' 1948 film version of Macbeth; shortly afterward, he formed a production company with Macbeth co-star Dan O'Herlihy. McDowall left films for the most part in the 1950s, preferring TV and stage work; among his Broadway credits were No Time for Sergeants, Compulsion, (in which he co-starred with fellow former child star Dean Stockwell) and Lerner and Loewe's Camelot (as Mordred). McDowall won a 1960 Tony Award for his appearance in the short-lived production The Fighting Cock. The actor spent the better part of the early 1960s playing Octavius in the mammoth production Cleopatra, co-starring with longtime friend Elizabeth Taylor.An accomplished photographer, McDowall was honored by having his photos of Taylor and other celebrities frequently published in the leading magazines of the era. He was briefly an advising photographic editor of Harper's Bazaar, and in 1966 published the first of several collections of his camerawork, Double Exposure.
McDowall's most frequent assignments between 1968 and 1975 found him in elaborate simian makeup as Cornelius in the Planet of the Apes theatrical films and TV series. Still accepting the occasional guest-star film role and theatrical assignment into the 1990s, McDowall towards the end of his life was most active in the administrative end of show business, serving on the executive boards of the Screen Actors Guild and the Academy of Motion Picture Arts and Sciences. A lifelong movie collector (a hobby which once nearly got him arrested by the FBI), McDowall has also worked diligently with the National Film Preservation Board. In August, 1998, he was elected president of the Academy Foundation.
One of Hollywood's last links to its golden age and much-loved by old and new stars alike -- McDowell was famed for his kindness, generosity and loyalty (friends could tell McDowall any secret and be sure of its safety) -- McDowall's announcement that he was suffering from terminal cancer a few weeks before he died rocked the film community, and many visited the ailing actor in his Studio City home. Shortly before he was diagnosed with cancer, McDowall had provided the voiceover for Disney/Pixar's animated feature A Bug's Life. A few days prior to McDowall's passing, the Academy of Motion Picture Arts and Sciences named its photo archive after him. ~ Hal Erickson, All Movie Guide
John Lasseter, director of Pixar's movie phenomenon Toy Story, has set new standards in computer animation with this effort, another Disney-released children's epic entitled A Bug's Life. Blending classic Disney storytelling characters and the mysterious underground world of bugs, Lasseter has created a film that can be enjoyed by all audiences, and another franchise in the process. A Bug's Life is a computerized retelling of the Aesop fable The Ant and the Grasshopper, made as a cartoon-short by the one-and-only, Walt Disney, in the mid-'30s. However, A Bug's Life has modernized the story with many new twists and celebrity voices. The story focuses on a colony of ants who seasonally gather food for themselves and a wild gang of rowdy grasshoppers. When bumbling worker ant Flik (David Foley) destroys the food supply, the angry grasshoppers, lead by the maniacally warped Hopper (Kevin Spacey), threaten to kill the ants if they don't produce a new supply of food by the time they return -- an impossible feat. Flik leaves the anthill in search of help in the form of bigger bugs, and to wage war against the grasshoppers. What he doesn't know is he has actually discovered a group of down-on-their-luck traveling circus insects in need of a job. When the ants realize that their heroes are really circus performers (and the circus bugs realize these grasshoppers are really big and mean), the situation goes from bad to worse. Ultimately, the ants use their large numbers to overcome the grasshoppers. ~ Chris Gore, All Movie Guide
- Starring:
- Dave Foley, Kevin Spacey, (more)
- 1971
Screenwriter Jimmy Sangster and John Llewellyn Moxey, longtime collaborators in the field of British psychological-horror efforts, once more combined their skills for the American TV movie Taste of Evil. Barbara Parkins plays a young rape victim, recently released from a mental institution. She begins experiencing "flashbacks" to her rape; are these merely illusions, or is she being systematically tortured by a mystery villain? Barbara Stanwyck, Roddy McDowell, William Windom, Roddy McDowell and Bing Russell (Kurt's father) express varying degrees of concern and menace. Taste of Evil is a bit of a letdown considering its cast and the previous achievements of the Sangster/Moxey team. ~ Hal Erickson, All Movie Guide
This 1982 made-for-TV version of the Lewis Carroll classic Alice in Wonderland features an all-star cast. Such celebrities as Donald O'Connor, Maureen Stapleton and Eve Arden struggle to perform while buried under mounds of makeup and tons of eccentric costuming as Carroll's alternate-world loonies. Alice in Wonderland was first telecast Oct 3, 1983, on PBS' Great Performances. ~ Hal Erickson, All Movie Guide
