Alec McCowen Movies

When a workaholic businessman needs to be married to maintain a good image, he asks a woman to pose as his wife. The film is a British production originally made for The Romance Theatre. ~ John Bush, All Movie Guide

This meticulous re-creation of the sinking of the Titanic was adapted by Eric Ambler from the best-selling book by Walter Lord, and it preceded the blockbuster Titanic by almost 40 years. The film covers the life and death of the huge vessel from its launching celebration to that fateful night of April 14, 1912, when the "unsinkable" ship struck an iceberg in the North Atlantic. Of the 2224 passengers on board, 1513 were drowned as a result of the bad planning of lifeboats and escape routes. Kenneth More heads a huge and stellar cast, with 200 speaking parts, as second officer Herbert Lightoller, from whose point-of-view the story unfolds. Also in the cast are Laurence Naismith as the ill-fated Captain Smith; Michael Goodliffe as conscience-stricken ship's designer Thomas Andrews; Tucker McGuire as feisty American millionaire Molly Brown, whose courage and tenacity saved many lives; and Anthony Bushell as the captain of the Carpathia, who launched a noble but vain rescue mission once he was apprised of the disaster. Also appearing are two future TV favorites: The Avengers' Honor Blackman as a woman who believes that she has nothing to live for, and The Man From UNCLE's David McCallum as a wireless operator. The climactic sinking of the vessel is re-created with painstaking accuracy; filmed in "real time," it is a mere 37 minutes shorter than the actual tragedy. Two years before the film's release, an American TV adaptation of A Night to Remember set a precedent as the most elaborate and technically complex "live" broadcast of its time. Some viewers will find this movie a more accurate and gripping representation of this sea disaster than the romance-heavy Titanic. ~ Hal Erickson, All Movie Guide

Hot on the heels of the BBC's multipart 1999 adaptation of Charles Dickens' semiautobiographical novel David Copperfield came this American-financed version, prepared for the TNT cable network as part of the Hallmark Hall of Fame. Child actor Max Dolbey and adult performer Hugh Dancy share the role of David Copperfield who, after enduring a tempestuous youth at the hands of his cruel stepfather Murdstone (Anthony Andrews), manages to survive into adulthood with the help and support of such sympathetic figures as Aunt Betsy Trotwood (Sally Field), the eternally-in-debt Mr. Micawber (Michael Richards), and loyal old Dan Peggoty (Nigel Davenport). Even so, David's later years are none too serene, thanks in great part to antagonists like the wheedling, "'umble" Uriah Heep (Frank MacCusker), and to his own star-crossed romantic misadventures. At the time of its first telecast on December 10, 2000, this two-part adaptation of David Copperfield was criticized for the "stunt" casting of former Seinfeld regular Michael Richards as Micawber, who is transformed into a Kramer-esque slapstick figure; however, one must remember that not everyone was enamored of W.C. Fields' now-classic interpretation of the same character in the 1935 film version. David Copperfield was lensed on location in Ireland. ~ Hal Erickson, All Movie Guide

Alfred Hitchcock entered the 1970s with his commercial reputation virtually in tatters, a far cry from his stature at the start of the 1960s. Then, he'd been in the middle of the massively successful trio of movies, North by Northwest, Psycho, and The Birds, and was a ubiquitous presence on television thanks to his anthology series Alfred Hitchcock Presents -- but the series ended, and he'd suffered three expensive box-office failures in a row, Marnie, Torn Curtain, and Topaz, in the second half of the 1960s. He redeemed himself with Frenzy, however, which marked his return not only to England for the first time in 20 years but also to the subject matter with which he'd started his career in thrillers back in 1926 -- murder, and a hunt for a serial killer in London. As the latest female victim of the "Necktie Murderer" is found in the Thames, raped and strangled, we meet Richard Blaney (Jon Finch), a bitter, belligerent ex-Royal Air Force officer who can't seem to find his way in life. He drinks too much and holds grudges too easily, and has an explosive temper, which is very near the surface as he's just lost his job. We also meet his girlfriend, a barmaid (Anna Massey); his ex-wife, a professional matchmaker (Barbara Leigh-Hunt); and his best friend, Covent Garden fruit seller Bob Rusk (Barry Foster). Their connection to the necktie murders will be clear to us in the first 30 minutes of the movie and, not coincidentally, completely misinterpreted by the police, as Chief Inspector Oxford (Alec McCowan) and his men tighten a circle around the wrong man, who rapidly runs out of options and allies.

The chase and suspense are classic Hitchcock, favorably recalling a dozen of his earlier movies, from The Lodger and The 39 Steps through Saboteur and Spellbound to Dial M for Murder and North by Northwest, with some new twists and the added energy afforded by the extensive use of actual London locations. There's also a good deal more sex and nudity here than Hitchcock was ever allowed to use in his earlier movies, owing to the relaxation of "decency" standards that had taken place in the years leading up to this production. The suspense derives from multiple interlocking and overlapping layers of uncertainty -- when will each of the two men, suspect and murderer, slip? (And which will slip first?) When and how will the police realize their mistake, and will it be in time to save the innocent man? Amid the straightforward storytelling and thriller elements, Hitchcock manages to slip in a few bravura cinematic moments, the best of them a pullback shot down a flight of stairs into a busy street as the killer invites his next victim into his home, as well as a scene aboard a truck, with a murderer desperately wrestling with a corpse hidden in a sack of potatoes. Frenzy was adapted from Arthur La Bern's novel Goodbye Picadilly, Farewell Leicester Square by mystery aficionado Anthony Shaffer, but for all of that and its decidedly modern trappings of sex and violence, it bears the indelible stylistic stamp of Alfred Hitchcock. ~ Bruce Eder, All Movie Guide

