Tim McCoy Movies
An authentic cowboy from the age of 15,
Timothy McCoy moved to a large Wyoming ranch next to a Sioux Indian reservation after some college studies; he became an authority on Indian languages, customs, and folk history, and mastered Indian sign language. He served in World War I, and was then appointed Indian Agent for his territory. In 1922, he was employed as a technical advisor and co-ordinator of Indian extras for the film
The Covered Wagon (1923); McCoy may also have done some trick riding for the film. He later he resigned his government post, having been offered a key supporting role in the western
The Thundering Herd (1925). MGM signed him to a film contract in 1925; he was to star in westerns and action movies based on historical anecdotes of the American frontier. By the early '30s he was among the most popular western stars; he always appeared dresed in black, with an oversized white Stetson hat and a pearl-handled gun. McCoy interrupted his screen career in 1935 to travel with the Ringling Brothers circus. In 1938 he started his own Wild West show, but it was unsuccessful. He returned to the screen in 1940, and for two years he co-starred in the low-budget Rough Rider western series; the series ended when
Buck Jones, another of its stars, died in a fire. He served in World War II (in which he was awarded the Bronze Star), then retired to his ranch; from 1949, however, he worked on TV and in occasional film cameo roles. He won an Emmy for his TV program The Tim McCoy Show. Until 1976
McCoy continued working 300 days a year as the headliner of Tommy Scott's Country Music Circus. In 1974 he was inducted into the Cowboy Hall of Fame. He authored an autobiography (assisted by his son Ronald), Tim McCoy Remembers the West (1977). ~ Rovi

- 1935
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In this his penultimate Western for Columbia Pictures, Tim McCoy played Tim Baxter, a cowboy returning to the old homestead to prove he did not kill his uncle. Ranch foreman Jed Miller (Charles Middleton) has inherited the ranch but Tim knows the will was forged. He gathers a group of vigilantes who all have grievances against Miller. There is a romantic triangle between Tim and youngsters Johnny (John Darrow) and Sally (Jacqueline Wells) and the former at one point betrays Tim to Miller. But everything is cleared up after a climactic gun battle. ~ Hans J. Wollstein, Rovi
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- 1934
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Taking a break from westerns during the 1933-34 season, Colonel Tim McCoy was starred in such Columbia "easterners" as Straightaway. McCoy is cast as a daring racecar driver, hell-bound for the Indy 500. The villains contrive to frame our hero from murder, going so far as to fix the "guilty" verdict should McCoy's brother win the Big Race. Suffice to say that our hero manages to extricate himself from this dilemma and drive to victory, with heroine Sue Carol cheering him on. None of Tim McCoy's modern-dress actioners were terribly successful, which is why he was back in the saddle by the fall of 1934. ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Sue Carol, (more)

- 1934
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Filmed at the Columbia ranch in ten days in September of 1934, this Tim McCoy Western did not enjoy a wide release until October of 1936, at which time the star had left Columbia in favor of small-time Puritan Pictures. McCoy played cowboy Tim Hamlin who arrives in a town plagued by a gang of cattle rustlers. Obtaining a job at the Ortega Ranch, Tim comes to the aid of the owner, Don Rafael (Carlos De Valdez), who cannot meet his payments to villainous saloon keeper Bonner (Hooper Atchley) because his cattle are being stolen. When Don Rafael is wounded in yet another raid, Tim, whose horse is found sweaty from a hard ride, is suspected of the attack and forced to flee a group of vengeful vigilantes. Bonner's chief lieutenant, Ed Walton (Alden Chase), is willing to help the Ortegas if only Dolores Ortega (Sheila Manners) agrees to marry him. Arrested by Town Marshal Willoughby (Joe Sawyer), Tim manages to escape and force Bonner to confess. Willoughby arrives to arrest the villains and Tim is free to romance lovely Dolores. The Prescott Kid was one of nine McCoy Westerns directed by David Selman, a former assistant director. The film was in all likelihood kept out of wide release in 1934 because Columbia was busy promoting McCoy in a series of (unsuccessful) non-Westerns. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy

