Joel McCrea Movies

American actor Joel McCrea came from a California family with roots reaching back to the pioneer days. As a youth, McCrea satiated his fascination with movies by appearing as an extra in a serial starring Ruth Roland. By 1920, high schooler McCrea was a movie stunt double, and by the time he attended USC, he was regularly appearing at the Pasadena Playhouse. McCrea's big Hollywood break came with a part in the 1929 talkie Jazz Age; he matriculated into one of the most popular action stars of the 1930s, making lasting friendships with such luminaries as director Cecil B. DeMille and comedian Will Rogers. It was Rogers who instilled in McCrea a strong business sense, as well as a love of ranching; before the 1940s had ended, McCrea was a multi-millionaire, as much from his land holdings and ranching activities as from his film work. Concentrating almost exclusively on westerns after appearing in The Virginian (1946), McCrea became one of that genre's biggest box-office attractions. He extended his western fame to an early-1950s radio series, Tales of the Texas Rangers, and a weekly 1959 TV oater, Wichita Town, in which McCrea costarred with his son Jody. In the late 1960s, McCrea increased his wealth by selling 1200 acres of his Moorpark (California) ranch to an oil company, on the proviso that no drilling would take place within sight of the actor's home. By the time he retired in the early 1970s, McCrea could take pride in having earned an enduring reputation not only as one of Hollywood's shrewdest businessmen, but as one of the few honest-to-goodness gentlemen in the motion picture industry. ~ Hal Erickson, All Movie Guide
1932  
NR  
Add The Most Dangerous Game to QueueAdd The Most Dangerous Game to top of Queue
The first of many official and unofficial screen versions of Richard Connell's The Most Dangerous Game was put together by producer Willis O'Brien and directors Ernest B. Schoedsack and Irving Pichel in 1932. Leslie Banks stars as loony Russian count Zaroff, a renowned big-game hunter who tires of stalking animals and begins hunting down the "most dangerous game"-human beings. Luring unwary victims to his remote island, Zaroff wines and dines them, gives them a few hours' head start to run into the jungle, then hunts them down with rifle and bow and arrow. As his grisly trophy room demonstrates, Zaroff hasn't missed yet. Shipwreck survivors Joel McCrea and Fay Wray are Zaroff's latest quarry. "First the hunt, then the revels!" declares Zaroff, casting a lecherous eye towards the wide-eyed Ms. Wray. The original Connell story had no heroine, but who wants to watch Joel McCrea lose most of his clothing while scurrying through the jungle? The Most Dangerous Game was filmed on RKO's standing King Kong sets during a lull in the production of that classic film, utilizing most of the Kong personnel (actors Fay Wray, Robert Armstrong, Noble Johnson, Steve Clemente and Dutch Hendrian; producer O'Brien; director Schoedsack; composer Max Steiner). While the plot has been reshaped and recycled many times since 1932, RKO's only official remake of Most Dangerous Game was 1945's A Game of Death. ~ Hal Erickson, All Movie Guide

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Starring:
Joel McCreaFay Wray, (more)
1932  
 
Despite a troubled production that witnessed the exits of both leading man (Phillips Holmes) and director (George Fitzmaurice), this tearjerker was a winner at the box office in November of 1932. Constance Bennett plays Broadway diva Judy Carroll who loses custody of a wee orphan after testifying in a notorious embezzlement case. To get over the blow, Judy co-produces a play that basically mirrors her own life experiences, falling in love with playwright Jake (Joel McCrea) in the process. But when she learns that Jake's wife (Virginia Hammond) is with child, Judy nobly severs the romance and instead finds solace in the arms of the worldlier Tony (Paul Lukas). ~ Hans J. Wollstein, All Movie Guide

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Starring:
Constance BennettJoel McCrea, (more)
1932  
 
Unable to find steady work after WWI, three former flying aces -- Gibson (Richard Dix), Woody (Robert Armstrong) and Red (Joel McCrea) -- hire themselves out as stunt flyers for the movies. They find themselves employed by tyrannical director Von Furst (Erich Von Stroheim, playing what amounts to a self-caricature), who has no qualms about sending men to their deaths for the sake of "realism." Developing an esprit de corps with their fellow stunt pilots, our heroes regularly converge at the local watering hole to honor the latest casualties, wiping their names from a blackboard just as they'd done back in the Great War. When Von Furst, driven to insane jealousy by his much-abused wife Follette (Mary Astor), murders one of the pilots in cold blood, the others take a grim but thoroughly justifiable revenge. Boasting several first-rate aviation sequences, The Lost Squadron was scripted by real-life Hollywood stunt flyer Dick Grace (who also appears in the film); it was also the first RKO Radio production to carry the screen credit "executive producer, David O. Selznick." ~ Hal Erickson, All Movie Guide