In this WWII romance, Harrison Ford (face-to-face with superstardom from his involvement in Star Wars) is cast as David Halloran, an American bomber pilot stationed in London. During an air raid, Halloran meets and falls in love with beautiful Briton Margaret Sellinger (Lesley-Anne Down). Naturally, Margaret is married, and just as naturally David hopes that this won't make too much difference in their relationship. But this is not to be: Halloran is assigned behind enemy lines on a dangerous assignment, and his partner in this endeavor is Margaret's husband, Paul (Christopher Plummer). ~ Hal Erickson, All Movie Guide

In this drama of romantic intrigue and infidelity, Sam and Christine Bonner (Arthur Hill and Jane Fonda) are a married couple whose relationship has hit a rough spot. While Sam loves Christina very much and would do anything for her, she feels unsatisfied and suffocated by him; she wants more space for herself and would like to have a baby. Sam is more than willing to help, but matters become more complicated when he introduces Christine to Murray Logan (Peter Finch), a friend from work, and his wife Sybil (Angela Lansbury). Murray and Sybil are not at all happy together; ever since an auto wreck claimed the life of their son, Sybil has been emotionally on edge and blames her husband for the death of her child. When Murray meets Christine, he finds himself attracted to her; she is also interested in him, but neither are in a position to do anything about it. Sam arranges for the two couples to take a vacation to Greece together, hoping a change of scenery will bring a spark back into their lives. However, Sam's father Frederick (Alexander Knox) falls ill just as the couples are about to leave, and he's forced to stay behind. While in Greece, Murray and Christine finally succumb to their desires and begin an affair; an angry Sybil retaliates by both having a fling with a local man and spilling the beans to Sam about Murray and his wife. John Houseman, later to become famous as an actor, served as a producer on this film. ~ Mark Deming, All Movie Guide

The title of the 1983 James Bond adventure Never Say Never Again is a self-mocking reference to star Sean Connery's insistence back in 1971 that he would never play Bond again. Reportedly, the huge salary offered Connery was but one consideration that brought him back to the 007 fold; the other was the producers' assurance that Connery would have full control over all aspects of production, a promise that was not kept often enough to the star's liking. Essentially, this film is a remake of the 1965 Bond flick Thunderball (the producers were able to get away with this due to a legal tangle involving the original 1961 Ian Fleming novel). Bond emerges from cozy retirement to cross swords with Largo (Klaus Maria Brandauer), a megalomaniacal business exec who steals several nuclear missiles, intending to bring the World Powers to their knees. Kim Basinger plays Domino, Largo's mistress, whose loyalty Bond secures when she learns that Largo was responsible for the death of her brother. In addition to Basinger, the film boasts a toothsome villainess by the name of Fatima Blush (played by Barbara Carrera). After wrapping Never Say Never Again, Sean Connery swore that this was his absolutely final performance as James Bond; thus far, he's kept his word. ~ Hal Erickson, All Movie Guide

Playwright Tom Stoppard, best known for such works as Rosencrantz and Guildenstern are Dead and Arcadia, turned his attention to recent Polish history in this television film about the early 1980s formation of the Solidarity movement. Filmed just two years after the actual events, Squaring the Circle initially focuses on the inner workings of the Politburo and their reactions to the strikes led by deeply dissatisfied workers. When the strikes become more prominent and unified, with demands for independent trade unions, the film's attention shifts to the leaders of the workers, especially the charismatic Lech Walesa. For a brief period, the workers and the Politburo make a doomed attempt to come to an acceptable compromise in order to avoid internal violence and prevent the intervention of Russian troops. Stoppard addresses the complexities of dramatizing recent history by telling his tale through an unreliable narrator, who is occasionally interrupted and corrected by a native Pole regarding certain historical and political facts. Originally made for British television by director Michael Hodges, the film underwent a number of unauthorized changes in the hands of the American co-producers; the detrimental effects of these changes are detailed in Stoppard's introduction to the published script. ~ Judd Blaise, All Movie Guide

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, All Movie Guide

Adapted from the play by Terence Rattigan, The Deep Blue Sea stars Vivien Leigh as the troubled wife of a London attorney (Emlyn Williams). Racked with emotional problems, Leigh turns her back on her loveless marriage and sets up house with a handsome RAF officer (Kenneth More). When her lover proves to be shallow and unreliable, Leigh attempts to kill herself. She is rescued by a gambler (Eric Portman), who'd once been a doctor before being drummed out of his profession in disgrace. The kindly ex-doctor builds up Leigh's confidence in herself, allowing her to go on with her life without relying upon men to define her self-image. ~ Hal Erickson, All Movie Guide

This film adaptation of Bernard Shaw's 1903 comedy/drama stars Dirk Bogarde, which might have led some impressionable viewers to assume that Doctor's Dilemma was merely the latest installment in Bogarde's "Doctor in the House" series. Bogarde plays a rakish artist who falls victim to consumption. Leslie Caron is his lovely wife, who will not face up to Bogarde's indiscretions. Rather than watch her husband die, Caron begs a doctor to utilize a revolutionary new serum on Bogarde. With the serum in short supply, the doctor is faced with his dilemma: should he save the life of the "worthless" Bogarde, or hold out until a more deserving patient comes along? ~ Hal Erickson, All Movie Guide