Malachy McCourt Movies

Directed by Colum McCann and Michael Carty, Beautiful Kid follows the lives of three kids growing up working-class Irish in the Bronx. Sean (Dan Brennan) loathes his alcoholic father, and doesn't harbor much affection for his brothers, who are alcoholics themselves. Sean, however, doesn't see the pattern in front of him and spends most of his free time abusing alcohol and drugs with his friends, Rock (Javier Pire) and Bridgette (Christie Myers). Though the group occasionally vows to straighten themselves out before they hit 30, nothing in the way of change occurs until Sean finds out that his former high-school crush (Kate Forsatz) managed to leave the neighborhood and its demons for a more lucrative lifestyle in San Francisco. Inspired, Sean decides to change his ways. Though Sean has a baby with Bridgette (Myers) and appears to reconcile with his father, alcohol and drugs still threaten the future of everyone involved. ~ Tracie Cooper, All Movie Guide

A relationship between two brothers literally becomes a matter of life and death in this drama from writer, director and actor Edward Burns. Francis Sullivan (Burns) was a street-wise thug with ties to the Irish mob until his younger brother Sean (Elijah Wood) was killed on Ash Wednesday in 1980 while trying to protect Francis from gangsters who were out to kill him. Three years later, Francis is a law-abiding man who is trying to stay on the straight and narrow and keep his eye on Grace (Rosario Dawson), Sean's widow. However, rumors have begun to circulate that Sean's death was just a ruse fabricated by Francis and a sympathetic priest, Father Mahoney (James Handy), to get mobster Moran (Oliver Platt) off Sean's back. Some people have spotted someone who looks a lot like Sean wandering around the neighborhood, and Moran, who doesn't forget a grudge, begins scouring the neighborhood in search of Sean, while Francis has worries of his own about Sean, since his relationship with Grace has started to move beyond simple family friendship. ~ Mark Deming, All Movie Guide

Many people are familiar with the story of Pulitzer Prize-winning author Frank McCourt's life. His book Angela's Ashes was a New York Times best-seller and garnered international attention and acclaim. The McCourts of Limerick is a documentary film produced and directed by Frank's brother, Conor McCourt. Using family photos and family home video, the film documents the family's life in Limerick, Ireland, and the many struggles they faced both economically and psychologically. ~ Laura Mahnken, All Movie Guide

Originally aired as a two-part miniseries, this biography looks at the early years of America's most dashing president from his early childhood through his nomination for Congress. It's based on Nigel Hamilton's best-selling biography. ~ Sandra Brennan, All Movie Guide

Richard Harris was nominated for several awards (including the Oscar and Golden Globe) for his performance in The Field. The time is the mid-1930s; the place, western Ireland. For many years rugged individualist Bull McCabe (Harris) has been cultivating a small plot of rented land, nurturing it from barren rock into a fertile field. Now, however, the widow who owns the land plans to sell it at auction. The infuriated Bull shows up at the bidding, secure in his belief that none of his neighbors will dare bid against him. But Bull has not taken into consideration a wealthy Irish-American (Tom Berenger), who intends to pave over the land and bring new industry to the area. "This is deep, very deep, deeper than you think" warns Bull, as he sends his grown son (Sean Bean) to "persuade" the American to withdraw his bid. Armed with the foreknowledge that Bull's tenacity has caused heartbreak and tragedy in the past, the audience steels itself for the awful consequences still to come. Punctuating the storyline are the periodic appearances of the toothless village idiot, played by John Hurt. Originally produced for British television, The Field was based on the landmark play by John B. Keane, and directed by My Left Foot's Jim Sheridan. ~ Hal Erickson, All Movie Guide