- 1934
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Speed Wings is another 1934 "eastern" from western star Tim McCoy. This time, the star is cast as Tim, a devil-may-care stunt pilot. The various subplots include the emotional travails of young Jerry (Billy Bakewell), who vows to give up flying when he sees his best pal "crack up" before his very eyes. All crosses borne by the characters are cast aside when Tim is forced to rescue his girlfriend Mary (Evelyn Knapp), who's been abducted by airborne racketeers. Critics in 1934 were amused that, despite his contemporary surroundings and aviator's garb, Tim McCoy was still essentially a movie cowboy in a western-style plotline. ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Evelyn Knapp, (more)

- 1934
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Again forsaking his traditional western garb, Tim McCoy plays a rough-and-ready fireman in Columbia's A Man's Game. During one blaze, Tim and his partner Dave (Ward Bond) rescue pretty stenographer Judy (Evelyn Knapp). Falling in love with the girl, the boys try to save her from getting mixed up in an embezzlement scheme. The plot requires Judy to set off a fire herself to rout the villains, which of course also brings Tim and Dave back into the picture. As was his custom, director D. Ross Lederman deftly combines newly shot scenes with stock footage of genuine fires (one of which pops up three different times in the film!) ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Evelyn Knapp, (more)

- 1934
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A rather weak entry in Tim McCoy's Columbia oeuvre, this Western was released to smaller venues in December of 1934, but not widely shown until 1936. McCoy, a rather stolid type of cowboy hero, is rather miscast as a rodeo performer competing for the affection of Juanita Barnes (Marion Shilling) with Bob Lockhart (Joe Sawyer). Juanita chooses the latter, but comes to regret her decision when she discovers that she really loves Tim. Meanwhile, Tim's father, Zack (Edward J. LeSaint), is killed by the rodeo rider's horse, Midnight. With his inheritance, Tim buys the ranch next to Senator Lockhart (John H. Dilson), Bob's father, and has a run-in with Lockhart's crooked foreman, Wallace (Hooper Atchley). There is a fight during which Bob is badly injured. Tim is arrested but escapes with the assistance of Uncle Ben, an old family retainer (Harry Todd). Together, they learn that Zack's death was no accident, and that the sheriff (Albert J. Smith) may be implicated. After the climactic shootout, Bob's name is cleared, the villains apprehended, and Tim free to pursue a future with Juanita. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Marion Shilling, (more)

- 1934
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Another of western star Tim McCoy's non-westerns for Columbia, Voice in the Night casts McCoy as telephone-company owner Tim Dale. The hero's operation is a small one, but it offers formidable competition for the rival firm owned by Tim's distant relative Robinson (Joseph Crehan). The plot thickens when Tim falls in love with Robinson's daughter Barbara (Billie Seward). In an exciting climax, Tim is obliged to stretch a telephone wire across a sickeningly deep canyon -- and if there's any doubt that he accomplishes this, it's only because the doubter has never seen the star in action. Voice in the Night may not technically be a western, but Tim McCoy remains tall in the saddle even while driving a roadster. ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Billie Seward, (more)

- 1934
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During the 1933-34 season, Columbia Pictures attempted to place its resident western star Tim McCoy in contemporary roles. Beyond the Law finds McCoy cast as a modern-day railroad detective. When ex-convict Addison Richards is framed for a train robbery, Richards' daughter Shirley Grey plays up to McCoy, hoping to throw him off the track (so to speak). McCoy falls in love with Grey, and sets about to prove her dad's innocence. Beyond the Law is essentially a western in mufti, so who better to direct than action maven D. Ross Lederman? ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Shirley Grey, (more)

- 1934
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In this crime drama, a state trooper falls in love with a night club singer. The club owner is a racketeer using the nightspot as a front for his illegal business. His downfall begins when he hires thugs to beat up the cop. Later the cop gets his revenge by rallying together a group of ex-cons and using them to catch the evil racketeer. They do so, and the lovers are safe to pursue their relationship. ~ Sandra Brennan, Rovi
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- Starring:
- Tim McCoy, Lillian Bond, (more)

