Carolyn McCormick Movies

Woody Allen writes and directs this "blackish comedy" about an eccentric upper-class New Yorker (Larry David) who abandons his comfortable lifestyle in favor of leading a more bohemian existence. After meeting a young Southern girl (Evan Rachel Wood) and her family, he discovers that life among the nonconformists isn't quite as carefree as he'd envisioned it to be. ~ Jason Buchanan, All Movie Guide

Ken Burns continues his exploration of massive, sweeping subjects with his 15-hour documentary The War; in this case, the conflict in question is World War II. Yet within the scope of that gargantuan subject, Burns and co-director Lynn Novick narrow their scale of emphasis, honing in on four "average" American towns and charting the experiences of individual young men who enlisted to go overseas and fight against the encroaching shadow of fascism. The film covers each major "region" of the U.S. by transporting audiences to the west coast (Sacramento, California); the south (Mobile, Alabama); the east coast (Waterbury, Connecticut) and the Midwest (the farming community of Luverne, Minnesota). Within that geographic framework, Burns uncovers a series of astonishing tales about bravery in the midst of adversity - from the story of a young man who transported 12 American soldiers from the Normandy beach on D-Day, to the accounts of innumerable young men who falsified their ages and enlisted early. Burns and Novick thus repeatedly emphasize the human side of war - an aspect all too often glossed over when documentarians treat WWII on a broader scale. ~ Nathan Southern, All Movie Guide

A drug dealer is murdered, and it appears that the killer is the father of a teenager who died from an overdose. But both the detectives and lawyers are stopped in their prosecutorial tracks by the accused man's parish priest Father Hogan (Denis O'Hare), who insists that he, himself, is the guilty party. The question: Should this confession be accepted at face value, or should the investigation proceed until all the facts are on the table? ~ Hal Erickson, All Movie Guide

Law & Order rips another story from the headlines in the series' 13th-season opener. When a professor specializing in stem-cell research is murdered, the detectives at first suspect that the killer was a pro-life zealot. It soon develops that the actual target for extermination was the professor's wife (also murdered in the attack), who was raising money and public awareness for Muslim women's rights. Ultimately, the clues lead to a young Muslim extremist who calls himself Mousah Salim, but who is actually an American named Greg Landen (Wil Horneff). In prosecuting the case, the lawyers try to ferret out the motivation behind Landen's wild-eyed fanaticism, with surprising results. Fred Dalton Thompson joins the cast as new DA Arthur Branch. ~ Hal Erickson, All Movie Guide

Upon finding a written biography of pioneering women's rights activist Elizabeth Cady Stanton, film producers Paul Barnes and Ken Burns (director of "The Civil War") were shocked and outraged that her story -- which is also that of Stanton's longtime friend and political partner Susan B. Anthony -- had been almost entirely omitted from their history courses. So together they began work on Not For Ourselves Alone: the story of Elizabeth Cady Stanton and Susan B. Anthony, a groundbreaking look at one of the greatest untold chapters in American history. Over a span of more than fifty years, Stanton and Anthony struggled ceaselessly to organize a movement for basic rights that would not be won until after their deaths. Their story is the story of freedom fighters everywhere, complete with tragedies, triumphs, and unconquerable hope -- but it is also the story of two passionate and talented women, whose close friendship sustained them in times of loneliness and despair. An unforgettably personal, inside look at the birth of the modern women's movement, this film is at once a study of where we have been and a profound reflection upon who and where we still are. Ideal for classroom and educational use. ~ Sarah Welsh, All Movie Guide

Carolyn McCormick returns to Law & Order in the role of Dr. Elizabeth Olivet, a former police psychologist now in private practice. When detective Green (Jesse L. Martin) coaxes a confession from the ten-year-old suspect in a school killing, the D.A.'s office calls in Dr. Olivet to examine the perpetrator. Is the boy indeed the killer -- and if so, is there the likelihood that he will kill again? ~ Hal Erickson, All Movie Guide

In the concluding episode of a three-part story, Eddie Newman (Scott Cohen), chief suspect in the murder of a female Hollywood movie executive, may beat the rap thanks to an O.J.-like "dream team" defense. Complicating matters is the revelation of detective Rey Curtis' (Benjamin Bratt) possible extramarital fling with Tinseltown producer Lisa Lundquist (Lauren Graham). Worse still, assistant D.A. Ross' (Carey Lowell) ex-husband, defense attorney Neal Gordon (Keith Szarabajka), hopes to use the Eddie Newman case to regain custody of his daughter. Episode highlights include Assistant D.A. McCoy's (Sam Waterston) blistering indictment of "trial by media." ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story, a serial sniper is still at large -- and now there's a copycat killer on the loose. While the city is in full panic mode, the men and women of the homicide department work 24-hour shifts to track down the killers. Elsewhere, Howard (Melissa Leo) recovers from her wounds; Pembleton (Andre Braugher) agonizes over the well-being of his pregnant wife; and Giardello (Yaphet Kotto) coerces the newly demoted Russert (Isabella Hoffman) to come out of her self-imposed exile. ~ Hal Erickson, All Movie Guide

At first glance, the demise of a baby seems to be a case of crib death. Upon further investigation, it is revealed that the infant was poisoned. There is enough compelling evidence to charge the baby's au pair Lila Crenshaw (Annika Peterson) with murder, even though she hotly protests her innocence. Based upon actual events, this episode concludes with a surprising and disturbing twist that is not to be found in the "true" story. ~ Hal Erickson, All Movie Guide

Detectives Briscoe (Jerry Orbach) and Curtis (Benjamin Bratt) and lawyers McCoy (Sam Waterston) and Kincaid (Jill Hennessy) are among the witnesses at an execution. Each witness reacts to the spectacle in a different manner, ranging from the married Curtis' brief tête-à-tête with a graduate student, Briscoe's lapse into drinking, and Kincaid's self-doubts over whether she can continue her work in the D.A.'s office. Things come to a shatteringly tragic climax for at least one of the four principals. This concluding episode of Law & Order's sixth season represents the final series appearance of co-star Jill Hennessy, as well as an early TV gig for future Alias star Jennifer Garner. ~ Hal Erickson, All Movie Guide

The murder of a rare coin dealer puts the spotlight of suspicion on the dealer's millionaire friend Richard Peterson (Michael Wilson). The wheels of justice move slowly as the D.A.'s office tries to establish provenance for the dead man's missing coin collection. A pivotal player in the proceedings is Judith Sandler (Karen Allen), daughter of two Holocaust survivors. ~ Hal Erickson, All Movie Guide

An autistic youth dies while in custody, leading Briscoe (Jerry Orbach) and Logan (Chris Noth) to investigate the clinic where the victim was being treated. The clinic's head, Dr. Alan Colter (Lawrence Pressman), has been known to use radical and possibly illegal therapies on his patients, most of these "treatments" involving electric shock. The D.A. office's efforts to tie Colter together with the victim's death are complicated by the lack of cooperation from the parents of Colter's patients. ~ Hal Erickson, All Movie Guide