Mary McCusker Movies

Erik (Brad Renfro) is a 13-year-old boy whose single mother, Gail (Diana Scarwid), has just moved to a new home in Minnesota. Erik feels like a fish out of water with his Southern accent, and he has trouble making friends until he meets Dexter (Joseph Mazzello), a kid a year or two younger who lives next door. Erik and Dexter get along fine, but Gail tells Erik not to go near Dexter when she learns that he contracted AIDS from a blood transfusion a few years ago. Erik ignores his mother's instructions and stands up for the frail Dexter at school, while Dexter's mom Linda (Annabella Sciorra) gives Erik the warmth, affection, and home cooking that Gail is too busy to provide. However, both boys are painfully aware of Dexter's illness, and when one of them spots a headline in a supermarket tabloid that a doctor in New Orleans has discovered a cure for AIDS, they run away together, determined to find the doctor and bring Dexter back as good as new. The Cure was the theatrical feature debut for actor-turned-director Peter Horton, who cut his directorial teeth on the TV series The Wonder Years and thirtysomething. ~ Mark Deming, Rovi

In this gentle, meandering film, a seventeen-year old Scottish lad wanders the streets of Kilmarnock daydreaming about this and that and wondering if he and his girlfriend will make out that evening. One highlight of the film is a daydream sequence in which the boy and his girlfriend are watching a French romantic movie with Scottish (not English) subtitles. ~ Clarke Fountain, Rovi

One by-product of two consecutive Oscar wins is that Tom Hanks no longer has to appear in such potboilers as Turner and Hooch. Hanks plays Turner, a meticulously groomed, excruciatingly well-organized detective working in a small California coastal town. When local "character" Amos Reed (John McIntire) is murdered by drug smugglers, the only witness is Reed's slobbery, smelly mutt, Hooch. You're way ahead of us, folks: Turner, who despises dogs in general and Hooch in particular, is compelled to put the cantankerous dog up as his house guest. Also easily predictable is the fact that Turner and Hooch will, by the next-to-last reel, become boon companions. To its credit, the film has an abundance of laughs and thrills...but, gee, that ending! Neither terrific nor terrible, Turner and Hooch is a pleasant time-filler; we do wish, however, that more time had been spent on the budding romance between Turner and veterinarian Emily Carson (Mare Winningham). ~ Hal Erickson, Rovi

When the made-for-TV The Rumor Mill first aired on May 12, 1985, it bore the title Malice in Wonderland. This joyously inaccurate biopic concerns itself with Hollywood's two foremost gossipmongers of the 1930s and 1940s: Louella Parsons and Hedda Hopper. Long involved in the film industry, Parsons used her ironclad relationship with publishing mogul William Randolph Hearst and the "confidential" information gleaned by her physician husband Harry "Docky" Martin to outscoop every other columnist in Tinseltown. Parsons' awesome power remained unchallenged until 1938, when Hedda Hopper, a character actress fallen on hard times, was hired as a gossip reporter by one of Hearst's rivals. Thereafter, it was every woman for herself: the blood feud between Parsons and Hopper raged unabated until the latter's death in 1966. Jane Alexander's on-target portrayal of Hedda Hopper won her an Emmy nomination; no less impressive (though not as accurate in her characterization) is Elizabeth Taylor as Louella Parsons. Other Emmy nominations went to the costume design and sound mixing, while Philip H. Lathrop won the statuette for his '30s-style photography. The "look who that is" supporting cast includes Richard Dysart as Louis B. Mayer, Eric Purcell as Orson Welles, Tim Robbins as Joseph Cotten (who once booted Louella in the derriere), Jason Wingreen as Jack Warner, Gary Wayne as Clark Gable, Denise Crosby as Carole Lombard, and Thomas Byrd as Hedda Hopper's actor-son William. Adapted from George Eels' waspish book Hedda and Louella, Malice in Wonderland is delightful, high-class claptrap. ~ Hal Erickson, Rovi

Having gone to his Heavenly reward in 1948, lawyer Arthur Morton is "reborn" in 1987 as Jonathan Smith (Michael Landon), a probationary angel who in order to earn his wings must return to Earth and offer help and support to unfortunate mortals. In this debut episode of Highway to Heaven, Jonathan is assigned to Havencrest, a retirement home that is facing demolition. Adopting the earthly guise of a handyman, our hero sets about to improve the quality of life of Havencrest's surly and sullen residents. Originally telecast as a two-hour TV movie, the opening episode of Highway to Heaven has since been divided into two one-hour installments for syndication. ~ Rovi

Choices of the Heart (aka In December the Roses Will Bloom Again) recounts the life and death of Irish lay missionary Jean Donovan. Together with three American nuns, the 27-year-old Donovan (here played by Melissa Gilbert) was murdered in El Salvador in 1980. Constructed in a complex flashback-flashforward style, the film shows how Donovan went from a selfish, materialistic girl to a champion of human rights. Martin Sheen plays the priest who is instrumental in Donovan's turnaround. The increasing demand for the US to withdraw its support of El Salvador's military-oriented government is a secondary but vital ingredient to the full dramatic impact of this made-for-TV movie. ~ Hal Erickson, Rovi

Based upon the true story of a woman's battle to raise her baby in prison after having become pregnant by a prison guard while serving a twenty-year stretch for robbery, Amy Madigan, in her debut film, delivers an impressive intensity and range as Terry Jean Moore, a wild young woman with a chip on her shoulder. The story begins as Terry is hitchhiking with her equally wild cousin Jesse (Lewis Smith). They are picked up by a passing motorist and Jesse tries to rob the motorist of five dollars. When they are caught, Jesse takes the rap for her cousin and winds up in jail. Her temperament does not endear her to the prison authorities, although she is befriended by a young lesbian, J.J. (Mackenzie Phillips), and a sympathetic guard, Jack Hensen (Beau Bridges). Jack and Terry fall in love and have an affair in prison. Terry becomes pregnant and fights to raise her child in prison. At the same time, being pregnant forces Terry to reconsider her life and adopt a more responsible attitude. ~ Paul Brenner, Rovi

The original title of this film was The Border. It tells the story of one border guard's desire to put an end to the practice of hauling truck loads of illegal Mexican workers across the border and into California where they are forced to work for a mere pittance. Mexico provided the background for the outdoor shots. ~ Sandra Brennan, Rovi

This futuristic parody on television is made up of various sketches, and features some early performances of later well-known comics. ~ Kristie Hassen, Rovi