- 1933
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Adhering to an old Hollywood tradition, Tim McCoy's dog, Silver King, earned billing above the heroine, 1931 WAMPAS Baby Star Barbara Weeks, in this typically workmanlike Columbia Western. McCoy and Silver King come to the aid of Mollie Martin (Weeks), whose brother, Tom, has been kidnapped by Bart Quillan (Rockliffe Fellowes), a neighboring sheep rancher planning to rule the entire valley with his equally unsavory brothers. Along the way, McCoy is befriended by gunman Poe Powers (Wheeler Oakman), whose fiery girlfriend, Mona Quillan (Dorothy Burgess), does not approve of her family's grand schemes. Searching for Tom Martin, McCoy is captured and tied up by Quillan and his brothers but is rescued by the clever Silver King, who chews through the ropes. Returning with Poe, Tim defeats the Quillans and secures Tom's release. Rusty Rides Alone proved the final film of Rockliffe Fellowes, a silent screen star best remembered as Owen, the reformed gangster in Raoul Walsh's The Regeneration (1915). His brothers were played by Edmund Cobb, Wally Wales, and Jay Wilsey (aka Buffalo Bill Jr.), all former Western stars in their own right. Interestingly, Wheeler Oakman, cast as the Boss Menace in most of the McCoy Westerns, switched sides this time around. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Barbara Weeks, (more)

- 1933
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A decidedly minor entry in Tim McCoy's Western oeuvre, The Whirlwind was released in the middle of McCoy's unsuccessful "straight" melodramas. Tim played Tim (as he almost always did), a rodeo rider returning to his hometown of Sagebrush only to find the place run by power-hungry sheriff Tate Hurley (Matthew Betz). The latter takes umbrage to Tim's meddling in his crooked ways and frames him in a bank robbery. The rodeo rider manages to escape along with sidekicks "Injun" (J. Carrol Naish) and Pat (Pat O'Malley), and sets a trap for his enemy. The stolid McCoy was not really the rodeo type, but his fine acting capabilities remained persuasive even in less than top-notch fare like this. ~ Hans J. Wollstein, Rovi
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- 1933
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In his first Western of 1933, Columbia Pictures' Tim McCoy once again played a Texas Ranger, this time investigating the death of a supposed bank robber, "the Falcon." Tim and his buddy, Miguel (Julian Rivero), arrive at the Sherman ranch, whose owner (Lafe McKee) is the real victim of the robbery and is now about to lose his property. As it turns out, the robbery was staged by banker Frank Caldwell (Joseph W. Girard), who had advanced Sherman 10,000 dollars to pay his mortgage. Caldwell, meanwhile, is being blackmailed by evil Kit Masters (Stanley Blystone), who wants both the Sherman ranch and the rancher's pretty daughter, Irene (Caryl Lincoln). Although having to fight an unsympathetic sheriff (Wheeler Oakman) and his even more unscrupulous deputy (Ted Adams) all the way, Tim manages to save the Sherman ranch, force a confession out of meek bank teller Summers (Walter Brennan), and bring all the villains to justice. McCoy had great rapport with comic sidekick Julian Rivero (whose character answered to the imposing name Don Miguel y Guillermo Pablo Pancho Castrano de Villero), whom he always credited with teaching him the South-of-the Border accent he would employ in many of his future films. ~ Hans J. Wollstein, Rovi
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- 1933
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Hopscotching between westerns and modern-dress actioners in 1933, Tim McCoy once more finds himself at large in the Big City in Hold The Press. The bane of the police department, crime reporter McCoy insists upon conducting his own investigation when a baffling murder occurs. At one point, he is knocked out while snooping where he doesn't belong; at another, he feigns drunkenness (even unto smearing his lips with booze) to throw the bad guys off the track. It goes without saying that not only does our hero gather enough evidence to convict the villains, but also wins the heroine (Shirley Grey). Real-life journalists tended to treat films like Hold The Press derisively, though one suspects they secretly enjoyed them. ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Shirley Grey, (more)

