Keith McDaniel Movies
A highly-gifted practitioner of modern dance, Keith McDaniel worked on Broadway and in feature films, television, and music videos. In his early days, McDaniel toured the world with the Alvin Ailey Dance Theater's junior company. After establishing himself on Broadway, McDaniel moved to Los Angeles. He made his feature-film debut in the Bette Midler weeper Beaches (1982). Other film credits include Basic Instinct and Death Becomes Her (1992). In music videos, McDaniel has appeared in those by such artists as Paula Abdul, Tina Marie and Glenn Frey. ~ Sandra Brennan, Rovi
This cold, stylish erotic-thriller grossed over $100 million at the box-office despite vigorous protests at its depiction of gays and women. The shocking opening sequence features a graphic sexual encounter involving a rock-star bound with a white Hermes scarf by an unidentified blond woman. Despite the fact that the scene ends with a bloody icepick murder (horrifyingly realized by makeup artist Rob Bottin), Hermes scarves quickly sold out at stores nationwide. This seeming paradox is at the heart of the film's appeal, as it mixes perverse sexuality and erotic bloodshed in a manner common to European thrillers (director Paul Verhoeven had done it himself in 1979's marvelous De Vierde Man) but mostly taboo in America. The plot concerns Catherine Tramell (Sharon Stone), a successful bisexual mystery writer who may also be a ruthless murderer. Everyone close to Catherine dies, and troubled policeman Nick Curran (Michael Douglas) must find out why. In the process, Nick becomes sexually involved with both Catherine and police psychiatrist Beth Gardner (Jeanne Tripplehorn), while the bodies begin piling up and Catherine turns the cat-and-mouse game around on Nick. Verhoeven and screenwriter Joe Eszterhas -- who was paid $3 million for the script -- keep the tension ratcheted up throughout, even during the frequent sex scenes, which carry a violent edge reminiscent of the Italian thrillers of Dario Argento. The film's most notorious scene, a police interrogation in which Catherine makes drooling idiots out of her captors by revealing that she is not wearing underwear, became a cultural touchstone and was widely imitated and parodied. Sharon Stone, meanwhile, was embarrassed to the point that she claimed Verhoeven had aimed lights on strategic locations without her knowledge. George Dzundza and Dorothy Malone co-star. ~ Robert Firsching, Rovi
- Starring:
- Michael Douglas, Sharon Stone, (more)
High-concept director Robert Zemeckis applies his usual polish -- helped by an equally adept cast -- for this surprisingly gruesome and extremely funny black comedy. The film begins with narcissistic actress Madeline (Meryl Streep) stealing the latest in a series of potential fiancées, wimpy plastic surgeon Ernest (Bruce Willis), from her ex-best friend Helen (Goldie Hawn). Depressed and infuriated, Helen suffers a breakdown that lands her in a mental hospital -- in addition to a junk-food bender that seems to triple her weight. When Madeline crosses paths with Helen again many years later, she is horrified to discover her once-chunky rival looking younger, slimmer and more glamorous than ever before. Fearing that Helen will try to steal Ernest back -- and dreading the thought of not having a plastic surgeon at her beck and call -- Madeline solicits the supernatural services of an exotic New Age mystic (Isabella Rossellini), who sells her a potent youth elixir with the stipulation that she follow the dosage instructions to the letter... yeah, right. It appears that Helen owes her sexy comeback to the same magic formula, and the inevitable violent clash between the two well-dressed banshees leads to the realization that both women have become nearly impervious zombies, clawing at each other's throats long after the blood has run cold in their veins. Best remembered for Dick Smith's Oscar-winning makeup effects, which allow the rapidly-rotting undead femmes to toss off witty one-liners with ragged holes blasted through their bodies or spin their heads Exorcist-style. Not all the sight gags work, and Zemeckis' lighthearted treatment of such grotesque material tends to dull the satirical edge, but there are some truly inspired moments of dementia -- particularly a hilarious cameo from Sydney Pollack as a doctor who comes unglued while examining Streep (who has yet to realize she's dead). ~ Cavett Binion, Rovi
- Starring:
- Meryl Streep, Bruce Willis, (more)
