Mark McCracken Movies

Visionary director Spike Jonze brings Maurice Sendak's beloved children's book to the big screen with the help of hipster icon Dave Eggers, who teamed with Jonze to pen the adapted screenplay. A mixture of real actors, computer animation, and live puppeteering, Where the Wild Things Are follows the adventures of a young boy named Max (Max Records) as he enters the world of the Wild Things, a race of strange and enormous creatures who gradually turn the young boy into their king. ~ Jason Buchanan, Rovi

Described as an inverted Runaway Bride (1999), The Best Man is a zany comedy about male marital jitters. Three years after being left at the alter, Adam (John Newcombe) still cannot make it through a wedding ceremony without becoming violently ill. His friend and editor Jimmy (John Hines) makes a deal with the struggling cartoonist; he will find a buyer for Adam's comic strip if Adam acts as best man for his wedding. Reluctantly agreeing, Adam follows Jimmy and his bride-to-be (Grace Phillips) to small-town Indiana to attend his nightmare dressed in white. ~ Jonathan Crow, Rovi

This enjoyable sci-fi actioner from director William R. Mesa succeeds despite stealing items from nearly every monster movie of the last twenty years. The plot concerns an idealistic tribal doctor, Ash Mattley (Mark Dacascos), who runs an underfunded provincial clinic in Sarawak, Borneo while trying to develop an immunity-boosting enzyme found only in certain rare beetles. Ash's plans are thwarted by mad scientist Carl Wessinger (Jurgen Prochnow), who steals the doctor's discovery and uses it to reanimate a nasty alien skeleton named Balacau. Ash must team with a pretty CIA operative (Robin McKee) and a precocious native boy (Thomas Taus, Jr.) to stop Wessinger and his hired commandos from selling Balacau to the highest bidder for use as a biological weapon. The monster chases the cast through many dark slimy corridors like the titular beast in Alien (1979), which it also resembles. The monster occasionally uses the cloaking ability of Predator (1987), and there's also a self-sacrificing black computer pro who explodes like Joe Morton in Terminator 2: Judgement Day (1991). Despite these and other obvious steals, the film is fast-moving, exciting, and manages to avoid many of the pitfalls which plagued dozens of similar efforts in the 1990s. John Hartigan's pyrotechnic effects are especially well-done, and one scene in which a speedboat is chased by a bazooka-firing helicopter is among the best of its type. ~ Robert Firsching, Rovi

John Goodman's full-throttle performance as a William Castle-inspired schlockmeister propels Joe Dante's delightful and charming comedy Matinee. The film takes place during the fall 1962 Cuban Missile Crisis, a time when America's innocence began to crumble. Goodman plays film producer Lawrence Woolsey, who is in Key West to premiere his latest horror epic, "Mant," the story of a man who turns into a giant insect ("Half Man! ... Half Ant! ... All Terror!"). He's busy rigging the local movie theater with all manner of gimmicks, such as Atomo-Vision and Rumble-Rama, and stationing a buxom nurse -- played by Woolsey's girlfriend and leading lady Ruth (Cathy Moriarty) -- in the lobby to assist potential heart attack victims. Amidst all the hubbub, a quartet of local teenagers gear up for the big premiere: Gene (Simon Fenton), a Navy brat whose father is on alert for the duration of the crisis; Stan (Omri Katz), Gene's friend who has a furious crush on Sherry (Kellie Martin); and Sandra (Lisa Jakub), the daughter of two beatnik free-thinkers. As the premiere of "Mant" gets closer and Soviet-U.S. tensions increase, the four teenagers' problems and desires also mount to the boiling point. ~ Paul Brenner, Rovi