- 1933
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Tim McCoy played the classic good/bad man in this average B-Western from Columbia Pictures filmed in about a week and on a reported budget of 12,000 dollars. McCoy played Tim Richards, a cowboy who escapes from jail after serving a sentence for a crime he didn't commit. He obtains a job checking cattle for rancher "Two Block" Burnett (Joseph W. Girard) and is almost immediately forced into a range war between Burnett and his neighbors, Ed (Wheeler Oakman) and Jack Wilder (J. Carrol Naish), who mistakenly believe that Burnett killed their father. Tim falls in love with Ed and Jack's sister, Wynne (Florence Britton), and when Tim is framed for the murder of alcoholic "Coyote" Cotter (Walter Brennan), the Wilders stand by him. The real murderer proves to be Carl Lawler (Matthew Betz), a former cellmate of Tim's. There is a climactic fire set by Lawler and the inevitable shootout, which leaves only Tim standing. Having made the area safe from the likes of Lawler and his boss, crooked lawyer Oscar Sikes (William V. Mong), Tim is cleared of all charges, the Wilders and Burnett come to an agreement, and Wynne accepts Tim's proposal of marriage. As in the later Rusty Rides Alone, Wheeler Oakman, usually cast as a boss villain, played a good guy this time around. Director D. Ross Lederman was almost fired by studio owner Harry Cohn, accused of having leaked the meager budget of this film. ~ Hans J. Wollstein, Rovi
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- 1933
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Police Car 17 is one of a handful of non-westerns made for Columbia by cowboy star Tim McCoy. Motor patrolman Tim Conlon (McCoy) and his partner Bumps O'Neill (Ward Bond) vie for the attentions of Helen Regan (Evelyn Knapp), daughter of a fellow cop. Our hero not only wins Helen but also the undying admiration of his fellow lawmen through a series of incredible acts of heroism. All things considered, Police Car 17 is a western in modern dress. All that's missing is the final shootout at High Noon, but this is neatly compensated for by a climactic fistic battle in an abandoned garage. ~ Hal Erickson, Rovi
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- Starring:
- Tim McCoy, Evelyn Knapp, (more)

- 1932
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Tim McCoy is falsely accused of killing his own father in this typical low-budget oater directed by the generally efficient but unexciting D. Ross Lederman. Framed in the killing of his own father, Tim Benton (McCoy) escapes from prison along with brutish Red Larkin (Matthew Betz). The fugitives head for the former Benton mine now operated by the villainous John Sebastian (Ethan Laidlaw), where Tim plans to rob the payroll. En route, they are discovered by Bob Dinsmore (William A. Howell), the new marshal of Silver City, who is killed by Red. Tim, who believes the marshal to be merely knocked unconscious, decides to impersonate him in order to get the goods of the two men, Stevens and Ainsley, who framed him on behalf of Sebastian. Accepted by the townspeople in general and the sheriff's daughter Alice (Gulliver) in particular, Tim's scheme is endangered by the arrival of both Stevens (Bob Perry) and Ainsley (Dick Dickinson). After quickly arresting the two henchmen, Tim tells Red that he no longer wishes to go through with the planned payroll robbery. Red, in anger, frames his former partner for Dinsmore's murder. In the ensuing shootout, Red is mortally wounded, but manages to clear Tim's name before he expires. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Dorothy Gulliver, (more)

- 1932
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A typical low-budget but competently made Columbia Western, The Riding Tornado featured Tim McCoy as a famous rodeo champ who, incognito, wins a supposed killer stallion, Pal, and a purse of 500 dollars in a small town race. Having amicably lost the money in a poker game, Tim is hired by Pal's prior owner, rancher Hiram Olcott (Lafe McKee), to track down a gang of cattle rustlers headed by Hetch Engle (Wheeler Oakman). In between fighting hothead ranch foreman Dick Stark (Wallace MacDonald) for the attention of lovely Patsy Olcott (Shirley Grey), Tim manages to track down Hetch and his gang before they can do more damage. Stark, meanwhile, is heroically killed attempting to stop a stampede, leaving Tim and Patsy free to plan a future together. Vernon Dent, who later menaced the Three Stooges in countless two-reelers, played Hefty, the bartender, a role he had originated in an earlier McCoy effort, Texas Cyclone. ~ Hans J. Wollstein, Rovi
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- Starring:
- Shirley Grey, Wallace MacDonald, (more)