Successful LA marketing analyst Michael Boll (James Spader) seemingly has it all-except a sense of self-confidence. Enigmatic drifter Alex (Rob Lowe) enters Michael's life and immediately begins to exert a negative influence. As Michael's self-esteem zooms (aided by generous dollops of sex and drugs) he allows himself to be dragooned into a life of crime by the demonic Alex. The "doppelganger" aspects of Bad Influence, and the film's many unexpected twists and turns, echo films of Alfred Hitchcock, especially Strangers on a Train. The film's boldest stroke is to cast the likeable Lowe as the bad guy (albeit a charming one) and the often villainous Spader as the malleable milquetoast. ~ Hal Erickson, Rovi
- Starring:
- Rob Lowe, James Spader, (more)
- 1989
- R
Tony award-winning British musical comedy star Robert Lindsay makes his first important American film appearance in Bert Rigby, You're a Fool. Lindsay, of course, plays the title character, a coal miner who dreams of becoming a big showbiz star. Only problem is, there's very little demand for Bert Rigby's impersonations of Buster Keaton and Gene Kelly. Undaunted, Bert heads to Hollywood, where, while working as a butler in the household of movie mogul Jim Shirley (Corbin Bernsen), he must fend off the advances of Shirley's hot-to-trot wife, Meredith (Anne Bancroft). Befitting the old-fashioned nature of Bert Rigby's behavior and tastes in entertainment, director Carl Reiner adopts a "retro" approach to his material; at times, the film looks as though it was made in 1939 rather than 1989, despite its R-rated sex, profanity, and body-function jokes. ~ Hal Erickson, Rovi
- Starring:
- Robert Lindsay, Cathryn Bradshaw, (more)
Until its last ten minutes or so, this filmed biography of controversial recording star Jerry Lee Lewis plays like a live-action cartoon. As played by Dennis Quaid, "the killer" is a very mixed-up individual: a saintly sinner, a world-wise naïf, a skilled performer with zero sense of discipline, a loving husband who uses his wife for a punching bag. The story takes place during the years 1956 through 1958, as Lewis rises to the top of the charts with such hits as "Crazy Arms," "A Whole Lotta Shakin' Goin' On," and the title tune. Along the way, he falls in love with his second cousin, Myra (Winona Ryder), eventually marrying the girl. When it is revealed that Myra is only 13 years old, Lewis is condemned as a molester and pervert by the public (his disastrous tour of England during this crisis is depicted in hilarious Tex Avery fashion). After establishing a brisk, satirical tone through most of the proceedings, the film plummets into heavy dramatics in its final portions, jarring disastrously with all that has gone before. Otherwise, Quaid is terrific as Lewis (expertly lip-synching to the original records,) and Ryder is equally good as the long-suffering Myra. Featured in the cast are Alec Baldwin as Jerry's cousin Jimmy Swaggart (the same!), Michael St. Gerard as Lewis' great rival Elvis, and Steve Allen as himself. ~ Hal Erickson, Rovi
- Starring:
- Dennis Quaid, Winona Ryder, (more)
- 1988
Marilu Henner stars as a Los Angeles police detective in The Ladykillers. Thomas Calabro co-stars as Henner's new partner, who also happens to be her lover. Together, Henner and Calabro attempt to solve the murder of a stripper. No, the title does not refer to the murderer: "The Ladykillers" is a male stripper club, and the victim is certifiably masculine. Also starring Lesley-Anne Down and Susan Blakely, this leering little escapade was first broadcast November 9, 1988. ~ Hal Erickson, Rovi
- Starring:
- Marilu Henner, Susan Blakely, (more)
Based on a novel by Iris Rainer Dart, Beaches traces the 30-year oil-and-water friendship between free-spirited Bronx Jew CC Bloom (Bette Midler) and uptight San Francisco WASP Hillary Essex (Barbara Hershey). The two meet as children in Atlantic City (played by Mayim Bialik and Marcie Leeds) and are reunited in the 1960s, when CC is a struggling singer and Hillary is trying to break free from her staid upbringing by becoming an activist. The two ladies room together, then fall out when both are attracted to off-Broadway producer John Pierce (John Heard). CC wins John, but she quickly outgrows him as she matriculates into a bawdy performer. The recently patched-up friendship between CC and Hillary is torn asunder again when Hillary and her new husband express distaste for CC's performing style. Comes the 1970s, and CC and Hillary are reunited after shedding their respective spouses. Broke again, they once more become Manhattan roommates. Their bond strengthens, but there is tragedy in store for the duo. ~ Hal Erickson, Rovi
- Starring:
- Bette Midler, Barbara Hershey, (more)
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