- 1991
An Inconvenient Woman, an excellent television mini-series based on the novel by Dominick Dunne, which is loosely based on the Alfred Bloomingdale scandal, tells the story of the mistress of a famous man who he has murdered when she threatens his security. Jules Mendelson (Jason Robards) and his socialite wife Pauline (Jill Eikenberry) have a marriage of convenience that is threatened by the existence of Jules cast-off mistress Flo (Rebecca De Mornay) who knows too much and can cause them all too much trouble. So, Jules plans to have her eliminated. The fine cast all give good performances in their roles, and the subject matter, while potentially lurid and tasteless, is treated with sophistication and tact in this excellent adaptation of the best-selling novel. ~ Linda Rasmussen, All Movie Guide
- 1994
In this fourth episode in the "Angel" saga, beautiful former tough-gal Molly Stewart works as a police photographer. In her off hours she is romantically involved with a radio personality. Her new life is going well until an old buddy shows up. Molly's pal is playing groupie for a travelling band and is in love with the group's lead singer. Trouble arises when Molly is sent out to photograph a murder victim and she discovers it is her friend. This prompts her to resume her "Angel" persona and go undercover to flush out the killer. This time, however, instead of being Angel the hooker, she becomes a groupie for the same band her friend had followed. ~ Sandra Brennan, All Movie Guide
- Starring:
- Darlene Vogel
- 1969
- R
Tara Nicole (Holly Near) is an 18-year-old girl from a wealthy family. She rebels against her parents by taking up with a rock band lead by Bogart (Jordan Christopher). Singer Lou Rawls and Roddy McDowell make up part of the band, whose members end up seducing the young teen and her mother Astrid (Jennifer Jones). Tara's mom makes her first and last jump from an airplane with a faulty parachute and her father (Charles Aidman) is found hanging from the diving board poolside. The band manages to wreck Tara's life in this implausible feature. Holly Near would go on to become a feminist folk singer and begin a series of college tours in the 1970s, promoting peace. ~ Dan Pavlides, All Movie Guide
- Starring:
- Jennifer Jones, Jordan Christopher, (more)
- 1973
The Arnold of Arnold, like the Harry of The Trouble With Harry, is stone cold dead from the outset of this film. That doesn't stop Arnold's mistress Stella Stevens from marrying the corpse so as to come into his millions. The trick is to hide the fact that Arnold is indeed stiff as a mackerel. To accomplish this, a series of murders is a necessity. Special guest victims include Stevens' wastrel brother Roddy McDowall, her dotty sister Elsa Lanchester, handyman Jamie Farr, as well as lawyers Farley Granger and Patric Knowles. Also on hand are such dependables as Victor Buono, Shani Wallis, John McGiver and Bernard Fox. The script is by TV-sitcom stalwarts Jameson Brewer and John Fenton Murray. As one-joke films go, Arnold is as good as any. ~ Hal Erickson, All Movie Guide
Pierce Brosnan stars as adventurer Phineas Fogg in this adaptation of Jules Verne's classic story, in which to win a wager he must travel around the globe in 80 days or less. However, Fogg has been blamed for the theft of a large amount of money, and a detective (Peter Ustinov) is hot on his trail trying to catch him before he reaches the finish line. The supporting cast includes Eric Idle, Lee Remick, Roddy McDowall, and Christopher Lee. ~ Mark Deming, All Movie Guide
- Starring:
- Pierce Brosnan, Eric Idle, (more)
- 1973
- G
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The fifth and last of the original series of motion pictures based upon author Pierre Boulle's imaginative novel Monkey Planet, this science fiction film was the least-liked by the series' legion of fans. Roddy McDowall returns as Caesar, the rebellious intelligent chimp of the previous film, Conquest of the Planet of the Apes (1972). Caesar led his brethren in a revolution against their human masters earlier, but humanity has since nearly destroyed itself in a nuclear apocalypse, and survivors are second-class citizens within ape society. Now a beneficent ruler of his people, Caesar encourages a fragile, peaceful coexistence with humans, despite the protests of militaristic gorilla leader General Aldo (Claude Akins). When Caesar learns that recordings of his murdered parents may exist in the Forbidden City, he journeys to the irradiated wasteland with the human MacDonald (Austin Stoker) and the wise orangutan Virgil (Paul Williams). Although Caesar finds what he's looking for, he also attracts unwanted attention: mutant humans who still dwell underground in the devastated war zone follow the search party back home, leading to a climactic battle and Aldo's tragic challenge of Caesar's authority. Suffering greatly due to penny-pinching studio 20th Century Fox's low budget, Battle for the Planet of the Apes (1973) is most notable for a cameo by director John Huston as an ape named "The Lawgiver," who appears in a wraparound segment. ~ Karl Williams, All Movie Guide