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Starring:
Richard DixMary Astor, (more)
1932  
 
Running just under an hour, Sport Parade stars Joel McCrea as a sportwriter who accidently becomes a champion wrestler. In this capacity, he becomes involved with crooked promoters (just as though pro wrestling was a legitimate sport!). Since the main crook is played by comic actor Walter Catlett, it's difficult to take any of this film seriously--if indeed it was meant to be so taken. The best moments belong to Robert Benchley as a sublimely inaccurate radio sportscaster. Sport Parade was cowritten by the prolific Corey Ford, who later cheerfully admitted he knew nothing about the subject of wrestling but was just following studio orders by churning out this indifferent little charade. ~ Hal Erickson, All Movie Guide

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Starring:
Joel McCreaWilliam Gargan, (more)
1931  
 
A wealthy man's mistress abandons her luxurious life as a kept woman to be with the struggling Paris artist she has come to love in this third version of Robert W. Chambers' novel. It all began when she agreed to be his model. Soon they fall in love, and she decides to dump her rich old sugar daddy. Unfortunately, her relationship with the artist is tempestuous, and matters aren't helped by her former lover who tries to sabotage them at every turn. Though the artist wants to marry her, the woman isn't interested because he is too Bohemian and irresponsible. Fortunately, it all turns out to be an act and thanks to pressure from his conservative American family, marital bliss ensues. ~ Sandra Brennan, All Movie Guide

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Starring:
Constance BennettJoel McCrea, (more)
1931  
 
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In this drama, a blue collar steelworker marries a wealthy socialite. It all begins after he saves two workers during a factory accident. To thank him, the boss invites him to dinner where he meets the boss's lovely daughter. She is so impressed by him that she vows that he will be hers in one month. She is correct and they marry. Unfortunately, he finds that her appetite for extravagances is insatiable. This begins to wear him down, financially and emotionally until he becomes a 'kept husband.' Eventually he convinces her to settle down, respect him, and live on his humble salary with no help from her wealthy papa. ~ Sandra Brennan, All Movie Guide

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Starring:
Dorothy MackaillJoel McCrea, (more)
1931  
 
In this marital drama, a wife fears that her checkered past will be revealed when she and her husband move to the city to further his career. Soon after their arrival, the husband overhears a conversation about her. Apparently she had been a "kept" woman before she met him, and this causes him to become enormously jealous. For a while things look bad for their marriage, but everything is rectified in the end and happiness ensues. ~ Sandra Brennan, All Movie Guide

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Starring:
Dorothy MackaillJoel McCrea, (more)
1931  
 
A WWI American nurse stationed in London (Constance Bennett) meets a handsome flier and finds only sorrow in this three-hanky melodrama. She gets pregnant; then the flier disappears during a mission and she must bear her child alone. Time passes and eventually, she reluctantly agrees to marry a disabled British officer. Not long afterward, her true love reappears (not dead, after all) and many complications ensue. ~ Sandra Brennan, All Movie Guide

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Starring:
Constance BennettJoel McCrea, (more)
1931  
 
Kay Francis and Lilyan Tashman portray what used to be euphemistically labelled "good time girls". They work the convention circuit, providing companionship and other favors for tired business men--who of course lavish the girls with expensive gifts. Francis spoils this little set-up by falling for poor but virtuous Joel McCrea. Meanwhile, Tashman continues plying her trade with wealthy Eugene Pallette, whose wife responds not with jealousy but by trying to imitate Tashman's style! Girls About Town is the sort of ribald film fare that would be chased off the screen a few years later by the more stringent Production Code. ~ Hal Erickson, All Movie Guide

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Starring:
Kay FrancisJoel McCrea, (more)
1930  
 