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, All Movie Guide

This offbeat police thriller with heavy doses of humor was written by John Patrick Shanley, the former playwright who wrote Cher's hit romantic comedy Moonstruck. Kevin Kline stars as Nick Starkey, a brilliant former New York City police detective who has been exiled to the fire department because of his unorthodox ways. He's called back to service by his police commissioner brother Frank (Harvey Keitel) in the hopes that he can find a bizarre serial killer who's been murdering one woman a month. Nick's condition to agreeing to help is that he gets to cook dinner for Frank and his snooty wife Christine (Susan Sarandon), a former girlfriend of his. Ultimately, Nick uses his Zen-like intuition and some high-tech computer hardware (with prominent product placement plugs) to find the killer, pausing to have an affair with the mayor's beautiful daughter Bernadette (Mary Elizabeth Mastrantonio. In the improbable conclusion, Nick figures out the exact day the killer will strike and the exact apartment! January Man is too tongue-in-cheek to be taken seriously as a thriller. In addition to Keitel and Sarandon the stellar supporting cast includes Rod Steiger as the mayor and Danny Aiello as a tough police captain who rails against Nick's "beatnik" ways. ~ Clarke Fountain, All Movie Guide

Genre pioneer Larry Cohen, who broke new horror ground with the killer-baby hit It's Alive!, takes a stab at the giant-monster scenario with this enjoyable low-budget exercise. The title refers to the winged Aztec god Quetzalcoatl, represented here as a dragon-like flying lizard (thanks to some quaint but amusing stop-motion animation from David Allen), who decides to take up residence in the art-deco spire of the Chrysler Building, taking frequent jaunts in the midday sun to nip the heads off various hapless New Yorkers. The resulting bloody mess confounds detectives Shepard (David Carradine) and Powell (Richard Roundtree), who are already scratching their heads over a series of bizarre ritual murders linked to a secret Aztec cult. Into the picture comes the film's protagonist -- neurotic, sweaty, paranoid crook Jimmy Quinn (Michael Moriarty, in a tour-de-force performance), a two-bit wheel-man with aspirations of becoming a jazz pianist. After a botched diamond heist leads Quinn to Q's lair, his attempts to go straight take a side-turn as he decides to extort from the city an enormous sum in exchange for directions to the monster's nest. A few sneaky deals later, the location falls into Shepard's hands, and he leads a paramilitary assault on the Chrysler Building, where the creature's humongous egg is about to hatch. Rude, edgy, fast-paced, and peppered with witty dialogue (most of which can't be repeated here), Cohen's script retains the spirit of classic monster movies like The Beast from 20,000 Fathoms, injecting it with tough, gangster-movie moxie. Moriarty's unbelievable performance -- one of three collaborations with Cohen -- finds him chewing acres of scenery as a contemptible, loud-mouthed goon who's too funny to hate; Moriarty also composed and performed two schizophrenic piano numbers for the film. ~ Cavett Binion, All Movie Guide

In 1950, a Brink's armored truck in Boston was robbed by a highly organized gang decked out in Halloween masks. The Brink's Job is an occasionally humorous account of that "perfect crime." Peter Falk stars as the mastermind behind the robbery, who assembles a bunch of two-bit hoods who in any other circumstance would be written off as born losers. The success of the caper hinges upon Brink's rather arrogant assumption that its trucks are unassailable and their guards are always on their toes. Wrong on both counts! This comic suspenser was based on The Big Stick Up at Brink's, a book by Noel Behn. ~ Hal Erickson, All Movie Guide

This grim historical drama from director Martin Ritt was loosely based on real-life events. Richard Harris stars as James McParlan, an operative for the Pinkerton Detective Agency in 1876. The Pinkertons have been hired by a major coal company to infiltrate and expose an underground terrorist organization, the "Molly Maguires," operating within the impoverished mining communities of Pennsylvania. As most of the miners are Irish, the recently emigrated McParlan is selected to pose as a new worker just arrived in the area. He quickly wins the trust and loyalty of the local terrorist leader, Jack Kehoe (Sean Connery), as well as the affection of his landlord's beautiful daughter, Mary Raines (Samantha Eggar). As it becomes clear that the group he's supposed to betray is protesting truly wretched working conditions, the lawman's loyalties become divided between the law and his fellow countrymen. The Molly Maguires (1970) was Oscar nominated for Best Art and Set Direction. ~ Karl Williams, All Movie Guide