- Starring:
- Roddy McDowall, Claude Akins, (more)
Bedknobs and Broomsticks was produced several years after Walt Disney's death and released in the fall of 1971. As it turned out, Bedknobs was frequently compared to Mary Poppins -- probably thanks to several striking similarities between the two productions, notably the presence in the cast of David Tomlinson, the use of Cockney children as central characters, and the inclusion of sequences that combine animation and live-action. Set in wartime England, Bedknobs stars Angela Lansbury as Eglantine Price, a would-be witch who hopes to use her newly acquired conjuring powers to forestall a Nazi invasion. Saddled with three surly kids who've been evacuated from London, Lansbury wins over her charges by performing various and sundry feats of magic. And, yes, she manages to foil a few Germans along the way. The film's most famous episode is an elaborate undersea fantasy, which combines animation with live-action on a gargantuan scale, dwarfing all previous Disney sequences along these lines. ~ Hal Erickson, All Movie Guide
- Starring:
- Angela Lansbury, David Tomlinson, (more)
This documentary takes a look back at the making of Planet of the Apes. Not just a campy sci-fi thriller, the film was also an expression of sublimated fears of a world wracked by the Cold War. Special attention is paid to the makeup that made viewers forget they were watching people in ape costumes. Scattered throughout are interviews with cast members like Charlton Heston and scenes that never made it up from the cutting room floor. ~ Rob Ferrier, All Movie Guide
- Starring:
- Roddy McDowall
- 1950
Big Timber was another in a series of medium-budget dramas co-produced by actor Roddy McDowall for Monogram. McDowall himself stars as Jimmy, a novice tree surgeon who takes a manual-labor job at a logging camp. Jimmy develops into a fairly competent logger, but his efforts are sabotaged by a jealous rival. Just when all seems lost, Jimmy redeems himself during a rousing climax, wherein the lumber camp is endangered by a "log avalanche". This time, Roddy McDowall has two leading ladies, Miss Jeff Donnell and Lyn Thomas. More than one reviewer has cited the resemblance between Timber and the earlier self-produced McDowall vehicle Tuna Clipper. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Jeff Donnell, (more)
- 1949
Black Midnight was the fourth of six Monogram films co-produced by actor Roddy McDowall. The film stars McDowall as Scott Jordan, whose mission in life is to train a wild stallion named Black Midnight. Subplots include a romance between Jordan and pretty Cindy Baxter (Lynn Thomas), and the apparently crooked activities of Scott's wastrel cousin Daniel (Rand Brooks). Future Sky King star Kirby Grant is most effective in the supporting role of the local sheriff. Black Midnight was directed by Oscar Boetticher, who as "Budd" Boetticher went on to movie-cultist fame as the helmsman of several above-average Randolph Scott westerns of the 1950s. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Damian O'Flynn, (more)
- 1989
Sheridan Le Fanu's erotic horror tale -- the inspiration for Hammer Films' bosom-heaving "Karnstein Trilogy" and Roger Vadim's Blood and Roses -- is given a bit of whitewash in this tepid episode of Shelley Duvall's made-for-cable "Nightmare Classics" series. Inexplicably relocated to the American Deep South in the 19th century, this transposes the tale of a young woman (Ione Skye) who falls under the spell of the enigmatic and beautiful Carmilla (Meg Tilly), a lesbian vampire whose lust for women includes a hunger for female blood. Tame when compared to the blood-and-breasts quotient of Hammer's Lust for a Vampire, this Southern Gothic variant nevertheless contains a few shocking scenes, particularly one character's horrific "surprise" death. ~ Cavett Binion, All Movie Guide
- 1980
- R
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Peter Ustinov plays the talented detective in San Francisco who attempts, with help/hindrance from his clumsy grandson (Richard Hatch), to solve a murder case in this mystery/comedy. ~ Kristie Hassen, All Movie Guide
- Starring:
- Peter Ustinov, Lee Grant, (more)