- 1932
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Although based on a story by William Colt McDonald, the creator of The Three Mesqueteers, this Tim McCoy effort from Columbia was a conventional Western at best. McCoy played Tim Madigan, a cowpoke coming to the aid of Jerry Norris (Alberta Vaughn), whose father (Murdock MacQuarrie) is in trouble with a gang of cattle rustlers. The leaders of the rustlers, Hugo Distang (Robert Ellis) and Bull Bagley (Richard Alexander), prove to be the very same villains Madigan was trailing. Aided by a new friend, Jughandle (Wallace MacDonald), Madigan manages to catch the rustlers red-handed. The bandits are carted off to jail and Jughandle proves to be an agent for the Cattlemen's Association. McCoy offered a competent and believable performance but this time the material was not quite up to his usual high standard. Future Three Stooges menace Vernon Dent appeared as an ill-fated bartender. ~ Hans J. Wollstein, Rovi
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- Starring:
- Alberta Vaughn

- 1932
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Directed by the mediocre J.P. McGowan, Tim McCoy's second Western for Columbia was a rather tedious affair in which McCoy played a cattle rancher who has leased grazing land from his girlfriend's (Virginia Lee Corbin) father (Dick Stewart). The Mitchell brothers, Spider (Joe Marba) and Jake (Monte Vandergrift), claim the land to be theirs and demand a toll for passage. The brothers then try to get rid of the rightful owner but fail and instead start erecting a fence. McCoy's sidekick, Sagebrush (Frank Rice), sets a charge of dynamite at the base of the barricade but Sally (Corbin) accidentally rides into the line of fire. She is saved in the nick of time by Tim and stampeding horses frightened by the explosion trample the last remaining Mitchell brother to death. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Virginia Lee Corbin, (more)

- 1932
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An average entry in Columbia Pictures' Tim McCoy Western series, The Western Code features perennial Bad Guy Wheeler Oakman as Nick Grindle, a crooked saloon keeper who marries lovely Polly Loomis' mother for her money. The woman dies leaving everything to Grindle while Polly (Nora Lane) and her brother, Dick (Dwight Frye), remain penniless. Texas Ranger Tim Barrett (McCoy), however, suspects the will to be a forgery. When Grindle is found dead, both Polly and Dick confess to the crime, each believing the other to be guilty. Assuming both to be innocent, Tim follows Grindle's henchmen, Worden (Matthew Betz) and Chapman (Mischa Auer), to the gang's hideout where he finds Grindle still very much alive. The dead man was in fact Frank Newport, a missing ranger whose face Grindle had disfigured to hide his identity. Worden confesses to the murder of the ranger, Chapman admits to having forged the will, and Grindle himself is killed in a climactic gun battle. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Nora Lane, (more)