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A somewhat primitive early talkie version of Rex Beach's lusty 1909 novel of Alaska salmon fishers, RKO's The Silver Horde was one of Joel McCrea's earliest breaks. Although third-billed to the more established Evelyn Brent and character star Louis Wolheim, McCrea played the leading role of Boyd Emerson, an adventurer finding himself stranded in the Alaskan wilderness along with sidekick Fraser (Raymond Hatton). Saloon hostess turned copper mine proprietress Cherry Malotte (Brent) falls in love with the newcomer and persuades business associate Tom Hilliard (William Davidson) to bankroll a salmon fishing operation for Emerson and the brutish-looking but lovable Balt (Wolheim). Emerson, however, is in love with Seattle debutante Mildred Wayland (Jean Arthur), whose snobbish father (Purnell Pratt) schemes with salmon industry magnate Frederick Marsh (Gavin Gordon) to sabotage the new endeavor. The rival fishing fleets meet in hand-to-hand battle for superiority with the Emerson-Balt crew emerging the winners. In retaliation, Marsh attempts to slander Cherry Malotte, but is killed by an out-of-control Balt. A major star of the late silent era, Evelyn Brent is struggling to convey her trademark toughness before the microphone, but McCrea makes a stalwart hero and Louis Wolheim is watchable doing almost anything. Jean Arthur is merely window dressing this early in her career, but Blanche Sweet, an icon of the early silent era, is completely wasted in a bit part as the villain's former girlfriend. It became her final screen appearance. The Silver Horde had been filmed once before, by Goldwyn in 1916 starring Myrtle Steadman as Cherry and Curtis Cooksey as Emerson. ~ Hans J. Wollstein, All Movie Guide

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Starring:
Blanche SweetEvelyn Brent, (more)
1930  
 
Lightnin' is based on the 1918 stage play by Winchell Smith and Frank Bacon, in which Bacon (the father of director Lloyd Bacon) had starred for years on Broadway and "the road." Will Rogers steps into the leading role as "Lightnin'" Bill Jones, the slow-moving husband of Mary Jones (Louise Dresser). Mr. and Mrs. Jones are co-owners of a hotel built right on the borderline between California and Nevada, used as the temporary home of divorcing wives so that they may pretend to be in the "California" half of the hotel while establishing residency in the "Nevada" half. Lightnin' befriends lawyer John Marvin (Joel McCrea), at present residing in the California half to avoid arrest on a trumped-charge. When Lightnin' refuses to sell his share of the hotel to a gang of stock crooks headed by Raymond Thomas (Jason Robards Sr.), Mary is coerced into divorcing her husband so that she can sign over the deed herself. In the semi-serious courtroom finale, Lightnin' not only convinces Mary that she's still in love with him but also manages to clear John Marvin's name. Director Henry King clearly exercised no control over Will Rogers, whose incessant ad-libbing, amusing though it is, slows the film to a crawl. Still, Lightnin' proved to be just as successful as any other Rogers talkie vehicle, proving that audiences came to see the star and not the story. ~ Hal Erickson, All Movie Guide

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Starring:
Will RogersLouise Dresser, (more)
1930  
 
Filmed in 1929 and released early in 1930, Dynamite was Cecil B. DeMille's first all-talking feature. As one observer has noted, this 128-minute opus has enough plots for seven pictures. The basic storyline here involves spoiled heiress Cynthia Crothers (Kay Johnson) who will lose her fortune if she isn't married right away. Her love Roger Towne (Conrad Nagel) isn't interested in marriage, so Crothers decides to wed convicted murderer Hagon Derk (Charles Bickford). Her plan: Derk will die, then she'll be a millionaire, free to chase after Towne without benefit of clergy. Unfortunately for Crothers, Derk is pardoned at the last minute when the real killer (Leslie Fenton) confesses. Crothers tries to drive Derk out of her life by humiliating him at a fancy party, only to discover that the conditions of her inheritance require that she live with her husband for a set period of time. She swallows her pride and heads for Derk's home town, a grimy mining village. Touched by Crother's inept efforts to keep house and cook dinner, Derk eventually falls in love with her--though he makes it clear that he wants no part of her money. Crothers, in turn, falls genuinely in love with her brutish but basically decent husband. It must needs be that fortune-hunting Towne arrives in the mining village, leading to a powerful climax wherein Derk, Crothers and Towne are trapped in a mine cave-in. Though the dialogue is occasionally quite silly (after the killer commits suicide in a crowded restaurant, one of the patrons is heard to complain "It's ruined my dinner!") and the performances overripe at times, Dynamite actually holds up better than you'd expect. DeMilles' utilization of sound is both innovative and imaginative, especially during the noisy climactic sequences. The film was a success, paving the way for DeMilles' camp classic Madame Satan (1930). ~ Hal Erickson, All Movie Guide

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Starring:
Conrad NagelKay Johnson, (more)
1929  
 
In this campus musical, the 1928 big game between USC and Stanford provides the impetus for music and mayhem. The story centers upon two USC teammates, Eddie and Biff, who share just about everything, even their girl friend, Babs. The trouble is, they don't know they are both dating Babs until just before the crucial game. Fortunately, the coach is there to mediate between the two angry men. He reminds them that women are not as important as winning the game. ~ Sandra Brennan, All Movie Guide