This symbol-laden drama explores the inner mythology of martial arts practice and is based on a Bruce Lee story idea. The original screenplay was written by Bruce Lee, with help from actor James Coburn and screenwriter Stirling Silliphant. Lee was to take on the four-in-one role of guide in his film, leaving the hero's role to someone else. Following Bruce Lee's tragic death, the film was rewritten. David Carradine stepped in to play the mysterious guides to aspiring martial arts master Cord (Jeff Cooper). Cord lives in a desert-like world where nearly everyone he meets practices or has practised a martial art. He seeks to find the place where the true inner spirit of the martial arts is being taught. In a story which is imbued with Zen maxims and Asian philosophy, when Cord finally arrives, he finds less (and more) than he hoped for. While there are many combat and fight scenes, the general tone of the film is meditative. Cameo appearances by Roddy McDowall, Eli Wallach, and Christopher Lee supply many of the film's highlights. ~ Clarke Fountain, All Movie Guide
- Starring:
- David Carradine, Jeff Cooper, (more)
A music teacher (Perry King) at a tough Los Angeles high school reaches out to his students with the gift of music -- only to find a gang of sadistic punk rockers is actively dissuading new members from joining the orchestra. Not only are the punkers sadistic; they are also led by the nefarious Timothy Van Patten (sporting Willie Aames-style blow-dried hair). The plot development: Van Patten is a musical prodigy, as he proves by banging out some angry classical tunes on the school Baldwin in front of the teacher's startled class. King tries to befriend the lad, but he rejects the offer with scorn. When King attempts to settle for a truce with the gang leader in order to end his students' harassment, he finds himself targeted for a slowly-escalating campaign of terror, culminating in a deadly game of hide-and-seek in the high school after hours. One by one, King faces the murderous gang; one by one, teenagers die in a succession of increasingly violent fashions as the already-exploitive film degenerates into a Death Wish clone. As a feature film, Class of 1984 seems more like it was made for television. The plot is completely contrived; the characters are unbelievable (especially the punks, who seem to be the sort of punks that exist only in the imaginations of "B"-grade Hollywood film directors), and the production values are poor. Yet Class of 1984 has a certain charm, a certain earnestness that makes it watchable, if unintentionally amusing. The film includes a soundtrack by Alice Cooper which includes the stirring anthem "I Am the Future." Another point of interest: this may be the only film including a scene in which Michael J. Fox is stabbed during a prison-style cafeteria riot. ~ Jeremy Beday, All Movie Guide
- Starring:
- Perry King, Timothy Van Patten, (more)
In 1963, this colossal and opulent $60 million spectacular was epic in every sense of the word -- an epic investment, an epic in the annals of Hollywood gossip, and, ultimately, an epic flop that nearly dragged 20th Century Fox down the Nile along with Cleopatra's barge. Handsomely mounted by Joseph L. Mankiewicz, who replaced Rouben Mamoulian as director after six days of shooting), the drama follows the eighteen tumultuous years that led to the founding of the Roman Empire. Cleopatra (Elizabeth Taylor) meets up with Julius Caesar (Rex Harrison) and plans to lure Caesar to her boudoir in order to forge an alliance with Rome so that she may hold on to her Egyptian empire. When Caesar is stabbed to death in the Roman Senate, Cleopatra is left without an ally, and Egypt is up for grabs. When Roman general Mark Antony (Richard Burton) comes along, she seduces him in order to make him over into her new protector. But, under the charms of Cleopatra, Mark Antony is reduced from a an awesome and dominating general to a sniveling, drunken wimp. At the Battle of Actium, Mark Antony is defeated and Cleopatra withdraws her troops, dooming Mark Antony and his army. With Egypt in peril, Antony and Cleopatra, the doomed lovers, meet each other for the last time, as the enemy forces close in. ~ Paul Brenner, All Movie Guide
- Starring:
- Elizabeth Taylor, Richard Burton, (more)
- 1964
Marching into an open field, Saunders (Vic Morrow) and his men are greeted with a barrage of machine-gun fire by a wounded GI named Murfree (Roddy McDowall). Once he has downed his weapon, Murfree explains that he is on his guard against Nazi spies who, disguised as Americans, have infiltrated the Allied ranks. It turns out, however, that the baby-faced gunner is harboring a secret, which only a fellow soldier named Larkin (William Bryant) knows...and Murfree sees to it that Larkin will never tell. ~ Hal Erickson, All Movie Guide
- 1941
Don Ameche, an American news bureau chief stationed in London, is frustrated by the British government's censorship of his wildly speculative dispatches to the United States. Joan Bennett is the government Teletype operator assigned to make sure that Ameche doesn't send out any story that hasn't been cleared. At first adversarial towards each other, Ameche and Bennet fall in love while huddled in various bomb shelters during the 1940 London blitz. Clearly inspired by Hitchcock's Foreign Correspondent (40), Confirm or Deny was one of many "preparedness" films turned out by Hollywood in the months just prior to Pearl Harbor. Any political proselytizing, however, takes second place to the Don Ameche/Joan Bennett love story. ~ Hal Erickson, All Movie Guide