- 1932
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Tim McCoy played a cavalry officer dishonorably discharged for selling weapons to the Indians in this arguably his finest sound film and by many considered one of the best series Westerns produced in the 1930s. Leaving the army fort in disgrace along with his young foster son Jimmy Travers (Wally Albright), Capt. Tim Travers (McCoy) is soon joined by disgruntled cavalry Sergeant O'Brien
(Wade Boteler). But in their attempt to catch the AWOL O'Brien, the cavalry shoots and kills little Jimmy. A bitter Tim goes to live with the Arapahos but is once again arrested on charges of treason. Alas, when the tribe attacks the fort, it is Tim who prevents a wholesale slaughter. As a reward, as he is waving the white flag of truce, Tim is cowardly shot in the back by a half-crazed soldier. Mortally wounded in the battle, fellow officer Wheeler Oakman lives long enough to confess that it was he, not Tim, who had armed the Indians for profit. Happily, Tim's wound is not fatal and his bravery is rewarded with the position of new Indian agent. ~ Hans J. Wollstein, Rovi
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- 1932
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In this his first Western of 1932, Tim McCoy is supported by a young John Wayne. Learning that he is a dead ringer for rancher Jim Rawlins, drifter Texas Grant (McCoy) agrees to keep up the charade in order to scare off a gang of rustlers that has been terrorizing the area. The missing man's wife, Helena (Shirley Grey in the second of four appearances opposite McCoy), at first believes Texas to be her husband but when learning otherwise agrees to keep his real identity hidden. Helena has been having trouble with Utah Becker (Wheeler Oakman), the owner of the Red Dog Saloon, who is secretly employing a majority of the Rawlins' cow hands. Texas, as Jim Rawlins, has the crooks thrown off the property, keeping only Steve, who has remained loyal to Helena throughout. When Becker learns of the newcomer's real identity, he accuses the cowboy of taking advantage of Helena and challenges him to a gunfight at dawn. The saloon owner hedges his bets, however, by having Nick hide in ambush, but both men are killed and Texas wounded. Nursed back to health by Helena, Texas reveals that he is indeed Jim Rawlins, a victim of amnesia caused by an earlier scuffle with Becker. Rotund Vernon Dent, later a popular villain in Three Stooges two-reelers, appeared in this film as Hefty, the bartender, a role he would re-create in future McCoy Westerns. Young John Wayne would also reappear in a future McCoy Western, Two Fisted Law (1932), in both instances playing characters sympathetic to Tim. Offscreen, Wayne and McCoy were less friendly, the former finding the latter morose and distant. ~ Hans J. Wollstein, Rovi
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- 1932
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Not the best of Tim McCoy's 16 Westerns for Columbia (1931-1932), Cornered, directed by action specialist B. Reeves Eason, was also far from the worst, with plenty of fast riding and shooting to please the small fry. McCoy played Sheriff Tim Laramie whose best friend, Moody Pearson (Niles Welch), is accused of killing the father of his girlfriend, Jane Herrick (Shirley Grey). Tim staunchly proclaims his friend innocent until proven guilty but when Moody escapes, the townsfolk fire him. Tim and Moody join a gang of outlaws headed by Red Slaven (Noah Beery), whom the latter believes killed old man Herrick. When cornered, Slavens freely admits to the murder, but then orders his men to kill Tim. The ranchers, aroused earlier by Tim, arrive in the nick of time and, having cleared his name, Moody begins preparations to marry Jane. As always, this McCoy-Columbia Western was cast with seasoned veterans such as the always hissable Beery and Walter Long. Raymond Hatton played McCoy's comic sidekick and Walter Brennan and silent Western star Edmund Cobb appeared in unbilled bits as a court clerk and ranch hand, respectively. ~ Hans J. Wollstein, Rovi
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- 1932
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Penned by prolific pulp writer William Colt MacDonald, this Tim McCoy Columbia Western may have been the forerunner of McDonald's later so popular The Three Mesqueteers. John Wayne, whose character is named, appropriately, Duke, and Wallace MacDonald (no relation to William Colt) play McCoy's loyal ranch hands, and although they remain in the background for part of the action, the germ of the triad hero is there. Tim plays a rancher losing his property to a crooked money-lender turned cattle rustler (Wheeler Oakman). The dastardly villain is in league with a sheriff's deputy (Walter Brennan) and together they rob the Wells Fargo. There is a final shootout and the dying deputy confesses to both the Wells Fargo heist and to the fact that Tim's ranch was illegally obtained. Wayne, who didn't get along with McCoy and had several rows with studio czar Harry Cohn, swore that he would never again work for Columbia, a promise he kept. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Alice Day, (more)

- 1932
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In his fourth Western for Columbia Pictures, Tim McCoy played a lawman chasing a masked villain known only as "the Shadow." The would-be express office robber proves to be Grip Mason (Robert Ellis), who mistakenly blames Tim for his brother's death. There is a treacherous saloon femme fatale (Dorothy Granger of two-reel comedy fame), a comic sidekick (Harry Todd), and the inevitable ingénue. The latter was played by Marceline Day, a 1926 WAMPAS Baby Star best remembered today as Buster Keaton's girl in The Cameraman (1928). Typical of McCoy's Columbia Westerns, The Fighting Fool was well made in spite of budget constrictions. ~ Hans J. Wollstein, Rovi
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- Starring:
- Tim McCoy, Marceline Day, (more)