Robert Hoffman Movies

Set in five neighborhoods of Los Angeles, director Christopher Landon's ensemble comedy drama Burning Palms follows a small group of protagonists as they shatter taboos and strive for success. When a lonely woman meets a handsome single father (Dylan McDermott), she thinks she's found the perfect mate. She begins to have second thoughts, however, upon witnessing his unusual interactions with his overly flirtatious adolescent daughter (Emily Meade). Meanwhile, a woman (Jamie Chung) seeking to please her sexually deviant boyfriend finds that the price of submission may be more than she's willing to pay, and a gay couple (Peter Macdissi and Anson Mount) begin to have second thoughts about adoption after welcoming an African child into their home. Things only get more absurd when a depressed woman (Zoe Saldana) makes a bizarre proposal to a man (Nick Stahl) who recently attacked her, and a mischievous boy engages his brothers in a series of increasingly twisted challenges. Rosamund Pike and Lake Bell co-star. ~ Jason Buchanan, Rovi

Director Jon M. Chu takes the helm for this Step Up sequel set at the Maryland School for the Arts and following the journey of a rebellious street dancer who struggles to fit in at the prestigious school. Andie (Briana Evigan) may show great promise as a dancer, but she just can't seem to let go of her old life and get a fresh start. With Baltimore's hottest underground dance contest looming on the horizon, Andie joins forces with top dancer Chase (Robert Hoffman) while simultaneously helping to sharpen the skills of her outcast classmates. Perhaps if Andie, Chase, and their talented team of misfit dancers can earn the top slot at The Streets, the troubled new arrival can finally make her dreams a reality while also letting go of the past, and bounding confidently forward into the future. ~ Jason Buchanan, Rovi

A meager grocery clerk embarks on an epic mission to win the international competitive bagging championships and bag the heart of his dream girl in the first National Lampoon comedy produced in house in nearly twenty years. ~ Jason Buchanan, Rovi

A simple case of assumed identity snowballs into a romantic mix-up of epic proportions in director Andy Fickman's contemporary teen take on William Shakespeare's Twelfth Night. Viola Hastings (Amanda Bynes) has good reason for wanting to conceal her identity upon arriving at Illyria Prep School, and with her twin brother, Sebastian (James Kirk), skirting school in an attempt to break into the London music scene, Viola sees her sibling's well-timed absence as the perfect opportunity to assume his identity. When Viola is assigned a shared dorm room with campus cool guy Duke (Channing Tatum), her facade slowly begins to crumble as she begins harboring a deep-rooted crush on her unsuspecting new roommate. The situation begins to take a turn for the worse, however, when Duke reveals his affection toward campus knockout Olivia (Laura Ramsey), who in turn seems increasingly drawn toward the sensitive imposter known as Sebastian. The problem is, the real Sebastian has decided to cut his London trip short, and upon arriving on campus two days earlier than expected, Viola's elaborately executed ruse hits an unexpected hitch that sends the entire situation spiraling into chaos. ~ Jason Buchanan, Rovi

Larry Gigli (Ben Affleck) is a low-level Los Angeles mob enforcer. His volatile boss, Louis (Lenny Venito), hires Gigli to kidnap Brian (newcomer Justin Bartha), the mentally handicapped younger brother of a federal prosecutor who's about to bring Louis' boss to trial in New York. Gigli gets the kid home without a hitch. Then a beautiful woman (Jennifer Lopez) shows up at his door. She says her name is Ricki, and Gigli soon learns that the nervous Louis has hired her to keep an eye on him. "In every relationship," Gigli soon finds himself expounding to his unwanted partner, "there's a bull and a cow." His efforts to maintain control of the situation are further hampered by the brief appearance of the insane Detective Stanley Jacobellis (Christopher Walken) and a forced visit to his overbearing mother's (Lainie Kazan) house. To make matters worse, when Gigli expresses his attraction to Ricki, he learns that she's a lesbian. She, meanwhile, proves herself considerably more capable than the lunkheaded Gigli, winning their war of words and even scaring off a rowdy group of high school kids. As Gigli and Ricki continue to look after the young, innocent Brian, they find themselves increasingly attracted to one another. But their potential budding romance is put on hold when Starkman (Al Pacino) arrives from New York, angry about how his affairs are being handled. Director Martin Brest, in his first film since 1998's Meet Joe Black, returns to the crime comedy genre that made his reputation. Brest also wrote the script for Gigli, his first since 1979's Going in Style. Stars Affleck and Lopez began a well-publicized romantic relationship on the set of the film. ~ Josh Ralske, Rovi