- Starring:
- Don Ameche, Joan Bennett, (more)
- 1972
- PG
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The fourth Planet of the Apes film is set in 1991, 20 years since the assassination of talking, time-traveling apes Cornelius and Zira at the end of Escape From the Planet of the Apes. The couple's infant son, Caesar (Roddy McDowall), has grown to adulthood in the care of kindly circus owner Armando (Ricardo Montalban). Meanwhile, a plague has wiped all dogs and cats from the face of the Earth; speechless primitive apes have therefore been domesticated and turned into first pets, then servants of humankind. Caesar becomes outraged at the treatment of these simian slaves and accidentally reveals his powers of speech in front of the militaristic authorities, who kill Armando when he tries to protect his friend's identity. His cover blown, Caesar kick-starts a revolution that pits chimps against humans, paving the way for eventual ape ascendency. Caesar was the second of McDowall's three Planet of the Apes characters; he also portrayed Cornelius in the first and third films and Galen in the short-lived 1974 television series. After taking over the franchise with this picture, Hollywood veteran J. Lee Thompson would become the only director to helm two Planet of the Apes films when he returned for the fifth and final installment. ~ Brian J. Dillard, All Movie Guide
- Starring:
- Roddy McDowall, Don Murray, (more)
In this thriller, a scientist (Rock Hudson) attempts to engineer the perfect woman in a test-tube and ends up not with a beautiful lover, but instead a ruthless killer. The film is also known as Created to Kill. ~ Sandra Brennan, All Movie Guide
- Starring:
- Rock Hudson, Diane Ladd, (more)
The Cricket on the Hearth is based on one of Charles Dickens' lesser-known Christmas stories. Bertha, the toymaker's daughter, is the central character. She searches for love and understanding from her father Caleb, who just wants his family to be happy. With the appearance of a good luck cricket, fortunes seem to change. This release features the voices of real-life father and daughter Danny and Marlo Thomas and Roddy McDowell as the Cricket. As all ends well, The Cricket on the Hearth closes with a catchy tune, "The First Christmas." The animated seasonal program was a predecessor to better known fare. It now serves as godfather to Christmas tales told since. ~ Sarah Ing, All Movie Guide
- Starring:
- Danny Thomas, Marlo Thomas, (more)
This reject from slasher-movie remedial school -- featuring copious amounts of teen sex and the usual unimaginative gore murders -- involves the return of a problem teen (Donovan Leitch) to high school after his release from an institution. After essentially pinning the "Red Herring" sign on the main character, the filmmakers then pander what passes for suspense as Leitch's classmates head for that big D-hall in the sky. Not even a supporting performance by then-unknown Brad Pitt managed to rescue this lackluster thriller, which arrived far too late in the game to appeal to the teen-horror crowd -- an audience which by then had already migrated from Halloween clones and Friday the 13th sequels to Freddy Krueger territory after Wes Craven's crafty A Nightmare on Elm Street. ~ Cavett Binion, All Movie Guide
- Starring:
- Donovan Leitch, Jill Schoelen, (more)
- 1939
A case of mistaken identity is the basis for this drama. The trouble begins when a rich entrepreneur is accused of being the notorious thief, Jean Pelletier, who performed his infamous robberies in the years preceding the war. A court battle ensues. The industrialist states that he suffered amnesia during the war. His fiance found him from a newspaper picture. Pelletier's ex-lover then testifies that the man is indeed Pelletier. Another man swears that he had witnessed the robber's death during the war. The accused is acquitted and goes home. The witness waylays him and tells the man that he lied, and that if he doesn't pay him a large ransom, he will tell the court. The poor businessman is truly confused. His amnesia was quite real so there is a definite possibility that he is the thief. He becomes fixated with discovering the truth. He goes to Pelletier's ex-love, and the thief's mother. They convince him. He really is Pelletier. The man decides to turn himself in, but his lawyer convinces him not to do it. In the meantime, the mistress learning that the blackmailer is planning to spill the beans anyway, takes matters into her own hand. ~ Sandra Brennan, All Movie Guide
- Starring:
- Leslie Banks, Joan Marion, (more)