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Starring:
Elliott NugentCliff Edwards, (more)
1929  
 
Tod Browning (Dracula, Freaks) directed this second film version of the Bayard Veiller play, which was his first collaboration with Bela Lugosi, whom he would launch to stardom two years later. Lugosi plays Inspector Delzante, who investigates a series of murders near a British mansion in Calcutta. The murders are pinned on a young runaway named Helen O'Neill (Leila Hyams) who is taken in by a well-intentioned fake Irish medium, Madame LaGrange (Margaret Wycherly). Delzante toys with the various characters in attendance and makes them reveal the real killer, and Lugosi is a lot of fun to watch. The film doesn't hold up to straight criticism very well -- the accents are particularly ludicrous, the Indian setting is totally unconvincing (and, in light of the short shrift it is given in the script, wholly unnecessary), and the acting is of the stiff, declamatory style so popular in the early days of sound. If one can accept these drawbacks and just enjoy the cast (Holmes Herbert, Conrad Nagel, even a young Joel McCrea), the film is quite entertaining. Those viewers whose familiarity with Lugosi is limited to his horror work and his sad decline under the tutelage of Edward D. Wood Jr. may be quite surprised at his screen presence here, which -- while undeniably hammy -- is nonetheless commanding and powerful. He doesn't really act so much as mesmerize. ~ Robert Firsching, All Movie Guide

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Starring:
Conrad NagelLeila Hyams, (more)
1929  
 
In this mostly silent drama, an overprotective brother tries to keep his sister from getting further involved with a group suspicious characters. Meanwhile he falls in love with a jazz-lover whose father is his father's mortal enemy. At the film's climax, the brother races his car against a trolley car. ~ Sandra Brennan, All Movie Guide

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Starring:
Douglas Fairbanks, Jr.Marceline Day, (more)
1928  
 
No, Dead Man's Curve does not star Jan and Dean-mainly because it was filmed before either one of them was born. The film does star two of Hollywood's youngest and prettiest stars of 1928, Douglas Fairbanks Jr. and Sally Blane (sister of Loretta Young). Fairbanks plays a grease monkey who discovers a defect in an auto engine being turned out by his employer. But since our hero discovers this only after losing an important race, his boss chalks up the loss to Fairbanks' supposed cowardice. Thus it is that Doug Jr. spends the rest of the film clearing himself, with surreptitious aid from his sweetheart Sally, who happens to be the boss' daughter. Magnificently photographed, especially during the Big Race finale, Dead Man's Curve was scripted by Ewart Adamson, a man usually associated with slapstick comedies. ~ Hal Erickson, All Movie Guide

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Starring:
Douglas Fairbanks, Jr.Kit Guard, (more)
1927  
 
The Enemy was based on the rabidly anti-war play by Channing Pollock. Lillian Gish plays Pauli Amdt, the granddaughter of August Behrend (George Fawcett), a pacifistic Viennese schoolteacher. Pauli marries student Carl Behrend (Ralph Forbes), who almost immediately thereafter marches off to World War I. We say "almost," because Pauli has been rendered pregnant. When her grandfather loses his job due to political pressure, poor Pauli is forced into prostitution to provide food for her baby. Things get darker when Carl is reported missing in action. A happy ending did not diminish the dramatic clout of the earlier scenes, though when The Enemy was first released, many critics complained that Lillian Gish's performance paled in comparison to that of Fay Bainter, who starred in the original Broadway production. ~ Hal Erickson, All Movie Guide

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Starring:
Lillian GishRalph Forbes, (more)
1927  
 
In the spirit of female stars both before and after her, 30-year-old Marion Davies plays a girl a decade younger than herself (actually the men are guilty of this too -- both Buster Keaton and Harold Lloyd played college students while in their early 30s). Davies, fortunately, was athletic enough to pull off the part of a college basketball star -- plus she had the comedic talents to make this film both a critical and commercial success. This picture also won a long-term MGM contract for its co-star, ex-football player Johnny Mack Brown. Marion (Davies) doesn't want to go to Bingham college -- that is, until she meets Dixon (Brown), who is working his way through school by coaching the girl's basketball team. She eagerly joins the team and becomes their star player. Things seem to be going well between Marion and Dixon, but when they have a misunderstanding, she huffily misses a big game, which her team loses. As a result, she is ostracized by her fellow students. Finally, a burst of college spirit inspires her to enter the crucial game, which she wins for Bingham in the last seconds. She also wins back her popularity and Dixon. ~ Janiss Garza, All Movie Guide

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Starring:
Marion DaviesJohnny Mack Brown, (more)

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